DOCSLIB.ORG

*3(*55" )"6,%"- 4ZohvsNf§TóovOfgj

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
*3(*55 UÓTLB UÓ§BSBOEJ IFJMTB IÚOOVO CÚSO QJTUMBS NBUVS TUKÚSOVTQÈ ÓTVNBSTLBQJ 7&*5*/("45"63*//4*-'63 x/âSIFJNVSÈ)ØUFM#PSH #+"3(&:*/(»-'4%»55*3 xÅUJSVOEJSWJOUâSJO 5¶4," x3BDIFM;PF #*3(*55" )"6,%"- 4ZOHVSNF§TÓOVOFGJ KÞMÓKÞMÓ 4+»/7"314%"(4,3«*/ DX^`d`obX]]`mcXi B\enff[_i´i`mcXi DX^`d`ojX]Xgi\jjli D`\c\ipbjl^li D`\c\ mfkkXmcXi B\enff[_i´i`mcXi DX^`d`obX]]`mcXi B\enff[_i´i`mcXi DX^`d`ojX]Xgi\jjli b\enff[YiXli`jkXi D`\c\ mfkkXmcXi D`\c\ mfkkXmcXi Jd\^^XjmcXi C`\Y_\iijjb}gXi :i`jk\c B\enff[_i´i`mcXi DX^`d`ojX]Xgi\jjli DX^`d`omejb}gXi D`\c\ipbjl^li DXkm`eejclmcXi B\enff[_i´i`mcXi :i`jk\cgfkkXi DX^`d`obX]]`mcXi C`\Y_\iijjb}gXi ipbjl^li CXGXmfe` Jd\^ b\enff[YiXli`jkXi DX^`d`obX]]`mcXi m`cYfi^X7Z\ekild%`j E]eXcciXYi_aeXj\d]}^a]#b\pgkX<`imb]XiXgfkk j\d[i\^`m\ilii*'%j\gk\dY\i)''-% <`imb Yli _\ggeld Yi_aeld _\c^Xi]\i k`c GXijXi% Xi m\ili ^`jk } C\ >iXe[ ?fk\c @ek\iZfek`e\ekXc j\d \i \`kk ^c´j`c\^XjkX _k\c Yfi^Xi`eeXi% à cfb j\gk\dY\i b\dli caj _mXX _\ggel Yi_ae X m\iX j\d \pX [}jXdc\^i`_\c^`Yfi^}jkXi`eeXi% #^|]³W^[_c_b_ij³a_ JllicXe[jYiXlk)'Æ('/I\pbaXmbÆJd`,//')''Ænnn%\`im`b%`j Ó¢FTTVCMB§J FUUBIFMTU )FJMTVTQJMMBOEJPHIOFZLTMBOMFHU CJLJOÓJ§ÈSB )FJUUPHLBMU 5Ó§BSBOEJ #SFOOTMB#BMEWJOT3JOHTUFE &HHFSU'FMETLFSJ ¶IØQJ¢FJSSBCFTUVÓIFJNJOVN ).§J§ (SFJOBSPHWJ§UÚM #JSHJUUB)BVLEBM 4ZOHVSNF§TÓOVOFGJ 7FJUJOHBTUB§VSJOO4JMGVS (ÚNVMTÈMÓOâKV4JMGSJ )ÚOOV§VSJOO#KBSHFZ*OHØMGTEØUUJS )BOOIÞO .BUVSTFNÈSUVSWÓ§B 3BDIFM;PF%SPUUOJOHJO ÓEÞLLVMÓTVCSBOTBOVN 4JHSÓ§VS#KÚSHFMVSVQQ 5SZHHWJTFHJSLZOKBTÚHVS 4UKÚSOVTQÈ 4UKÚSOVSOBSWFS§BMÓLBISEEBS ,WÓUBNÓOGZSJSVOHBCÚSO %SÓG§V¢JHÓSLUJOB ¶IWFSKVCMB§J ,SPTTHÈUB 4KØOWBSQOTUVWJLV 4VEPLV oKÞMÓOS Á5(«'6'²-"(oQSFOUNJ§MBS "6(-Å4*/("3 6.#305oQSFOUNJ§MBS 3*545+»3"34JHSÓ§VS#KÚSH5ØNBTEØUUJS +ØO-BVGEBMKPOM!GSFUUBCMBEJEJT "SOØS#PHBTPOPH-JOEB4UFGÈOTEØUUJS TJHSJEVS!GSFUUBCMBEJEJT 4ÚMVTUKØSJ 13&/57*//4-"¶TBGPMEBSQSFOUTNJ§KBFIG PH4UFJOVOO4UFGÈOTEØUUJS ÈCN (V§Oâ.BHOÞTEØUUJSHVEOZNBHH!JT '034¶6.:/%)"3* .BSLB§TGVMMUSÞJ /&5'"/(CJSUB!GSFUUBCMBEJEJT TUFJOVOO!GSFUUBCMBEJEJT (SÏUB,BSFO(SÏUBSTEØUUJSHSFUBLBSFO!GSFUUJT 3*545+»3/0("6(-Å4*/("3 .BSLB§TGVMMUSÞJ #JSUVFSESFJGUØLFZQJTÈIFJNJMJÈIÚGV§CPSHBSTW§ 4LBGUBIMÓ§ 3FZLKBWÓL TÓNJ "V§VS)BSQB"OESÏTEØUUJSBVEVSIBSQB!JT JOV 4V§VSOFTKVN "LVSFZSJ "LSBOFTJ #PSHBSOFTJ %3&*'*/(1ØTUIÞTJ§FIG TÓNJ .BSLB§TGVMMUSÞJ 4FMGPTTJPH)WFSBHFS§J ¢FUUBIFMTUUÓTLB UØOMJTU MFJLIÞT CLVS NZOEMJTUy 5FYUJ-*-+","53¶/ .ZOE(&55:*."