Media Options in the Age of Technology
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Friday, October 12, 2012
Friday, October 12, 2012 FRIDAY,OCTOBER 12, 2012 DAY-AT-A-GLANCE Time/Event/Location All locations in the Minneapolis Convention Center unless otherwise noted 7:00 am - 7:00 pm . .. .. .. .. .. ................................................................... 4 ASBMR Registration Open Hall C 8:00 am - 8:15 am . .. .. .. .. .. ................................................................... 4 Welcome and Announcements Auditorium-Main 8:15 am - 9:15 am . .. .. .. .. .. ................................................................... 4 Gerald D. Aurbach Lecture - Prospects for Therapies with Adult Stem/Progenitor Cells (MSCs) or the Friday Proteins They Produce Auditorium-Main 9:15 am - 9:25 am . .. .. .. .. .. ................................................................... 4 Presentation of the ASBMR Gideon A. Rodan Excellence in Mentorship Award Auditorium-Main 9:15 am - 9:25 am . .. .. .. .. .. ................................................................... 4 Presentation of the ASBMR Lawrence G. Raisz Award Auditorium-Main 9:30 am - 10:00 am . .. .. .. .. .. ................................................................... 4 Networking Break Lobby B 10:00 am - 11:00 am.. .. .. .. .. ................................................................... 4 Meet-the-Professor Sessions Mezzanine Level-Rooms M100 – M101 10:00 am - 11:00 am.. .. .. .. .. ................................................................... 5 Meeting Overview for Health Professionals Auditorium Room 1 10:00 am - 11:00 am.. .. .. .. .. .................................................................. -
This Year from Kregel Academic
KREGEL THIS YEAR FROM ACADEMIC KREGEL ACADEMIC 288 pgs • $21.99 $12.09 Conf 400 pgs • $27.99 $15.39 Conf 288 pgs • $21.99 $12.09 Conf 432 pgs • $34.99 $19.24 Conf 352 pgs • $26.99 $14.84 Conf 464 pgs • $24.99 $13.74 Conf 704 pgs • $51.99 $28.59 Conf 544 pgs • $47.99 $26.39 Conf second edition releasing Feb 2021 CONFERENCE SPECIAL: The Text of the Earliest NT Greek Manuscripts, vols 1 & 2 $79.99 separately • $36.99 Conference Set 400 pgs • $27.99 $15.39 Conf 416 pgs • $36.99 $20.34 Conf 45% Conference discount and free shipping in the US on all Kregel books. Contact (800) 733-2607 or [email protected] to order with discount code EAS20. Offer good through Dec 31, 2020. Request free exam copies and subscribe to our monthly newsletter at KregelAcademicBlog.com. 2020 VIRTUAL ANNUAL MEETINGS November 29–December 10 FUTURE ANNUAL MEETINGS 2021 2022 2023 2024 2025 San Antonio, TX Denver, CO San Antonio, TX San Diego, CA Boston, MA November 20–23 November 19–22 November 18–21 November 23–26 November 22–25 Thanks to Our Sponsors Baker Academic and Brazos Press Baylor University Press Westminster John Knox Wipf & Stock Zondervan Zondervan NRSV Publishers Weekly 2 See the full Annual Meetings program online at www.sbl-site.org/meetings/Congresses_ProgramBook.aspx?MeetingId=37 and papers.aarweb.org/online-program-book TABLE OF CONTENTS Annual Meetings Information AAR Academy Information ........................... 81 2020 Virtual Annual Meetings .................... 4 AAR Program Sessions How to Use the Program Book .................... -
Journal of Telecommunications and the Digital Economy Volume 8
