Nickelodeon's Kids' Choice Awards Slimes Its Way to the Uk
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Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Magisterarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES MAGISTERARBEIT Titel der Magisterarbeit „Es war einmal MTV. Vom Musiksender zum Lifestylesender. Eine Programmanalyse von MTV Germany im Jahr 2009.“ Verfasserin Sandra Kuni, Bakk. phil. angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, Februar 2010 Studienkennzahl lt. Studienblatt: A 066 841 Studienichtung lt. Studienblatt: Publizistik und Kommunikationswissenschaft Betreuerin / Betreuer: Ao. Univ. Prof. Dr. Friedrich Hausjell DANKSAGUNG Die Fertigstellung der Magisterarbeit bedeutet das Ende eines Lebensabschnitts und wäre ohne die Hilfe einiger Personen nicht so leicht möglich gewesen. Zu Beginn möchte ich Prof. Dr. Fritz Hausjell für seine kompetente Betreuung und die interessanten und vielseitigen Gespräche über mein Thema danken. Großer Dank gilt Dr. Axel Schmidt, der sich die Zeit genommen hat, meine Fragen zu bearbeiten und ein informatives Experteninterview per Telefon zu führen. Besonders möchte ich auch meinem Freund Lukas danken, der mir bei allen formalen und computertechnischen Problemen geholfen hat, die ich alleine nicht geschafft hätte. Meine Tante Birgit stand mir immer mit Rat und Tat zur Seite, ihr möchte ich für das Korrekturlesen meiner Arbeit und ihre Verbesserungsvorschläge danken. Zum Schluss danke ich noch meinen Eltern und all meinen guten Freunden für ihr offenes Ohr und ihre Unterstützung. Danke Vicky, Kathi, Pia, Meli und Alex! EIDESSTATTLICHE ERKLÄRUNG Ich habe diese Magisterarbeit selbständig verfasst, alle meine Quellen und Hilfsmittel angegeben und keine unerlaubten Hilfen eingesetzt. Diese Arbeit wurde bisher in keiner Form als Prüfungsarbeit vorgelegt. Ort und Datum Sandra Kuni INHALTSVERZEICHNIS I. EINLEITUNG .....................................................................................................1 I.1. Auswahl der Thematik................................................................................................ 1 I.2. -
TV Channel Distribution in Europe: Table of Contents
TV Channel Distribution in Europe: Table of Contents This report covers 238 international channels/networks across 152 major operators in 34 EMEA countries. From the total, 67 channels (28%) transmit in high definition (HD). The report shows the reader which international channels are carried by which operator – and which tier or package the channel appears on. The report allows for easy comparison between operators, revealing the gaps and showing the different tiers on different operators that a channel appears on. Published in September 2012, this 168-page electronically-delivered report comes in two parts: A 128-page PDF giving an executive summary, comparison tables and country-by-country detail. A 40-page excel workbook allowing you to manipulate the data between countries and by channel. Countries and operators covered: Country Operator Albania Digitalb DTT; Digitalb Satellite; Tring TV DTT; Tring TV Satellite Austria A1/Telekom Austria; Austriasat; Liwest; Salzburg; UPC; Sky Belgium Belgacom; Numericable; Telenet; VOO; Telesat; TV Vlaanderen Bulgaria Blizoo; Bulsatcom; Satellite BG; Vivacom Croatia Bnet Cable; Bnet Satellite Total TV; Digi TV; Max TV/T-HT Czech Rep CS Link; Digi TV; freeSAT (formerly UPC Direct); O2; Skylink; UPC Cable Denmark Boxer; Canal Digital; Stofa; TDC; Viasat; You See Estonia Elion nutitv; Starman; ZUUMtv; Viasat Finland Canal Digital; DNA Welho; Elisa; Plus TV; Sonera; Viasat Satellite France Bouygues Telecom; CanalSat; Numericable; Orange DSL & fiber; SFR; TNT Sat Germany Deutsche Telekom; HD+; Kabel -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
City Spectrum, September 2019
RE CU City Holiday/No Trash Collection SI ST In observance of the Labor Day holiday, there will be no residential trash, DE OMER curbside recycling or brush collection Sept. 2. In addition, the following NT facilities will be closed: IA ● City Hall ● Heritage Aquatic Center L ● Hunter Ferrell Landfill ● Irving Arts Center page 4 ● Libraries ● North Lake Natatorium ● Recreation centers PE September is National Library Card Sign-up Month, U. IR PR RM PA S. ECRW VI SR POST IT stop by one of Irving’s libraries to register for a card NG T NO n ID All offices and services will resume normal business hours Sept. 3. ST SS , AG TX or to attend one of the outreach activities. D 88 E AN OFFICIAL PUBLICATION OF THE CITY OF IRVING 3 IRVING CITYOFIRVING.ORG CITY CityofIrving.org SEPTEMBER 2019 / VOL 26 / NO 9 A N OFFI C I AL P U BLI C A TION OF T H E CITY O F IR VING DINE, DANCE AND POSE AT TOYOTA MUSIC FACTORY Summer officially ends Sept. 23, but before it is over, close out the season enjoying all of the awesome shows, events and attractions at Toyota Music Factory (TMF). The name says music, but the entertainment destination is much more. The Texas Lottery Plaza, where weekends start on Thursdays, is a steady rotation of local bands, The View at Hole No. 8 DJs, movie screenings and even yoga. The event calendar is packed with some of the biggest names in local music. And the best part is: It is Irving Golf Club Opens: Let the free. -
