Qin Shi Huangdi Li Si Wudi Sima Qian Cao Family Taizong Xuanzang Wu Zetian Li Bai Huizong Su Shi Zhu Xi Kublai Khan Hongwu Yongle

Total Page:16

File Type:pdf, Size:1020Kb

Qin Shi Huangdi Li Si Wudi Sima Qian Cao Family Taizong Xuanzang Wu Zetian Li Bai Huizong Su Shi Zhu Xi Kublai Khan Hongwu Yongle China_008-061 10/15/08 9:58 AM Page 8 People Qin Shi Huangdi Li Si Wudi Sima Qian Cao family Taizong Xuanzang Wu Zetian Li Bai Huizong Su Shi Zhu Xi Kublai Khan Hongwu Yongle Head with green flesh tones, Qin dynasty, terracotta, lacquer, pigment, Museum of Qin Terracotta Warriors and Horses, Lintong. China_008-061 10/15/08 9:58 AM Page 10 Qin Shi Huangdi “He changed the calendar and chose black as the color . and chose six as the basic number: seals and official hats measured Ding tripods are among the most The earliest sources that tell of the all six inches, carts six feet” (Sima Qian) ancient ritual food vases; they Nine Legendary Tripods, cast were used for meat offerings in the during the mythical Xia dynasty, royal tombs of the Shang epoch. date to the 6th–4th centuries BC. The tripods were said to have been handed on from dynasty to dynasty, Qin Shi Huangdi symbols of the passage of political power and the right to rule. In 221 BC, having defeated the six principal contenders for supreme First emperor of China power, the leader of the Qin dynasty assumed the new title of Shi Period Huangdi, “first august emperor,” and laid the basis for an empire Qin (221–206 BC) whose structure remained intact for more than two thousand years. To Reign increase the central power, the first emperor divided the country into 247–221 BC (reign of Qin); 221–210 BC thirty-six administrative units, the governors of which had to report to (emperor) central authorities and were supported in their tasks by generals in Family name charge of military control. The laws of the individual kingdoms in Zhao or Qin force until then were replaced by a penal code destined to remain at the Given name base of the Chinese judicial system until the threshold of the 20th cen- Zheng tury. Coins, weights, and measures, even the width of cart axles were Terms Small seal script standardized; the writing forms in use were standardized, creating so- (xiaozhuan) called small seal script, making possible the codification of a unitary Related entries literary language for the empire. The first emperor undertook massive Li Si, Mandate of construction projects, building new roads and canals that eased the heaven, Controlling water, War, Great Wall, movement of people and goods; existing fortresses were strengthened The quest for and connected to form a barrier along the northern border, the Great immortality, Xianyang Wall. Sumptuous palaces and an immense mausoleum were built to preserve The historian Sima Qian During the Han period it The scene depicts the moment the imperial power (mid-2nd century BC) was said that Qin Shi in which the cables broke and for eternity. The lamented the loss of the Huangdi had sent thousands the men tumbled back. The Nine Tripods and repeated of men to remove the image is thus symbolic of enormous strain the legend according to tripods from the river, but at heaven’s disapproval of the Qin placed on the peo- which they had sunk in the the critical moment a dragon government and thus legitimizes Si River near Pencheng150 had bitten through the the Han seizure of power. Ding tripod, Qin ple of China to pro- years before the unification cables, making them fall dynasty, from the pit vide the money and of the country by the Qin. back into the waves. with acrobats near the tomb of Qin Shi labor demanded by these Huangdi at Lintong, undertakings led to a gen- bronze, 64 cm diam., The Emperor Seeks the Tripods, Chinese History eral insurrection and thus Eastern Han Dynasty, 2nd century Museum, Beijing. AD, rubbing of a stone bas-relief, the end of the dynasty only a few years after from the eastern wall of Room 2, the first emperor’s death. Wu Liang Shrine, Shandong. 