The Chronology of Ancient Kingdoms Amended
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The Argonautica, Book 1;
'^THE ARGONAUTICA OF GAIUS VALERIUS FLACCUS (SETINUS BALBUS BOOK I TRANSLATED INTO ENGLISH PROSE WITH INTRODUCTION AND NOTES BY H. G. BLOMFIELD, M.A., I.C.S. LATE SCHOLAR OF EXETER COLLEGE, OXFORD OXFORD B. H. BLACKWELL, BROAD STREET 1916 NEW YORK LONGMANS GREEN & CO. FOURTH AVENUE AND 30TH STREET TO MY WIFE h2 ; ; ; — CANDIDO LECTORI Reader, I'll spin you, if you please, A tough yarn of the good ship Argo, And how she carried o'er the seas Her somewhat miscellaneous cargo; And how one Jason did with ease (Spite of the Colchian King's embargo) Contrive to bone the fleecy prize That by the dragon fierce was guarded, Closing its soporific eyes By spells with honey interlarded How, spite of favouring winds and skies, His homeward voyage was retarded And how the Princess, by whose aid Her father's purpose had been thwarted, With the Greek stranger in the glade Of Ares secretly consorted, And how his converse with the maid Is generally thus reported : ' Medea, the premature decease Of my respected parent causes A vacancy in Northern Greece, And no one's claim 's as good as yours is To fill the blank : come, take the lease. Conditioned by the following clauses : You'll have to do a midnight bunk With me aboard the S.S. Argo But there 's no earthly need to funk, Or think the crew cannot so far go : They're not invariably drunk, And you can act as supercargo. — CANDIDO LECTORI • Nor should you very greatly care If sometimes you're a little sea-sick; There's no escape from mal-de-mer, Why, storms have actually made me sick : Take a Pope-Roach, and don't despair ; The best thing simply is to be sick.' H. -
Antigone by Sophocles Scene 4, Ode 4, Scene 5, Paean and Exodos
Antigone by Sophocles Scene 4, Ode 4, Scene 5, Paean and Exodos By: Anmol Singh, Kesia Santos, and Yuri Seo Biographical, Cultural, and Historical Background The Greek Theater - Sophocles was one of the prominent figures in Greek theater. - Plays were performed in outdoor areas. - There were a limited number of actors and a chorus.6 - Antigone was mostly likely performed in the same fashion. AS Family Tree YS What do Scene 4, Ode 4, Scene 5, Paean and Exodos of Antigone focus on? - Family Conflict (internal and external) - Death (tragedy) - Poor judgment - Feeling and thinking - Fate - Loyalty - Love YS Genres & Subgenres Tragedy - Not completely like modern tragedies (ex. sad & gloomy). - Tragedies heavily used pathos (Greek for suffering). - Used masks and other props. - Were a form of worship to Dionysus.7 AS Tragic Hero - Antigone and Creon are both like tragic heros. - Each have their own hamartia which leads to their downfalls.8,9 AS Family Conflict & Tragedy in Antigone - Antigone hangs herself - Haimon stabs himself - Eurydice curses Creon and blames him for everything - Eurydice kills herself YS Dominant Themes Family: The story of Niobe - Antigone relates her story to the story of Niobe. - Antigone says “How often have I hear the story of Niobe, Tantalus’s wretched daughter…” (18) - Chorus tells Antigone that Niobe “was born of heaven,” but Antigone is a woman. YS Womanhood - Antigone defies the place a woman is supposed to have during this time period - Antigone and Ismene contrast each other - Creon is the prime example of the beliefs that males hold during this period KS Power and Corruption: Dryas and Lycurgus - A character the chorus compares to Antigone is Lycurgus. -
Clash of the Titans
