Hm RELATIONS of SHAH ABBAS I Mlth Tm KILEIB of INDIA
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Jnasci-2015-1195-1202
Journal of Novel Applied Sciences Available online at www.jnasci.org ©2015 JNAS Journal-2015-4-11/1195-1202 ISSN 2322-5149 ©2015 JNAS Relationships between Timurid Empire and Qara Qoyunlu & Aq Qoyunlu Turkmens Jamshid Norouzi1 and Wirya Azizi2* 1- Assistant Professor of History Department of Payame Noor University 2- M.A of Iran’s Islamic Era History of Payame Noor University Corresponding author: Wirya Azizi ABSTRACT: Following Abu Saeed Ilkhan’s death (from Mongol Empire), for half a century, Iranian lands were reigned by local rules. Finally, lately in the 8th century, Amir Timur thrived from Transoxiana in northeastern Iran, and gradually made obedient Iran and surrounding countries. However, in the Northwest of Iran, Turkmen tribes reigned but during the Timurid raids they had returned to obedience, and just as withdrawal of the Timurid troops, they were quickly back their former power. These clans and tribes sometimes were troublesome to the Ottoman Empires and Mamluk Sultanate of Egypt. Due to the remoteness of these regions of Timurid Capital and, more importantly, lack of permanent government administrations and organizations of the Timurid capital, following Amir Timur’s death, because of dynastic struggles among his Sons and Grandsons, the Turkmens under these conditions were increasing their power and then they had challenged the Timurid princes. The most important goals of this study has focused on investigation of their relationships and struggles. How and why Timurid Empire has begun to combat against Qara Qoyunlu and Aq Qoyunlu Turkmens; what were the reasons for the failure of the Timurid deal with them, these are the questions that we try to find the answers in our study. -
The Seljuks of Anatolia: an Epigraphic Study
American University in Cairo AUC Knowledge Fountain Theses and Dissertations 2-1-2017 The Seljuks of Anatolia: An epigraphic study Salma Moustafa Azzam Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Azzam, S. (2017).The Seljuks of Anatolia: An epigraphic study [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/656 MLA Citation Azzam, Salma Moustafa. The Seljuks of Anatolia: An epigraphic study. 2017. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/656 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The Seljuks of Anatolia: An Epigraphic Study Abstract This is a study of the monumental epigraphy of the Anatolian Seljuk Sultanate, also known as the Sultanate of Rum, which emerged in Anatolia following the Great Seljuk victory in Manzikert against the Byzantine Empire in the year 1071.It was heavily weakened in the Battle of Köse Dağ in 1243 against the Mongols but lasted until the end of the thirteenth century. The history of this sultanate which survived many wars, the Crusades and the Mongol invasion is analyzed through their epigraphy with regard to the influence of political and cultural shifts. The identity of the sultanate and its sultans is examined with the use of their titles in their monumental inscriptions with an emphasis on the use of the language and vocabulary, and with the purpose of assessing their strength during different periods of their realm. -
Al-K¯Ash¯I's Mift¯Ah.Al-H.Isab, Volume I Arithmetic
Al-K¯ash¯ı’sMift¯ah. Al-H. isab, Volume I Arithmetic: Translation and Commentary Nuh Aydin and Lakhdar Hammoudi Contents 1 Preface 3 2 Introduction5 2.1 A Biography of al-K¯ash¯ıand a Brief History..................5 2.2 List of al-K¯ash¯ı’sKnown Works......................... 10 2.3 Manuscript Copies of Mift¯ah. ........................... 14 2.4 Modern Researchers' Assessment of Mift¯ah. and al-K¯ash¯ı’sWork....... 16 2.5 Pedagogical Aspects of Mift¯ah. .......................... 18 2.6 Possible Future Projects............................. 20 2.7 Notes on Translation and the Purpose of This Work.............. 21 3 The Mift¯ah. Translation 22 3.1 Cover Page.................................... 22 3.2 Preface of The Mift¯ah. .............................. 24 3.3 Table of Content of The Mift¯ah. ......................... 30 3.4 The First Treatise on Integer Arithmetic.................... 41 3.5 The Second Treatise on Arithmetic of Fraction................. 123 3.6 The Third Treatise on Arithmetic of Astronomers............... 185 References 245 2 1 Preface It is unfortunate that one of the most important mathematics books of the medieval Islamic civilization,1 namely Mift¯ah. al-H. isab written by al-K¯ash¯ı in 1427, has not been fully trans- lated to English before. In fact, until the middle of the twentieth century it was unknown to modern researchers [27]. According to Rashed [31], traditional history of mathematics was shaken by Luckey's discovery of this monumental work. Mift¯ah. Al-H. isab is written in Arabic and has never been fully translated to another language except for Russian [33]. Also, two small sections of Mift¯ah. -
The Glorifying History of Golconda Fort
