The Works of Sir Walter Ralegh, Kt: the History of the World
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Handel's Oratorios and the Culture of Sentiment By
Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera. -
Memorial ? У$ Delastres
Ц IÎÏ3W MEMORIAL ? У$ DELASTRES PARTENOPES. DEDICADO AL EXCELENTÍSIMO SEÑOR D. GASPAR DEHARO<# YGVZMAN MARQ3/ES DEL CARPIO,&c. Virey j Lugarteniente, y Capitán General del Reyno de Na- POR EL MAESTRO/ *3 / FR. MANVEL PONZE D_E S O T -Ó CARMELITA. En Ñapóles , Por Nouelo de Bonis Impreffor Arzo- bifpal , añ. 1683. Con licencia délos Superiores, PArthenope,triplexiGentilis,Sàcraque,Siren Princeps ! ab SOTO , traditur Obsequio : Sic íìmul>& fuadecrecreat; sic ducitad ARAS Sicque triceps, HARO, redditur Imperium. Memorial délas tres Partenopes , ; • lentil, Syrena, y Sacra. ;. AL EXCELENTISS. SEÑOR D. G ASP Ж DE HARO, T GVZMAN , Marques del С arpio , Duque de Montoro^ Conde Duque de Oliuares , Conde de Mo- rotetMarques de Heltchei Señor del E fiado de Soruas^y délas fíete Villas ,y del Capillo de Carbonera) y de Loeches : Ale ay de perpe tuo délos Reales Alcafares ,y Torres , déla Ciudad de Cor doua , CauallerizjO major perpetuo déla mifma Ciudadsy déla S.Tn- quificion de ella ; Alcayde perpetuo délos Reales Alcafares, y Atarazanas déla Ciu dad de S eu tila : Alcayde perpetuo del С aßt- ¡lo \y Fortalezca de la mifma\ Alcayde per* ^ peino delC aß tilo ty Fortalezca déla Ciudad de Moxacan Alcayde délos Reale s Sitios del PardofZarZjUeta>Bal.S. Ger.yBalfain\Gra Canciller délai Tndiasy regi fir ador perpe tuo de ellas : С orne dador mayor déla Orden de Alcantaras Gentil hombre déla Cámara de S.M.yfu Montero mayor: délos Confesos de E fiado , y Guerra de S. M. Embaytdot Ordinario;) extraordinario por S M ala S. 4e InnXiyireyy Capita General del Rey- fio de Ñapóles ¡Gran de de E/paña. -
Saul, Doeg, Nabal and the “Son of Jesse”: Readings in 1 Samuel 16—25
Saul, Doeg, Nabal and the “Son of Jesse”: Readings in 1 Samuel 16—25 By Joseph Lozovyy Ph.D. Thesis The University of Edinburgh 2006 TO MY PARENTS DECLARATION I declare that I have composed Saul, Doeg, Nabal and the “Son of Jesse”: Readings in 1 Samuel 16—25 and that it is my own work, that it has not been submitted, in whole or in part, for any other degree or professional qualification, and that all sources used or quoted have been indicated and acknowledged by complete references. Joseph Lozovyy TABLE OF CONTENTS Abbreviations . ix Abstract . xiii Foreword . xiv CHAPTER I INTRODUCTION I. Introductory Remarks . 1 II. Various Approaches to 1 Sam. 25 . 3 A. Historical Critical Approaches to 1 Sam. 25 . 3 B. Literary approaches to 1 Sam. 25 . 8 1. David as the Hero of the Story . 15 a) Positive Views . 16 b) Negative Views . 20 c) Narrative Analogy . 21 2. Abigail as the Heroine of the Story . 23 3. Nabal as the Hero of the Story . 26 III. The Stories in 1 Sam 21 and 22 . 27 A. Difficulties and Tensions in Studying 1 Sam. 21 and 22 . 27 B. Literary Approaches to 1 Sam. 21 and 22 . 31 1. Negative Views of David . 32 2. Positive and Semi-Positive Views of David . 35 IV. MT, LXX, Q and Josephus in 1 Sam. 16—25 . 40 A. Samuel Scroll in Qumran . 41 B. The Septuagint Versions of 1—2 Samuel (1—2 Reigns) . 44 C. The Text of Samuel in MT, LXX, Q and Josephus . 46 D. -
GIPE-001563-Contents.Pdf (1.523Mb)
Dhllllllljayano Gadgil Libmy 11IIl~11~ I ~DII~nmll GIPE-PUNE-OO 1563 GENERAL INDEX. GENERAL INDEX. A B~ in Phokis. oracle of, ii. 256. AdeimaDto.. Corinthian general in the Median AbaDtidaa, lpanl of Sikyon, i •. 317. wars, ii. 451. Abbott, E.elyn, his History of Greece. i 17. Admetoa, Thessalian king. i. 216. 332. Abdera, foumled by a oolony from Teo.. ii. AdoDis. Phomician divinity. iii 71. 316. 319. 270; birthplace of Demokritos. iii. 158; 445 . • acked by Ihe Romans. i•. 433. Adramyttion. a city of Myaia, i•. 129, Abyd..... oolony of Mileloa. ii. 173. 484. 439; Ailrapsa, i •• 174- iii. 368; iv. 382. Ailraoteia (Nem.. is). iii. III and Mle. Academy, gardens near Athens where Plato Ailraoto.. Argi.e king. i. 222. 379-80. taught. iii. 105 ""Ie, 618 and Mi•. Ailraato•• grandson of Midss. ii. 246-65. Acbala, i. 131, 139; ii. 58; iii 276. 