The Competition Jury 2012
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Aquiles Delle Vigne
Aquiles Delle Vigne • "Only few pianists can go from a sparkling Mendelssohn to a thundering Liszt while passing an aristocratic, sophisticated and charming Ravel..."says Harold Schoenberg of the New York Times. The Italian newspaper La Repubblica calls him "A prince of the piano"…..and the PRS Rheinische Post "a Grand Seigneur of pianists". The SVZ Salzburger Volkszeitung titles its review "From silence till steel power" ("Von still bis stahlhart"). • Born in Argentina, Aquiles Delle Vigne gave his first recital at the age of 8. At 17 he was already a disciple of Claudio Arrau and won the prestigious Grand Prix "Albert Williams". This award opened the doors of the most important concert halls of the continent for him. Later, he completed his training in Europe with Prof. Eduardo del Pueyo and Georges Cziffra. • He accomplished more than 25 tournées in Japan, 10 in Australia, the United States of America, Mexico, Hong Kong, Korea, and all South America. Today he is invited to the most important Festivals and performs in the most important halls in the world, like Gstaad, Paris, Salzburg, Madrid, Euro Festival in Seoul, Beethoven Festival under Lord Yehudi Menuhin, Leopold Hager, Georges Octors, Alberto Lysy, Lee Dong-ho, Bogo Leskowitch, Vladimir Kim, Emiel Simon, Edvard R. Tchivtzel, André Vandernoot, Edgard Donneux, Kamen Goleminov, Juan Carlos Zorzi, Jesus Medina, Claudio Santoro, Henrique Morelenbaum, D. Marinescou, Laurent Petit-Girard, and with leading orchestras of the world. • Considered also as a top teacher in the world, Aquiles Delle Vigne gives Masterclasses at the International Sommerakademie Universität Mozarteum in Salzburg, was Visiting Professor at the Royal Northern College of Music in Manchester and Professor Extraordinaire of the National University in Taipei. -
From the Violin Studio of Sergiu Schwartz
CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor -
Spring/Summer 2016
News for Friends of Leonard Bernstein Spring/Summer 2016 High-brow, Low-brow, All-brow Bernstein, Gershwin, Ellington, and the Richness of American Music © VICTOR © VICTOR KRAFT by Michael Barrett uch of my professional life has been spent on convincing music lovers Mthat categorizing music as “classical” or “popular” is a fool’s errand. I’m not surprised that people s t i l l c l i n g t o t h e s e d i v i s i o n s . S o m e w h o love classical masterpieces may need to feel reassured by their sophistication, looking down on popular culture as dis- posable and inferior. Meanwhile, pop music fans can dismiss classical music lovers as elitist snobs, out of touch with reality and hopelessly “square.” Fortunately, music isn’t so black and white, and such classifications, especially of new music, are becoming ever more anachronistic. With the benefit of time, much of our country’s greatest music, once thought to be merely “popular,” is now taking its rightful place in the category of “American Classics.” I was educated in an environment that was dismissive of much of our great American music. Wanting to be regarded as a “serious” musician, I found myself going along with the thinking of the times, propagated by our most rigid conservatory student in the 1970’s, I grew work that studiously avoided melody or key academic composers and scholars of up convinced that Aaron Copland was a signature. the 1950’s -1970’s. These wise men (and “Pops” composer, useful for light story This was the environment in American yes, they were all men) had constructed ballets, but not much else. -
The Conservatoire Américain a History