High Technology Letters ISSN NO : 1006-6748 The Glorifying History of Golconda Fort Dr.K.Karpagam, Assistant Professor, Department of History, D.G.Government Arts College for Women, Mayiladuthurai, Nagapattinam District – 609001 Abstract India is a vast country with a lot of diversity in her physical and social environment. We see people around us speaking different languages, having different religions and practising different rituals. We can also see these diversities in their food habits and dress patterns. Besides, look at the myriad forms of dance and music in our country. But within all these diversities there is an underlying unity which acts as a cementing force. The intermingling of people has been steadily taking place in India over centuries. A number of people of different racial stock, ethnic backgrounds and religious beliefs have settled down here. Let us not forget that the composite and dynamic character of Indian culture is a result of the rich contributions of all these diverse cultural groups over a long period of time. The distinctive features of Indian culture and its uniqueness are the precious possession of all Indians. Significance : The art and architecture of a nation is the cultural identity of the country towards the other countries and that's why the country which has a beach art and architecture is always prestigious to the other countries. The architecture of India is rooted in its history, culture and religion. Among a number of architectural styles and traditions, the contrasting Hindu temple architecture and Indo- Islamic architecture are the best known historical styles. Both of these, but especially the former, have a number of regional styles within them. -
THE ROLE of the MUJTAHIDS of TEHRAN in the IRANIAN CONSTITUTIONAL REVOLUTION 1905-9 Thesis Submitted for the Degree of Ph.D. By
THE ROLE OF THE MUJTAHIDS OF TEHRAN IN THE IRANIAN CONSTITUTIONAL REVOLUTION 1905-9 Thesis submitted for the Degree of Ph.D. by Vanessa Ann Morgan Martin School of Oriental and African Studies University of London 1984 ProQuest Number: 11010525 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11010525 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 - 1 - ABSTRACT The thesis discusses the role of the mujtahids of Tehran in the Constitutional Revolution, considering their contribution both in ideas and organisation. The thesis is divided into eight chapters, the first of which deals with the relationship between the Lulama and the state, and the problem of accommodation with a ruler who was illegitimate according to Twelver Shi'ite law. The second chapter discusses the economic and social position of the Lulama, concentrating on their financial resources, their legal duties, and their relationships with other groups, and attempting to show the ways in which they were subject to pressure. In the third chapter, the role of the ^ulama, and particularly the mujtahids, in the coming of the Revolution is examined, especially their response to the centralisation of government, and the financial crisis at the turn of the century. -
An Iskandarnāma of Nizami Produced for Ibrahim Sultan 235
AN ISKANDARNĀMA OF NIZAMI PRODUCED FOR IBRAHIM SULTAN 235 LÂLE ULUÇ AN ISKANDARNāMA OF NIZAMI PRODUCED FOR IBRAHIM SULTAN This paper describes a copy of the Iskandarnāma of the grandfather of the child governor, the Timurid ruler Nizami from the Majlis Library1 in Tehran for the first Shah Rukh (r. 1409–47), had sent an amir from Herat, time and discusses its various features, together with Shaykh Muhibb al-Din Abu’l-Khayr b. Shaykh al-qarraʾi, comparable examples from the same period. It then to assume control of the real gubernatorial power.7 Ibra- attempts to interpret one of its illustrations, hoping to him Sultan’s death and the accession of ʿAbd Allah did fulfill what David Summers called “the most basic task not create a break in Shiraz manuscript production,8 of art history,” namely, “to explain why works of art look which continued without interruption even after the the way they look.”2 latter lost the governorship of the area in the interne- The Tehran Iskandarnāma is a significant document cine fighting among the Timurid princes that followed since the medallion on its opening folio (fol. 2r) bears a the death of Shah Rukh in 1447. legend specifying that it was prepared for the treasury For the Timurids, like other Turkic and Turko-Mon- of Ibrahim Mirza: Bi rasmi khizāna alkutub Ḥaḍrat golian dynasties stemming from Central Asia, ostenta- alMawlā alṢulṭān ala‘ẓam Ibrāhīm Mīrzā khallada tious expenditure on and conspicuous consumption of Allāh mulkahu (by the order of the library of His Maj- the arts were significant symbols of power. -
The Anarchy by the Same Author
