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Musicalcocktail.Info Uwe Kröger Alfons Haider Doctor Dolittle Premiere in München Maya Hakvoort Mit & Salzburger Landestheater Weltpremiere Fack Ju Göhte HEIDI HEIDI
site 1-titel133-heidi.pmd www.musicalcocktail.info Österreich: Euro 4,95 / Europa: Euro 6,55 Mitte Feb.-April2018 Heft 133 * Doctor Dolittle 1 Salzburger Landestheater Fack ju Göhte - Se Mjusicäl Premiere in München 14.02.2018, 20:31 Weltpremiere HEIDI - Das Musical mit Uwe Kröger Maya Hakvoort & Alfons Haider cd-/ dvd-tipp • • www.musicalcocktail.info • VIVALDI – DIE FÜNFTE JAHRESZEIT wurde mehrfach mit dem Deutschen Musicaltheaterpreis 2017 ausgezeichnet. Komponist Christian Kolonovits gewann in der Kategorie „Beste Komposition“ und „Bestes Musikalisches Arrangement“, Musical-Star Drew Sarich durfte den Preis als „Bester Hauptdarsteller“ entgegen nehmen. Grund genug, die bemerkenswerte Rock-Oper auf Bild und Ton zu bannen. Herangezogen für die CD-Aufnahmen wurde bereits die Uraufführung vom 3. Juni 2017, für die Bildaufnahme, wurde der 8. Juni gewählt. Auch wenn sich sowohl Stück und Darsteller im Laufe der Zeit weiter entwickelt haben, das Spiel intensiver wurde, kann man bereits erkennen, welche Potential in dieser Produktion steckt. Drew Sarich spielt und singt Antonio Vivaldi, von Angelika Messner sehr einfach gestrickt dem gerade auch wegen seiner roten Haare sind. Die Liedtexte, gemeinsam mit den die Frauen zu Fuße lagen. Er gibt den Komponisten geschrieben, sind da wesent- Musiker und Lebemann kraftvoll und voller lich anspruchsvoller. So bleibt auf dem Leidenschaft. Boris Pfeifer brilliert als Tonträger das Beste über, und das sind berühmter, venezianischer Dramatiker Carlo immerhin ganze 75 abwechslungsreiche Vivaldi Goldoni, der dem alternden Vivaldi hilft, Minuten- mit vielen satten Rock- und Pop- Die fünfte Jahreszeit seine Erinnerungen nieder zu schreiben. klängen, verschmolzen mit Elementen des Ebenfalls großartig die beiden Wegbe- Barocks. Da dürfen natürlich Ausschnitte aus LIVE aus der Wiener Volksoper gleiterinnen von Antonio, die Geliebte Vivaldis „Vier Jahreszeiten“ nicht fehlen. -
Ernst Kovacic Biography Biography Violin / Conductor Conductor
Ikon Arts Management Ltd Suite 114, Business Design Centre 52 Upper Street , London N1 0QH t: +44 (0)20 7354 9199 f: +44 (0)870 130 9646 [email protected] m Ernst Kovacic Biography www.ikonarts.com Violin / Conductor “‘One of the most creative and accomplished violinists worldwide” The Sunday Times Website www. ernstkovacic.com Contact Pippa Patterson Email pippa @ikonarts.com Vienna, with its fruitful tension between tradition and innovation, inspires the Austrian violinist and conductor Ernst Kovacic. A regular visitor to Britain, Ernst Kovacic has worked with all of the major UK orchestras, most recently appearing with the BBC Scottish Symphony Orchestra performing Gyorgy Ligeti’s Violin Concerto and later performing Tchaikovsky’s Violin Concerto with the Ulster Orchestra. Ernst Kovacic is a leading performer throughout Europe and the USA. His recent guest engagements include appearances with the Vienna Philharmonic and Vienna Symphony, Rotterdam Philharmonic Orchestra, Czech Philharmonic, Prague Symph ony, Detroit Symphony, Budapest Symphony, Netherlands Radio Philharmonic, Tivoli Symphony and the Radio Symphony Orchestras of Berlin, Bayerischer Rundfunk, Sudwestfunk, Hessischer Rundfunk, Norddeutscher Rundfunk and the Konzerthausorchester Berlin among many others. Ernst