06-549_00_FM.qxd 10/30/06 6:29 AM Page i CORE Metadata, citation and similar papers at core.ac.uk Provided by Humanities Commons The Conservatoire Américain A History Kendra Preston Leonard THE SCARECROW PRESS, INC. Lanham, Maryland • Toronto • Plymouth, UK 2007 06-549_00_FM.qxd 10/30/06 6:29 AM Page ii SCARECROW PRESS, INC. Published in the United States of America by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.scarecrowpress.com Estover Road Plymouth PL6 7PY United Kingdom Copyright © 2007 by Kendra Preston Leonard All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Leonard, Kendra Preston. The Conservatoire américain : a history / Kendra Preston Leonard. p. cm. Includes bibliographical references (p. ) and index. ISBN-13: 978-0-8108-5732-2 (pbk. : alk. paper) ISBN-10: 0-8108-5732-4 (pbk. : alk. paper) 1. Conservatoire américain—History. I. Title. MT5.F66C66 2007 780.71'14437—dc22 2006026100 ϱ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Manufactured in the United -
Rudolf Buchbinder, Piano
Cal Performances Presents Sunday, September 21, 2008, 3pm Hertz Hall Rudolf Buchbinder, piano PROGRAM Ludwig van Beethoven (1770–1827) Piano Sonata No. 3 in C major, Op. 2, No. 3 (1795) Allegro con brio Adagio Scherzo: Allegro Allegro assai Beethoven Piano Sonata No. 22 in F major, Op. 54 (1804) In tempo d’un Menuetto Allegretto INTERMISSION Beethoven Piano Sonata No. 24 in F-sharp major, Op. 78 (1809) Adagio cantabile — Allegro ma non troppo Allegro vivace Beethoven Piano Sonata No. 25 in G major, Op. 79 (1809) Presto alla tedesca Andante Vivace Beethoven Piano Sonata No. 28 in A major, Op. 101 (1816) Allegretto, ma non troppo Vivace alla marcia Adagio, ma non troppo, con affetto — Tempo del primo pezzo — Allegro This performance is made possible, in part, through the generosity of The Hon. Kathryn Walt Hall and Craig Hall. Cal Performances’ 2008–2009 season is sponsored by Wells Fargo. CAL PERFORMANCES 25 About the Artist About the Artist performed Diabelli Variations collection written by Mozart and Beethoven. Mr. Buchbinder will visit Mr. Buchbinder attaches considerable impor- 50 Austrian composers. His 18-disc set of Haydn’s Munich several times throughout the season, per- tance to the meticulous study of musical sources. works earned him the Grand Prix du Disque, and forming the complete cycle of Beethoven sona- He owns more than 18 complete editions of his cycle of Mozart’s complete piano concertos with tas at the Prinzregententheater. In October and Beethoven’s sonatas and has an extensive collec- the Vienna Symphony Orchestra, recorded live at November, he will tour the United States with the tion of autograph scores, first editions and original the Vienna Konzerthaus, was chosen by Joachim Dresden Staatskapelle under Luisi, performing at documents. -
Bath Festival Orchestra Programme 2021
Bath Festival Orchestra photo credit: Nick Spratling Peter Manning Conductor Rowan Pierce Soprano Monday 17 May 7:30pm Bath Abbey Programme Carl Maria von Weber Overture: Der Freischütz Weber Der Freischütz (Op.77, The Marksman) is a German Overture to Der Freischütz opera in three acts which premiered in 1821 at the Schauspielhaus, Berlin. Many have suggested that it was the first important German Romantic opera, Strauss with the plot based around August Apel’s tale of the same name. Upon its premiere, the opera quickly 5 Orchestral Songs became an international success, with the work translated and rearranged by Hector Berlioz for a French audience. In creating Der Freischütz Weber Brentano Lieder Op.68 embodied the ideal of the Romantic artist, inspired Ich wollt ein Sträuẞlein binden by poetry, history, folklore and myths to create a national opera that would reflect the uniqueness of Säusle, liebe Myrthe German culture. Amor Weber is considered, alongside Beethoven, one of the true founders of the Romantic Movement in Morgen! Op.27 music. He lived a creative life and worked as both a