(&4 #*,*/¶* 4&95¶6«3" )FJMTVTQJMMBOEJPHIOFZLTMBOMFHU v*UTZ#JUTZ5FFOJF8FFOJF:FMMPX1PMLB%PU#JLJOJ iTÚOH#SJBO)ZMBOEÈSJ§ TÏSOBGMBOOÓUWÓTLJQUVNTVOEGÚUVNPH¢WÓCSFJEEJTUCJLJOÓUÓTLBOGMKØUMFHB VNCJLJOÓJ§TFNPMMJBMHKÚSVCJLJOÓ§JNF§BMVOHSB BNFSÓTLSBTUÞMLOB ÞUWFTUBOIBGT &OCJLJOÓJ§IFGVSFLLJBMMUBGÈUUWJOTMEVNB§GBHOBPHÓÈSÈ¢B§B§CBLJ «¶UBMÓV 4QÈOJPH1PSUÞHBMWBSCJLJOÓJ§CBOOB§PHNBSHJSIÏMEV¢WÓGSBNB§ TFYUÓV ÈSB TLSBVUMFHB CBSÈUUVTÚHV ¶ GZSTUV ¢ØUUJ CJLJOÓJ§ IOFZLTMBOMFHU CJLJOÓJOWSVIFJMTVTQJMMBOEJ TWPFLLJTÏUBMB§VNIWFØTNFLLMFH¢BV¢ØUUV IFJMTVTQJMMBOEJPHFLLJFJUUIWB§TFNTØNBTBNMFHBSTUÞMLVSÈUUVB§LM§BTU ¶âTLBMBOEJWBSCJLJOÓJ§FJOOJHMJUJ§IPSOBVHBPHÓ3ÓØEF+BOFJSPÓ#SBTJMÓV B§ WBS -PVJT 3FBSE TFN IBOOB§J CJLJOÓJ§ ÈSJ§ FO IBOO WBSÓ NFTUV WBSTUPGOB§GÏMBHÈNØUJCJLJOÓVNÈSJ§#JLJOÓBUSJ§J6STVMV"OESFTTÓ WBOES§VNNF§IWB§UUJB§LBMMBVQQGJOOJOHVOB'KØSVNEÚHVNȧVSFO %S/PTOFNNBÈTKÚVOEBÈSBUVHOVNCSFZUUJNJLMVPHTâOEJIFJNJOVNB§ IBOOTâOEJIÚOOVOJOBÓ1BSÓTTQSFOHEJCBOEBSÓTLJIFSJOOLKBSOPSLVTQSFOHKV Ø¢BSGJWBSB§BHOÞBTUÞUÓTVOEGBUOB§JOO OSSJFZKBLMBTBÓ,ZSSBIBGJOVTFNLBMMBTUv#JLJOJ"UPMMiBSWBSOBGOJ§LPNJ§ 4Ó§BO¢ÈIBGBWJOTMEJSCJLJOÓJTWBYJ§GSÈÈSJUJMÈST GZSJSVUBOOÓVOEBÈSBUVH PH KÞMÓ TBNB ÈS BGIKÞQB§J 3FBSE CJLJOÓJ§ &OHJO GZSJSTUB GÏLLTU UJM B§ JOO¢FHBSCJLJOÓTBMBESØTUTBNBOVN¢SJ§KVOH WFSBÓ¢FTTVNÚHSBOEJGBUOB§JPH¢WÓGÏMM¢B§ÓIMVUOFLUBSEBOTNFZKBSJOOBS ¶EBHHFGBCJLJOÓJOTVOECPMVNFLLFSUFGUJSPHIHUFSB§GÈ¢BVÓÚMMVNSFHO .JDIFMJOF#FSOBSEJOJB§TâOB¢B§ CPHBOTMJUVN TUS§VNPHTOJ§VN&OUÓTLBOGFSÓISJOHJPH¢B§FSBMESFJB§ #JLJOÓJ§ ÈUUJ UJMUÚMVMFHB BV§WFMU VQQESÈUUBS Ó #BOEBSÓLKVOVN TBNBOCPSJ§ WJUBOFNBOBGMJOOWFS§JCBOOB§VSFJOIWFSOUÓNBOOÓGSBNUÓ§JOOJPHCJLJOÓJO WJ§ NÚSH ÚOOVS MÚOE ¶ )PMMZXPPE WPSV TUKÚSOVSOBS +BZOF .BOTGJFME ¢VSGJB§CZSKBCBSÈUUVOBVQQÈOâUUBOHB§UJMFSØIUUB§OKØUB¢FTTB§TâOB .BSJMZO.POSPF #SJHJUUF#BSEPUPH3JUB)BZXPSUIØISEEBSWJ§B§CFSBÈ IPMEPHCB§BTJHÓTØMJOOJ5JMIBNJOHKVNF§BGNMJ§CJLJOÓ ¢FUUBIFMTUUÓ§BSBOEJ (ÞSLVUÓ§x&OHJOOÈBLSJOVN IFJUULBMU /ÞFSVQQTLFSVUÓ§HÞSLVOOBS&LLJÓ¢FJNTLJMOJOHJB§OÞTÏVBMMJSÞUJÈWFMMJB§TJOOB HÞSLVVQQTLFSVOOJWFSUÈNØUJ/ÞFSBLVSJOOUØNVS-BOETNFOOFSVGBSOJSÓTVNBS GSÓ BMMUGSÈMFJLTLØMBCÚSOVNUJM¢JOHNBOOBBSNF§FSHÞSLVUÓ§JOIBGJO 'SÈPHNF§EFHJOVNÓEBHPH¢BSUJMIBVTUBUFLVSWFS§BTBH§BSGSÏUUJSBGTLKÚMEØUUVN LÞN NBOOJTFNTÈÚSO PQOVONJOKBTBGOTÈÚSGVNPHB§TKÈMGTÚH§V HÞSLVN'SÏUUB PHCMB§BNFOOMBOETJOTLMØSBÓ ¶4-&/4," 3¶,*445+»3/*/ TÓ§VTUV HÞSLVGSJO PH IFGKBTU GZSJS B§ CUB SÏUUBSTUÚ§V IBOEBWJ§B§UFZHKBMPQBOOPH TBNLZOIOFJH§SB UPHB TWP ¢SȧVSJOO EVHJ ¢FJN UJMNZSLBSJNÈOV§B 'SBNB§¢WÓWFS§BCMÚ§JO¢VOO PH TKØOWBSQTGSÏUUBUÓNBS TUZUUSJ &/%63(&3*3 È HÚNM FO¢B§LFNVSFLLJB§TÚLB§ VNISZMMJOHTNZOEVN4CS FSIWPSUF§FSFOHJOOB§IPSGB 0NFO 5FYBT $IBJOTBX OÏMFTB,BOOTLJHâTTWPFJUUFME .BTTBDSF 5IF )JMMT )BWF GKBMM NB§VSWFJUBMESFJ HÞSLBO &ZFT 8IFO B 4USBOHFS FSUJMBMMTWÓT $BMMTPGM /*63.+»"3 #6963 ).x4UØSBTUVOEJOSVOOJOVQQ &JOT ØUSÞMFHU PH ¢B§ IMKØNBS FSV ¢S BGUVS Ó ,PNJ§ FS B§ ÞSTMJUBMFJL IFJNTNFJTUBSBLFQQOJOOBS Ó UÓTLV LOBUUTQZSOVFUUBFSCÞJOB§WFSBMÚOHLFQQOJ4VNJS IBGBGBHOB§ B§SJSIBGBHSÈUJ§PHFOOÚ§SVNFSBMWFH OÈLWNMFHBTBNB¢WÓ¢FJSIBGBTLFNNUTÏSTWPWFM4WP WFM B§ CKØSJOO FS B§ LMÈSBTU Ó âTLBMBOEJ FO ¢B§ IFGVS 4+»/7"31455*3 TFN FLLJHFSTUTÓ§BOTÓ§BOBMESFJ HFSB ÞU È TUB§MB§BS LZO B§FSMKÞGTÈSTUVOE¢FHBSMFJLJ§FSVNTUSTUVWFS§MBVO ÓNZOEJS FJOT PH ,JOH PG TFN OPLLVS ¢Kا HFUVS VOOJ§ -FJLVSJOO NBSLBS C§J 2VFFOT PH "DDPSEJOH UP IÈQVOLU LFQQOJOOBS