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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Time 1925 1930 1935 1940 1945 1950 1955 1960 1965 1970 1975 1980 1985 1990 1995 2000 2005 2010
Giulio Gatti Casazza 1926 Director, Metropolitan Opera Arturo Toscanini Leopold Stokowski 1926 1930 Conductor Conductor Pietro Mascagni Lucrezia Bori James Cæsar Petrillo 1926 1930 1948 Composer Singer Head, American Federation of Musicians Richard Strauss Alfred Hertz Sergei Koussevitsky Helen Traubel Charles Munch 1938 1927 1930 1946 1949 Composer and conductor Conductor Conductor Singer Conductor Ignace J Paderewski Geraldine Farrar Joseph Deems Taylor Marian Anderson Cole Porter 1939 1927 1931 1946 1949 Kirsten Flagstad Pianist, politician Singer Composer, critic Singer Composer 1935 Lauritz Melchior Giulio Gatti-Casazza Ignace Jan Paderewski Yehudi Menuhin Singer Artur Rodziński Gian Carlo Menotti Maria Callas 1940 1923 1928 1932 1947 1950 1956 Artur Rubinstein Edward Johnson Singer Director, Metropolitan Opera Pianist, politician Violinist; 16 years old Conductor Composer Singer 1966 1936 Leopold Stokowski Pianist Johann Sebastian Bach Nellie Melba Mary Garden Lawrence Tibbett Singer Arturo Toscanini Mario Lanza & Enrico Caruso Leonard Bernstein 1940 1968 1927 1930 1933 1948 1951 1957 Jean Sibelius Conductor Dmitri Shostakovich Composer (1685–1750) Singer Singer Singer Conductor Singers Composer, conductor 1937 1942 Beverly Sills Richard Strauss Rosa Ponselle Arturo Toscanini Composer Composer Benjamin Britten Patrice Munsel Renata Tebaldi Rudolf Bing Luciano Pavarotti 1971 1927 1931 1934 1948 1951 1958 1966 1979 Sergei Koussevitsky Sir Thomas Beecham Leontyne Price Singer Georg Solti Composer, conductor Singer Conductor Composer -
9 September 2021
9 September 2021 12:01 AM Uuno Klami (1900-1961) Serenades joyeuses Finnish Radio Symphony Orchestra, Jussi Jalas (conductor) FIYLE 12:07 AM Johann Gottlieb Graun (c.1702-1771) Sinfonia in B flat major, GraunWV A:XII:27 Kore Orchestra, Andrea Buccarella (harpsichord) PLPR 12:17 AM Claude Debussy (1862-1918) Violin Sonata in G minor Janine Jansen (violin), David Kuijken (piano) GBBBC 12:31 AM Peter Ilyich Tchaikovsky (1840-1893) Slavonic March in B flat minor 'March Slave' BBC Philharmonic, Rumon Gamba (conductor) GBBBC 12:41 AM Maria Antonia Walpurgis (1724-1780) Sinfonia from "Talestri, Regina delle Amazzoni" - Dramma per musica Batzdorfer Hofkapelle, Tobias Schade (director) DEWDR 12:48 AM Wolfgang Amadeus Mozart (1756-1791) Sonata for piano (K.281) in B flat major Ingo Dannhorn (piano) AUABC 01:00 AM Luigi Boccherini (1743-1805) Quintet for guitar and strings in D major, G448 Zagreb Guitar Quartet, Varazdin Chamber Orchestra HRHRT 01:19 AM Carl Nielsen (1865-1931) Symphony No.3 (Op.27) "Sinfonia espansiva" Janne Berglund (soprano), Johannes Weisse (baritone), Stavanger Symphony Orchestra, Niklas Willen (conductor) NONRK 02:01 AM Claude Debussy (1862-1918) Estampes, L.100 Kira Frolu (piano) ROROR 02:14 AM Fryderyk Chopin (1810-1849) Etude in C minor Op.10'12 'Revolutionary' Kira Frolu (piano) ROROR 02:17 AM Fryderyk Chopin (1810-1849) Etude in E major, Op.10'3 Kira Frolu (piano) ROROR 02:20 AM Fryderyk Chopin (1810-1849) Etude in C minor Op.25'12 Kira Frolu (piano) ROROR 02:23 AM Constantin Silvestri (1913-1969) Chants nostalgiques, -
MUSICWEB INTERNATIONAL Recordings of the Year 2018 This
