GLOBAL BUSINESS STRATEGY(BUS 7070) Case Studies
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Transmedia HOLLYWOOD, HEALTH & SOCIETY • USC ANNENBERG NORMAN LEAR CENTER
Transmedia HOLLYWOOD, HEALTH & SOCIETY • USC ANNENBERG NORMAN LEAR CENTER Our Work in the Digital Realm Hollywood, Health & Society is a free, non-profit resource based at the USC Annenberg Norman Lear Center that connects TV creative teams with top health and climate change experts. These ser- vices are also available to those producing new media content on television show websites and social media platforms. In fact, we have already built up a substantial portfolio of work in the digi- tal realm. Among other projects, HH&S has: ➻ Parenthood / The Experts Speak Provided experts and coordinated responses for “The Experts Speak” feature on Asperger’s/ASD Coordinated with experts on bioterrorism for on the Parenthood (NBC) website. features on the website and third season DVD of 24 Provided an expert for MTV International’s (FOX). World AIDS Day online “Ask The Doctor” feature. Worked with ABC to develop a Q&A on the General Partnered with Army Wives and Lifetime Televi- Hospital website, answering viewer’s questions about sion on multi-episode storylines dealing with an on-air storyline dealing with HIV. Type 2 diabetes and traumatic brain injuries. New Partnered with Telemundo and the Centers for Dis- media components included informational pages ease Control and Prevention to create health-related, on mylifetime.com and Army Wives-themed show-specific websites for telenovelas (Pecados pages on cdc.gov. Social media included tweets Ajenos, Amarte Así) in both Spanish and English. on @CDCgov, @OfficialArmyWives, and @Real- Coordinated a pro-social, transmedia (television, WendyDavis (star of Army Wives) and a special radio, workshops, Internet) campaign with Sin Senos Facebook page (monitored by the CDC) for fans No Hay Paraíso. -
David Moore Resume 2012-1-1
David Moore Hair: Brown | Eyes: Green | Ht: 6’2” | Wt: 168 TELEVISION/FILM Justin Timberlake 2013 VMA performance Dancer MTV Disney's Austin & Ally Choreographer Disney Macys Dancing with the Stars Co-Choreographer ABC AMA's Carly Rae "Call Me Maybe" Co-Choreographer NBC Teen Choice Awards Sean Kingston Choreographer/dancer FOX Step Up 3D Dancer (lead actor double) Miramax Boogietown Choreographer/Dancer Vivendi So You Think You Can Dance (Ukraine) Choreographer Clear Channel Ent. Dancestars Live (Germany) Judge/Choreographer Viva / MTV The Wade Robson Project Finalist MTV/Chor.Wade Robson AJ Gil / American Idol Choreographer, Dancer Magicmen Ent Pepsi / NBA All Star Game Choreographer NBA/ESPN TRL / MTV Germany Guest MTV Germany MUSIC VIDEO JaySean "Hit the Lights" Choreographer YMCMB Beyonce MV RTW Dancer/actor Frank Gatson Miley Cyrus "biggest dance" Choreographer, Dancer Disney Shane Harper "Dancin in the Rain" Choreographer, Actor Interscope American idol AJ Gil / “She’s Hot” Choreographer, Dancer Magicmen Ent Midnight Red Choreographer Jive / Red ONE STAGE Jesse McCaurtney Stadium Tour Choreographer Jive Midnight Red (Backsteet/NKOTB Tour) Director, Choreographer National Tour Monsters of Hip Hop The Show Director, choreographer El Portal Theatre Disney Kidz Bop World Tour Choreographer Razor Tie Productions Busta Rhymes / House of Blues Choreographer, Dancer House of Blues Monster’s of Hip Hop/2007 & 2008 Choreographer El Portal Theatre Hard Rock Café / Live Showcase Choreographer, Dancer Hard Rock Café Hard Rock Dance Academy Choreographer Roxy’s Night Club / Saturday Night Fever Choreographer Roxy’s Night Club INDUSTRIALS CES Electronics Show Dancer Chor. Wade Robson Adidas Dancer Chor. Wade Robson Pepsi Smash Dancer Chor. -
Magisterarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES MAGISTERARBEIT Titel der Magisterarbeit „Es war einmal MTV. Vom Musiksender zum Lifestylesender. Eine Programmanalyse von MTV Germany im Jahr 2009.“ Verfasserin Sandra Kuni, Bakk. phil. angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, Februar 2010 Studienkennzahl lt. Studienblatt: A 066 841 Studienichtung lt. Studienblatt: Publizistik und Kommunikationswissenschaft Betreuerin / Betreuer: Ao. Univ. Prof. Dr. Friedrich Hausjell DANKSAGUNG Die Fertigstellung der Magisterarbeit bedeutet das Ende eines Lebensabschnitts und wäre ohne die Hilfe einiger Personen nicht so leicht möglich gewesen. Zu Beginn möchte ich Prof. Dr. Fritz Hausjell für seine kompetente Betreuung und die interessanten und vielseitigen Gespräche über mein Thema danken. Großer Dank gilt Dr. Axel Schmidt, der sich die Zeit genommen hat, meine Fragen zu bearbeiten und ein informatives Experteninterview per Telefon zu führen. Besonders möchte ich auch meinem Freund Lukas danken, der mir bei allen formalen und computertechnischen Problemen