This Week's TV Player Report
The TV Player Report A beta report into online TV viewing Week ending 17th January 2016 Table of contents Page 1 Introduction 2 Terminology 3 Generating online viewing data 4 Capturing on-demand viewing & live streaming 5 Aggregate viewing by TV player (On-demand & live streaming) 6 Top channels (Live streaming) 7 Top 50 on-demand programmes (All platforms) 9 Top 50 on-demand programmes (Android apps) 11 Top 50 on-demand programmes (Apple iOS apps) 13 Top 50 on-demand programmes (Website player) 15 Top 10 on-demand programmes by TV player 18 Frequently asked questions Introduction In an era of constant change, BARB continues to develop its services in response to fragmenting behaviour patterns. Since our launch in 1981, there has been proliferation of platforms, channels and catch-up services. In recent years, more people have started to watch television and video content distributed through the internet. Project Dovetail is at the heart of our development strategy. Its premise is that BARB’s services need to harness the strengths of two complementary data sources. - BARB’s panel of 5,100 homes provides representative viewing information that delivers programme reach, demographic viewing profiles and measurement of viewers per screen. - Device-based data from web servers provides granular evidence of how online TV is being watched. The TV Player Report is the first stage of Project Dovetail. It is a beta report that is based on the first outputs from BARB working with UK television broadcasters to generate data about all content delivered through the internet. This on-going development delivers a census- level dataset that details how different devices are being used to view online TV. -
British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report. -
U2 to Perform at the 2009 MTV Europe Music Awards
U2 To Perform at the 2009 MTV Europe Music Awards HISTORIC PERFORMANCE AT BERLIN'S BRANDENBURG GATE LONDON, Oct 27, 2009 -- U2 will perform in front of Berlin's Brandenburg Gate on November 5, as part of the 16th MTV Europe Music Awards (EMAs), the news was announced today by MTV Networks International (MTVNI), owned by Viacom Inc. (NYSE: VIA, VIA.B). As a prelude to the Fall of The Wall celebrations in Berlin, U2 return to the city for a free ticketed performance which will be beamed into the 2009 MTV Europe Music Awards. U2's manager Paul McGuinness said: "It'll be an exciting spot to be in, 20 years almost to the day since the wall came down. Should be fun." Tickets to attend MTV EMAs present U2 at the Brandenburg Gate will be free of charge and available by registering on www.u2.com or www.mtvema.com from 9pm (CET) on Wednesday 28 October 2009. Tickets, which will take the form of a bar- coded e-ticket, will be available on a first-come, first-served basis and will be restricted to a maximum of 2 per applicant. Access to the performance will be strictly via one advance, scanned e-ticket per person. Tickets will not be available on the night of the show. Commented Antonio Campo Dall'Orto, EVP, Music Brands, MTV Networks International and Executive Producer for the MTV Europe Music Awards: "The exceptional musical heritage of this year's EMAs spans genres and generations and we are extremely proud to be bringing U2 to Berlin for this extraordinary performance. -
Ofcom Content Sanctions Committee
Ofcom Content Sanctions Committee Consideration of Channel TV Ltd (“Channel TV” or the “Licensee”), in sanction against respect of its service the Regional Channel 3 service (“Channel 3”) transmitted across the ITV Network on ITV1. For 1. Early finalising of the vote for the People’s Choice Award in the British Comedy Awards 2004, broadcast on 22 December 2004, Resulting in a breach of the ITC Programme Code 2002 (the “ITC Code”) in force from January 2002 until 24 July 2005 of: Rule 8.2(b) Use of Premium Rate Telephone Services in Programmes: “The licensee must retain control of and responsibility for the service arrangements and the premium line messages (including all matters relating to their content)” 2. Early finalising of the vote for the People’s Choice Award in the British Comedy Awards 2005, broadcast on 14 December 2005, Resulting in a breach of the Ofcom Broadcasting Code of: Rule 2.2: “Factual programmes or items or portrayals of factual matters must not materially mislead the audience” 3. Overriding the viewers’ vote for the People’s Choice Award and substituting a different winner in the British Comedy Awards 2005, broadcast on 14 December 2005 Resulting in a breach of the Code of: Rule 2.2: “Factual programmes or items or portrayals of factual matters must not materially mislead the audience” Decision To impose a financial penalty (payable to HM Paymaster General) of £80,000, which comprises £45,000 in respect of the early finalising of the vote in both programmes (“as live breaches”) and £35,000 in respect of overriding of viewers votes in the BCA 2005 (“the selection breach”). -