makes frequent international festival appearances. He gave a critically /acclaimed performance of the Schoenberg Violin Concerto at the BBC Proms and has appeared at the Edinburgh Festival, the major festivals of Berlin, Vienna and Salzburg, as well as the Ultima Oslo and Prague Autumn Festivals. Increasingly busy as a conductor, Ernst has been the artistic director of the Le opoldinum Chamber Orchesta in Wroclaw, Poland since 2007. He has directed the Scottish Chamber Orchestra, Ulster Orchestra, Northern Sinfonia, Camerata Salzburg, Deutsche Kammerphilharmonie, Klangforum, Ensemble Modern, Stuttgart Chamber Orchestra, Camera ta Bern, Camerata Nordica, Zagreb Philharmonic and the Taipei Symphony Orchestra. -
Die VEREINIGTEN BÜHNEN WIEN Präsentieren
Die VEREINIGTEN BÜHNEN WIEN präsentieren ÖSTERREICHISCHE ERSTAUFFÜHRUNG 27. Jänner 2017 Ronacher DON CAMILLO & PEPPONE ALS MUSICAL IM WIENER RONACHER! Die Vereinigten Bühnen Wien bringen Anfang 2017 die österreichische Erstaufführung auf die Bühne. Wien, 17. November 2016: Die Vereinigten Bühnen Wien präsentieren das Musical DON CAMILLO & PEPPONE, bekannt durch die legendären Verfilmungen, basierend auf den Romanen „Il Mondo Piccolo“ von Giovanni Guareschi, nun endlich als Musical in Wien. Die VBW entwickelten die Weltpremiere der Bühnenfassung dieses Klassikers in Koproduktion mit dem Theater St. Gallen und zeigen das Stück ab 27. Jänner 2017 im Ronacher erstmals auch in Österreich (UA am 30. April 2016 in der Schweiz). VBW-Musical Intendant Christian Struppeck stellte heute im Rahmen einer Pressekonferenz Team, Produktion und Hauptdarsteller vor. Poetisch, rührend, klug – ein Wiedersehen mit liebgewonnenen Charakteren DON CAMILLO & PEPPONE erzählt liebevoll die Geschichten um den streitbaren katholischen Pfarrer Don Camillo und seinen nicht minder schlagkräftigen Kontrahenten Peppone als heiteres, unbeschwertes Musical. Es verspricht ein Wiedersehen mit charmanten, liebgewonnenen Charakteren. Eine fröhliche Geschichte über das ländliche Italien der 50er Jahre, gesellschaftliche Aufbruchsstimmung, menschliches Miteinander, Toleranz und die Kraft der Versöhnung. Ein Klassiker umgesetzt durch internationale Kreative Michael Kunze, erfolgreichster deutschsprachiger Musicalautor, Buchautor, Liedtexter und Übersetzer, dessen Werke mit 79 Goldenen und Platin-Schallplatten ausgezeichnet wurden, schrieb das Buch und die Liedtexte zum Musical. Zusammen mit einem der prominentesten italienischen Komponisten Dario Farina – vielen bekannt durch seine Kult-Pop-Songs wie „Felicità“ oder durch seine viel beachteten Filmmusiken („Rossini“) – ist ein unterhaltsames, kurzweiliges Stück Musiktheater entstanden, in das der Komponist südländische Leichtigkeit und Romantik einfließen ließ. Musical Supervision und Orchestration steuert VBW-Musikdirektor Koen Schoots bei. -
CONDUCTOR Sergio Alapont Winner As Best Conductor in Italy 2016 Of
CONDUCTOR Sergio Alapont Winner as Best Conductor in Italy 2016 of the Opera Awards GBOPERA, and winner of the II Competition for Conductors City of Granada Orchestra, Sergio Alapont is one of the leading conductors of his generation, Resident Conductor of Suzhou Symphony Orchestra in China, Music Director of Orizzonti Festival in Italy, Principal Conductor of Orquesta Manuel de Falla and Artistic Director of Opera Benicàssim. Future engagements for Mr. Alapont include Orchestra Giuseppe Verdi di Milano, Orchestra del Maggio Musicale Fiorentino, Orchestra di Padova e del Veneto, Orchestra