geholfen hat, die ich alleine nicht geschafft hätte. Meine Tante Birgit stand mir immer mit Rat und Tat zur Seite, ihr möchte ich für das Korrekturlesen meiner Arbeit und ihre Verbesserungsvorschläge danken. Zum Schluss danke ich noch meinen Eltern und all meinen guten Freunden für ihr offenes Ohr und ihre Unterstützung. Danke Vicky, Kathi, Pia, Meli und Alex! EIDESSTATTLICHE ERKLÄRUNG Ich habe diese Magisterarbeit selbständig verfasst, alle meine Quellen und Hilfsmittel angegeben und keine unerlaubten Hilfen eingesetzt. Diese Arbeit wurde bisher in keiner Form als Prüfungsarbeit vorgelegt. Ort und Datum Sandra Kuni INHALTSVERZEICHNIS I. EINLEITUNG .....................................................................................................1 I.1. Auswahl der Thematik................................................................................................ 1 I.2. -
MTV International
Brand/Rebrand: MTV International 07.16.2015 In 1987, Sting sang the iconic words "I want my MTV" on the Dire Straits single "Money for Nothing." Now, nearly 30 years later, he can finally have it, thanks to an MTV International rebrand that hands a healthy portion of its channels' on-air real estate over to the viewers. Unofficially dubbed "I am my TV," the flashy centerpiece of the new MTVI is #MTVBump, an online platform that lets viewers upload their own videos to be considered as idents, or by submitting them through Instagram and Vine using the aforementioned hashtag. At the same time, the Viacom network has provided each of the regions across the 160+ countries in which it resides with a digital toolkit packed with hundreds of lo-fi-yet-chic animated backgrounds and 3D animated objects, then given them free reign to combine them at will. The goal, said Sean Saylor, VP of creative at MTV International, was "for it to feel fun" for each region to implement the new assets, "to mix and match them as much as they want and to make them feel unique and relevant to their audience… It's coming from the same direction aesthetically but it always looks a little different." MTVI has always packed its airwaves with imaginative design elements (a fresh new slate of its legendary Art Breaks also populate the rebrand), creating what is at least the illusion of an anything-goes aesthetic well-suited to its audience. But this new amalgamation of user-generated content and local in-house creative independence makes the illusion a reality - the brand is ceding control of its airwaves to a degree unprecedented in linear television, giving literally anyone in the world the chance to help dictate its look and feel. -
The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
COMEDY INC. SET to PREMIERE on SPIKE TV Hit Canadian Sketch
COMEDY INC. SET TO PREMIERE ON SPIKE TV Hit Canadian Sketch Comedy Series Debuts Monday, April 18 New York, NY, April 5, 2005 ˆ The hit Canadian sketch comedy series Comedy Inc. crosses the border to entertain American audiences this April, with the series set to premiere on Spike TV. The network has picked up the first two seasons of the series, featuring 26 half-hour episodes. Comedy Inc. will premiere weekly on Spike TV starting Monday, April 18 (11:30 PM ˆ Midnight, ET/PT). Comedy Inc. is an off-beat and inventive sketch comedy and parody series that bristles with political/social satire and vigorous physical comedy. The series, which recently won a gold medal at the prestigious New York Festivals, stars comedian/writer Roman Danylo and co- starring Second City alumni Aurora Browne and Jen Goodhue, comedians Terry McGurrin, Jenn Robertson, Winston Spear and Gavin Stephens with Albert Howell and Ian Sirota. Comedy Inc. features a very talented cast of comedic actors, who also double as the series writers,‰ says Kevin Kay, Executive Vice President of Production and Development. „Their fast-paced mix of sharp and irreverent humor is just what our male audience is looking for. Spike TV‚s acquisition of Comedy Inc. was brokered by Brillstein-Grey Entertainment, who also serve as executive producers. Comedy Inc., which airs on CTV and the Comedy Network in Canada, is currently in pre-pro- duction for its third season. Spike TV, the first network for men, is available in 88 million U.S. and more than 7 million Canadian households and is a division of MTV Networks. -
British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report. -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD -
Summarized by © Lakhasly.Com Television in Egypt Is Mainly