PH KBGOGSBNU MPL IFOOBS PH ¢B§ FS +JN ÚSVHHU B§ ÚSWOUJOH HSÓQVS FJOIWFSKB FS GMBVUB§ WFS§VS UJM MFJLTMPLB /Þ ¢VSGB LOBUUTQZSOVÈIVHBNFOO B§ TOÞB BGUVS UJM GZSSB MÓGT TFN B§ ÚMMVN MÓLJOEVN FS PS§J§ MÓUJ§ BOOB§ FO SKÞLBOEJ SÞTUJS )MÞB ¢BSG B§ MBOH¢SFZUUVN NÚLVN PH BGTLJQUBMBVTVN CÚSOVN -ÓGJ§ IFMEVS WÓTU ÈGSBN PH GSBN -Å5"-,/"3 TFN GSBN B§ OTUB IFJNTNFJTUBSBNØUJ HFUVN WJ§ IVHHB§ PLLVS LWNBGFHSVOBSB§HFS§JSÈ ¶TLBMU 7J§TUPGVIJUB )WPSLJIFJUUOÏLBMU 7PMHU )FJUU WJ§ FOTLB CPMUBOO &J§ Ó #BSDFMPOB IOFZLTMJ Ó ÓUBMTLB VOHMJOHVN CPMUBOVN &WSØQVNØUJ§ NFJTUBSBEFJMEJOB $PQB "NFSJDB PTGSW ÁUTÚMVSx7FS§ISVOÓWFSTMVOVN -PLB§ÈMFJLTLØMVNx 4VNBSÞUTÚMVSOBSFSVCZSKB§BS¶CÞ§BS 'KÚMTLZMEBOTBNBOÓTVNBSGSÓJ HMVHHVOVNCMBTBWJ§TUØSTLJMUJTFNBVH MâTBUJMCP§PHWFS§ISVOv4BMFiTUFOEVS 4VNBSGSÓJO FSV CZSKV§ PH NBSHJS MFJLTLØMBS FSV È¢FJNGMFTUVNFOEBIFGVSMÚOHVN¢ØUU MPLB§JS Ó FJOIWFSO UÓNB ZGJS TVNBSJ§ ½MMVN GPS TWBMU B§ TOPCCB GZSJS FOTLVOOJ ¢FHBS FMESVNFSTLZMUB§UBLBB§NJOOTUBLPTUJGKÚHVSSB ÞUTÚMVSFSVBVHMâTUBS WJLOBTVNBSGSÓGZSJSCÚSOJOTÓOPH¢WÓ¢BSGGKÚMTLZME 4VNBSWÚSVSOBSTFNTUSFZNEVÓCÞ§JSO BO B§ FZ§B NFJSJ UÓNB BSGZSJSOPLLSVNWJLVNTÓ§BOGÈTUOÞÈ TBNBO FO WFOKVMFHB HاV WFS§J B§ FS ¢WÓ VN B§ HFSB B§ /Þ FS LPNJ§ B§ GPS TLFMMB TÏS È ÞUTÚMVSOBS TLP§B ÞSWBMJ§ FMESVOVNB§GJOOBVQQ PHOMBTÏSÓOPLLSBSTVNBSMFHBSGMÓLVS È FJOIWFSKV TQFOOBOEJ ȧVS FO IBVTUWÚSVSOBS LPNB ,BOOTLJ B§HFSBNF§CÚSOVOVN GFS TØMJO B§ HMFOOB TJH PH ¢È FS OBV§ TFNFSVWÚOTLJQVMBH§SJ TZOMFHU B§ FJHB FJUUIWB§ TVNBSMFHU PH PH TLFNNUJMFHSJ EBH GBMMFHU 'ZSTUJS LPNB GZSTUJS GÈ PH ¢WÓ TLSÈMFJLTLØMBOOB FS CFTU B§ LÓLKB È ÞSWBMJ§ ȧVS FO ¢B§ WFS§VSPGTFJOU ¢FUUBIFMTUMÓUJ§FJUU xCJSUBNMJSNF§y 1-½56//* '09 $0/'&4403 #3*/(4 5)& '-00% NF§ /FLP $BTF TÚOHLPOVOOJ ÞS 5IF /FX 1PSOPHSBQIFST &JOTUBLMFHB MKÞG QMBUBTFNGFMMVSIFMTUVOEJSLÈOUSÓTUÓMJOO&JOMH PH GBMMFH TÚOHSÚEE $BTF HFSJS ¢B§ B§ WFSLVN B§NB§VSHMFZNJSTÏSBMHKÚSMFHBÓUØOMJTUJOOJÈ TBNBUÓNBPHNB§VSCÓ§VSTQFOOUVSFGUJSOTUB MBHJ7FMEVSBMMTFLLJWPOCSJH§VNPHMÚHFJOTPH 4UBS 8JUOFTT "U -BTU PH %JSUZ ,OJGF WFLKB IKÈ NBOOJHاBUJMGJOOJOHVÓIKBSUBPHIVHB CSFOOTMBONÓO #BMEWJO3JOHTUFEUØOMJTUBSNB§VS 7*/5Å3"-"/%*0(7&3½-%*//* 0,,"3#§JÓ,SJOHMVOOJPH4NÈSBMJOE HFUB CÚSOJO MFJLJ§ TÏS Ó TBOOLBMMB§SJ -ÚHJOÞSTQJMBSBOVN WJOUâSBWFSÚME È NF§BO GPSFMESBSOJS 'ZSTUBQMBUBUØOMJTUBSNBOOTJOT#FMB )PMFBOE$PSOFS FSOâMFHBLPNJOÞU#FMBTFNIFJUJSSÏUUV WFSTMB KÈ F§B LÓLKB È LBGGJIÞT B§ FS OBGOJ#BMEWJO3JOHTUFEIFGVSWBLJ§WFS§TLVMEB§BBUIZHMJPHGFOHJ§HاBEØNBGZSJSGSVNCVS§ OPLLV§ ÚSVHHU B§ CÚSOVOVN GJOOJTU TJOOÓUØOMJTUJOOJ#FMBTFUUJTBNBOCSFOOTMVGZSJS#JSUVNF§TÓOVNVQQÈIBMETMÚHVN TLFNNUJMFHSB B§ STMBTU NF§ Ú§SVN v²HFSBMMTFLLJBMUBÈUØOMJTU ¢ØB§FGUJSGBSBOEJMJTUJHUJWBLJ§VQQSBOHIVHNZOEJSVN¢B§ FOIMVTUBTBNUÈNKÚHNJTNVOBOEJUØOMJTUBSNFOO²HWBSCZSKB§VSB§TFUKBTBNBOOPLLSB CÚSOVNÓTUB§¢FTTB§SÈGBÈNJMMJWFSTM ¢FNBMJTUBÓIVHBOVN OPTUBMHÓVMJTUBOO NFUBMMJTUBOO LBTTBHÓUBSMJTUBOO }TMJTUBOOFO BOBPHIBOHBGZSJSVUBONÈUVOBSLMFGB