della Toscana, Suzhou Symphony Orchestra (China), Opening Season Gala Concert with Haifa Symphony Orchestra (Israel), Norma at the Teatro Comunale di Ferrara, La Medium and Madama Butterfly at the Orizzonti Festival 2017, Lucia di Lammermoor at the Teatro Comunale di Treviso and Teatro Comunale di Ferrara, La forza del destino at the Las Palmas Opera, Madama Butterfly at the Palau de Les Arts of Valencia, Gala Concert at the Gran Teatre del Liceu de Barcelona or Gala Concert with the Orquesta Sinfónica de Madrid at the Teatro Real de Madrid Conrad van Alphen Conrad van Alphen is known as much for entrepreneurial spirit and depth of preparation as he his is for performances that combine exceptional sensitivity, vision and freshness. He enjoys a particularly close association with the Russian National Orchestra and is currently an artist of the Moscow Philharmonic Society. As a guest conductor Conrad works with some of the world’s most respected orchestras, such as the Montreal and Svetlanov Symphony Orchestras, the Brussels, Bogota and Moscow Philharmonics, the Bochumer Symphoniker as well as the Symphony Orchestra of the Gran Teatre del Liceu in Barcelona. -
18 July, 2021 the International Summer Academy Offers
INTERNATIONAL SUMMER ACADEMY IN LILIENFELD, AUSTRIA The International Summer Academy offers courses and lectures held by 4 – 18 July, 2021 internationally renowned artists and teachers. The participants can present their works, as prepared during the courses, to a public audience. This years’ Summer Academy will take place for the 40th time. The opening will be celebrated on July 4th, 2021. In celebration of the 40th Summer Academy, the opening event with the performance of Ludwig van Beethoven’s opera Fidelio will be particularly festive. The members of Amadeus Brass Quintet will also be celebrating their 15th year of teaching at the SAL with a brilliant 20 musicians brass orchestra concert in the 2nd week. As a place of inspiration, the SAL once again offers vocal and instrumental courses taught by recognized experts and pedagogues. Students and teachers perform together in Holy masses, in lecturer and participants concerts. These performances and the academic depth achieved by the exchange of ideas have a high educational value. They encourage artistic and human connections between many countries of the world. The director Karen De Pastel, the lecturers and the organizational team is looking forward to welcoming you in Lilienfeld! 1 The participation in the master courses is open to all students, musicians and music lovers. There is no age limitation for active participation. Forming REGISTRATION FEE instrumental and vocal ensembles is encouraged. Violinists who play viola as The registration fee is part of the course fee: a second instrument are free to choose one of the two instruments for o ACTIVE PARTICIPANTS EUR 60,- performance in ensemble groups. -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982. -
Mozart Evening in Vienna
