Culture and Art January 2018
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Istanbul and Venice October 30 – November 8, 2011
MUSEUM OF CONTEMPORARY ART SAN DIEGO International Collectors’ Trip, Istanbul and Venice October 30 – November 8, 2011 DAILY ITINERARY Monday, October 31 – OPTIONAL DAY Complimentary breakfast will be provided for our group each morning. You can place your order through in- room dining, which is available 24 hours, or you can dine at Seasons Restaurant in the Hotel. Seasons is located in the glass-enclosed courtyard and is open daily for breakfast from 6:30 AM until 11 AM. The full breakfast menu is available for order. Please sign your room number to the bill. 9:30 AM Meet in Hotel Lobby 9:45 AM Depart Hotel 10 AM - 12:30 PM Grand Bazaar Shopping Excursion ($150 pp add-on, includes lunch) The Grand Bazaar (Turkish: Kapalıçarşı, meaning Covered Bazaar) in Istanbul is one of the largest and oldest covered markets in the world, with more than 58 covered streets and over 4,000 shops which attract between 250,000 and half a million visitors daily. The grand bazaar began construction in 1455 and opened in 1461. It is well known for its jewelry, pottery, spice, and carpet shops. Many of the stalls in the bazaar are grouped by the type of goods, with special areas for leather coats, gold jewelry and the like. Join us for this special tour with a professional, English-speaking guide, who will point out the best stalls to shop and explain the history of this very famous marketplace. Please wear comfortable walking shoes, dress in layers and bring an umbrella (umbrella provided by the hotel), as rain can be frequent during this time of year. -
Full Article
TOJET: The Turkish Online Journal of Educational Technology – July 2020, volume 19 issue 3 The Effect of Intelligence and Mind Games on Secondary School Students’ Writing Success Tülay Sarar KUZU Başkent University, Education Faculty, Turkish Language Teaching Department. TURKEY [email protected] Cansu DURNA Başkent University, Education Faculty, Turkish Language Teaching Department. TURKEY [email protected] ABSTRACT Language, which is the main tool of communication that consists actions without understanding and explaining, has vital importance in every field of life. Mother tongue teaching is a process that enhances school-type learning in all disciplines starting from the primary education level. It is also an area that links to deveoplment of thinking skills. In this context, there is a need for applications that encourages mother tongue development and enriches higher tninking skills based on active learning in educational settings. One of the educational activities that develop high-level thinking skills is Mind-Intelligence Games. Intelligence Games are defined as activities offered for individuals to realize their own potentials, to make fast and correct decisions, to produce their own unique solutions to problems, and to renew themselves continuously. In this study, the applicability of Mind Games in writing Turkish lessons was investigated. The aim of the study is to examine the effect of the Intelligence and Mind Games selected in accordance with the content and achievements of the Turkish Lesson Curriculum on the writing process. The research was carried out by quantitative research method on two equivalent groups studying in the 7th grade of a public secondary school. Semi-experimental design with experimental and control groups was used in this research. -
Studio Art Foundations Virtual Art Museum Project
STUDIO ART FOUNDATIONS VIRTUAL ART MUSEUM PROJECT YOUR NAME: ________________________________ DUE DATE: 1/11/21 You will visit four art museum websites from around the world. No admission fee, no travel expenses, open 24/7! Please see the attached list for suggestions. The assignment is broken up into several sections. Read the directions carefully before you begin. The final project will be presented as a Google Site that you will share. Browse Through Art Museums from around the World Begin your search by looking at museum websites: ➢ In the USA ➢ In the country of your family’s origin ➢ In a country where you would like to study abroad ➢ In a country that you think you will never visit The four art museums you choose must be used throughout this project: Art Museum 1 Name: ________________________________________________ Link: _________________________________________________________________ Art Museum 2 Name: ________________________________________________ Link: _________________________________________________________________ Art Museum 3 Name: ________________________________________________ Link: _________________________________________________________________ Art Museum 4 Name: ________________________________________________ Link: _________________________________________________________________ Browse through each museum website - take your time, enjoy the artwork - zoom in, zoom out. Get as close as you want - no museum guards! Part One: Museum Treasure Hunt Please find and save an image of a different work of art for numbers -