587. 598. Adultery. in the heroic age. i. 299-300; la... Achalan League, hated by Athena and Sparta, of Druo coneeming it, 521 and Mi.; laWI i. 95; ito characier. 96; question of obliga. of Solon, 275 lllJi.. tion to it on the part 01 ita members. 95-99; JEIgooan Se.. i. 151. 177. 183. ita oonJliol witb Rome, 101; iii. 314-466 Aeropoa, d ....ndant of Temenos. i.. 10. (chapie' nx•. ); originally a confederation 11, of Algialeia, 314; oonaolidated by Aratas Agamemnon, his suppo.ed tomb. I. 190; and the addition of Sikyon. 817-23; ita chief of the Greeks in the Trojan war, 241-6; con.titution, 32H; ita en...... 330,; the his ~h. -
First Printing: January 2009 Copyright © 2009 By
First printing: January 2009 Copyright © 2009 by Larry and Marion Pierce. All rights reserved. No part of this book may be used or re- produced in any manner whatsoever without written permission of the publisher, except in the case of brief quotations in articles and reviews. For information write: Master Books®, P.O. Box 726, Green Forest, AR 72638. ISBN-13: 978-0-89051-556-3 ISBN-10: 0-89051-556-5 Library of Congress Number: 2008940813 Cover by Diana Bogardus Printed in the United States of America Please visit our website for other great titles: www.masterbooks.net For information regarding author interviews, please contact the publicity department at (870) 438-5288. The Chronology of Ancient Kingdoms Amended. Prefixed by A Short Chronicle from the Earliest History of Europe, to the Conquest of Persia by Alexander the Great. By Sir Isaac Newton. London: Printed for J. Tonson in the Strand, and J. Osborn and T. Longman in Pater-noster Row. MDCCXXVIII. Revised Edition by Larry and Marion Pierce, 2008. ® Table of Contents Preface to the Queen .....................................................................................................................................5 Notice to the Reader .....................................................................................................................................7 Introduction to the Short Chronology ........................................................................................................11 A Short Chronology from Earliest European History to Alexander the -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
Handel Newsletter-2/2001 Pdf
NEWSLETTER of The American Handel Society Volume XV, Number 3 December 2000 MHF 2001 The 2001 Maryland Handel Festival & Conference marks the conclusion of the Festival’s twenty-year project of performing all Handel’s dramatic English oratorios in order of composition. With performances of THEODORA, May 4 and JEPHTHA, May 6 conducted by Paul Traver, we welcome back to the MHF stage soloists from previous seasons including: Linda Mabbs and Sherri Karam, soprano; Lorie Gratis and Leneida Crawford, mezzo-soprano; Derek Lee Ragin, countertenor; Charles Reid, tenor; Philip Collister, bass; with the Smithsonian Chamber Orchestra, Kenneth Slowik, Music Director; the University of Maryland Chorus, Edward Maclary, Music Director; and The Maryland Boys Choir, Joan Macfarland, director. As always, the American Handel Society and Maryland Handel Festival will join forces to present a scholarly conference, which this year brings together internationally renowned scholars from Canada, England, France, Germany, and the United States, and which will consist of four conference sessions devoted to various aspects of Handel studies today. Special events include the Howard Serwer Lecture (formerly the American Handel Society Lecture), to be presented on Saturday May 5 by the renowned HANDEL IN LONDON scholar Nicholas Temperley, the American Handel Society Dinner, later that same evening, and the pre- By 2002 there will be at least six different institutions concert lecture on Sunday May 6. in London involved with Handel: The conference and performances will take place in 1. British Library the new Clarice Smith Performing Arts Center at the University of Maryland; lodgings will once again be located at the Inn and Conference Center, University The British Library, holding the main collection of of Maryland University College, where the Society Handel autographs, is (together with the Royal dinner will also take place. -