MTV Networks Europe
Ofcom Content Sanctions Committee It is Ofcom policy to state the full language used on air by broadcasters who are the subject of a sanction. Some of the language used in this decision may therefore cause offence. Consideration of MTV Networks Europe (“the Licensee” or sanction against: “MTV Networks”), in respect of its channels TMF, MTV France, MTV UK and MTV Hits (each a “Channel” and together “the Channels”); For: Breaches of Ofcom’s Broadcasting Code (“the Code”) in respect of: Rule 1.3: “Children must also be protected by appropriate scheduling from material that is unsuitable for them” (TMF, MTV UK, and MTV Hits); Rule 1.4: “Television broadcasters must observe the watershed” (TMF and MTV UK); Rule 1.14 “The most offensive language must not be broadcast before the watershed or when children are particularly likely to be listening” (TMF, MTV UK and MTV Hits); Rule 2.3 “In applying generally accepted standards broadcasters must ensure that material which may cause offence is justified by the context” (MTV France and MTV Hits); and Condition 11 of the Licence: “Failure to supply recordings” (MTV France). On: TMF – broadcast on 24 June 2006 & 24 July 2007; MTV France – broadcast on 24 December 2006; MTV UK (now MTV1) – broadcast on 25 September 2006, 23 October 2006 & 14 September 2007; and MTV Hits – broadcast on 22 January 2007 & 15 August 2007 Decision: To impose an aggregate financial penalty on MTV Networks of £255,000 (payable to HM Paymaster General). This consists of fines related to each of the Channels as follows: £80,000 on TMF; £35,000 on MTV France; £80,000 on MTV UK; and £60,000 on MTV Hits. -
Broadcast Bulletin Issue Number
O fcom Broadcast Bulletin Issue number 101 28 January 2008 Ofcom Broadcast Bulletin, Issue 101 28 January 2008 Contents Introduction 3 Standards cases In Breach Sumo TV - User Generated Content 4 6 July 2007, 23:46 and 22 July 2007, 00:34 Note to Broadcasters – User Generated Content 11 Trax 12 The Music Factory, 4 October 2007, 18:00 Resolved He Got Game 14 Sky Movies Indie, 29 October 2007, 12:30 World Cup Rugby: Ireland v Namibia 16 ITV4, 9 September 2007, 20:00 Not in Breach Bremner, Bird and Fortune 17 Channel 4, 14 October 2007, 19:00 Fairness & Privacy cases Not Upheld Complaint by Mrs Jan Melia on her own behalf 18 and on behalf of Mr Oli Melia and their three children Wife Swap, Channel 4, 16 October 2006 Other programmes not in breach/outside remit 32 2 Ofcom Broadcast Bulletin, Issue 101 28 January 2008 Introduction Ofcom’s Broadcasting Code (“the Code”) took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The Rules on the Amount and Distribution of Advertising (RADA) apply to advertising issues within Ofcom’s remit from 25 July 2005. The Rules can be found at http://www.ofcom.org.uk/tv/ifi/codes/advertising/#content From time to time adjudications relating to advertising content may appear in the Bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of statutory sanctions by Ofcom). -
The British Academy Television Awards Sponsored by Pioneer
The British Academy Television Awards sponsored by Pioneer NOMINATIONS ANNOUNCED 11 APRIL 2007 ACTOR Programme Channel Jim Broadbent Longford Channel 4 Andy Serkis Longford Channel 4 Michael Sheen Kenneth Williams: Fantabulosa! BBC4 John Simm Life On Mars BBC1 ACTRESS Programme Channel Anne-Marie Duff The Virgin Queen BBC1 Samantha Morton Longford Channel 4 Ruth Wilson Jane Eyre BBC1 Victoria Wood Housewife 49 ITV1 ENTERTAINMENT PERFORMANCE Programme Channel Ant & Dec Saturday Night Takeaway ITV1 Stephen Fry QI BBC2 Paul Merton Have I Got News For You BBC1 Jonathan Ross Friday Night With Jonathan Ross BBC1 COMEDY PERFORMANCE Programme Channel Dawn French The Vicar of Dibley BBC1 Ricky Gervais Extra’s BBC2 Stephen Merchant Extra’s BBC2 Liz Smith The Royle Family: Queen of Sheba BBC1 SINGLE DRAMA Housewife 49 Victoria Wood, Piers Wenger, Gavin Millar, David Threlfall ITV1/ITV Productions/10.12.06 Kenneth Williams: Fantabulosa! Andy de Emmony, Ben Evans, Martyn Hesford BBC4/BBC Drama/13.03.06 Longford Peter Morgan, Tom Hooper, Helen Flint, Andy Harries C4/A Granada Production for C4 in assoc. with HBO/26.10.06 Road To Guantanamo Michael Winterbottom, Mat Whitecross C4/Revolution Films/09.03.06 DRAMA SERIES Life on Mars Production Team BBC1/Kudos Film & Television/09.01.06 Shameless Production Team C4/Company Pictures/01.01.06 Sugar Rush Production Team C4/Shine Productions/06.07.06 The Street Jimmy McGovern, Sita Williams, David Blair, Ken Horn BBC1/Granada Television Ltd/13.04.06 DRAMA SERIAL Low Winter Sun Greg Brenman, Adrian Shergold,