10 11 China_008-061 10/15/08 9:58 AM Page 12 Qin Shi Huangdi As soon as he ascended the throne of The three enormous pits of the mausoleum, containing more Qin, in 246 BC, the first emperor had than seven thousand terracotta soldiers, are famous throughout work begin on his tomb at Mount Li, the world, but few know that the statues were all covered by a near the capital of Xianyang. The work natural lacquer that had been applied as an undercoat for the continued until 208 BC. layer of paint made using precious mineral pigments. When the statues were removed from the moist soil, the layer of lacquer dried out and flaked off the surfaces, remaining The emperor arranged to stuck to the ground have himself surrounded by that had held them all the comforts that he for more than would require in the two millennia. afterlife; the two quadrigas would prove useful for the inspection trips he would take in the other world. The horse trappings and Only in recent accessories for the carts are years, and with the decorated with inlaid gold and use of various silver. Both carts were covered chemical methods, by very thin bronze canopies. has it been possible to reattach the paint to the Carts, charioteers, and terracotta. The horses were all painted, archers were increasing the realistic restored in situ in effect of the quadrigas. 1999 using a procedure developed especially for the terracotta army. The two bronze single-shaft Archer, restored and carts, made to a scale of 1:2, are photographed in situ, Qin The two quadrigas as they perfectly working models that dynasty, Pit 2 of the mausoleum were found, in 1980, in the One of the quadrigas after reproduce the royal carriages of the first emperor, lacquered western area of the mausoleum its restoration, Museum of down to the smallest detail. and painted terracotta, Museum of the first emperor at Lintong, Qin Terracotta Warriors and of Qin Terracotta Warriors and Shaanxi, Qin dynasty. Horses, Lintong. Horses, Lintong. 12 13 China_008-061 10/15/08 9:58 AM Page 14 Li Si “In the state of the intelligent ruler there is no literature . the Chinese historiography relates The victims of this pyre of books that Li Si, promoter of a included not only the chronicles of law is the only teaching. There are no quoted sayings of the centralized state, urged the first feudal states but also Confucian early kings, the magistrates are the only instructors” (Han Fei) emperor to silence dissent by classics; only the chronicles of the means of a drastic measure: the Qin and scientific texts were spared. burning of books, an event that Li Si took place in 213 BC. The intransigent politics of Qin Shi Huangdi received theoretical Prime minister of Qin support from the Legalist school, represented at court by Prime Shi Huangdi Minister Li Si. The oldest text related to this movement is the Period Book of Lord of Shang, the creator of which had served the Qin Qin (221–206 BC) king in the 4th century BC. The author of the principal Legalist Life BC During the years of circa 280–208 BC work, Han Feizi, was put to death in 233 by Li Si, following a court intrigue. In the ideal Legalist state, power is concentrated in persecution Fu Terms Sheng had hidden a Legalism the hands of the ruler, who makes use of the “law,” inflexible and copy of the Classic (fajia, liter., “school equal for everyone with the exception of the ruler himself, and of of Documents of law”) inside the walls of Book of Lord Shang “methods,” deceptive tactics by which he maintains control of his home, and he (Shangjunshu) the state, manipulating human instincts. The Legalist state does spent the rest of his The Book of Master life, well into his Han Fei not recognize cultural differences and does not have room for nineties, teaching (Han Feizi) individual expression. This was also the ideological thinking its contents. Law (fa) Methods (shu) behind the standardization of weights and measurements and writing. Later Chinese historians credited Li Si for having created Related entries Fu Sheng is seated Qin Shi Huangdi, the new uniform writing system, but also found fault with him cross-legged on a simple mat; on the Officials and literati, for persecuting literati and for destroying works of literature and Writing, Confucianism low table in front history from earlier periods. Following the death of Qin Shi of him are the tools of a man of Huangdi, Li Si took part in the plot that brought the second letters: a pen and emperor to the throne. Later, he himself fell victim to a plot, an ink stone. On the floor near the shortly before the collapse of the Qin dynasty, which also marked mat is the famous the end of the supremacy of the Legalist school. book he managed to keep hidden. According to legend, in 212 BC, the year after the book burning, 460 Measurement unit Confucian scholars were buried alive with edict of the first for having defended their ideas. emperor, Qin dynasty, from Zhuguo, Zoucheng province, engraved clay, 20.5 cm diam., Shandong Provincial Museum, Portrait of Fu Sheng, Tang Shandong. dynasty, 9th century AD, ink and color on silk, 25.4 x 44.7 cm, Municipal Museum of Art, Osaka. 