ÈLWB§TWPÈFOEBOVNB§IBGB¢FUUBFJOGBMUPHUFMKBUJMMÚHTFNIBGBWFSJ§ÓTQJMBSBOVNIKÈNÏS VOEBOGBSJ§i '+»3*3 %*4,"3 '+½( -"( ;PNCJFT5IJTXJMMCFPVSZFBS5JMWBMJ§MBHUJMB§PQOB CSFOOTMVEJTLJOOv'FFMHPPEiMBHTFNTUFOTUUÓNBOTUÚOO 63 (-½4 NBUTF§MJOVN È "SHFOUÓOV TUFJLIÞTJ )BOO -"( 4VGKBO4UFWFOT$IJDBHP4VGKBOUFLTUFJOIWFSOWFHJOOB§ TBNBOTUFOEVS BG CMFJLKV DPO CMBOEBHÈGVNBOOBQPQQJPHIJMMCJMMÓGPML GSÈCSÞUTFUOJOHPHHPUUMBH GJU ISFJOEâSB DBSQBDDJP HSJMM V§VN OBVUBMVOEVN PH TLZSJ -"( $SPTCZ 4UJMMT /BTI:PVOH$BSSZPO3BEEJS¢FTTBSB GKØSNFOOJOHBFSVFJOTPHIBOOB§BSTÏSTUBLMFHBGZSJSIWPSB§SBPHIMKØNVSJOOÈ vQBOOB DPUUBi 7JSLJMFHB MKÞG VOEJSTQJMJOVBMMUB§¢WÓGVMMLPNJOO GFOHJS SÏUUJS TFN HPUU FS B§ TLPMBOJ§VSNF§F§BMWÓOVN TÏSWÚMEVNBGWÓONFJTUVSVNIÞTTJOT PHFLLJ -"( .BMDPMN.JEEMFUPO#SFBLNZIFBSU"OOBSIFMNJOHVS BOOB§IHUFOB§WFSBQÓOVMÓUJ§IBNJOHKVTBNVSB§NÈMUÓ§MPLJOOJ (MBTHPXEÞFUUTJOT"SBC4USBQ4ÈIBOOÈUØOMFJLVNÓWPS ¢ÈCB§TUIBOOGPSMÈUT ÈB§WFSBB§USP§B¢VOHMZOEJTÓOVVQQÈUØOMFJLBHFTUJFUUBFS¢ØBGBSISFTTU MBHPHWÓTBSKBGOWFMB§FJOTÓ"##"ÈLÚGMVNBSOBGSNB§VSMÓLBFLUB(MBTHPX ISFJNPHLBMEI§OBTKÈMGTLP§VOBSUFYUB -"( 8JMMJBN'JU[TJNNPOT'VOFSBMESFTT'BOO¢FOOBOHBVSÈ
Load more

Recommended publications
  • 4+»/7"314%"(4,3«*/Tfqufncfs #&&#   .#4/ #(/&""  #0
    UÓTLB UÓ§BSBOEJOO IFJMTB MFJLIÞT QJTUMBS NBUVS TUKÚSOVTQÈ BMMUBGB§ 5¶4," -F§VSPHMBLL ."563 ,BSUÚGMVSPHNFJSBNF§ %0//","3&/)6/%"//" 5IFPEØSB&MÓTBCFU4NÈSBEØUUJS 4,"1"/%*7*//6"-,* x-FJLIÞTNB§VSJOO"HOBS+ØO 4+»/7"314%"(4,3«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Ó¢FTTVCMB§J FUUBIFMTU .JOOJTCØLNF§NJOOJOHVN )FJUUPHLBMU 5Ó§BSBOEJ«STUÓ§BTLJQUJ #SFOOTMB)FOSJLT#BMEWJOT#KÚSOTTPOBS ,WFOGÏMBHJ§(BSQVS 6OJDFGB§FSHBNBOB§HFGB )WB§ÈUUVB§HFSBÓWJLVOOJ (SFJOBSPHWJ§UÚM "HOBS+ØO4LBQBOEJWJOOVBMLJ %POOB,BSBOIVOEBOOB 4BNTLJQUJWJ§TUKÞQCÚSOGMØLOBSJ )BOOIÞO ,BSUÚGMVSPHNFJSBNF§ 5ÓTLB/ÞFS¢B§TWBSU ,SJTUÓO&WBØSIBMMTEØUUJSFMVSVQQ
    [Show full text]
  • Úhjo Tfn Tuø§V Vqq Þs
    UÓTLB UÓ§BSBOEJOO IFJMTB CÚSO IÚOOVO QJTUMBS NBUVS TUKÚSOVTQÈ )&33"5¶4,"/ x)OFQQUBSQFZTVS 7*½-%6/*0("'5"/'3* x#SZHHKVTUFNOJOHWJ§TNÈCÈUBIÚGO 4OBSGBSB ."563 x(BNBMEBHT EKÚGMBUFSUB FOHJOTUB§BMÓNZOE '03."45&-163/"3 "-."0(&%%" x,PNOBSUJMB§WFSB ÈHÞTU 4+»/7"314%"(4,3«*/ '**!-2-2'"&/D/0&D.+#< #'%#-.D#$0'. 0E+! $!.<' #,%!,/2E)1. F(1,% 7 > ; 4 @A 4 A = 4 : =B9 4 B9 4 B B9:> ?CA99 ?= :?:B=: 9 9 % # , - ) % " # " * % " -% . # & # $ " ' % & "& # $ ! + % ( Ó¢FTTVCMB§J FUUBIFMTU ¶HSOOJMBVUV )FJUUPHLBMU #SFOOTMB#FSHMJOEBS)ÊTMFS »MâTBOMFHTUFNOJOHPHFJOMHHMF§J (BZQSJEF (SFJOBSPHWJ§UÚM &LLFSUNBSLNJ§PGIÈMFJUU "MNB%SÚGOPH&EEBÅSS )JONÚSHVBOEMJU'PSNB 'BMMFHVTUSÈLBSOJSÓ3FZLKBWÓL 7J§ÚMEVOJ§PHBGUBOGSJ§ #SZHHKVTUFNOJOHWJ§TNÈCÈUBIÚGO4OBSGBSB )BOOIÞO (BNBMEBHTEKÚGMBUFSUB /ÚSEBMFHBUÚGG)OFQQUBSIFSSBQFZTVS ,SJTUÓO&WBØSIBMMTEØUUJSFMVSVQQ 'KÚSÈLMØJOV .F§MÚHVNTLBMMBOECZHHKB )VHB§B§CBSOBIFSCFSHJOV +ØIBOOBTFHJSLZOKBTÚHVS 4UKÚSOVTQÈ 6QQSVOJIMVUBOOB#JOEJ§ ,BSMNFOOHMÓNBWJ§G§JOHBS¢VOHMZOEJ )SFZGJOHÓTLVHFHOCFJO¢ZOOJOHV ¶IWFSKVCMB§J ,SPTTHÈUB 4KØOWBSQOTUVWJLV 4VEPLV oÈHÞTUOS Á5(«'6'²-"(oQSFOUNJ§MBS "6(-Å4*/("3 6.#305oQSFOUNJ§MBS 3*545+»3"34UFJOVOO4UFGÈOTEØUUJS ÈCN +ØO-BVGEBMKPOM!GSFUUBCMBEJEJT "SOØS#PHBTPOPH-JOEB4UFGÈOTEØUUJS TUFJOVOO!GSFUUBCMBEJEJT 4ÚMVTUKØSJ ØSHVOOVS0EETEØUUJS (V§Oâ.BHOÞTEØUUJSHVEOZNBHH!JT 13&/57*//4-"¶TBGPMEBSQSFOUTNJ§KBFIG .BSLB§TGVMMUSÞJ '034¶6.:/%)"3* UIPSHVOOVS!GSFUUBCMBEJEJT (SÏUB,BSFO(SÏUBSTEØUUJSHSFUBLBSFO!GSFUUJT