Journal of Telecommunications and the Digital Economy Volume 8 Issue 4 December 2020 Publisher: Telecommunications Association Inc. ISSN 2203-1693 Journal of Telecommunications and the Digital Economy JTDE Volume 8, Number 4, December 2020 Table of Contents Editorial Ideology-Driven Telecommunications Market Leads to a Second-Rate Outcome ii Mark A Gregory Public Policy Should TV Move? 1 Giles Tanner, Jock Given On Australia’s Cyber and Critical Technology International Engagement Strategy Towards 6G 127 David Soldani The NBN Futures Forum: Towards a National Broadband Strategy for Australia, 2020-2030 180 Leith H. Campbell Special Interest Paper Towards a National Broadband Strategy for Australia, 2020-2030 192 Jim Holmes, John Burke, Leith Campbell, Andrew Hamilton Digital Economy Gap between Regions in the Use of E-Commerce by MSEs 37 Ida Busnetti, Tulus Tambunan Tax Risk Assessment and Assurance Reform in Response to the Digitalised Economy 96 Helena Strauss, Tyson Fawcett, Prof. Danie Schutte Review A Review of Current Machine Learning Approaches for Anomaly Detection in Network Traffic 64 Wasim A. Ali, Manasa K. N, Mohammed Fadhel Aljunid, Dr Malika Bendechache, Dr P. Sandhya History of Australian Telecommunications The Bellenden Ker Television Project 159 Simon Moorhead Journal of Telecommunications and the Digital Economy, ISSN 2203-1693, Volume 8 Number 4 December 2020 Copyright © 2020 i Journal of Telecommunications and the Digital Economy Ideology-Driven Telecommunications Market Leads to a Second-Rate Outcome Editorial Mark A. Gregory RMIT University Abstract: Papers in the December 2020 issue of the Journal include a discussion about the parlous state of television broadcasting in Australia, 6G and the future of the National Broadband Network. -
U.S. Government Publishing Office Style Manual
Style Manual An official guide to the form and style of Federal Government publishing | 2016 Keeping America Informed | OFFICIAL | DIGITAL | SECURE [email protected] Production and Distribution Notes This publication was typeset electronically using Helvetica and Minion Pro typefaces. It was printed using vegetable oil-based ink on recycled paper containing 30% post consumer waste. The GPO Style Manual will be distributed to libraries in the Federal Depository Library Program. To find a depository library near you, please go to the Federal depository library directory at http://catalog.gpo.gov/fdlpdir/public.jsp. The electronic text of this publication is available for public use free of charge at https://www.govinfo.gov/gpo-style-manual. Library of Congress Cataloging-in-Publication Data Names: United States. Government Publishing Office, author. Title: Style manual : an official guide to the form and style of federal government publications / U.S. Government Publishing Office. Other titles: Official guide to the form and style of federal government publications | Also known as: GPO style manual Description: 2016; official U.S. Government edition. | Washington, DC : U.S. Government Publishing Office, 2016. | Includes index. Identifiers: LCCN 2016055634| ISBN 9780160936029 (cloth) | ISBN 0160936020 (cloth) | ISBN 9780160936012 (paper) | ISBN 0160936012 (paper) Subjects: LCSH: Printing—United States—Style manuals. | Printing, Public—United States—Handbooks, manuals, etc. | Publishers and publishing—United States—Handbooks, manuals, etc. | Authorship—Style manuals. | Editing—Handbooks, manuals, etc. Classification: LCC Z253 .U58 2016 | DDC 808/.02—dc23 | SUDOC GP 1.23/4:ST 9/2016 LC record available at https://lccn.loc.gov/2016055634 Use of ISBN Prefix This is the official U.S. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Pontone Gallery Is Proud to Welcome Back Korean Artist, Hwang Seontae, with an Exhibition of His Most Recent Light Boxes