THE ANARCHY BY THE SAME AUTHOR In Xanadu: A Quest City of Djinns: A Year in Delhi From the Holy Mountain: A Journey in the Shadow of Byzantium The Age of Kali: Indian Travels and Encounters White Mughals: Love and Betrayal in Eighteenth-Century India Begums, Thugs & White Mughals: The Journals of Fanny Parkes The Last Mughal: The Fall of a Dynasty, Delhi 1857 Nine Lives: In Search of the Sacred in Modern India Return of a King: The Battle for Afghanistan Princes and Painters in Mughal Delhi, 1707–1857 (with Yuthika Sharma) The Writer’s Eye The Historian’s Eye Koh-i-Noor: The History of the World’s Most Infamous Diamond (with Anita Anand) Forgotten Masters: Indian Painting for the East India Company 1770–1857 Contents Maps Dramatis Personae Introduction 1. 1599 2. An Offer He Could Not Refuse 3. Sweeping With the Broom of Plunder 4. A Prince of Little Capacity 5. Bloodshed and Confusion 6. Racked by Famine 7. The Desolation of Delhi 8. The Impeachment of Warren Hastings 9. The Corpse of India Epilogue Glossary Notes Bibliography Image Credits Index A Note on the Author Plates Section A commercial company enslaved a nation comprising two hundred million people. Leo Tolstoy, letter to a Hindu, 14 December 1908 Corporations have neither bodies to be punished, nor souls to be condemned, they therefore do as they like. Edward, First Baron Thurlow (1731–1806), the Lord Chancellor during the impeachment of Warren Hastings Maps Dramatis Personae 1. THE BRITISH Robert Clive, 1st Baron Clive 1725–74 East India Company accountant who rose through his remarkable military talents to be Governor of Bengal. -
Naqshbandi Sufi, Persian Poet
ABD AL-RAHMAN JAMI: “NAQSHBANDI SUFI, PERSIAN POET A Dissertation Presented in Partial Fulfillment of the Requirement for The Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Farah Fatima Golparvaran Shadchehr, M.A. The Ohio State University 2008 Approved by Professor Stephen Dale, Advisor Professor Dick Davis Professor Joseph Zeidan ____________________ Advisor Graduate Program in History Copyright by Farah Shadchehr 2008 ABSTRACT The era of the Timurids, the dynasty that ruled Transoxiana, Iran, and Afghanistan from 1370 to 1506 had a profound cultural and artistic impact on the history of Central Asia, the Ottoman Empire, and Mughal India in the early modern era. While Timurid fine art such as miniature painting has been extensively studied, the literary production of the era has not been fully explored. Abd al-Rahman Jami (817/1414- 898/1492), the most renowned poet of the Timurids, is among those Timurid poets who have not been methodically studied in Iran and the West. Although, Jami was recognized by his contemporaries as a major authority in several disciplines, such as science, philosophy, astronomy, music, art, and most important of all poetry, he has yet not been entirely acknowledged in the post Timurid era. This dissertation highlights the significant contribution of Jami, the great poet and Sufi thinker of the fifteenth century, who is regarded as the last great classical poet of Persian literature. It discusses his influence on Persian literature, his central role in the Naqshbandi Order, and his input in clarifying Ibn Arabi's thought. Jami spent most of his life in Herat, the main center for artistic ability and aptitude in the fifteenth century; the city where Jami grew up, studied, flourished and produced a variety of prose and poetry. -
THE MAKING of the ARTIST in LATE TIMURID PAINTING Edinburgh Studies in Islamic Art Series Editor: Professor Robert Hillenbrand
EDINBURGH STUDIES IN ISLAMIC A RT EDINBURGH STUDIES IN ISLAMIC A RT S E RIES E DITOR:ROBE RT HILLE NBRAND Painting Timurid late in Artist the of Making The S E RIES E DITOR:ROBE RT HILLE NBRAND This series offers readers easy access to the most up-to-date research across the whole range of Islamic art, representing various parts of the Islamic world, media and approaches. Books in the series are academic monographs of intellectual distinction that mark a significant advance in the field. Isfahan and its Palaces Statecraft, Shi ’ ism and the Architecture of Conviviality in Early Modern Iran Sussan Babaie This beautifully illustrated history of Safavid Isfahan (1501–1722) explores the architectural and urban forms and networks of socio-cultural action that reflected a distinctly early modern and Perso-Shi ’ i practice of kingship. An immense building campaign, initiated in 1590/1, transformed Isfahan from a provincial, medieval and largely Sunni city into an urban-centered representation of the first Imami Shi ’ i empire in the history of Islam. The historical process of Shi ’ ification of Safavid Iran, and the deployment of the arts in situating the shifts in the politico-religious agenda of the imperial household, informs Sussan Babaie’s study of palatial architecture and urban environments of Isfahan and the earlier capitals of Tabriz and Qazvin. Babaie argues that, since the Safavid claim presumed the inheritance both of the charisma of the Shi ’ i Imams and of the aura of royal splendor integral to ancient Persian notions of kingship, a ceremonial regime was gradually devised in which access and proximity to the shah assumed the contours of an institutionalized form of feasting. -
Life Science Journal 2014;11(10S) 47 A