14 15 China_008-061 10/15/08 9:58 AM Page 16 Wudi “We therefore direct the leaders of provinces and districts to examine officials and private citizens . for those able to become our generals, our ministers, our ambassadors” (Han emperor Wudi) In 138 BC the Han General Zhang Qian The mission failed in its emperor Wudi sent was captured by the objective but was of Wudi Zhang Qian with a Xiongnu, and ten years fundamental importance hundred men on an passed before he to the Chinese embassy to the Yuezhi, succeeded in escaping government, which as a located in ancient Bactria and reaching the Yuezhi, result obtained its first The first emperors of the Han dynasty had a conciliatory atti- in Central Asia, to make only to find they had no eye-witness account of Emperor tude toward bordering peoples and lands, most of all the an alliance with them intention of becoming the populations of the against the powerful involved in a war with “western lands.” Period Xiongnu tribes of northern China; Wudi replaced this with an Xiongnu nomads.
Recommended publications
  • Real-Time Image-Based Chinese Ink Painting Rendering Lixing Dong
    Real-time image-based chinese ink painting rendering Lixing Dong, Shufang Lu & Xiaogang Jin Multimedia Tools and Applications An International Journal ISSN 1380-7501 Multimed Tools Appl DOI 10.1007/s11042-012-1126-9 1 23 Your article is protected by copyright and all rights are held exclusively by Springer Science+Business Media, LLC. This e-offprint is for personal use only and shall not be self- archived in electronic repositories. If you wish to self-archive your work, please use the accepted author’s version for posting to your own website or your institution’s repository. You may further deposit the accepted author’s version on a funder’s repository at a funder’s request, provided it is not made publicly available until 12 months after publication. 1 23 Author's personal copy Multimed Tools Appl DOI 10.1007/s11042-012-1126-9 Real-time image-based chinese ink painting rendering Lixing Dong · Shufang Lu · Xiaogang Jin © Springer Science+Business Media, LLC 2012 Abstract Chinese ink painting, also known as ink and wash painting, is a technically demanding art form. Creating Chinese ink paintings usually requires great skill, concentration, and years of training. This paper presents a novel real-time, automatic framework to convert images into Chinese ink painting style. Given an input image, we first construct its saliency map which captures the visual contents in perceptually salient regions. Next, the image is abstracted and its salient edges are calculated with the help of the saliency map. Then, the abstracted image is diffused by a non-physical ink diffusion process.
    [Show full text]
  • Shang Dynasty
    misterfengshui.com 風水先生 History of China ANCIENT 3 Sovereigns and 5 Emperors Xia Dynasty 2100–1600 BC Shang Dynasty 1600–1046 BC Zhou Dynasty 1122–256 BC Western Zhou Eastern Zhou Spring and Autumn Period Warring States Period IMPERIAL Qin Dynasty 221 BC–206 BC Han Dynasty 206 BC–220 AD Western Han Xin Dynasty Eastern Han Three Kingdoms 220–280 Wei, Shu & Wu Jin Dynasty 265–420 Western Jin 16 Kingdoms Eastern Jin 304–439 Southern & Northern Dynasties 420–589 Sui Dynasty 581–618 Tang Dynasty 618–907 ( Second Zhou 690–705 ) 5 Dynasties & 10 Kingdoms 907–960 Liao Dynasty 907–1125 Song Dynasty 960–1279 Northern Song Xi Xia Southern Song Jin Yuan Dynasty 1271–1368 Ming Dynasty 1368–1644 Qing Dynasty 1644–1911 MODERN Republic of China 1912–1949 People's Republic of China (Mainland China) 1949–present Republic of China (Taiwan) 1945-present from Wilkipedia [email protected] Fax: 852-2873-6859 misterfengshui.com 風水先生 Timeline of Chinese History The recorded history of China began in the 15th century BC when the Shang Dynasty started to use markings that evolved into the present Chinese characters. Turtle shells with markings reminiscent of ancient Chinese writing from the Shang Dynasty have been carbon dated to as early as 1500 BC.[1] Chinese civilization originated with city-states in the Yellow River (Huang He) valley. 221 BC is commonly accepted to be the year in which China became unified under a large kingdom or empire. In that year, Qin Shi Huang first united China. Successive dynasties in Chinese history developed bureaucratic systems that enabled the Emperor of China to control increasingly larger territory that reached maximum under the Mongolian Yuan Dynasty and Manchurian Qing Dynasty.