P o n t o n e G A L L E R Y Emil Alzamora, a British Citizen, was born in Lima, Peru in 1975 and grew up in Boca Grande, Florida and Majorca, Spain. Now living EMIL ALZAMORA and working in Beacon, NY, Alzamora started his sculpting career in the Hudson Valley of New York working with Polich Tallix in the fall of 1998 and, since 2001, has produced his work full-time and shown regularly throughout the world. His minimalist sculptures harness a wide range of materials to represent the human body in its purest form. He often distorts, elongates, deconstructs, or encases his forms to reveal an emotional or physical situation, or to tell captivating stories. His keen interest in the physical properties of his materials combined with (above left) Gullfoss his hands-on approach allow for the process to reveal and inform at once Bronze, Edition of 3 + 2 AP the aesthetic and the conceptual. In his sculptures, Alzamora strives to 97 x 38 x 71 cm (38 x 15 x 28 in) makes visible the intangible interaction between limitation and potential 2015 within the human form. (above right) The sleek, polished figures are anonymous yet identifiable; they lack Close Bronze, Edition of 12 + 2 AP any sort of distinct facial features or differentiation of gender, but 57 x 66 x 20 cm (22.5 x 26 x 7.9 in) simultaneously symbolize a universal understanding of and connection 2018 with the human body in its various manifestations. Reminiscent of the slender, elongated figures of Giacometti or the intimate, abstract sculptures of Brancusi, Alzamora’s works are unique in their refined curvature, urbane presence, and contemporary appeal. -
Programmheft
IT’S ALL KOREAN* TO ME// YALOOPOP / SOOK-HYUN KIM und HYE-JUNG CHO / LAURA HYUNJHEE KIM / MARI KIM / MAGGIE LEE / EUNJUNG HWANG kommentiert von zwei weiteren Filmen: Koh Seung Wook mit For Elise und Amateuraufnahmen der Traffic Girls of Pyongyang. Filmprogramm, Dresden 08.-10.01.2015 täglich zu den Öffnungszeiten der Messe room&style im SAAL FLORENZ der Künstlermesse www.storecontemporary.com Das Videoprogramm IT’S ALL KOREAN TO ME folgt der Logik einer Exploration in unbekanntes Terrain. Dabei macht es ein Angebot zum produktiven Missverstehen und zeigt künstlerische Positionen, die auf unsere blinden Flecken und Unbeweglichkeiten abzielen. Es lässt unter anderem die Republik Korea, stellvertretend für das stark als das „andere“ stilisierte Asien an den Rändern westlicher und asiatischer Kultur in Bildern und Strategien aufeinander treffen und adressiert Fremdheitserfahrungen und Übersetzungsfehler ebenso wie produktiven Kulturtransfer. Das Stolpern zwischen den vermeintlichen klaren Diskrepanzen ist der Raum der Annäherung, das Gefühl am jeweils anderen immer wieder ein klein wenig zu scheitern, sich nicht vollständig verständig machen zu können und einer unbekannten Größe ausgeliefert zu sein und es nicht recht beherrschen zu können, hat Potenzial. Das Filmprogramm zeigt native koreanische Positionen in und aus dem geografischen Ostasien oder mit Bezug darauf. Dabei liegt der gewählte Fokus abseits gegenwärtiger Verständnisse von Internationalität und Nationalität auf den Unschärfen und Rändern dieser Konstruktionen. In ausgewählten filmischen Bearbeitungen zeigen sich produktive Verhandlungsflächen zwischen gewohntem westlichen Blick, asiatischen Selbstverständnissen und den Bildern in Überlagerung dazwischen. Projektionen, Ängste, Hoffnungen, Wahrscheinlichkeiten und Unwahrscheinlichkeiten zeigen sich in ihren Interferenz-Zonen. Gezeigt werden filmische Arbeiten an ökonomischen, politischen ebenso wie gesellschaftlichen Widersprüchlichkeiten, die den gewohnten Blick prüfen lassen und ein Leben nach Identitätspolitik und Hyperidentifikation in den Blick nehmen. -
Agency of the Year Hearts & Science
MEDIA AGENCY OF THE YEAR BREAKTHROUGH HEARTS & SCIENCE PHDGLOBAL U.S. HAVAS CEO COLIN KINSELLA AND TEAM « TOREOFFASTRINGOFMIDSIZE CLIENT WINS USING THE PARENT COMPANY’S ‘VILLAGE’ APPROACH. BY PATRICK COFFEE HERE’S TO A WORLD OF BEAUTIFUL IMPRESSIONS. And what an impression you continue to make on us with your boundless vision, innovation and creativity. Congratulations Havas Media, Adweek’s U.S. Media Agency of the Year. Thank you for 20 years of excellence and counting. That’s the right way to win in this big, bold, beautiful world. Your friends at OppenheimerFunds. ©2017 OppenheimerFunds