Life Science Journal 2014;11(10s) http://www.lifesciencesite.com A Study on the Effect of Indian Literature through Translation into Persian Language in Iran Moloud shagholi MA in English Translation, Science and Research Branch, Islamic Azad University, East Azarbaijan, Iran [email protected] Abstract: Relations, interactions, and cultural commonalities of Iran and India date back to more than three thousand years before and Aryans immigration. The evidence of this claim in the ancient era is the mythical commonalities. The relations of Iran and the Indian subcontinent, before Islam, have been based on common race, common language, and common customs. Iran and Indian subcontinent established through Dari Persian language the same relation that had established through Pahlavi, Avestan and Sanskrit languages before Islam. Translation and gaining alien words and translative interpretations are bred by clash of languages with together which stems from clash of cultures, and this clash and bind of cultures and languages with together is a quite natural and inevitable matter; because there is no language and culture that has not been influenced by other languages and cultures yet its intensity varies. As a language is richer and more powerful in terms of scientific, cultural, economic, and social aspects, it lends more words and concepts to other languages; and as a nation is more dependent upon another country in terms scientific, technical, economic, and political matters, it borrows more words and concepts from that country. This paper will study the probable effect of Indian literature on the Persian language from the perspective of translation. [Moloud shagholi. A Study on the Effect of Indian Literature through Translation into Persian Language in Iran. -
APRIL-2021 Table of Contents I. the West Should Support a New Post
APRIL-2021 BULLETIN H I GHL I GHT OF THE FORE I G N P O L I CY OF REPUBL I C OF AZERBA I JAN Table of contents I. The West should support a new post-war configuration in the South Caucasus 2 II. The Iskander-M debacle looms large over Russia-Azerbaijan relations 3 III. Azerbaijan continues the construction of strategic Nakhchivan railway despite Armenian provocations 5 IV. Suez Canal blockage highlights the importance of the Middle Corridor for the global shipping 8 V. Economic implications of the Second Karabakh War for Armenia 10 VI. Building Pax Caucasia: opportunities and challenges 12 2 I. The West should support a new which played a critical and positive role in the post-war configuration in the region in the post-conflict period, adding that South Caucasus the US President`s statement was met with concern by Azerbaijan’s leadership and the On April 28, US Secretary of State Antony public. Blinken and President Ilham Aliyev had a phone conversation. According to the With the Second Karabakh War, the balance of presidential press service, the US Secretary of power in the region has sharply shifted in favor State spoke about the importance of further of Azerbaijan. As an artificial Soviet creation of strengthening of bilateral relations, 1923, the term “Nagorno-Karabakh” has also cooperation in the energy and regional lost its relevance after the Second Karabakh security spheres, the successful War. President Ilham Aliyev has repeatedly implementation of the Southern Gas Corridor underscored the fact that “there is presently project, and hailed Azerbaijan's participation no administrative unit named Nagorno- in the peacekeeping mission in Afghanistan. -
Variations on a Persian Theme: Adaptation and Innovation in Early Manuscripts from Golconda
Variations on a Persian Theme: Adaptation and Innovation in Early Manuscripts from Golconda Laura Weinstein Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Laura Weinstein All rights reserved ABSTRACT Variations on a Persian Theme: Adaptation and Innovation in Early Manuscripts from Golconda Laura Weinstein Scholarship on the earliest known illustrated manuscripts produced in the sultanate of Golconda has tended to describe these objects as the products of the extension of a powerful influence from Iran over this small kingdom in the Deccan. While this assessment rightly acknowledges the importance of Persianate visual traditions in early Golconda manuscripts and paintings, it oversimplifies the nature of these remarkable objects and the context of their production. In addition, it misrepresents the role of the artists involved in the manuscripts’ creation. This dissertation provides a more nuanced consideration of these objects and their making. It offers the first in-depth discussion of six manuscripts produced in Golconda between 1570 and 1610, demonstrating a previously unrecognized sophistication and creativity in the process of their creation. It also presents a newly discovered manuscript, one which significantly alters prevailing understandings of early manuscript painting in the Qutb Shahi sultanate. These studies identify several interrelated modes of engagement with Persianate forms, rather than a single stylistic progression towards local artistic “independence.” In addition, they reveal how these various modes were calibrated towards different goals, sometimes using Persianate forms as a platform from which to explore various ways of constructing and illustrating narrative and poetic texts, while at other times using these forms to make claims of cultural sophistication or for the legitimating of new and local cultural phenomena.