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Alexi Matchavariani - Biography - The folk music of his homeland was always of great importance to the Georgian composer Alexi Matchavariani, born on 23 September 1913. In his first works, written in the 1930s, he treated rhythmic and melodic elements of Georgian folksongs. But the progressive tendencies of Soviet music of that period also influenced his work. Matchavariani’s style thus shows a polystylistic dialogue, as a mixture of traditional, Georgian music and contemporary compositional techniques. The musician, recipient of many awards, completed his studies at the Tbilissi Conservatory in 1936. He taught music theory there beginning in 1940 and was appointed professor of composition in 1963. His creative output covers a very broad spectrum: chamber music, romances, symphonies, operas and ballets. The composer’s first major success was the Piano Concerto of 1944, but his real breakthrough only took place in 1950 with the Concerto for Violin and Orchestra, a very lyrical work with a special attraction thanks to its combination of diatonic folk music and chromaticism. Matchavariani also earned recognition with the ballet “Othello” in symphonic style. This work was performed abroad a number of times, including in Tokyo, Bucharest and Helsinki, and also in Russia. Matchavariani’s music can be seen as a reflection of his lifelong search for the synthesis of national musical influences and new compositional techniques. Only a few years after the magnificent success of his ballet “Othello” in 1957, Matchavariani decided to tackle an opera based on Shakespeare’s “Hamlet.” He began writing a libretto in collaboration with the Georgian producer Meliva based on a translation by Ivane Machabeli. -
2018-2019 წლების ანგარიში/Annual Report
რელიგიის საკითხთა STATE AGENCY FOR სახელმწიფო სააგენტო RELIGIOUS ISSUES 2018-2019 წლების ანგარიში/ANNUAL REPORT 2020 თბილისი TBILISI წინამდებარე გამოცემაში წარმოდგენილია რელიგიის საკითხთა სახელმწიფო სააგე- ნტოს მიერ 2018-2019 წლებში გაწეული საქმიანობის ანგარიში, რომელიც მოიცავს ქვეყა- ნაში რელიგიის თავისუფლების კუთხით არსებული ვითარების ანალიზს და იმ ძირითად ღონისძიებებს, რასაც სააგენტო ქვეყანაში რელიგიის თავისუფლების, შემწყნარებლური გარემოს განმტკიცებისთვის ახორციელებს. ანგარიშში განსაკუთრებული ყურადღებაა გამახვილებული საქართველოს ოკუპირებულ ტერიტორიებზე, სადაც ნადგურდება ქართული ეკლესია-მონასტრები და უხეშად ირღვე- ვა მკვიდრი მოსახლეობის უფლებები რელიგიის, გამოხატვისა და გადაადგილების თავი- სუფლების კუთხით. ანგარიშში მოცემულია ინფორმაცია სააგენტოს საქმიანობაზე „ადამიანის უფლებების დაცვის სამთავრობო სამოქმედო გეგმის“ ფარგლებში, ასევე ასახულია სახელმწიფოს მხრი- დან რელიგიური ორგანიზაციებისათვის გაწეული ფინანსური თუ სხვა სახის დახმარება და განხორციელებული პროექტები. This edition presents a report on the activities carried out by the State Agency for Religious Is- sues in 2018-2019, including analysis of the situation in the country regarding freedom of religion and those main events that the Agency is conducting to promote freedom of religion and a tolerant environment. In the report, particular attention is payed to the occupied territories of Georgia, where Georgian churches and monasteries are destroyed and the rights of indigenous peoples are severely violated in terms of freedom of religion, expression and movement. The report provides information on the Agency's activities within the framework of the “Action Plan of the Government of Georgia on the Protection of Human Rights”, as well as financial or other assistance provided by the state to religious organizations and projects implemented. რელიგიის საკითხთა სახელმწიფო სააგენტო 2018-2019 წლების ანგარიში სარჩევი 1. რელიგიისა და რწმენის თავისუფლება ოკუპირებულ ტერიტორიებზე ........................ 6 1.1. -
Tchaikovsky Competition 1982 a Diary by Peter Donohoe1
TCHAIKOVSKY COMPETITION 1982 A DIARY BY PETER DONOHOE1 1 The footnotes in this diary are restrospective notes from 2012 – 30 years later... 08 June 1982 Recital at Charlotte Mason College in Ambleside in the British Lake District Program: Tchaikovsky Sonata 2 in G Major (1st Movement) Tchaikovsky November (from The Seasons) Tippett Sonata 2 Prokofiev Sonata 6 ---- Scriabin Etude Op65/3 Chopin Etude Op10/8 Rachmaninov Etude Tableau Op39/5 E flat Minor Bach Prelude and Fugue Book 2 No. 3 Flierkovsky – Prelude and Fugue in G minor Stravinsky Three Movements from Petrushka A very nice, but knowing guy came up to me after the concert, and said “That was a very unusual program. It is almost as if you are preparing to enter the Tchaikovsky Competition.” I asked him to keep it under his hat – it is never good for people to know in advance of your competition efforts, in case it doesn’t work out. Set off home at 11.00 p.m. The car –a Vauxhall Viva borrowed from my parents-in-law – broke down after about 10 miles of a 120 mile journey to my in-laws on the Wirral. Still in the Lake District countryside. The weather was appallingly wet. I had to get to the Wirral, and then the next morning to Manchester for an early flight to London to connect with the Aeroflot flight to Moscow. 09 June 1982 Thank God for the AA Relay service. They got me to the Wirral in the cab of one of their trucks, with the car on the back. -