pianist and music critic before making significant contributions to the operatic genre from his appointment at the Dresden Staatskapelle in 1817, Das Rosenband Op.36 where he realised that the opera-goers were hearing almost nothing other than Italian works. His three German operas acted as a remedy to this situation, Brahms with Weber hoping to embody the youthful Serenade No.1 in D, Op.11 Romantic movement of Germany on the operatic stage. These works not only established Weber as a long-lasting Romantic composer, but served to define German Romanticism and make its name as an important musical force in Europe throughout the 19th century. -
CHAN 9853 BOOK COVER.Qxd 30/8/07 5:31 Pm Page 1
CHAN 9853 BOOK COVER.qxd 30/8/07 5:31 pm Page 1 CHAN 9853(4) CHANDOS Yan Pascal Tortelier CHAN 9853 BOOK.qxd 30/8/07 5:33 pm Page 2 Henri Dutilleux (b. 1916) COMPACT DISC ONE AKG Symphony No. 1 30:51 1 I Passacaille: Andante 7:31 2 II Scherzo: Molto vivace 5:45 3 III Intermezzo: Lento 6:31 4 IV Finale, con variazioni: Largamente – Allegro – Scherzo – Lento 10:58 Symphony No. 2 ‘Le Double’ 28:49 5 I Animato, ma misterioso 7:43 6 II Andantino sostenuto 9:32 7 III Allegro fuocoso – Calmato 11:31 TT 59:47 Symphony No. 2: Chamber Orchestra personnel Violin I Andrew Orton Bassoon David Chatwin Violin II Robert Chasey Trumpet Patrick Addinall Henri Dutilleux Viola Janet Fisher Trombone Paul Reynolds Cello Peter Dixon Timpani Raymond Lomax Oboe Marios Argiros Harpsichord John Wilson Clarinet Paul Dintinger Celesta Bernard Robertson 3 CHAN 9853 BOOK.qxd 30/8/07 5:33 pm Page 4 COMPACT DISC TWO Jehan Alain (1911–1940) orch. Dutilleux 13 †‡ L’Arbre des songes* 25:14 Prière pour nous autres charnels 5:35 Concerto for Violin and Orchestra Prayer for us mortals Tree of dreams Très librement récité – Animato – Plus librement – 1 I Librement – 5:08 Sans lenteur 2 Interlude – 2:40 TT 58:08 3 II Vif – 2:00 Martyn Hill tenor‡ 4 Interlude – 1:59 Neal Davies baritone† 5 III Lent – 6:31 Olivier Charlier violin* 6 Interlude – 1:21 7 IV Large et animé 5:35 COMPACT DISC THREE Two Sonnets by Jean Cassou† 7:03 Métaboles 16:37 8 J’ai rêvé que je vous portais entre mes bras 4:48 1 I Incantatoire – 3:34 I dreamt that I carried you in my arms 2 II Linéaire – 3:01 Extrêmement -
Ning Fengviolin Virtuosismo
CHANNEL CLASSICS CCS 40719 NING FENG VIOLIN PAGANINI&VIEUXTEMPS VIRTUOSISMO ORQUESTA SINFÓNICA DEL PRINCIPADO DE ASTURIAS ROSSEN MILANOV CONDUCTOR Ning Feng (photo: Lawrence Tsang) 2 NING FENG returns to the Shanghai Symphony Orchestra under the baton of Yu Long. “Ning Feng’s total mastery could be seen in the In recital and chamber music Ning Feng precision and sweep of his bow, and heard in the regularly performs with Igor Levit and Daniel effortless tonal range, from sweet to sumptuous.” Müller-Schott, amongst others, and in 2012 New Zealand Herald - founded the Dragon Quartet. He appears at major venues and festivals such as the Wigmore Hall in Ning Feng is recognised internationally as an artist London, the Concertgebouw Amsterdam, National of great lyricism, innate musicality and stunning Centre for Performing Arts (Beijing) as well as the virtuosity. Blessed with an impeccable technique Schubertiade, Mecklenburg-Vorpommern and Hong and a silken tone, his palette of colours ranges from Kong International Chamber Music Festivals. intimate delicacy to a ferocious intensity. The Berlin Born in Chengdu, China, Ning Feng studied at based Chinese violinist performs across the globe the Sichuan Conservatory of Music, the Hanns Eisler with major orchestras and conductors, in recital School of Music (Berlin) with Antje Weithaas and and chamber concerts. the Royal Academy of Music (London) with Hu Kun Recent successes have included a return to where he was the first student ever to be awarded the Budapest Festival Orchestra with Iván Fischer -