    [Show full text]
  • Hwang, Yin (2014) Victory Pictures in a Time of Defeat: Depicting War in the Print and Visual Culture of Late Qing China 1884 ‐ 1901
    Hwang, Yin (2014) Victory pictures in a time of defeat: depicting war in the print and visual culture of late Qing China 1884 ‐ 1901. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/18449 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. VICTORY PICTURES IN A TIME OF DEFEAT Depicting War in the Print and Visual Culture of Late Qing China 1884-1901 Yin Hwang Thesis submitted for the degree of Doctor of Philosophy in the History of Art 2014 Department of the History of Art and Archaeology School of Oriental and African Studies, University of London 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person.
    [Show full text]
  • Practical Contextualism in Chinese Philosophy Yuzhou Yang a Thesis
    Practical Contextualism in Chinese Philosophy Yuzhou Yang A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of Humanities and Languages Faculty of Arts and Social Sciences November 2016 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Yang First name: Yuzhou Other name/s: Abbreviation for degree as given in the University calendar: PhD School: School of Humanities and Languages Faculty: Faculty of Arts and Social Sciences Title: Practical Contextualism in Chinese Philosophy Abstract 350 words maximum: (PLEASE TYPE) 'Practical Contextualism' is a multifaceted concept which, I will argue, permeates various ancient Chinese texts. The central focus of practical contextualism is to be aware of, and sensitive to, the contextual environment or situation, including the relationships involved in those contexts. On an individual level, this has important implications for one’s daily engagement with others and the world. On a socio-political level, this is essential to creating and implementing well-functioning social and political institutions and policies. Practical contextualism means, among other things, that one must be prepared for possible changes that might occur in these contexts, and calls for the fostering of optimal and timely responses and solutions. In this light, the cultivation of the self is an arduous process whereby one develops epistemic cognition and skills in order to be able to detect and deal with exigent situations. This thesis studies four pre-Qin Chinese texts: the Yi Jing, the Han Fei Zi, the Zhuang Zi, and the Analects. Each of these arguably exemplifies the particular tradition or practical field it represents, and has received extensive and long-term scholarly attention.
    [Show full text]
  • PARK JIN HYOK, Also Known As ("Aka") "Jin Hyok Park," Aka "Pak Jin Hek," Case Fl·J 18 - 1 4 79
    AO 91 (Rev. 11/11) Criminal Complaint UNITED STATES DISTRICT COURT for the RLED Central District of California CLERK U.S. DIS RICT United States ofAmerica JUN - 8 ?018 [ --- .. ~- ·~".... ~-~,..,. v. CENT\:y'\ l i\:,: ffl1G1 OF__ CAUFORN! BY .·-. ....-~- - ____D=E--..... PARK JIN HYOK, also known as ("aka") "Jin Hyok Park," aka "Pak Jin Hek," Case fl·J 18 - 1 4 79 Defendant. CRIMINAL COMPLAINT I, the complainant in this case, state that the following is true to the best ofmy knowledge and belief. Beginning no later than September 2, 2014 and continuing through at least August 3, 2017, in the county ofLos Angeles in the Central District of California, the defendant violated: Code Section Offense Description 18 U.S.C. § 371 Conspiracy 18 u.s.c. § 1349 Conspiracy to Commit Wire Fraud This criminal complaint is based on these facts: Please see attached affidavit. IBJ Continued on the attached sheet. Isl Complainant's signature Nathan P. Shields, Special Agent, FBI Printed name and title Sworn to before ~e and signed in my presence. Date: ROZELLA A OLIVER Judge's signature City and state: Los Angeles, California Hon. Rozella A. Oliver, U.S. Magistrate Judge Printed name and title -:"'~~ ,4G'L--- A-SA AUSAs: Stephanie S. Christensen, x3756; Anthony J. Lewis, x1786; & Anil J. Antony, x6579 REC: Detention Contents I. INTRODUCTION .....................................................................................1 II. PURPOSE OF AFFIDAVIT ......................................................................1 III. SUMMARY................................................................................................3