David and Goliath: an Oratorio
David and Goliath: An Oratorio John-Luke Addison A thesis submitted to the Faculty of Graduate Studies in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Music York University Toronto, ON April 2015 © John-Luke Addison, 2015 Abstract This thesis involves composing a dramatic work, David and Goliath: An Oratorio, for chorus and orchestra, with an emphasis on emulating eighteenth-century English oratorio style. A framework for writing compositions based on appropriating foreign cultural or historical characteristics is suggested, with specific emphases on choral works incorporating sacred text. The Baroque oratorio’s history is examined, and its prominence in ‘Georgian’ Britain throughout the eighteenth century and its corresponding stylistic aspects is investigated, including form, instrumentation, notation, harmony, and text. In addition, the cross-cultural differentiations of the biblical text of David and Goliath are discussed, as it is paraphrased into a libretto to complement music with similar tonality, figurations, and harmonic language of late Baroque style. ii Acknowledgements I wish to express my gratitude to a number of individuals who have assisted me on this thesis, through suggestions, editing, and support. First, I am indebted to Professor Stephanie Martin of York University and her devoted time and effort to supervising my research, as well as Professors Mark Chambers, Michael Coghlan, and Michael Greyeyes for their valuable help with consultations and editing. I also extend my appreciation to all the administrative staff that have made this journey possible, especially Tere Tilban-Rios and her constant support and aid. Furthermore, I am appreciative for the support of Robert Cooper and Chorus Niagara for performing portions of the music, and their helpful suggestions and counsel. -
Homer's Ogygia: an Imaginary Or a Historiography?
Athens Journal of History - Volume 3, Issue 1 – Pages 49-70 Homer’s Ogygia: An Imaginary or a Historiography? By John Vella Epic poetry and legends are thought to be imaginary. Studies and science show that they may have a basis in history, yet the study of places-names – toponomy – supported by a multi-disciplinary approach provides sufficient tangible evidence as to enable the tracing of unwritten historic events and the description of forgotten contexts. In this paper, the researcher will conduct an analysis of Homer’s Ogygia, its character Calypso, and the events mentioned in the text. These factors provide enough details to classify and transform the perception of an imaginary story into a fact-based historic account – an early form of historiography – set on the island of Gozo-Malta. Introduction The author’s earlier research has argued that toponyms and associated legends backed by tangible evidence are silent witnesses to an unwritten history.1 This study departs from imaginaries instigated by ancient Greek epic poetry and a toponym. Homer’s Odyssey is the earliest written reference to the Maltese Islands. For centuries, the Iliad and its narrative of the aftermath of the Trojan War were considered fictional, but archaeology has proven otherwise. Though epic poetry has led to contrasting discussions, this study hopes to inspire historians and historiographers to revolutionise the interpretation of historic imaginary intangibles. The study provides a paradigm for the inclusion of both tangible and intangible factors in the construction of a more realistic narrative of the remote past. Toponym Definitions The term toponym is not restricted to the lexicographic definition as "a place name, especially one derived from a topographical feature".2 The author expands toponymy to include place-names derived from practices, functions, persons and historic events, rather than solely geographical or PhD Student, Mediterranean Institute, University of Malta, Malta. -
A Narrative Critical Reading of 1 Samuel 24-26