Brosura Raro on Tour 2.Cdr
ENSEMBLE RARO & SoNoRo FESTIVAL ON TOUR 2009/2010 TABLE OF CONTENTS CD's / 2 Ensemble Raro / 3 Alexander Sitkovetsky & Bernhard Naoki Hedenborg / 4 Diana Ketler & Razvan Popovici / 5 SoNoRo Festival Bucharest/Romania / 6-7 SoNoRo 2008 Quickshots / 8 SoNoRo INTERFERENCES / 9 Children projects / 10 Tokio, Musashino Hall / 11 Kobe Music Festival & Japan Tour / 12 Vienna, Konzerthaus / 13 New York, Carnegie/Zankel Hall / 14 www.icr.ro London, Wigmore Hall / 15 Vienna, Musikverein / 16 Chiemgauer Musikfrühling Festival, Traunstein, Germany / 17 Photo album / 18 Ensemble Raro Quickshots / 20 1 Ensemble Raro is the ensemble en residence at the Chiemgauer Musikfruehling Festival in Traunstein, SoNoRo Festival in Bucharest, Kobe SONGS AND DANCES OF LIFE ENSEMBLE International Music Festival, Pèlèrinages in München and Le Faure/Bordeaux. By creating these festivals the ensemble has full artistic liberty: it improvised with DJ's, created multimedia shows with VJ's from Japan and Romania and developed literary soirées on love, Paul Wittgenstein and Bulgakow's Master CANTI DRAMMATICI RARO and Margarita with the actor Karl Markovics and the writer Lea Singer. Ensemble Raro is actively involved in performing contemporary chamber music repertoire. They gave a British and German premieres of Peteris Vasks's Piano Quartet. Their performances of Walter Braunfels' and George THE SEASONS Enescu's works in Pelerinages series in Munchen received a high critical acclaim. Ensemble Raro's partners in various chamber music formations included Daishin Kashimoto, Konstantin Lifschitz, Adrian Brendel, Claudio Bohorquez, Baiba Skride, Carolin Widmann, Alina Pogostkina, Marlis Petersen, Mark Padmore and other celebrated musicians. The Ensemble recently performed in the Boswil Summer Festival (Switzerland), St.Gallen Festival and Gmunden Festspiele (Austria), Riga Chamber Music Days (Latvia), Schloss Elmau and Schloss Filseck (Germany) and in Music at Plush Festival (UK). -
There's a Real Buzz and Sense of Purpose About What This Company Is Doing
15 FEBRUARY 7.15PM & 17 FEBRUARY 2PM “There’s a real buzz and sense of purpose about what this company is doing” ~ The Guardian www.niopera.com Grand Opera House, Belfast Welcome to The Grand Opera House for this new production of The Flying Dutchman. This is, by some way, NI Opera’s biggest production to date. Our very first opera (Menotti’s The Medium, coincidentally staged two years ago this month) utilised just five singers and a chamber band, and to go from this to a grand opera demanding 50 singers and a full symphony orchestra in such a short space of time indicates impressive progress. Similarly, our performances of Noye’s Fludde at the Beijing Music Festival in October, and our recent Irish Times Theatre Award nominations for The Turn of the Screw, demonstrate that our focus on bringing high quality, innovative opera to the widest possible audience continues to bear fruit. It feels appropriate for us to be staging our first Wagner opera in the bicentenary of the composer’s birth, but this production marks more than just a historical anniversary. Unsurprisingly, given the cost and complexities involved in performing Wagner, this will be the first fully staged Dutchman to be seen in Northern Ireland for generations. More unexpectedly, perhaps, this is the first ever new production of a Wagner opera by a Northern Irish company. Northern Ireland features heavily in this production. The opera begins and ends with ships and the sea, and it does not take too much imagination to link this back to Belfast’s industrial heritage and the recent Titanic commemorations. -
Henryk Szeryng – Weltbürger Und Weltklasse-Geiger (3)