MUSICWEB INTERNATIONAL Recordings Of The Year 2018 This is the fifteenth year that MusicWeb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2017-November 2018). The 130 selections have come from 25 members of the team and 70 different labels, the choices reflecting as usual, the great diversity of music and sources - I say that every year, but still the spread of choices surprises and pleases me. Of the selections, 8 have received two nominations: Mahler and Strauss with Sergiu Celibidache on the Munich Phil choral music by Pavel Chesnokov on Reference Recordings Shostakovich symphonies with Andris Nelsons on DG The Gluepot Connection from the Londinium Choir on Somm The John Adams Edition on the Berlin Phil’s own label Historic recordings of Carlo Zecchi on APR Pärt symphonies on ECM works for two pianos by Stravinsky on Hyperion Chandos was this year’s leading label with 11 nominations, significantly more than any other label. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2400 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year, but this year the choice was a little easier than usual. Pavel CHESNOKOV Teach Me Thy Statutes - PaTRAM Institute Male Choir/Vladimir Gorbik rec. 2016 REFERENCE RECORDINGS FR-727 SACD The most significant anniversary of 2018 was that of the centenary of the death of Claude Debussy, and while there were fine recordings of his music, none stood as deserving of this accolade as much as the choral works of Pavel Chesnokov. -
The Form of the Preludes to Bach's Unaccompanied Cello Suites
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2011 The orF m of the Preludes to Bach's Unaccompanied Cello Suites Daniel E. Prindle University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the Composition Commons, Musicology Commons, Music Practice Commons, and the Music Theory Commons Prindle, Daniel E., "The orF m of the Preludes to Bach's Unaccompanied Cello Suites" (2011). Masters Theses 1911 - February 2014. 636. Retrieved from https://scholarworks.umass.edu/theses/636 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE FORM OF THE PRELUDES TO BACH’S UNACCOMPANIED CELLO SUITES A Thesis Presented by DANIEL E. PRINDLE Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF MUSIC May 2011 Master of Music in Music Theory © Copyright by Daniel E. Prindle 2011 All Rights Reserved ii THE FORM OF THE PRELUDES TO BACH’S UNACCOMPANIED CELLO SUITES A Thesis Presented by DANIEL E. PRINDLE Approved as to style and content by: _____________________________________ Gary Karpinski, Chair _____________________________________ Miriam Whaples, Member _____________________________________ Brent Auerbach, Member ___________________________________ Jeffrey Cox, Department Head Department of Music and Dance iii DEDICATION To Michelle and Rhys. iv ACKNOWLEDGEMENTS First and foremost, I would like to acknowledge the generous sacrifice made by my family. -
El Amor Brujo
Luis Fernando Pérez piano Basque National Orchestra Carlo Rizzi direction MANUEL DE FALLA (1876-1946) Noches en los jardines de España - Nuits dans les jardins d’Espagne 1 - En el Generalife (Au Generalife) 2 - Danza lejana (Danse lointaine) 3 - En los jardines de la Sierra de Córdoba (Dans les jardins de la Sierra de Cordoue) El sombrero de tres picos - Trois danses du Tricorne 4 - Danza de los vecinos (Danse des voisins) 5 - Danza de la molinera (Danse de la meunière) 6 - Danza del molinero (Danse du meunier) 7 - Fantasía Bética - Fantaisie bétique El amor brujo (piano suite) - L´Amour sorcier (piano suite) 8 - Pantomima (Pantomine) 9 - Danza del fuego fatuo (Chanson du feu follet) 10 - Danza del terror (Danse de la terreur) 11 - El Círculo magico (Le cercle magique) 12 - Danza ritual del fuego (Danse du feu) Enregistrement réalisé les 11 et 12 avril 2013 à l’Auditorium de Bordeaux (plages 1 à 3) et du 15 au 17 juin 2013 à la Aula de Música de Alcalá de Henares (plages 4 à 12) / Direction artistique, prise de son et montage : Jiri Heger (plages 1 à 3) et José Miguel Martínez (plages 4 à 12) / Piano : Steinway D (plages 1 à 3) et Yamaha (plages 4 à 12) Accordeur : Gérard Fauvin (plages 1 à 3) et Leonardo Pizzollante (plages 4 à 12) / Conception et suivi artistique : René Martin, François-René Martin et Christian Meyrignac / Photos : Marine de Lafregeyre / Design : Jean-Michel Bouchet - LM Portfolio / Réalisation digipack : saga.illico / Fabriqué par Sony DADC Austria. / & © 2014 MIRARE, MIR 219 www.mirare.fr TRACKS 2 PLAGES CD MANUEL DE FALLA Nuits dans les jardins d’Espagne manière traditionnelle du concerto classico-romantique pour piano et orchestre. -