    [Show full text]
  • The PARI Journal Vol. XIV, No. 2
    ThePARIJournal A quarterly publication of the Pre-Columbian Art Research Institute Volume XIV, No. 2, Fall 2013 Mesoamerican Lexical Calques in Ancient Maya Writing and Imagery In This Issue: CHRISTOPHE HELMKE University of Copenhagen Mesoamerican Lexical Calques Introduction ancient cultural interactions which might otherwise go undetected. in Ancient Maya The process of calquing is a fascinating What follows is a preliminary treat- Writing and Imagery aspect of linguistics since it attests to ment of a small sample of Mesoamerican contacts between differing languages by lexical calques as attested in the glyphic and manifests itself in a variety of guises. Christophe Helmke corpus of the ancient Maya. The present Calquing involves loaning or transferring PAGES 1-15 treatment is not intended to be exhaus- items of vocabulary and even phonetic tive; instead it provides an insight into • and syntactic traits from one language 1 the types, antiquity, and longevity of to another. Here I would like to explore The Further Mesoamerican calques in the hopes that lexical calques, which is to say the loaning Adventures of Merle this foray may stimulate additional and of vocabulary items, not as loanwords, (continued) more in-depth treatment in the future. but by means of translating their mean- by ing from one language to another. In this Merle Greene sense calques can be thought of as “loan Calques in Mesoamerica Robertson translations,” in which only the semantic Lexical calques have occupied a privileged PAGES 16-20 dimension is borrowed. Calques, unlike place in the definition of Mesoamerica as a loanwords, are not liable to direct phono- linguistic area (Campbell et al.
    [Show full text]
  • Democratic People's Republic of Korea INDIVIDUALS
    CONSOLIDATED LIST OF FINANCIAL SANCTIONS TARGETS IN THE UK Last Updated:21/01/2021 Status: Asset Freeze Targets REGIME: Democratic People's Republic of Korea INDIVIDUALS 1. Name 6: AN 1: JONG 2: HYUK 3: n/a 4: n/a 5: n/a. Title: Diplomat DOB: 14/03/1970. a.k.a: AN, Jong, Hyok Nationality: Democratic People's Republic of Korea (DPRK) Passport Details: 563410155 Address: Egypt.Position: Diplomat DPRK Embassy Egypt Other Information: (UK Sanctions List Ref):DPR0001 Date designated on UK Sanctions List: 31/12/2020 (Further Identifiying Information):Associations with Green Pine Corporation and DPRK Embassy Egypt (UK Statement of Reasons):Representative of Saeng Pil Trading Corporation, an alias of Green Pine Associated Corporation, and DPRK diplomat in Egypt.Green Pine has been designated by the UN for activities including breach of the UN arms embargo.An Jong Hyuk was authorised to conduct all types of business on behalf of Saeng Pil, including signing and implementing contracts and banking business.The company specialises in the construction of naval vessels and the design, fabrication and installation of electronic communication and marine navigation equipment. (Gender):Male Listed on: 22/01/2018 Last Updated: 31/12/2020 Group ID: 13590. 2. Name 6: BONG 1: PAEK 2: SE 3: n/a 4: n/a 5: n/a. DOB: 21/03/1938. Nationality: Democratic People's Republic of Korea Position: Former Chairman of the Second Economic Committee,Former member of the National Defense Commission,Former Vice Director of Munitions Industry Department (MID) Other Information: (UK Sanctions List Ref):DPR0251 (UN Ref): KPi.048 (Further Identifiying Information):Paek Se Bong is a former Chairman of the Second Economic Committee, a former member of the National Defense Commission, and a former Vice Director of Munitions Industry Department (MID) Listed on: 05/06/2017 Last Updated: 31/12/2020 Group ID: 13478.