SWR2 Musikstunde Henryk Szeryng – Weltbürger und Weltklasse-Geiger (3) Von Jörg Lengersdorf Sendung vom: 18. August 2021 (Erstsendung 19. September 2018) Redaktion: Dr. Ulla Zierau Produktion: SWR 2018 SWR2 können Sie auch im SWR2 Webradio unter www.SWR2.de und auf Mobilgeräten in der SWR2 App hören – oder als Podcast nachhören: Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Die SWR2 App für Android und iOS Hören Sie das SWR2 Programm, wann und wo Sie wollen. Jederzeit live oder zeitversetzt, online oder offline. Alle Sendung stehen mindestens sieben Tage lang zum Nachhören bereit. Nutzen Sie die neuen Funktionen der SWR2 App: abonnieren, offline hören, stöbern, meistgehört, Themenbereiche, Empfehlungen, Entdeckungen … Kostenlos herunterladen: www.swr2.de/app Die Jugend des Geigers Henryk Szeryng ist vorbei, das Studium fast beendet. Eine Weltkarriere scheint auf ihn zu warten. Doch dann sucht der Krieg Europa heim, alles kommt anders… Im Juli 1937 hat der 18jährige Henryk Szeryng gerade einmal 8 Monate in Paris studiert, als er sein Studium am Konservatorium beim Abschlusskonzert mit dem Prestigeträchtigen und begehrten ersten Preis der Kohorte abschließt. Neben Szeryng erhält der ebenfalls bald zur Weltelite gehörende Geiger Yfrah Neaman diese Auszeichnung. Der später legendäre Solist und langjährige Star-Konzertmeister der Berliner Philharmoniker, Michel Schwalbé, bekommt dagegen nur den zweiten Preis. Ein Detail am Rande, das immerhin illustriert, was für ein Niveau die Pariser Professoren in dieser Prüfungsphase 1937 serviert bekommen. In einigen biografischen Abrissen (ausführliche Biografien gibt es noch nicht) liest man nun, Szeryngs Eltern hätten ihm zum Pariser Abschluss eine wertvolle Geige das Cremoneser Meisters Andrea Guarneri geschenkt. -
Ernst Kovacic Biography Biography Violin / Conductor Conductor
Ikon Arts Management Ltd Suite 114, Business Design Centre 52 Upper Street , London N1 0QH t: +44 (0)20 7354 9199 f: +44 (0)870 130 9646 [email protected] m Ernst Kovacic Biography www.ikonarts.com Violin / Conductor “‘One of the most creative and accomplished violinists worldwide” The Sunday Times Website www. ernstkovacic.com Contact Pippa Patterson Email pippa @ikonarts.com Vienna, with its fruitful tension between tradition and innovation, inspires the Austrian violinist and conductor Ernst Kovacic. A regular visitor to Britain, Ernst Kovacic has worked with all of the major UK orchestras, most recently appearing with the BBC Scottish Symphony Orchestra performing Gyorgy Ligeti’s Violin Concerto and later performing Tchaikovsky’s Violin Concerto with the Ulster Orchestra. Ernst Kovacic is a leading performer throughout Europe and the USA. His recent guest engagements include appearances with the Vienna Philharmonic and Vienna Symphony, Rotterdam Philharmonic Orchestra, Czech Philharmonic, Prague Symph ony, Detroit Symphony, Budapest Symphony, Netherlands Radio Philharmonic, Tivoli Symphony and the Radio Symphony Orchestras of Berlin, Bayerischer Rundfunk, Sudwestfunk, Hessischer Rundfunk, Norddeutscher Rundfunk and the Konzerthausorchester Berlin among many others. Ernst makes frequent international festival appearances. He gave a critically /acclaimed performance of the Schoenberg Violin Concerto at the BBC Proms and has appeared at the Edinburgh Festival, the major festivals of Berlin, Vienna and Salzburg, as well as the Ultima Oslo and Prague Autumn Festivals. Increasingly busy as a conductor, Ernst has been the artistic director of the Le opoldinum Chamber Orchesta in Wroclaw, Poland since 2007. He has directed the Scottish Chamber Orchestra, Ulster Orchestra, Northern Sinfonia, Camerata Salzburg, Deutsche Kammerphilharmonie, Klangforum, Ensemble Modern, Stuttgart Chamber Orchestra, Camera ta Bern, Camerata Nordica, Zagreb Philharmonic and the Taipei Symphony Orchestra.