Television in Egypt is mainly received through free satellite, while analog terrestrial represents 41% of total viewers. Egyptians spend a significant amount of time watching television, with 40% of people watching up to 4 hours of television per day.[1] Since Egypt launched its first broadcasts in 1960, state- run channels have held a monopoly on terrestrial broadcast.[2] The Ministry of Information strictly regulated private satellite channels as well.[2] The Egyptian Radio and Television Union, a government entity, owns all 17 terrestrial channels. Channel 1 and Channel 2 are the network’s main channels and broadcast across Egypt. The state-owned Nile TV is the main foreign language channel, aims at promoting Egypt's state point of view and promote tourism. There are 6 regional terrestrial channels, which used to all be broadcast to Greater Cairo, but as of 2007, only Greater Cairo channel (Channel 3) of the regional channels is broadcast to Greater Cairo. Most terrestrial channels were in fact satellite channels owned by ERTU, but simulcasted to Greater Cairo, since 2007. The state's 23 channels are reported to have, as of 2012, "a small and dwindling viewership".[1] There are also many private satellite stations. As of 2002, there used to be only two, Al-Mehwar and Dream, though the government has a financial stake in both channels.[1] Since the 2011 revolution, more channels have launched, including Capital Broadcast Center, Al Nahar and TEN, which have managed to attract significant viewership. Rotana launched Rotana Masriya, a channel broadcasting programs aimed at the Egyptian market.[1] Subscription television penetration is low, estimated to be 9% in 2011, which consists of OSN and Arab Radio and Television Network. -
Broadcast Bulletin Issue Number
O fcom Broadcast Bulletin Issue number 101 28 January 2008 Ofcom Broadcast Bulletin, Issue 101 28 January 2008 Contents Introduction 3 Standards cases In Breach Sumo TV - User Generated Content 4 6 July 2007, 23:46 and 22 July 2007, 00:34 Note to Broadcasters – User Generated Content 11 Trax 12 The Music Factory, 4 October 2007, 18:00 Resolved He Got Game 14 Sky Movies Indie, 29 October 2007, 12:30 World Cup Rugby: Ireland v Namibia 16 ITV4, 9 September 2007, 20:00 Not in Breach Bremner, Bird and Fortune 17 Channel 4, 14 October 2007, 19:00 Fairness & Privacy cases Not Upheld Complaint by Mrs Jan Melia on her own behalf 18 and on behalf of Mr Oli Melia and their three children Wife Swap, Channel 4, 16 October 2006 Other programmes not in breach/outside remit 32 2 Ofcom Broadcast Bulletin, Issue 101 28 January 2008 Introduction Ofcom’s Broadcasting Code (“the Code”) took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The Rules on the Amount and Distribution of Advertising (RADA) apply to advertising issues within Ofcom’s remit from 25 July 2005. The Rules can be found at http://www.ofcom.org.uk/tv/ifi/codes/advertising/#content From time to time adjudications relating to advertising content may appear in the Bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of statutory sanctions by Ofcom). -
Hassani-Ouassima-Tesis15.Pdf (4.423Mb)
UNIVERSIDAD PABLO DE OLAVIDE DEPARTAMENTO DE FILOLOGÍA Y TRADUCCIÓN TESIS DOCTORAL LA TRADUCCIÓN AUDIOVISUAL EN MARRUECOS: ESTUDIO DESCRIPTIVO Y ANÁLISIS TRADUCTOLÓGICO Sevilla, 2015 Presentada por: Ouassima Bakkali Hassani Dirigida por: Dr. Adrián Fuentes Luque Esta tesis fue realizada gracias a una beca de la Agencia Española de Cooperación Internacional (AECID). AGRADECIMIENTOS La realización de este trabajo de investigación me ha hecho pasar por momentos duros y difíciles, y ha supuesto ser un verdadero reto tanto personal como profesional. Por ello, es menester agradecer y reconocer la ayuda crucial brindada por aquellas personas y que de una manera u otra han contribuido para llevar a buen puerto la presente Tesis. Son muchas las que han estado a mi lado en momentos difíciles y en los que en más de una ocasión pensé tirar la toalla. Pude hacer frente a ellos y he podido seguir adelante y superar todos los obstáculos que se me pusieron en frente. En primer lugar, quiero agradecer al Dr. Adrián Fuentes Luque, quien ha creído y apostado por mí y en el tema de la investigación desde el primer momento, me ha ayudado a mantener el ánimo y ha seguido con lupa e interés todo el proceso de elaboración de la Tesis. 7DPELpQDO&HQWUR&LQHPDWRJUi¿FR0DUURTXtSRUHOPDWHULDOIDFLOLWDGR\ODVHQWUHYLVWDVFRQFHGLGDV en especial al que fuera su director, D. Nouredine Sail, y al Jefe del departamento de Cooperación y Promoción, D. Tariq Khalami. Asimismo, quiero dar un especial agradecimiento a todos los profesionales del sector audiovisual \GHODWUDGXFFLyQDXGLRYLVXDOHQ0DUUXHFRVDORVTXHKHWHQLGRODRFDVLyQ\HOJXVWRGHHQWUHYLVWDUHQ HVSHFLDOD'xD+LQG=NLNGLUHFWRUDGH3OXJ,Q'(O+RXVVLQH0DMGRXELGLUHFWRUGHOSHULyGLFRAlif Post y académico, Dña. Saloua Zouiten, secretaria general de la Fondation du Festival International du )LOPGH0DUUDNHFK',PDG0HQLDULHMHFXWLYRHQOD+DXWH$XWRULWpGH&RPPXQLFDWLRQ$XGLRYLVXHO D. -
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