--BBBBB NAXOS 11111 A Mozart Evening in Vienna Vienna Mozart Orchestra Konrad Leitner Wolfgang Amadeus Mozart (1756 - 1791) Aus der Oper "Die Entfuhrung aus dem Serail", KV 384 From the opera The Abduction from the Seraglio, K. 384 OuvertureIOverture Arie des Blondchens/Blondchen's Aria "Durch Zartlichkeit . " Aus der Oper "Don Giovanni", KV 527 From the opera Don Giovanni, K. 527 Canzonetta des Don GiovannilDon Giovanni's Canzonetta "Deh, vieni alla finestra" Duett Don Giovanni-Zerlina:/Duet of Don Giovanni and Zerlina "La ci darem la mano" Eine kleine Nachtmusik, KV 525 Serenade in G, K. 525 1. Allegro Konzert fur Klavier Nr. 21, C-Dur, KV 467 Piano Concerto No. 21 in C major, K. 467 2. Andante 3. Allegro vivace assai Symphonie Nr. 41, "Jupiter", KV 551 Sym hony No. 41, Jupiter, K. 551 1. AIL~~Ovivace Konzert fur Violine, A-Dur, KV 219 Violin Concerto in A major, K. 219 3. Rondo: Tempo di Menuetto Aus der Oper "Don Giovanni", KV 527 From the opera Don Giovanni, K. 527 Arie des Leporello - Registerarie/LeporelloFsCatalogue Song: "Madamina ! " Aus der Oper "Don Giovanni", KV 527 From the opera Don Giovanni, K. 527 Arie der ZerlinaIZerlina's Aria "Vedrai, carino" Aus der Oper "Die Zauberflote", KV 620 From the opera The Magic Flute, K. 620 Arie des PapagenoIPapageno's Aria "Ein Madchen oder Weibchen" Alla turca (Orchesterbearbeitung) Rondo alla turca (orchestral arrangement) Wolfgang Amadeus Mozart was born in Salzburg in 1756, the son of a court musician who, in the year of his youngest child's birth, published an influential book on violin-playing. -
Jahresbericht 2011 Kunsthistorisches Museum Mit MVK Und Ötm Jahresbericht 2011
M ÖT Sammlungen in der Neuen Burg www.khm.at Ephesos Museum Hofjagd- und Rüstkammer Sammlung alter Musikinstrumente 1010 Wien, Heldenplatz Kunsthistorisches Museum 1010 Wien, Maria Theresien-Platz Schatzkammer 1010 Wien, Hofburg – Schweizerhof Wagenburg 1130 Wien, Schloss Schönbrunn Museum für Völkerkunde 1010 Wien, Neue Burg, Heldenplatz Theseustempel Jahresbericht 1010 Wien, Volksgarten 2011 Schloss Ambras 6020 Innsbruck, Schlossstraße 20 978-3-99020-015-5 Österreichisches Theatermuseum 1010 Wien, Palais Lobkowitz, Lobkowitzplatz 2 Jahresbericht 2011 Kunsthistorisches Museum mit MVK und Jahresbericht 2011 2 SAMMLUNG Jahresbericht 2011 Kunsthistorisches Museum mit MVK und ÖTM IMPRESSUM MEDIENINHABER UND HERAUSGEBER Generaldirektorin Dr. Sabine HAAG REDAKTION Franz PICHORNER Elisabeth HERRMANN LEKTORAT Elisabeth HERRMANN Annette SCHÄFER ÜBERSETZUNGEN Elizabeth MORTIMER ART-DIREKTION Stefan ZEISLER FOTONACHWEIS ©, falls nicht anders angegeben: KHM Leitung Fotografie und Bildbearbeitung Stefan ZEISLER Bildbearbeitung Michael AUMÜLLER Fotografen Christian MENDEZ Thomas RITTER Alexander ROSOLI Andreas ULDRICH GRAFISCHE GESTALTUNG ATELIER SIMMA, Wien DRUCK Druckerei Walla GmbH www.khm.at © 2012 Kunsthistorisches Museum Wien Alle Rechte vorbehalten. INHALT 8 Geschäftsführung 17 Aus der Chronik von KHM, MVK und ÖTM 21 Sammlungen des Kunsthistorischen Museums 73 Sammlungen des Museums für Völkerkunde 91 Sammlungen des Österreichischen Theatermuseums 103 Abteilungen 137 Ausstellungen 169 Publikationen 173 Diverses 183 Mitarbeiterinnen und Mitarbeiter 187 English Summary Geschäftsbericht 6 SAMMLUNG SAMMLUNGEN KHM 7 GESCHÄFTSFÜHRUNG 8 VORWORT Seit 10 Jahren gibt das Kunsthistorische tungsphase ist ein problemloser Umzug aus im Fundraising und die wertvolle finanzielle Museum mit seinen angeschlossenen Museen den alten Depots erfolgt, wofür wir allen Unterstützung unseres Wiener Freundesver- jeweils einen Tätigkeitsbericht heraus, in Beteiligten unseren großen Dank aus- eins sowie der International Friends of KHM dem seine Forschungs-, Vermittlungs- und sprechen. -
Media Kit 2015 Season