CLASH OF THE TITANS Written bY John Glenn & Travis Wright Based on the 1981 movie "Clash of the Titans" Written by Beverly Cross May 28, 2008 FADE IN: EXT. ALLEYWAY (VILLAGE) - DUSK Gloomy, last light. From out of the shadows comes -- A DOG. A dog of war. Big, mangy, muscular, scary. As he moves down the alley, the way becomes increasingly choked with fallen structures. and signs of tumult. EXT. BATTLEFIELD - DUSK TRACKING WITH THE DOG as he comes onto a battlefield. The hellish scene is REVEALED TO US SLOWLY -- SERIES OF SHOTS as the Dog traverses a landscape of -- BODIES, frozen in contorted death poses. This was furious, hand-to-hand fighting between human SOLDIERS and nightmare CREATURES, their corpses now in piles to the horizon. The Dog climbs a mound of casualties. At the top, the Dog looks back across the battlefield. The Dog's eyes are sad, his expression weary and disgusted. DISSOLVE TO: EXT. THE PALACE OF ACRISIUS - NIGHT The entrance is patrolled by a dozen PALACE GUARDS. They don't see the Dog pad silently to a fissure in the palace wall and disappear inside. INT. THE PALACE OF ACRISIUS - GREAT HALL - NIGHT Bloodied and battered, the King's GENERALS are disagreeing loudly about strategy. A loud BANGING sound pierces the hubbub, and the officers quiet, turning to -- KING ACRISIUS, a striking man in his prime, his handsome face marked by one crooked scar on his jaw. He commands the room -- KING ACRISIUS Now we end the debate about tactics... and begin to plan for victory. -
El Spill De Jaume Roig. Estudio De Relaciones Semióticas Con La Picaresca
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2017 El Spill de Jaume Roig. Estudio de relaciones semióticas con la picaresca Raul Macias Cotano The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1913 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EL SPILL DE JAUME ROIG. ESTUDIO DE RELACIONES SEMIÓTICAS CON LA PICARESCA por RAÚL MACÍAS COTANO A dissertation submitted to the Graduate Faculty in the program of Hispanic and Luso-Brazilian Literatures and Languages, in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2017 © 2017 RAÚL MACÍAS COTANO All Rights Reserved ii El SPILL DE JAUME ROIG. ESTUDIO DE RELACIONES SEMIÓTICAS CON LA PICARESCA by Raúl Macías Cotano This manuscript has been read and accepted for the Graduate Faculty in of Hispanic and Luso-Brazilian Literatures and Languages in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Lía Schwartz Date Chair of Examining Committee José del Valle Date Executive Officer Supervisory Committee: John O’Neill Nuria Morgado THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EL SPILL DE JAUME ROIG. ESTUDIO DE RELACIONES SEMIÓTICAS CON LA PICARESCA by Raúl Macías Cotano Advisor: Prof. Lía Schwartz The Spill is a literary work written in the Catalan dialect of Valencia in 1460 by Jaume Roig, a prestigious doctor whose personal and public life is well known. -
UC Classics Library New Acquisitions February 2019 1
UC Classics Library New Acquisitions February 2019 1. Res publica litterarum. Lawrence, Kan., University of Kansas. S. Prete, 2083 Wescoe Hall, University of Kansas, Lawrence, Kansas, 66045. LOCATION = CLASS Journals. AS30 .R47 v.39(2016). 2. Philosophenwege / Wolfram Hoepfner. Konstanz : UVK Verlagsgesellschaft mbH, [2018]. Xenia (Konstanz, Germany) ; Heft 52. LOCATION = CLASS Oversize. B173 .H647 2018. 3. Speeches for the dead : essays on Plato's Menexenus / edited by Harold Parker and Jan Maximilian Robitzsch. Berlin ; Boston : De Gruyter, [2018]. Beiträge zur Altertumskunde ; 368. LOCATION = CLASS Stacks. B376.M46 P37 2018. 4. Metafisica e scienza negli antichi e nei moderni / a cura di Elisabetta Cattanei e Laura Stochino. Lecce : Milella, [2017]. LOCATION = CLASS Stacks. B485 .M375 2017. 5. Dynamis : sens et genèse de la notion aristotélicienne de puissance / par David Lefebvre. Paris : Librairie philosophique J. Vrin, 2018. Bibliothèque d'histoire de la philosophie. Nouvelle série. LOCATION = CLASS Stacks. B491.P66 L44 2018. 6. La vertu en acte chez Aristote : une sagesse propre à la vie heureuse / Gilles Guigues. Paris : L'Harmattan, [2016]. Collection L'ouverture philosophique. LOCATION = CLASS Stacks. B491.V57 G84 2016. 7. Politics and philosophy at Rome : collected papers / Miriam T. Griffin ; edited by Catalina Balmaceda. Oxford : Oxford University Press, 2018. LOCATION = CLASS Stacks. B505 .G75 2018. 8. Apprendre à penser avec Marc Aurèle / Robert Tirvaudey. Paris : L'Harmattan, [2017]. Collection L'ouverture philosophique. LOCATION = CLASS Stacks. B583 .T57 2017. 9. Les principes cosmologiques du platonisme : origines, influences et systématisation / études réunies et éditées par Marc-Antoine Gavray et Alexandra Michalewski. Turnhout, Belgium : Brepols, [2017]. Monothéismes et philosophie. LOCATION = CLASS Stacks. -