DISCOVERING DAVID IN LIGHT OF 1 SAMUEL 25: A NARRATNE CRITICAL READING OF 1 SAMUEL 24-26 by Adam Stewart Brown, B.Soc.Sci., M.T.S. A thesis submitted to The Faculty of McMaster Divinity College In partial fulfillment of the requirements For the degree of Master of Arts in Christian Studies McMaster Divinity College Hamilton, Ontario 2009 Master of Arts in Christian Studies McMASTER DIVIN1TY COLLEGE Hamilton, Ontario TITLE: Discovering David in Light of 1 Samuel 25: A Narrative Critical Reading of 1 Samuel 24-26 AUTHOR: Adam Stewart Brown SUPERVISOR: MarkJ. Boda NUMBER OF PAGES: ix + 168 ii McMASTER DIVINITY COLLEGE Upon the recommendation of an oral examination comprlttee, this thesis by Adam Brown is hereby accepted in partial fulfillment of the requirements for the degree of Master of Arts in Christian Studies Primary Supervisor ~z{t'..l"'fL(secoJl(l;ry Supervis ~iCDean Date: March 23, 2009 iii ABSTRACT Discovering David in Light of 1 Samuel 25: A Narrative Critical Reading of 1 Samuel 24-26 Adam Stewart Brown McMaster Divinity College Hamilton, Ontario Master of Arts in Christian Studies, 2009 Although David seems to be characterized differently in 1 Samuel 25 than in 1 Samuel 24 and 26, the literary cohesion ofthese three chapters suggests otherwise. By exploring the parallels in setting, plot, characterization, and style between each chapter this study uncovers a multidimensional characterization of David. Nabal is established as Saul's surrogate and David's men (in 1 Sam 24), Abishai (in 1 Sam 26), and Abigail (in 1 Sam 25) are demonstrated to be David's alter-egos. -
The Iliad of Homer by Homer
The Project Gutenberg EBook of The Iliad of Homer by Homer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Iliad of Homer Author: Homer Release Date: September 2006 [Ebook 6130] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE ILIAD OF HOMER*** The Iliad of Homer Translated by Alexander Pope, with notes by the Rev. Theodore Alois Buckley, M.A., F.S.A. and Flaxman's Designs. 1899 Contents INTRODUCTION. ix POPE'S PREFACE TO THE ILIAD OF HOMER . xlv BOOK I. .3 BOOK II. 41 BOOK III. 85 BOOK IV. 111 BOOK V. 137 BOOK VI. 181 BOOK VII. 209 BOOK VIII. 233 BOOK IX. 261 BOOK X. 295 BOOK XI. 319 BOOK XII. 355 BOOK XIII. 377 BOOK XIV. 415 BOOK XV. 441 BOOK XVI. 473 BOOK XVII. 513 BOOK XVIII. 545 BOOK XIX. 575 BOOK XX. 593 BOOK XXI. 615 BOOK XXII. 641 BOOK XXIII. 667 BOOK XXIV. 707 CONCLUDING NOTE. 747 Illustrations HOMER INVOKING THE MUSE. .6 MARS. 13 MINERVA REPRESSING THE FURY OF ACHILLES. 16 THE DEPARTURE OF BRISEIS FROM THE TENT OF ACHILLES. 23 THETIS CALLING BRIAREUS TO THE ASSISTANCE OF JUPITER. 27 THETIS ENTREATING JUPITER TO HONOUR ACHILLES. 32 VULCAN. 35 JUPITER. 38 THE APOTHEOSIS OF HOMER. 39 JUPITER SENDING THE EVIL DREAM TO AGAMEMNON. 43 NEPTUNE. 66 VENUS, DISGUISED, INVITING HELEN TO THE CHAMBER OF PARIS. -
Iliad Book I
Iliad Book I 1. Who were the sons of Atreus? 2. Who asked Apollo to curse the Greeks and why? 3. Did the Achaeans know why Apollo plagued them at first? 4. What had to be done to stop the plague? 5. Why did Agamemnon refuse? 6. What are Myrmidons? 7. What did Agamemnon take and from whom to replace Chryseis? 8. Who stopped Achilles from killing Agamemnon? 9. Which Achaean leader claimed to know Theseus? Extra: Find Pylos on a map and read the story of Theseus and the Minotaur. 10. What did Agamemnon do instead of giving back Chryseis? 11. To whom did Achilles turn for help when he lost Briseis? Extra: Read the story of the marriage of Peleus and Thetis and the story of Achilles’ birth. 12. Why did Achilles think she could persuade Zeus? 13. What did Achilles want? 14. Where was Zeus? Extra: Find modern Ethiopia on a map. 15. What three actions did the Achaeans take at the temple to appease Apollo? 1. 2. 3. 16. How did Zeus indicate he would do as Thetis asked? 17. Who tried to change Zeus’ mind? 18. How did Hephaestus become injured? Iliad Book II 1. The evil or false dream was sent to Agamemnon by _______________. Extra: Keep a list of the gods/goddesses on each side of the war. 2. The dream came to Agamemnon as who? 3. Agamemnon’s staff had been made by whom? And how was it acquired? 4. When the Achaean troops assemble Agamemnon tells them that Zeus wanted them to do what? 5.