Elif Uras the Source
ELİF URAS THE SOURCE Curator & Editor: L. İpek Ulusoy Akgül November 24 – December 30, 2018 Tue–Fri, 11am – 6pm; Sat, 12pm – 7pm Kemeraltı Caddesi No: 25C Beyoğlu, Istanbul, Turkey (next to Galata Greek School) Elif Uras’s site-specific installation The Source, realized under the leadership of Galerist and as part of Kale Group’s 2018 project in support of ceramics in art, will be on view at a historic storefront in Istanbul between November 24 and December 30. Feeding from diverse historical and cultural references in her works, Uras hybridizes various traditions connecting painting to ceramics that she’s been working with for a while. The artist transforms these traditions in search of a new language. Exploring ideas of shared heritage, cultural hybridity, tradition and pluralism, The Source features a functioning ceramic fountain, a tiled wall, and new drawings presented in ceramic frames. An extension of Uras’s spatial explorations, her panel composed of 2500 mosaic pieces stems from Çinili Köşk (Tiled Kiosk) in Istanbul. Her anthropomorphic sculpture is a feminized version of the fountains in the Ottoman Imperial garden. In dialogue with the goddess figure in her fountain, Uras’s works on paper portray female protagonists presenting us with their gifts. Recalling the artist’s interest in different artistic practices before her, The Source also underlines natural resources such as water and light that connect with ceramics in Uras’s works. Her first presentation in Istanbul since her 2016 solo exhibition at Galerist, this installation transforms a historical space that has previously been used as a storage and a shop, attributing it a new function. -
Yedinci Kit a the Seventh Continent
��� İ������� ������� 14 Eylül – 9N`ÅZ ' THE SEVENTH CONTINENT YEDİNCİ KITA 16th Istanbul Biennial 14 September – 10 November 2019 İstanbul Bienali, İstanbul Kültür Sanat Vakfı tarafından düzenleniyor. Istanbul Biennial is organised by the Istanbul Foundation for Culture and Arts. THE SEVENTH YEDİNCİ KITA CONTINENT REHBER GUIDE 16. İstanbul Bienali’nin yayınları, İstanbul Kültür Sanat Vakfı ve Yapı Kredi Yayınları tarafından, Vehbi Koç Vakfı’nın katkılarıyla yayımlanmıştır. Publications of the 16th Istanbul Biennial are co-published by the Istanbul Foundation for Culture and Arts and Yapı Kredi Publications with the contribution of Vehbi Koç Foundation. Public Support Katkılarıyla ith the contributions of Biennial Sponsor İçindekiler Önsöz — Bige Örer .............................12 Yedinci Kıta’ya Giriş: Tarih, Coğrafya, Demografi, Kültür, Arkeoloji, Siyaset — Nicolas Bourriaud .......20 Mekânlar ....................................28 MSGSÜ İstanbul Resim ve Heykel Müzesi ........31 Pera Müzesi ...............................41 Büyükada .................................45 Ziyaret ......................................46 Koç Holding Desteğiyle Rehberli Turlar .............48 Sanatçılar ................................50-164 Kamusal Program .............................166 Film Programı ...............................182 Çocuklar ve Gençler ...........................186 Paralel Etkinlikler ............................188 Son Kısım ...................................218 Contents Foreword — Bige Örer .......................... 16 Introduction -
The London School of Economics and Political Science
The London School of Economics and Political Science The State as a Standard of Civilisation: Assembling the Modern State in Lebanon and Syria, 1800-1944 Andrew Delatolla A thesis submitted to the Department of International Relations of the London School of Economics for the degree of Doctor of Philosophy, London, October 2017 1 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledge is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe on the rights of any third party. I declare that my thesis consists of 101,793 words. 2 Acknowledgements This PhD has been much more than an academic learning experience, it has been a life experience and period of self-discovery. None of it would have been possible without the help and support from an amazing network of family, colleagues, and friends. First and foremost, a big thank you to the most caring, attentive, and conscientious supervisor one could hope for, Dr. Katerina Dalacoura. Her help, guidance, and critiques from the first draft chapter to the final drafts of the thesis have always been a source of clarity when there was too much clouding my thoughts. -
PRESS RELEASE My Place Is the Placeless