Module D (June 2015 Session) Page 1 of 12
SECTION A – CASE QUESTIONS Answer 1 DIPN Issued by the IRD, DIPN clarifies the IRD’s viewpoints on particular tax provisions and/or the practice of the IRD in certain given situations. It also outlines the IRD’s respective procedures in administrating relevant provisions of the IRO. Notwithstanding that DIPN has no binding force in law (BOR D54/06, para. 25), the IRD would follow, in general, what has been laid down in the DIPNs, both interpretation of tax provisions and assessing practices. BOR Decisions The BOR is an independent statutory body to determine tax appeals. Decisions made by the BOR are final with regard to the facts of a particular case. In addition, BOR’s decisions are not binding on other BOR cases. With reference to the BOR’s decisions, taxpayers can identify how the relevant provisions in the IRO are interpreted and applied in the circumstances. Local Court Cases for tax In the appeals to the Hong Kong Courts, the judges are required to decide the cases by expressing their opinion in respect of questions of law. If taxpayers or the IRD cannot agree on the interpretation of a provision in the IRO, both parties can use the appeal procedures laid down in the IRO to seek a ruling on a question of law from the Courts. In addition, the decisions of a higher court (e.g. Court of Final Appeal) bind all lower courts and the BOR, i.e. the doctrine of judicial precedent. Answer 2 Under s.4 of the IRO, officers of the IRD shall preserve secrecy with regard to all matters relating to the affairs of any person coming to his knowledge, except in the performance of his duties under the IRO. -
The American Herbal, Or Materia Medica
ARMED FORCES MEDICAL LIBRARY Washington, D. C. \V'ii.LiA>i DiiFoRKi^T Thomson T. Diicri^:^AUX 7 American Herbal, MATERIA MEDIC A. WHEREIN The virtues of the MINERAL, VEGETA- BLE, and ANIMAL PRODUCTIONS of North AND South America are lajd open, so far as THSY A»?« KNOWN ; AND THEIR USES IN THE PRACTICE OF PHYSICand SURGERY exhibi- CO MPRE II ENDING An account of a large number of New Medical Difccv^. Ties and Improvements, zohich are compiled from the hejl authorities with much care and allemion, and promulgated for the purpofe ofJpreading medical light and information in ylmcrica. By SAMUEL STEARNS, L. l. d. Solatium Affliais. -^ (^ 9 f- F' THI COPY R.CHT OF THIS BOOK ,5 ^OUR.DA. THI ACT MRECT,.' fV A L P L E, Printed bv DAVID CARLISLE For THOMAS i3 THOMAS, akd the AUTHOR. iKoi. PREF A CE. ^ TO PHYSICIANS, SURGEONS. AND APOTHECARIES, Gentlemtn, THE auibsr is a native of the common- wealth of Maffdchufetis, where he was inllru6led in the medical art, according to the methods that were in vogue in the younger part of his life ; but as there was no regular fyftem of pharmacy, phyfic, or furgery to be found, he foon difcovered that both the theory and practice of medicine, flood in great need of reformation and amendment in our Ameri- can borders. He obferved that the medical books had been compiled by different aa/;&arj, in differ- ent periods of time, as the medical artwajrif- ing to higher and higher degrees of perfeSion ; and that, although they had been judicioufly written, and contained fome things which ought to be publiQied from generation to generation, y«t they frequently gave different accounis concerning the virtues, operations and efftfts. -
Heroic Pattern Chart Perseus King Arthur