    [Show full text]
  • Harry Anstey Avid / Premiere / Color Editor /AFX (Offline and Online)
    Harry Anstey Avid / Premiere / Color Editor /AFX (Offline and Online) Profile Harry is a very well established, popular and hugely experienced Offline and Online Editor. He has experience across a range of genres and is renowned for his reputation within music programming and promos. He is capable of taking on board anything from directing music composition to prepping for and coordinating high-end post to building graphics in the edit suite with limited budget and resources. He is not only a creative cutter but he knows the kit inside out and also trains others on it. Over his years as an editor he has built up a great rapport with his clients and is a calming influence in an often very stressful and busy environment! Long Form Credits “Back to the…” 1 x 60min. A guided tour of all things Channel 4 in a celebration of four decades of iconic TV shows, from live autopsies and award-winning documentaries to anarchic live shows and ground-breaking comedy. North One for Channel 4 “Secrets of Your Takeaway” 1 x 60min. Lexis Conran goes behind the scenes of our favourite takeaway restaurants and shows viewers DIY hacks in how to recreate their most popular dishes at home. North One for Channel 5 “Dolly Parton: 50 years at the Opry” A special 50th Anniversary concert celebrating the Queen of Country music. Man Alive Entertainment for NBC / BBC 2 “Generations: Bhangra” 1 x 30min. 6-part mini-doc series looking at different dance forms across the world, in this case Bhangra in the UK Midlands, and examining the significance of the genre from the perspective of different generations.
    [Show full text]
  • Melvin Van Peebles & Artists on the Cusp
    2.0 MELVIN VAN PEEBLES & ARTISTS ON THE CUSP Curated by Lisa D. Hayes, ESQ. & Souleo Enterprises, LLC EXHIBITION DESCRIPTION On September 19, 2013 the showcase series, eMerge 2.0 launched its second annual celebration of some of today’s most exciting and evolving contemporary visual artists. Creations from early-career art makers, produced by reimagining such everyday objects as thumbtacks, clothing buttons and vinyl records, were displayed alongside the items from the revered “master of artistic reinvention,” Melvin Van Peebles. As the exhibition’s anchor, Van Peebles made his visual art debut with Ex-Voto Monochrome (A Ghetto Mother’s