PRESS RELEASE My Place is the Placeless Shahpour Pouyan Private View Monday, 6 November, 2017 from 6.30 – 9 PM Exhibition continues until January, 2018 Lawrie Shabibi is pleased to announce the third solo exhibition in Dubai of New York-based Iranian artist Shahpour Pouyan. The exhibition takes its title from a phrase in a poem by Mawlana Rumi, and speaks of Pouyan’s rejection of national and ethnic labeling. Four years ago Pouyan took a genetic ancestry test. The results revealed a DNA ancestry of thirty-three modern countries spread across Central Asia, South Asia, the Middle East, Caucasus Mountains, Northern Europe and the British Isles. Some of the countries were surprising, such as Norway, Ireland and Bhutan, others less so, such as Iraq, Turkey and Saudi Arabia. Pouyan spent two years obsessively researching distinctive historic architecture from these thirty-three countries with the aim of unearthing their most significant monuments and ‘constructing’ his own identity through the language of architecture. The core of the exhibition revolves around a large-scale cuboid industrial steel construction upon which rest the thirty-three ceramic sculptures – the results of his research. Each sculpture is representative of a dome from a monumental building in the country of the artist’s genetic extraction as revealed by the genetic test. Some domes relate to religious buildings or places of worship, others as pure statements of grandiosity and power. The artist takes a Foucauldian approach to develop a personalized genealogy of the dome, highlighting the human tendency to memorialize legacies of power, just as genetic heritage is often a record of the legacies of conquest. -
Loving Sovereignty: Political Mysticism, Şeyh Galib, and Giorgio Agamben
Loving Sovereignty: Political Mysticism, Şeyh Galib, and Giorgio Agamben Arif Camoglu Comparative Literature Studies, Volume 58, Number 1, 2021, pp. 1-22 (Article) Published by Penn State University Press For additional information about this article https://muse.jhu.edu/article/781861 [ Access provided at 16 Feb 2021 14:11 GMT from Northwestern University Library ] loving sovereignty: political mysticism, şeyh galİ b, and giorgio agamben Arif Camoglu abstract Centering on the poetry of Şeyh Galib (1757–1799), this article considers Ottoman imperial sovereignty in tandem with the discourse of mysticism that underpinned it. A key rhetorical device that enables the abstraction of the politics of empire in this discourse is the metaphor of the beloved sov- ereign. In the mystical writing of Galib, this metaphor gives a spiritual edge to the authority of the sultan and expands the reach of his power beyond its physical limits. The metaphor of the beloved sovereign neutralizes sover- eignty as it turns submission into an act of love, a voluntary abandonment of political agency. To elucidate this obscured dimension of power in Galib’s mysticism, I draw on Giorgio Agamben’s notion of “potentiality.” Proposing that one must pay heed to potentiality in order to dig into “the ontological root of every political power,” Agamben considers “love” the proper medium of a potential resistance to sovereignty. Galib’s poetry, on the other hand, illuminates that which is not addressed in this analogy: love can occasion a commitment to sovereignty that forces itself upon the subject as an “onto- logical” condition, in the way Agamben terms it. -
Download the Biography
Galerie Lelong & Co. Paris – New York Ramazan Bayrakoğlu Ramazan Bayrakoğlu earned a degree in painting in 1989 at Dokuz Eylül University, Izmir, where he still teaches. The first fabric work Doctor was exhibited in 2005 at "Voices, Growing in the Night" exhibition, curated by Necmi Sönmez, for Borusan Art Center’s launch in Istanbul. The first plexiglas work Skips was exhibited 5 years after, in 2010, at Armory Show, NY. The same year he made Fire, a Plexiglas work of a house in fire which was purchased by Istanbul Modern and is now part of their permanent collection. Exhibitions Solo show 2016 Ramazan Bayrakoğlu, Galleri Andersson Sandström, Stockholm, Sweden 2015 Restless, Galerie Lelong, Paris, France 2009 RAMAZAN BAYRAKOĞLU, Dirimart, Istanbul, Turkey Group show 2016 Che Vuoi? - Fantasy Screen Of Contemporary Art, ALAN Istanbul, Istanbul, Turkey 2015 Young Collectors 2, Proje4L - Elgiz Museum of Contemporary Art, Istanbul, Turkey Artists in their time, Istanbul Modern, Istanbul, Turkey 2014 Trace 14, Proje4L - Elgiz Museum of Contemporary Art, Istanbul, Turkey The Spirit Of Paper, ALAN Istanbul, Istanbul, Turkey Young Collectors, Proje4L - Elgiz Museum of Contemporary Art, Istanbul, Turkey You Are Here, ALAN Istanbul, Istanbul, Turkey 13 rue de Téhéran, 75008 Paris – France / +33 1 45 63 13 19 / [email protected] / www.galerie-lelong.com 1 Galerie Lelong & Co. Paris – New York 2013 Istanbul Modern – Bahrain, Bahrain National Museum, Manama, 2012 Battle, Power and Faith, Museum of Anatolian Civilizations, Ankara, Turkey Dirimart -