HEROIC PATTERN CHART PERSEUS THESEUS HERCULES KING ARTHUR PROPHECY Will kill grandfather, Oracle to Aegeus not to Tiresias confirms that Would become King of Acrisius open wineskin Father is Zeus, and that England Heracles will be immortal UNUSUAL Zeus as liquid stream of Aegeus drunk & Poseidon Zeus stops the sun for Uther visits Ygraine BIRTH/ gold also involved three days to sleep with disguised as her husband; Alcmene, disguised as her at birth, handed over to CONCEPTION husband Merlin PRECOCIOUS Sent to sea in a chest/ Raised by single mom; Super-strong: survives Raised by a foster family CHILDHOOD rescued by Zeus/ attacks Herculesʼ lion skin being abandoned in a field; (Ector) in Wales Foster-child at 7 years old kills 2 snakes in his crib CALL TO King Polydectesʼ At 15, mother reveals his Eurystheus calls on him to Pulls sword from stone at a ADVENTURE challenge to get him out true identity; he takes on complete his Labours. tournament of the way his fatherʼs gifts and (Initial refusal) heads to Athens to claim his birthright. QUEST The Medusaʼs head Free the Athenians from 10-12 Labours (two didnʼt Create the Round Table— the curse of the Minotaur count) unify England; ultimately they embark on the Quest for the Holy Grail HELPERS/GIFTS Athena & Hermes in Father leaves sword & Childhood lessons by Merlinʼs magic; disguise; objects: pair of sandals; experts (bow, wrestling, All his knights winged sandals, leather Ariadne gives him ball of etc.) bag, helmet of thread to get out of the Iolaus helps with the invisibility; sickle- Labyrinth Hydra; Athenaʼs rattles, etc. -
Festival and Civic Plays from Greek and Roman Tales
FESTIVAL ajd CIVIC PLAYS /rom GREEK ROMAN TALES HOFER f • JJ .'*1' Class PMkJID JT Rook. -A >/ H bb ) COPmiGifT DEPOSm Bronze Head of Ephebos This beautiful bronze head of the Ephebos (Greek youth attaining majority) is the one selected by Gardiner as typical of the Greek ideal defined by the untranslatable word aidos, which includes the qualities of modesty, reverence, courage, courtesy and honor. EDUCATIONAL PLAY-BOOK SERIES FESTIVAL AND CIVIC PLAYS FROM GREEK AND ROMAN TALES BY MARI RUEF HOFER Author of Eecreation Boohs for Schools and Playgrounds Our life's a stage, a playground; learn to play And take naught too seriously; or bear its troubles. —Palladas BECKLEY-CARDY COMPANY CHICAGO 3 PH U It-o . Ps p(=(> Copyright, 1926, by BECKLEY-CARDY COMPANY \LL RIGHTS RESERVED .: 1 • 30 1926 PRINTED IN THE UNITED STATES OF AMERICA ©C1A957872 'WO I FOREWORD Greek myth, which began its career in the inspired song of the bards, still holds our interest and remains an unsurpassed medium for imaginative adventuring. It satisfies wonder hunger and youthful ideality; is true to nature and human experience, and fully stands the test of modem literalism. Centuries ago Straho called attention to the geo¬ graphical turn of Homer. He said that the only diffi¬ culty lay in ‘ ^ culling out the actual rocks and whirlpools from the Scylla and Charybdis of his poetry.^’ This view clears away much of the old obscurity without robbing us of the picturesque. Greek myth abounds in travel tales, featuring the astonishing and unexpected. Yet the most improbable experiences of the Argonauts are not staggering to our mechanical and project-minded age. -
Arrian's Voyage Round the Euxine
— T.('vn.l,r fuipf ARRIAN'S VOYAGE ROUND THE EUXINE SEA TRANSLATED $ AND ACCOMPANIED WITH A GEOGRAPHICAL DISSERTATION, AND MAPS. TO WHICH ARE ADDED THREE DISCOURSES, Euxine Sea. I. On the Trade to the Eqft Indies by means of the failed II. On the Di/lance which the Ships ofAntiquity ufually in twenty-four Hours. TIL On the Meafure of the Olympic Stadium. OXFORD: DAVIES SOLD BY J. COOKE; AND BY MESSRS. CADELL AND r STRAND, LONDON. 