MEDIA KIT 2015 SEASON Partnerships www.australianworldorchestra.com.au MEDIA RELEASE The Australian World Orchestra brings Australia’s finest musical talent home for three extraordinary concerts “… the Mehta Stravinsky and Mahler concert was such a thrilling night of brilliant musicianship (always GREAT when Melbourne audiences get to their feet in rapture!)” – Geoffrey Rush “The Australian World Orchestra brings together some of the finest musicians I have had the pleasure to make music with. I adored conducting them last year.” – Zubin Mehta In July/August 2015, the Australian World Orchestra (AWO) performs under the baton of Chief Conductor of the Berlin Philhar- monic Orchestra, Sir Simon Rattle, together with internationally renowned mezzo-sopranoMagdalena Kožená. AWO will perform three electrifying performances in Australia, at the Sydney Opera House and the Arts Centre Melbourne, Hamer Hall, before the orchestra makes its international debut, accepting Zubin Mehta’s invitation to perform in India in October 2015. AWO Founder and Artistic Director, Alexander Briger, said: “It’s so exciting that the AWO will come together in 2015 to work with the incomparable Sir Simon Rattle in Australia, and that we give our first international performances, reuniting with Maestro Zubin Mehta in India.” Since its inaugural concert series in 2011, AWO has dazzled Australian audiences and established its place as one of the world’s premier orchestras. Founded through the creative vision of internationally acclaimed conductor Alexander Briger, AWO brings Australia’s utmost classical music talent from around the world to perform together. The 2015 season includes 95 Australian musicians from over 30 cities and 45 of the world’s leading orchestras and ensembles, from the Berlin and Vienna Philharmonic Orchestras, the Royal Concertgebouw, and the London and Chicago Symphony Orchestras, as well as Australia’s own magnificent state orchestras. -
Journal of the American Viola Society Volume 8 No. 1, 1992
WILLIAM PRIMROSE, 1904 - 1982 Commerrwrative issue on the 10th Anniversary of his Death JOURNAL oftlze AMERICANVIOLA SOCIETY Chapter of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion of Viola Performance and Research Vol. 8 No.1 1992 The Journal of the American Viola Society is a publication of that organization, and is produced at Brigham Young UniversitY,@1985, ISSN 0898-5987. The Journal welcomes letters and artioles from its readers. Editorial and Advertising OJ/ice: BYU Music, Harris Fine Arts Center, Provo, UT 84602, (801) 378-3083 Editor. David Dalton Assistant Editor: David Day JAVS appears three times yearly. Deadlines for copy and art work are March I, June I, and October I and should be sent to the editorial office. Rates: $75 full page, S60 two-thirds page, S40 half page, 533 one-third page, S25 one-fourth page. For classifieds: $10 for 30 words including address; $20 for 31 to 60 words. Advertisers will be billed after the ad has appeared. Payment to •American Viola Society· should be remitted to the editorial office. OFFICERS Alan de Veriteh President School of .vlusic Unil'erslhJ of So Californza 830 West )4th Street RilmoHalll12 Los Angeles. CA 90089 (8051255-0693 Harold CoLetta Vice-PreSldmt 5 Old Mill Road = West Nyack, ,"'Y 10994 Pamew Goldsmith Secreta11l 1I640 Amanda Dm'e StudIO City, CA 91604 R(lsemarv Chide Treasure;, ~ P.O. Box 558 Golden', Bridge, NY 10526 D1l'la Dalton Past PreSldOlt Editor, /AVS Brigham Young UlIHyrslty Provo, UT 84602 --~I ---I BOARD -~I Louis Kiel'man Wilham Magers Donald McInnes l<£lthryn Plummer DullgJa Pounds ~'l/Illiam PreuCiI Thomas Tatton lv11chael Tree Karen Tuttle Emarwel Vardi Robert Vernon Antl Woodward PAST PRESIDENTS Maurice Rllev f1981-86) Myron Rosenblum (]971-81J HONORARY PRESIDENT William PnmroSt' (deceased) ~Cf?r;fChapter of the IntenzatiOlzale Vioia-Gesellschaft Announcement The premier publication by the American Viola Society, under the direction of the AVS Publications Department, for the benefit of its members and their society. -