Season 20 Season 2011-2012
Season 2020111111----2020202011112222 The Philadelphia Orchestra Thursday, March 888,8, at 8:00 Friday, March 999,9, at 222:002:00:00:00 Saturday, March 101010,10 , at 8:00 James Gaffigan Conductor Stewart Goodyear Piano Bernstein Symphonic Suite from On the Waterfront Gershwin/orch. Grofé Rhapsody in Blue Intermission Tchaikovsky Excerpts from Swan Lake, Op. 20 I. Scene II. Waltz III. Dance of the Swans IV. Scene V. Hungarian Dance, Czardas VI. Spanish Dance VII. Neapolitan Dance VIII. Mazurka IX. Scene X. Dance of the Little Swans XI. Scene XII. Final Scene This program runs approximately 1 hour, 50 minutes. American conductor James Gaffigan, who is making his Philadelphia Orchestra debut with these performances, was recently appointed chief conductor of the Lucerne Symphony and principal guest conductor of the Netherlands Radio Philharmonic; he assumed both posts in the summer of 2011. This season he debuts with the Atlanta Symphony and the Los Angeles Philharmonic and makes return visits to the Minnesota Orchestra and the Baltimore, Dallas, Milwaukee, National, and Toronto symphonies. Recent and upcoming festival appearances include the Aspen, Blossom, Grant Park, and Grand Teton music festivals, and the Spoleto Festival USA. In Europe he makes debuts with the Czech, Dresden, and London philharmonics. In 2009 Mr. Gaffigan completed his three-year tenure as associate conductor with the San Francisco Symphony. Prior to that appointment he was assistant conductor of the Cleveland Orchestra. He has appeared with such North American orchestras as the Saint Paul Chamber Orchestra and the Chicago, Detroit, Houston, New World, Seattle, and Saint Louis symphonies. -
Boston Symphony Orchestra Concert Programs, Season 90, 1970
IftftXfiSMe BOSTON SYMPHONY ryD r^TJj? QTJ3 A FOUNDED IN 1881 BY HENRY LEE HIGGINSON FRIDAY- SATURDAY 10 TUESDAY A 5 1970-1971 NINETIETH ANNIVERSARY SEASON STRADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description mm BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETIETH ANNIVERSARY SEASON 1970-1971 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L. THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN RICHARD P. CHAPMAN EDWARD G. MURRAY ABRAM T. COLLIER JOHN T. NOONAN MRS HARRIS FAHNESTOCK MRS JAMES H. PERKINS THEODORE P. FERRIS IRVING W. RABB SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B. -
BENJAMIN BRITTEN's USE of the Passacagt.IA Bernadette De Vilxiers a Thesis Submitted to the Faculty of Arts University of the Wi
BENJAMIN BRITTEN'S USE OF THE PASSACAGt.IA Bernadette de VilXiers A Thesis Submitted to the Faculty of Arts University of the Witwatersrand, Johannesburg for the Degree of Doctor of Philosophy Johannesburg 1985 ABSTRACT Benjamin Britten (1913-1976) was perhaps the most prolific cooposer of passaca'?' las in the twentieth century. Die present study of his use of tli? passac^.gl ta font is based on thirteen selected -assacaalias which span hin ire rryi:ivc career and include all genre* of his music. The passacaglia? *r- occur i*' the follovxnc works: - Piano Concerto, Op. 13, III - Violin Concerto, Op. 15, III - "Dirge" from Serenade, op. 31 - Peter Grimes, Op. 33, Interlude IV - "Death, be not proud!1' from The Holy Sonnets o f John Donne, Op. 35 - The Rape o f Lucretia, op. 37, n , ii - Albert Herring, Op. 39, III, Threnody - Billy Budd, op. 50, I, iii - The Turn o f the Screw, op . 54, II, viii - Noye '8 Fludde, O p . 59, Storm - "Agnu Dei" from War Requiem, Op. 66 - Syrrvhony forCello and Orchestra, Op. 68, IV - String Quartet no. 3, Op. 94, V The analysis includes a detailed investigation into the type of ostinato themes used, namely their structure (lengUi, contour, characteristic intervals, tonal centre, metre, rhythm, use of sequence, derivation hod of handling the ostinato (variations in length, tone colouJ -< <>e register, ten$>o, degree of audibility) as well as the influence of the ostinato theme on the conqposition as a whole (effect on length, sectionalization). The accompaniment material is then brought under scrutiny b^th from the point of view of its type (thematic, motivic, unrelated counterpoints) and its importance within the overall frarework of the passacaglia. -