Distributor, Inc. CONTENTS THE WEEK IN MEDIA AND MARKETING FEBRUARY 13, 2017 | VOL. LVIII NO. 4 FEATURES AGENCIES OF THE YEAR 15 Honoring PHD, Havas and Hearts & Science. UPFRONT TRENDING 4 72andSunny N.Y. office tour; measuring Twitter Loops; TV chiefs on the state of the season. VOICE 11 Model of a modern media executive. TOP STORY DATA POINTS 12 Influenster’s YouTube visual storytelling report. COURTING CONTROVERSY UNDER ARMOUR ENDORSERS COME OUT AGAINST CEO’S PRO-TRUMP COMMENTS. BY KATIE RICHARDS Some of Under Armour’s biggest celebrity endorsers are speaking out against the apparel brand’s CEO Kevin Plank for referring to President Donald Trump as “a real asset” to American businesses in an interview with CNBC. In an Instagram post, ballet dancer Misty Copeland praised the brand for supporting her over the years, but said that she “strongly disagreed” with Plank. Actor Dwayne “The Rock” Johnson also took to PERSPECTIVE Instagram to respond to Plank’s comments, saying, “These are neither my words, nor my beliefs.” NBA star Stephen Curry had perhaps the most memorable take on the situation: BRAND NAME 34 When asked by the San Jose Mercury News about Plank’s description of Trump as an Jägermeister “asset,” he responded, “I agree with that description, if you remove the ‘et’ from asset.” says bye to bros. -
Contemporary Asian American Drama Esther Kim Lee
2 3 Contemporary Asian American Drama Esther Kim Lee Introduction: The First Wave In 1968, the East West Players in Los Angeles held its fi rst playwriting competi- tion to encourage Asian Americans to write for theater. Founded in 1965, the East West Players originally aimed to promote the careers of Asian American actors, but it became clear that without original plays by and about Asian Americans the company would not last.1 In the 1960s, playwriting was not per- ceived as a possible profession for Asian American writers, and Asian American plays were virtually nonexistent. Plays, by defi nition, need to be produced and staged, and playwrights must work within an infrastructure and industry of theater. The East West Players’ playwriting competition lasted three years during which playwrights such as Momoko Iko and Frank Chin made their debut in theater. In 1973, Frank Chin led the founding of the Asian American Theatre Workshop (later renamed Asian American Theatre Company) in San Francisco with the explicit agenda to create and produce Asian American plays. Although Chin left the company in a few years, his infl uence as a play- wright has been lasting in Asian American theater. His two published plays, Chickencoop Chinaman (1972) and The Year of the Dragon (1974), are considered foundational in Asian American drama, and the Asian American Theatre Company has continued to support new Asian American playwrights. 2 Frank Chin belongs to the fi rst wave Asian American playwrights who pio- neered Asian American drama. Also in the fi rst wave are Jon Shirota, Momoko Iko, Dom Magwili, Wakako Yamauchi, Karen Tei Yamashita, Perry Miyake, Bill Shinkai, Paul Stephen Lim, Jeff ery Paul Chan, Garrett Hongo, and Edward Sakamoto. -
Modern and Contemporary Art Seoul 22 February 2017 February Sale February
MODERN AND CONTEMPORARY ART SEOUL 22 FEBRUARY 2017 FEBRUARY SALE | MODERN AND CONTEMPORARY ART 22 FEBRUARY 2017 06017 서울특별시 강남구 언주로 172길 23(신사동 640 - 6) 아트타워 TEL 02 .3479 .8888 | FAX 02 .3479 . 8800 | www.k-auction.com 케이옥션 2월경매 경매 AUCTION 2017년 2월 22일(수) 오후 5시, 신사동 케이옥션 전시장 22 February 2017, 5pm, K Auction, Seoul 전시 PREVIEW 부산 BUSAN 2017년 2월 6일(월) - 7일(화) | 오전 10시 - 오후 9시 | 파크 하얏트 부산 1층 살롱 February 6(Mon) – 7(Tue) 2017, 10am – 9pm, Park Hyatt Busan Salon (1F) 대구 DAEGU 2017년 2월 8일(수) | 오전 10시 - 오후 9시 | 그랜드 호텔 대구 5층 프라자홀 February 8(Wed) 2017, 10am – 9pm, The Grand Daegu Plaza (5F) ©Whanki Foundation·Whanki Museum 서울 SEOUL 1969 1969 | 2017년 2월 11 일(토) - 22일(수) | 오전 10시 30분 - 오후 6시 30분 | 신사동 케이옥션 전시장 February 11(Sat) – 22(Wed) 2017, 10:30am – 6:30pm, K Auction, Art Tower, 23 Eonju-ro 172-gil, Gangnam-gu, Seoul 19-V-69 #57 19-V-69 | Kim WhanKi Kim Front Image Front IMPORTANT NOTICES 유 의 사 항 (케이옥션이 국내에서 진행하는 경매) 이번 경매기간 (이하 "경매기간"이라 합니다)에 시행되는 당사경매에서의 응찰을 위한 등록과 신청, 응찰 및 경매물품 다음의 경우 경매물품과 관련된 위험과 책임은 낙찰자에게 있습니다. 