Prayer), (2006), a mixed media meditation exploring the intersection between violence, economic disenfranchisement, womanhood and faith. Noteworthy pieces from Van Peebles’ private collection were also on display, including two rarely seen paintings by George Helton, deceased husband of Isabel Taylor Helton, designer of Van Peebles’ Manhattan apartment. Glass artist, Joseph Cavalieri’s And Then There’s Maude, (2013) celebrates the iconic 1970s TV character, Maude Findlay (played by Bea Arthur), a middle-aged, politically liberal woman liv- ing in suburbia. Cavalieri employs a meticulous ancient process that involves cutting glass from a paper pattern, kiln-firing enamel onto the colored glass at 1250 degrees Fahrenheit and adding modern elements of collage, silk screening and LED lights. JaSon E. Auguste also gleans inspiration from pop culture with, iAncientModernTuneIn, (2013), a large-scale sculpture made entirely out of vinyl records. Auguste seeks to celebrate the power of music as a spiritual force moving us with rhythm and beat, sound and power and delivering messages and purpose.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Santa Barbara El Barrio Lindo: Chicana/O
    UNIVERSITY OF CALIFORNIA Santa Barbara El Barrio Lindo: Chicana/o and Latinx Social Space in Postindustrial Los Angeles A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Jonathan Daniel Gomez Committee in charge: Professor George Lipsitz, Chair Professor Jon Cruz Professor Gaye Theresa Johnson January 2018 ! This dissertation of Jonathan Daniel Gomez is approved. ____________________________________________ Jon Cruz ____________________________________________ Gaye Theresa Johnson ____________________________________________ George Lipsitz, Committee Chair September 2017 El Barrio Lindo: Chicana/o and Latinx Social Space in Postindustrial Los Angeles Copyright © 2018 by Jonathan D. Gomez ! iii! Dedication This project is dedicated to every social justice seeker that has carved out spaces for us to congregate, organize, and mobilize for freedom. This is for my first teachers. For my Big Dad, David R. Carrillo, who began working full days as a farmworker after the third grade, who proudly worked the ten-inch mill at Bethlehem Steel in Los Angeles, California for thirty years, who sat me on his lap to tell me stories about what it was like to be a pachuco in East Los Angeles in the early 1940s, who always did so much to ensure that we never had to miss a meal. For my Big Mom, Lydia Carrillo, who was pushed out of school after the fourth grade because she did not have shoes, who smiled whenever she reminisced about being a pachuca in East Los Angeles, who invited neighbors less fortunate than us into our home to share a meal, who showered me with love, and who made sure that we always stood together.