Timeline: Music Evolved the Universe in 500 Songs
Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers -
LAVINIA MEIJER HARP DIVERTISSEMENTS SALZEDO | CAPLET | IBERT 28908Laviniabooklet 10-09-2008 11:05 Pagina 2
28908Laviniabooklet 10-09-2008 11:05 Pagina 1 CHANNEL CLASSICS CCS SA 28908 LAVINIA MEIJER HARP DIVERTISSEMENTS SALZEDO | CAPLET | IBERT 28908Laviniabooklet 10-09-2008 11:05 Pagina 2 As a little girl of eight, I was already captivated by the magical sounds of the harp, so pure and rich. Once I discovered the instrument’s wealth of possibilities during my first lessons and my years at the conservatory, I quickly set myself a goal: I wanted to promote the harp as a solo instrument, wherever and however I could. I wanted to do this not only through the performance of well-known pieces, but also by encouraging contemporary composers to produce new harp compositions. For my first Channel Classics CD, I have chosen a combination of three 20th-century French masters. The Parisian firm of Érard, in particular, created technical innovations to the harp which considerably broadened the instrument’s (chromatic) capabilities; these innovations, followed by the first ‘minor’ masterpieces by Debussy and Ravel, soon made Paris the epicentre of a veritable harp explosion. More and more well-trained harpists appeared, and so did composers who became interested in the harp. Even though André Caplet did not compose much for the harp, the ‘Deux Divertissements’ are now an indispensable part of the repertoire. They are one of the harpist’s ‘musts’. And I cannot imagine why Jacques Ibert’s ‘Six Pièces’, those surprisingly colourful miniatures – are so rarely performed in their entirety. French-American Carlos Salzedo occupies a special place in the world of the harp. Famous both as a performer and teacher, he was immensely influential. -
Ÿþa N N U a L R E P O R T D O C U M E N
Annual AMERICAN Report YOUTH 2015/16 SYMPHONY Concert Season Come as your are. Leave Inspired. New Music Our Mission, Our Our Our Fiscal Alumni AYS Our Our Director! Our Vision Programs Events Audience Responsibility Spotlights Testimonials Tea m Supporters I am incredibly honored and excited to become Orchestra, to name a few. And it is because of this the next Music Director of the American Youth belief that I cherish the opportunity to contribute Symphony, an ensemble with a deep history and to the future of classical music by taking what I view a bright future in the great city of Los Angeles. as the natural next step in the progression of my journey and my life -- the American Youth Symphony. I come to AYS as a dedicated musician who after years of experience as a regular guest I am thrilled to begin guiding our musicians both conductor across five continents, a concert cellist, off-stage and on for my inaugural concert season in and a composer, looks forward to working with 2016/17. Featuring several major classical works, the today’s most talented young musicians. I’m also repertoire prepares AYS musicians for the demands the Music Director of the Alabama Symphony of a 21st century professional orchestra. Such giants Orchestra, a husband, and father of three little kids. as Mozart and Korngold need no introduction, and I am particularly excited to kick off the season Having grown up in Caracas in a musical household has with Mahler’s Symphony No.1 on October 16 and to certainly been instrumental in my choice to become join electric-guitar icon Steve Vai on-stage at Walt both a musician and a passionate advocate of the Disney Concert Hall on March 11 for a concert that arts.