경매약관 경매물품과 관련된 의 경매는 경매약관과 본 유의사항에 의해 규율됩니다. 경매약관과 본 유의사항 간에 어떠한 모순이나 불일치가 있는 위험과 책임 (ⅰ) 해당 경매물품의 낙찰일로부터 7일이 초과된 날; 그리고 경우에는 본 유의사항이 우선합니다. 본 유의사항에 포함된 용어 중 고유명사로 쓰였음에도 정의되지 않은 것은 경매 (ⅱ) 낙찰자 또는 그에게서 권한을 위임 받은 대리인에 의한 위 경매물품의 인수일, 중 먼저 도달하는 날에 낙찰자에게 약관에 정의된 바에 의합니다. -
Pontone Gallery
Pontone Gallery Pontone 43 Cadogan Gardens, BOOTH BOOTH London, SW3 2TB, UK GALLERY Tel: +44 (0)20 7730 8777 A431 C213 Mob: +44 (0)7957 346729 US Cell: +1 (917) 862 4057 [email protected] Born in 1969 in South Korea, Hong Sungchul completed an M.F.A and B.F.A in sculpture at Hongik University in Seoul before finishing another HONG SUNGCHUL M.F.A in Integrated Media at California Institute of the Arts in the US. Since graduating he has exhibited many times in the Far East, the USA and Europe and his work features in several international collections. The work takes the form of sculptural constructions, mostly wall based reliefs, (although some pieces are free-standing). Sequences of elastic cords are (above left) printed with photographic images and stretched over canvasses or within Perceptual mirror 0711 steel frames. These images, from a distance, look entire. However, on closer LCD solar units inspection, they become increasingly fragmented and fugitive, as the viewer 73 x 73 x 3 cm (x4) becomes more and more aware of their mode of fabrication. A tension arises 2017 out of this rupture of the perception of pictorial flatness. (above right) The images are of arms and hands grasping, holding and intertwining, Strings 0473 sometimes manipulating a string of beads or a wad of paper. There is an Mixed Media emphasis on intimacy in their depiction of mutual touch and interrelation. The 120 x 120 x 15 cm (47 x 47 x 6 in) nature of the construction disrupts this and makes reference to the artist’s 2016 wish to ‘reanimate communication’; the disruption makes us take notice. -
THE EXTRAORDINARY EDITOR 113 MAKING BUSINESS PLANS Getting Strategic
CHAPTER 5 MANAGING BUSINESS AND BOSSES MANAGING UPWARDS Editors and their bosses hile editors need to manage their staffs, it would be Wwrong to ignore the need to manage relations with their own superiors. Rule one: Know as much as you can about your boss and keep her/him informed, avoiding surprises. Rule two: Ensure that this person knows your goals and abilities, and the pressures on you. Rule three: Build a relationship of trust and honesty, ask for feedback and come with solutions. (Adapted from Lilian Dunlap, Poynter Institute) Problems Here are some suggestions on how to deal with difficult bosses. Analyse what behaviour bugs you – including 1 the possible reasons for it, and for your reaction to it. Do not react in the heat of 2the moment – respond later. Discuss, don’t accuse – talk 3 about what works in the relationship, and explain what is not working for you, with a focus on specifics. Think about this: is it 4more important to be right, or to get what you want? Sometimes your bigger goal will be to smooth the relationship, rather than win a particular point. As a very last resort, talk to 5 the boss’s superior. (Adapted from Bryan Monroe, San Jose Mercury News) – Guy Berger THE EXTRAORDINARY EDITOR 113 MAKING BUSINESS PLANS Getting strategic o editor can afford to be drawn into table is helpful. They’re what helps keep Nthe details of production to the extent you to a course. So, although no one that you never lift the proverbial snout knows where the media is headed, it from the grindstone.