MBTS 2019 Programme
MUSIC BY THE SEA AT BAMFIELD2 VANCOUVER0 ISLAND,1 BC 9 CONCERT 1: SATURDAY, JULY 20 8:15 pm (opening) .............. 2 CONCERT 2: SUNDAY, JULY 21 12:00 noon ......................... 5 CONCERT 3: SUNDAY, JULY 21 8:30 pm ............................... 6 CONCERT 4: MONDAY, JULY 22 8:30 pm ............................... 7 CONCERT 5: TUESDAY, JULY 23 8:30 pm ............................... 8 SPECIAL EVENT: WEDNESDAY, JULY 24 8:00 pm ............................. 12 CONCERT 6: THURSDAY, JULY 25 8:30 pm ............................. 13 CONCERT 7: FRIDAY, JULY 26 8:30 pm ............................. 14 CONCERT 8: SATURDAY, JULY 27 8:30 pm ............................. 16 CONCERT 9: SUNDAY, JULY 28 12:00 noon ........................ 18 CONCERT 10: SUNDAY, JULY 28 8:15 pm (closing) ............. 19 ARTIST BIOGRAPHIES .................................................................................... 22 FELLOWSHIP MENTORING SCHOOL ........................................................... 35 MESSAGE FROM THE DIRECTOR ................................................................. 41 ACKNOWLEDGEMENTS ................................................................................. 42 ALL PROGRAMMING IS SUBJECT TO CHANGE MUSIC BY THE SEA 2019 1 CONCERT 1 CONCERT 1 continued Saturday, July 20th ~ 8:15 PM Three Fanfares, for horn in a distant rowboat C. Donison Suite from “On the Overgrown Path” Leoš Janáček and tuned ships horns (2015) (b. 1952) (1854–1928) 8:15 pm I. Call and response between distant rowboat and boats Our evenings (with cannon -
2017–18 Season Week 24 Brahms Prokofiev
2017–18 season andris nelsons music director week 24 brahms prokofiev Season Sponsors seiji ozawa music director laureate bernard haitink conductor emeritus supporting sponsorlead sponsor supporting sponsorlead thomas adès artistic partner Better Health, Brighter Future There is more that we can do to help improve people’s lives. Driven by passion to realize this goal, Takeda has been providing society with innovative medicines since our foundation in 1781. Today, we tackle diverse healthcare issues around the world, from prevention to care and cure, but our ambition remains the same: to find new solutions that make a positive difference, and deliver better medicines that help as many people as we can, as soon as we can. With our breadth of expertise and our collective wisdom and experience, Takeda will always be committed to improving the Takeda Pharmaceutical Company Limited future of healthcare. www.takeda.com Takeda is proud to support the Boston Symphony Orchestra Table of Contents | Week 24 7 bso news 1 5 on display in symphony hall 17 in memoriam: john oliver 2 0 bso music director andris nelsons 2 2 the boston symphony orchestra 2 6 this week’s program Notes on the Program 28 The Program in Brief… 29 Johannes Brahms 39 Sergei Prokofiev 49 To Read and Hear More… Guest Artists 53 Tugan Sokhiev 55 Vadim Gluzman 60 sponsors and donors 78 future programs 82 symphony hall exit plan 8 3 symphony hall information the friday preview on april 27 is given by bso director of program publications marc mandel. program copyright ©2018 Boston Symphony Orchestra, Inc.