    [Show full text]
  • Curated by Souleo • [email protected] • 646-320-0514 ART ENOLOGY EXHIBITION DESCRIPTION E·Nol·O·Gy Also Oe·Nol·O·Gy (-Nl-J) N
    Curated by Souleo • [email protected] • 646-320-0514 ART ENOLOGY EXHIBITION DESCRIPTION e·nol·o·gy also oe·nol·o·gy (-nl-j) n. The study of wine and the making of wine; viticulture. Historically, wine was stored in wooden casks and in large pottery containers known as amphorae. With the development of glass, bottles became common and evolved from an onion-shaped style to longer, flatter bottles. Since then wine bottles have been produced in various shapes of which some of the most popular include the Bordeaux, Burgundy, Rhine or “Hoch,” and Champagne styled bottles. Throughout this physical evolution, wine has been used for spiritual rituals, religious ceremonies, medicinal purposes and social occasions. In Art Enology artists draw from this history to transform wine bottles into visual artistic statements that simultaneously advance the aesthetic properties and possibilities of bottles; inspire a dialogue centered on historical and contemporary themes and concepts; and manifest environmental consciousness through the act of repurposing everyday material. These mixed medium works integrate wine bottles with a variety of predominantly found objects, photography, new media and more to intoxicate the creative palate. The exhibition begins by visually recalling the ancient history of wine with Dianne Smith’s Spirit Juice (2012). Smith inverts four wine bottles to become pillars for a shrine inspired by wine’s use in spiritual rituals. Further investigating wine’s historical roots is ceramic artist Anina Banks’ Untitled (2012). Before the mass production of wine bottles, wine was transported in wooden barrels or ceramic vessels. Therefore Banks creates a ceramic container that distorts the belly, neck and rim of the common wine bottle shape to utilize clay in a contemporary manner that provides historical context.
    [Show full text]
  • “Revolutionary” Iphone and “Magical” Ipad
    5 years of “revolutionary” iPhone and “magical” iPad [June 29, 2012] From: lazure2.wordpress.com Apple’s Consumer Computing System: 5 years of “revolutionary” iPhone and “magical” iPad [July 9, 2012] Sections: - Product ramp-up and momentum - The strongly related iTunes Store momentum during these 5 years - Essential Device Announcements - All related Apple press releases Document bookmarks are presented every- where in a “greyed link” format like this Essential Device Announcements (for sections) or [A105] (for a given press release) Carrier relationships are only partially covered by Apple (especially in this document), first with the iPhone launch as: - [A7/1] Apple and AT&T Announce iTunes Activation and Sync for iPhone [June 26, 2007] - [A7/2] AT&T and Apple Announce Simple, Affordable Service Plans for iPhone [June 26, 2007] - Apple Chooses O2 as Exclusive Carrier for iPhone in UK [Sept 18, 2007] - Apple and T-Mobile Announce Exclusive Partnership for iPhone in Germany [Sept 19, 2007] - Apple Chooses Orange as Exclusive Carrier for iPhone in France [Oct 16, 2007] - T-Mobile and Apple Announce Rate Plans for iPhone in Germany, Starting at Just €49 per Month [Oct 29, 2007] - iPhone on Sale This Friday Night at Apple, O2 and Carphone Warehouse Retail Stores in the UK [Nov 6, 2007] and then along with [A19] Apple Introduces the New iPhone 3G [June 9, 2008] as: - América Móvil and Apple to Bring iPhone 3G to Mexico on July 11 - AT&T and Apple to Launch iPhone 3G in the US on July 11 - Bharti Airtel and Apple to Bring iPhone 3G to India
    [Show full text]
  • Mcdonald's Gets a Makeover
    WWW.YOURDAILYJOURNAL.COM Thursday, February 21, 2013 Rockingham, NC 50 cents Commission hears unhappy public about rate hike Dawn M. Kurry Carolina. a difficult time paying their them are on fixed incomes. Richmond County Daily Journal In this application, the com- “I think that a rate hike at bills,” said Kearns. “I think How can they pay their bills? The North Carolina Utilities pany is requesting authority to this time would be devas- that a rate hike at this time It’s the difference between eat- Commission held a public hear- increase its rates and charges tating ... ,” would be devastating. That ing, paying for medication or ing at the Richmond County to produce additional overall — Rev. J.F. Kearns of Marston being said, I hope the rate hike paying their power bills.” Courthouse Wednesday night annual North Carolina retail helps Progress Energy sleep Charlene Morrow of in Rockingham to hear the pub- base revenues of approximately good tonight.” Rockingham said she was speak- lic’s reaction to a rate hike $387 million, an increase of They were asked not to ask Dobbins Heights Mayor ing on behalf of her neighbors proposed by Progress Energy around 12 percent over cur- questions, and to only give Antonio Blue said he agreed and friends in Rockingham who Carolinas, Inc. rent revenues. The company short statements about the rate with Kearns. were struggling economically. The North Carolina Utilities serves nearly 1.5 million retail hike. “I know it takes a lot of “I’m a customer of Progress Commission received an appli- customers in North and South The first speaker was Rev.
    [Show full text]
  • Gangs, Violence and Social Change in Urban Nicaragua1 Dennis Rodgers Development Research Centre, LSE
    1 crisis states programme development research centre www Working Paper no.35 DYING FOR IT: GANGS, VIOLENCE AND SOCIAL CHANGE IN URBAN NICARAGUA Dennis Rodgers Development Research Centre LSE October 2003 Copyright © Dennis Rodgers, 2003 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without the prior permission in writing of the publisher nor be issued to the public or circulated in any form other than that in which it is published. Requests for permission to reproduce any part of this Working Paper should be sent to: The Editor, Crisis States Programme, Development Research Centre, DESTIN, LSE, Houghton Street, London WC2A 2AE. Crisis States Programme Working papers series no.1 English version: Spanish version: ISSN 1740-5807 (print) ISSN 1740-5823 (print) ISSN 1740-5815 (on-line) ISSN 1740-5831 (on-line) 1 Crisis States Programme Dying For It: Gangs, Violence and Social Change in Urban Nicaragua1 Dennis Rodgers Development Research Centre, LSE Introduction: The new political economy of violence in Latin America Violence has long been recognised as a major social concern. War in particular, whether between states or within states, is widely considered “one of the main causes of human suffering and economic underdevelopment”. 2 But while war is perhaps the most paradigmatic manifestation of violence, it is by no means the only one, and certainly not the only one to have critical social implications. Criminal violence, for example, has been increasingly recognised as a major social problem. 3 Worldwide, crime rates have risen by an average of 50 1 I am grateful to Sue Redgrave for suggesting the first part of the title of this paper.