    [Show full text]
  • Natural History Connects Medical Concepts and Painting Theories In
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 Natural history connects medical concepts and painting theories in China Sara Madeleine Henderson Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Henderson, Sara Madeleine, "Natural history connects medical concepts and painting theories in China" (2007). LSU Master's Theses. 1932. https://digitalcommons.lsu.edu/gradschool_theses/1932 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. NATURAL HISTORY CONNECTS MEDICAL CONCEPTS AND PAINTING THEORIES IN CHINA A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Sara Madeleine Henderson B.A., Smith College, 2001 August 2007 Dedicated to Aunt Jan. Janice Rubenstein Sachse, 1908 - 1998 ii Preface When I was three years old my great-aunt, Janice Rubenstein Sachse, told me that I was an artist. I believed her then and since, I have enjoyed pursuing that goal. She taught me the basics of seeing lines in nature; lines formed on the contact of shadow and light, as well as organic shapes. We also practiced blind contour drawing1. I took this exercise very seriously then, and I have reflected upon these moments of observation as I write this paper.
    [Show full text]
  • The Old Master
    INTRODUCTION Four main characteristics distinguish this book from other translations of Laozi. First, the base of my translation is the oldest existing edition of Laozi. It was excavated in 1973 from a tomb located in Mawangdui, the city of Changsha, Hunan Province of China, and is usually referred to as Text A of the Mawangdui Laozi because it is the older of the two texts of Laozi unearthed from it.1 Two facts prove that the text was written before 202 bce, when the first emperor of the Han dynasty began to rule over the entire China: it does not follow the naming taboo of the Han dynasty;2 its handwriting style is close to the seal script that was prevalent in the Qin dynasty (221–206 bce). Second, I have incorporated the recent archaeological discovery of Laozi-related documents, disentombed in 1993 in Jishan District’s tomb complex in the village of Guodian, near the city of Jingmen, Hubei Province of China. These documents include three bundles of bamboo slips written in the Chu script and contain passages related to the extant Laozi.3 Third, I have made extensive use of old commentaries on Laozi to provide the most comprehensive interpretations possible of each passage. Finally, I have examined myriad Chinese classic texts that are closely associated with the formation of Laozi, such as Zhuangzi, Lüshi Chunqiu (Spring and Autumn Annals of Mr. Lü), Han Feizi, and Huainanzi, to understand the intellectual and historical context of Laozi’s ideas. In addition to these characteristics, this book introduces several new interpretations of Laozi.
    [Show full text]
  • Beyond Buddhist Apology the Political Use of Buddhism by Emperor Wu of the Liang Dynasty
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography Beyond Buddhist Apology The Political Use of Buddhism by Emperor Wu of the Liang Dynasty (r.502-549) Tom De Rauw ii To my daughter Pauline, the most wonderful distraction one could ever wish for and to my grandfather, a cakravartin who ruled his own private universe iii ACKNOWLEDGEMENTS Although the writing of a doctoral dissertation is an individual endeavour in nature, it certainly does not come about from the efforts of one individual alone. The present dissertation owes much of its existence to the help of the many people who have guided my research over the years. My heartfelt thanks, first of all, go to Dr. Ann Heirman, who supervised this thesis. Her patient guidance has been of invaluable help. Thanks also to Dr. Bart Dessein and Dr. Christophe Vielle for their help in steering this thesis in the right direction. I also thank Dr. Chen Jinhua, Dr. Andreas Janousch and Dr. Thomas Jansen for providing me with some of their research and for sharing their insights with me. My fellow students Dr. Mathieu Torck, Leslie De Vries, Mieke Matthyssen, Silke Geffcken, Evelien Vandenhaute, Esther Guggenmos, Gudrun Pinte and all my good friends who have lent me their listening ears, and have given steady support and encouragement. To my wife, who has had to endure an often absent-minded husband during these first years of marriage, I acknowledge a huge debt of gratitude. She was my mentor in all but the academic aspects of this thesis.