Dutchcu|Ture Contemporary Visual Arts in Turkey
Centre for international DutchCu|ture | cooperation Contemporary Visual Arts in Turkey Version 2019 | Written by Anna Zizlsperger Contemporary Visual Arts in Turkey Version 2019 In 2011, SICA (the predecessor of DutchCulture) Acknowledgements produced a comprehensive mapping of the Turkish Written by Anna Zizlsperger based on 2011 mapping cultural field. This mapping was written by local by Hanife Ölmez. experts and edited by Teike Asselbergs and Chantal Hamelinck. The mapping was produce as a means to Edited by Chantal Hamelinck and Teike Asselbergs. promote cultural exchange between the Netherlands Proofread by Natasha Hay. and Turkey and as a starting point of the year 2012, which marked 400 years of Dutch – Turkish diplo- Commissioned by DutchCulture, centre for internati- matic relations. The mapping was supported and onal cooperation. produced in close co-operation with the Dutch public funds. Supported by the Ministry of Education, Culture and Science of the Netherlands. An update of these mappings was commissioned in 2018 by DutchCulture while working with the same editors. The existing mappings were revised and several new mappings were added. The updated mappings are focusing more on giving Dutch cultural practitioners an insight into the Tur- kish cultural field and its infrastructure, and helping them get in contact with colleagues. This mapping is supported by the Ministry of Education, Culture and Science of the Netherlands. Page 2 Contemporary Visual Arts in Turkey Contents Summary 4 Introduction 6 Short history 8 Main -
Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art
MASTERPIECES from the Department of Islamic Art in The Metropolitan Museum of Art EDITED BY Maryam D. Ekhtiar, Priscilla P. Soucek, Sheila R. Canby, and Navina Najat Haidar The Metropolitan Museum of Art, New York Distributed by Yale University Press, New Haven and London This catalogue is published in conjunction with the reopening of the Galleries for Copyright © 2011 by The Metropolitan Museum of Art, New York the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia on November 1, 2011. First printing, 2011 This publication is made possible through the generous support of Sharmin and All rights reserved. No part of this publication may be reproduced or transmitted in Bijan Mossavar-Rahmani. any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in Published by The Metropolitan Museum of Art, New York writing from the publishers. Mark Polizzotti, Publisher and Editor in Chief Gwen Roginsky, Associate Publisher and General Manager of Publications The Metropolitan Museum of Art Peter Antony, Chief Production Manager 1000 Fifth Avenue Michael Sittenfeld, Managing Editor New York, New York 10028 Robert Weisberg, Assistant Managing Editor metmuseum.org Edited by Cynthia Clark and Margaret Donovan Distributed by Designed by Bruce Campbell Yale University Press, New Haven and London Bibliography by Penny Jones yalebooks.com/art Production by Jennifer Van Dalsen yalebooks.co.uk Map by Anandaroop Roy Floor plans by Brian Cha -
November 2017: Cultural & Art Agenda
NOVEMBER 2017: CULTURAL & ART AGENDA ISTANBUL EVENTS : "PIERRE LOTI ET LES SILHOUTTES DE HASSAN- PORTRAITS AVANT LA II. CONSTITUTION". Curator : Erol Makzume October 24, 2017 – November 24, 2017 Saint Benoit High School, "La Gallerie" daily open between 15.30-19.00 hrs. Ai Weiwei On Porcelain With the support of Akbank, Sabancı University Sakıp Sabancı Museum will host Ai Weiwei’s first exhibition in Turkey, between the dates 12 September 2017 and 28 January 2018. The exhibition will showcase an extensive selection from the artist’s oeuvre alongside new works. Focusing on Ai Weiwei’s wide-ranging production in the medium of porcelain, the exhibition will present a narrative informed by the artist’s life story and his approach to both the tradition of craftsmanship and art history September 12,2017 - January 28 2018. Sabancı Üniversitesi Sakıp Sabancı Müzesi Sakıp Sabancı Cad. No:42 Emirgan 34467 İstanbul Tree, Simulacrum, Sea, Moon Borusan Contemporary prepares to present striking examples of new media art included in the Borusan Contemporary Art Collection through the new exhibition Tree, Simulacrum, Sea, Moon curated by Necmi Sönmez. As with Sönmez’s previous collection-based exhibitions, this Tree, Simulacrum, Sea, Moon also takes its cue from literature; the poem “Bir Şehir Bırakmak” (Leaving A City) by Oktay Rifat, a distinguished and dissident figure in the modern poetry of Turkey: Tell the tree .To bring me its shadow for the road .I also want the street and sea through the window And rolls from you.Shaped like the moon September 16, 2017–February 18,2018 Borusan Contemporary Perili Köşk Baltalimanı Hisar Cad.