    [Show full text]
  • GLOBAL BUSINESS STRATEGY(BUS 7070) Case Studies
    GLOBAL BUSINESS STRATEGY(BUS 7070) Case Studies For this assignment, following APA style, answer as comprehensively as possible the questions after each case summary. Based on your reading of the case identify the main issues of the case and answer the questions in your own words. To better understand the case, you may also research the Internet, journals, and library reference materials and provide an up to date analysis. Case Study Analysis #1: Australia and New Zealand: Doing Business with Indonesia (Due date: 2015 Dec 12, Minimum 2pages required for all questions in Case Study # 1 as per APA format with not more than 10% Plagiarism) Please refer to Australia and New Zealand: Doing Business with Indonesia Case Study on page 106 and answer the following questions: 1) Using this case and the cultural dimensions explored in this chapter, discuss some of the ways in which citizens of Australia and New Zealand are members of cultures very different from any other in Asia. 2) In what respects is the Indonesian archipelago unique in Asia? 3) What characteristics of Indonesian workplaces are referred to in this profile? 4) How does the population appear to be socially stratified? 5) What are some business opportunities in Indonesia for foreign direct investment? Case Study Analysis #2: MTV Networks: The Arabian Challenge (Due date: 2015 Dec 12, Minimum 2pages required for all questions in Case Study # 2 as per APA format with not more than 10% Plagiarism) Please refer to MTV Networks: The Arabian Challenge Case Study on page PC2-9 and answer the following questions: 1) Experts felt that one of the biggest challenges faced by MTV while launching MTV Arabia was the prevalent culture in the Arab world.
    [Show full text]
  • Atlantic News Courtesy Photo Achievements Are What Make What Are Achievements the Marine Corps the Great Body That It Is
    Dove 333 Central A GE P U. ATLANTICNEWS.COM VOL 34, NO 36 |SEPTEMBER 5, 2008 | ATLANTIC NEWS | PAGE 1APresor . O. S. J. P AID FOSTER & CO ostal Customer r, POS NH 03820 INSIDE: ted Standard TA ve. GE , IN TV LISTINGS C. Please Deliver Before FRIDAY, SEPTEMBER 5, 2008 Vol. 34 | No. 35 | 24 Pages Good to Go Two local Leathernecks make the trek to Marine Corps museum Cyan Magenta Yellow Black SEMPER FI — Former Marines Rich Sawyer and Jerry McConnell of Hampton are pictured here on the grounds of the new National Museum of the Marine Corps in Washington, DC. — Atlantic News Courtesy Photo BY JERRY MCCONNELL I made a difference. I was a unit a name doesn’t mean and recently opened Nation- ATLANTIC NEWS told that attaining the rank it will make a difference; it al Museum of the Marine CONTRIBUTING WRITER of Master Sergeant by climb- needs personnel to follow Corps. Grandmaison s one of the greatest ing from Recruit Private in the traditions and footsteps Historically the base at military forces in the boot camp at Parris Island, of those who preceded them Quantico is not among the Aworld, the triumphs SC within the first 10 years to make that difference. The Corps’ older establishments legacy lives on and achievements accrued was an exceptional accom- Marines guarantee that their having been erected during BY MARK CHAG JR. the doors of the Breakers by the United States Marine plishment; it took me nine personnel will fulfill those World War One in 1917, but ATLANTIC NEWS STAFF WRITER Café Lounge at the Ash- Corps are phenomenal.
    [Show full text]
  • The Oaxaca Barrio in Teotihuacan: Mortuary Customs and Ethnicity in Mesoamerica’S Greatest Metropolis
    Southern Illinois University Carbondale OpenSIUC Theses Theses and Dissertations 8-1-2013 The aO xaca Barrio in Teotihuacan: Mortuary Customs and Ethnicity in Mesoamerica's Greatest Metropolis Maria Teresa Palomares Rodriguez Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/theses Recommended Citation Palomares Rodriguez, Maria Teresa, "The aO xaca Barrio in Teotihuacan: Mortuary Customs and Ethnicity in Mesoamerica's Greatest Metropolis" (2013). Theses. Paper 1182. This Open Access Thesis is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. THE OAXACA BARRIO IN TEOTIHUACAN: MORTUARY CUSTOMS AND ETHNICITY IN MESOAMERICA’S GREATEST METROPOLIS by María Teresa Palomares Rodríguez B.A. Escuela Nacional de Antropología e Historia, 2007 A Thesis Submitted in Partial Fulfillment of the Requirements for the Master of Arts Department of Anthropology in the Graduate School Southern Illinois University Carbondale August 2013 THESIS APPROVAL THE OAXACA BARRIO IN TEOTIHUACAN: MORTUARY CUSTOMS AND ETHNICITY IN MESOAMERICA’S GREATEST METROPOLIS By María Teresa Palomares Rodríguez A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the field of Anthropology Approved by: Andrew K. Balkansky, Chair David Sutton Mark Wagner Michelle Croisser Graduate School Southern Illinois University Carbondale May 9, 2013 2 AN ABSTRACT OF THE THESIS OF MARIA TERESA PALOMARES RODRIGUEZ, for the MASTER OF ARTS degree in ANTHROPOLOGY, presented on MAY 9, 2013, at Southern Illinois University Carbondale.
    [Show full text]