    [Show full text]
  • Xue Susu (1573-Ca.1650) Was a Courtesan Who Lived in the Final Years of the Ming Dynasty
    ESTEEMED LINK: AN ARGUMENT FOR XUE SUSU AS LITERATI A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI’I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2011 By Cordes McMahan Hoffman Thesis Committee: Kate Lingley, Chairperson John Szostak Paul Lavy Xue Susu (1573-ca.1650) was a courtesan who lived in the final years of the Ming dynasty (1368-1644). She was a multi-faceted artist, known for her painting, poetry and heroic personal- ity. An active participant in literati culture for most of her life, Xue’s body of work contains sev- eral outstanding paintings which demonstrate her grasp of the artistic concerns of literati painting practice at that time. Modern scholarship of Chinese women artists is a growing field, and it is now unthinkable to exclude women in the broad category of Chinese painting. However, examinations of individual artists, have been limited. For example, Xue Susu has been the subject of articles by Tseng Yu- ho (Betty Ecke); she was featured in an encyclopedic exhibition of Chinese women painters titled Views from Jade Terrace: Chinese Women Artists 1300-1912, and she is listed in several survey texts of Chinese art history.1 These considerations of Xue Susu demonstrate that modern scholarship acknowledges her as a talented painter. However, Xue is usually only considered in aggregate with other women painters with the grouping, gender being the primary identifier for artistic identity. The problem at hand then becomes that the majority of Xue Susu’s surviving work is dissimilar in stylistic choice to the general group of female painters of her era.
    [Show full text]
  • Edward Burtynsky, Jiang Zhi, Shyu Ruey-Shiann, Gao Brothers, Cai Guo-Qiang “Nice Painting” in Hong Kong Et Al
    NOVEMBER/DECEMBER 2012 V OLUME 11, NUMBER 6 INSI DE Artist Features: Edward Burtynsky, Jiang Zhi, Shyu Ruey-Shiann, Gao Brothers, Cai Guo-Qiang “Nice Painting” in Hong Kong et al. Contemporary Art Spaces in Xi’an Vitamin: A Conversation with Zhang Wei and Hu Fang Possibilities for the Page: Artist’s Books US$12.00 NT$350.00 PRI NTED IN TA I WAN 6 VOLUME 11, NUMBER 6, NOVEMBER/DECEMBER 2012 CONTENTS Editor’s Note 34 Contributors 6 Displaced Cultural Landscape and Manufactured Landscapes: The Three Gorges Project in Art Zhou Yan 15 "Nice painting" et al. – Different Kinds of Painting and Related Practices in Hong Kong Frank Vigneron 41 34 Jiang Zhi’s Faulty Display Mathieu Borysevicz 41 Gleaned Memories: The Art of Shyu Ruey- Shiann Gilles Guillot 48 The Gao Brothers and The Execution of Christ: A Conversation Voon Pow Bartlett, Le Guo, Carrie Scott, Sheng Qi, and Haili Sun 61 61 Leaving Chang’an: Establishing Contemporary Art Spaces in the Ancient Capital Yang Wang 70 The Institution of Forgetting? Contemporary Chinese Art, Crititque, and the Academy Julian Scarff 83 Nutrition Spaces: Vitamin, Guangzhou, and Beijing 83 Edward Sanderson 92 Possibilites for the Page: 88BOOKS and Artists' Books in China Joni Low 103 Cai Guo-Qiang: Sky Ladder Orianna Cacchione 110 Chinese Name Index Cover: Cai Guo-Qiang, Crop Circles, (detail), 2012, reeds, 103 plywood, approximately 800 x 3600 cm. Photo: Joshua White/ JWPictures.com. Courtesy of the artist and The Museum of Contemporary Art, Los Angeles. We thank JNBY Art Projects, Canadian Foundation of Asian Art, Mr.
    [Show full text]