1805. S.. Collingwood, Printer, Oxford, TO THE EMPEROR CAESAR ADRIAN AUGUSTUS, ARRIAN WISHETH HEALTH AND PROSPERITY. We came in the courfe of our voyage to Trapezus, a Greek city in a maritime fituation, a colony from Sinope, as we are in- formed by Xenophon, the celebrated Hiftorian. We furveyed the Euxine fea with the greater pleafure, as we viewed it from the lame fpot, whence both Xenophon and Yourfelf had formerly ob- ferved it. Two altars of rough Hone are ftill landing there ; but, from the coarfenefs of the materials, the letters infcribed upon them are indiftincliy engraven, and the Infcription itfelf is incor- rectly written, as is common among barbarous people. I deter- mined therefore to erect altars of marble, and to engrave the In- fcription in well marked and diftinct characters. Your Statue, which Hands there, has merit in the idea of the figure, and of the defign, as it reprefents You pointing towards the fea; but it bears no refemblance to the Original, and the execution is in other re- fpects but indifferent. Send therefore a Statue worthy to be called Yours, and of a fimilar delign to the one which is there at prefent, b as 2 ARYAN'S PERIPLUS as the fituation is well calculated for perpetuating, by thefe means, the memory of any illuftrious perfon. -
Apollonius Rhodius, the Argonautica
i EB CLASSICA BRAR 1 1 APOLLONIUS RHODIUS ARGONAUTICA Translated by R. C. SEATON mmmmm]mmm\m[mmmm[^[r^\[f^\[r^\i7^\[?^\[?D\[fD\\o] Complete list of Loeb titles can be found at the end of each volume APOLLONIUS Of Rhodes' was a Greek grammarian and epic poet of Alexandria in Egypt and lived late in the 3rd century and early in the 2nd century [ES B.C. While still young he composed his extant epic poem of four books on the story of the Argonauts. When this work failed to win acceptance he went to Rhodes where he not only did well as a rhetorician but also made a success of his epic in a revised form, for which the Rhodians gave him the 'freedom' of their city; hence his surname. On returning to Alexandria he recited his poem again, with applause. In 196 Ptolemy Epiphanes made him the librarian of the Museum (the University) at Alexandria. His Argonautica is one oi the better minor epics, remarkable for originality, powers of observation, sincere feeling, and de- piction of romantic love. His Jason and Medea are natural and interesting, and did much to inspire Virgil (in a very different setting) in the fourth book of the Aeneid. L• ^' % Sb ^" ^ Ak- THE LOEB CLASSICAL LIBRARY EDITED BY li. CAPPS, Ph.D., LL.D. T. E. PAGE, Litt.D. W. II. D. ROUSE, Lirr.D. APOLLONTUS RHODIUS Digitized by tine Internet Arciiive in 2011 witii funding from University of Toronto littp://www.arcliive.org/details/apolloniusrliodiuOOapol APOLLONIUS RHODIUS THE ARGONAUTICA WITH AN ENGLISH TRANSLATION BY 11. -
Some Reflections on Aeschylus' Aetnae(Ae)*
SOME REFLECTIONS ON AESCHYLUS’ AETNAE(AE)* As it is well-known, there are several contributions which deal with the questions raised by the little amount of evidence available on Aeschylus’ Aetnae(ae)1. Unfortunately, it is not the appearance of any new data that has prompted this article, but rather realizing that some points made by my predecessors need rectifying, where- as other interesting elements (not certainties yet, though) deserve wider appreciation. So my reflections will still be speculative, though perhaps more sensible and more respectful of likelihood. *) I wish to thank both Dr. M. L. West of All Souls College, Oxford, and the editor Prof. B. Manuwald for their helpful and acute criticism of this article. An ear- lier draft of this article was presented at the Graduate work-in-progress seminar, Corpus Christi College, Oxford, in November 1999: many thanks to those present for their intelligent remarks. 1) I shall leave undecided the form of the title, until I have argued in favour of one. I have benefited from the following secondary literature: G. Hermann, De Aeschyli Aetnaeis, in: Opuscula (Lipsiae 1831) VII 315–31, especially 315–23; Ed. Fraenkel, Vermutungen zum Aetna-Festspiel des Aeschylus, Eranos 52 (1954) 61– 75 (= Id., Kleine Beiträge zur klassischen Philologie [Roma 1964] II 249–62); M. Pohlenz, Die griechische Tragödie (Göttingen 21954) II 198–200; R. Stark, Os- servazioni su due drammi di Eschilo perduti, Maia 8 (1956) 83–91, especially 83–9; E. Grassi, Papyrologica, PP 11 (1956) 208; Id., Postilla (Aesch. fr. 6 N., 3), PP 12 (1957) 374; Q.