Georgian Country and Culture Guide
Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager). -
Taktakishvili Flute Sonata Pdf
Taktakishvili flute sonata pdf Continue Otar Takakishvili (born July 27, 1924) is a Soviet composer, teacher, writer and conductor. At the beginning of his career, he gained national notoriety by composing the official anthem of the Georgian Soviet Socialist Republic while he was still a student of compositions of Sarkis Barhudaryan at the Tbilisi Conservatory. The Conservatory later appointed him professor of choral literature and choir director in 1949, just two years after its graduation. In later years he also taught composition and served as rector. Outside the conservatory, he served as a rehearsal pianist, conductor and, ultimately, artistic director of the State Choral Chapel of Georgia. Taktakishvili has achieved incredible political recognition during his lifetime. State awards included three separate State Prizes of the USSR in addition to the Lenin Prize of 1982 - one of the highest awards of the USSR (previous laureates - Sergei Prokofiev and Dmitry Shostakovich). Political appointments included: Deputy Supreme Council of the USSR, deputy of the Supreme Council of the GRUKOVOY SSR, member of the Presidium of the International Music Council of the United Nations, Minister of Culture of Georgia (1965-84), Chairman of the Union of Composers of Georgia (1962), secretary and board member of the Union of Composers of the USSR (1957-89), member of the jury/chairman of various international competitions. Taktakishvili's music covered many genres, but his main work was vocal music with an emphasis on folk material. Many Soviet composers of Taktakishvili's generation turned to regional folk music as a source of material. These composers were born around 1920 and received traditional training in the theory of Russian music in the Soviet conservatories, which followed the standard curriculum. -
44 INTERNATIONAL BYRON CONFERENCE Improvisation and Mobility Ravenna
1 44th INTERNATIONAL BYRON CONFERENCE Improvisation and Mobility nd th Ravenna: July 2 – JULY 7 , 2018 Participants: Samvel Abrahamyan is Associate Professor and Dean of the Faculty of Romance and Germanic Philology, Yerevan State University. He is chairman of the Byron Centre at Yerevan State University. He earned his PhD in British History at the Academy of Sciences, Moscow. The main fields of his scientific interests are British and American studies, political discourse, language, culture, literature and communication. He is author of more than 70 scientific works, including monographs, text-books, articles and papers. Catherine Addison is a fifth-generation South African who holds the post of professor of English at the University of Zululand, South Africa. After completing a PhD on Byron at the University of British Columbia, Canada, she diversified her interests to include numerous other writers and periods, as well as colonial and postcolonial writing, the prose novel, African women’s fiction, and formal aspects of literature such as versification, narrative, simile and irony. Recently she has focused much of her attention on the verse-novel and in 2017 she published a book on the history of this hybrid genre. Joselyn Almeida-Beveridge is Associate Professor of English at the University of Massachusetts, Amherst, where she teaches literature of the Age of Revolutions, Atlantic Studies, Classical Reception Studies, and Latino literature. She specializes on the transcultural archive of British and Luso-Hispanic cultures and the relation of global capitalism to slavery and abolition. Her first monograph, Reimagining the Transatlantic, 1780-1890 (2011), theorizes the pan-Atlantic as a region of political, material, and cultural interrelations between Britain, Africa, and the non-Anglophone Americas. -
Abducted Georgian Doctor Discussed at Geneva Talks
Issue no: 1211 • DECEMBER 13 - 16, 2019 • PUBLISHED TWICE WEEKLY PRICE: GEL 2.50 In this week’s issue... Femicide in Georgia - 151 Women Murdered in 6 Years NEWS PAGE 2 TBC Bank Receives EBRD Award for Financing Energy Effi ciency Projects NEWS PAGE 3 Why Russia is Not as Weak as it Seems POLITICS PAGE 4 Investing in Georgia’s Green Economy! BUSINESS PAGE 6 Holiday Factory Named Best Incoming Tour Operator ON GLOBAL 2019 at Welcome to FOCUS CLIMATE CHANGE Georgia! Awards Georgia joins the Resolution cause with the polyphonic group Suliko PAGE 2 Abducted Georgian Doctor Discussed at Geneva Talks BY TEA MARIAMIDZE BUSINESS PAGE 7 he 50th round of the Geneva Inter- national Discussions (GID), which represent the only format of an LAG, No Lag: Mestia, ongoing international dialogue between Georgia and Russia, took Svaneti Tplace in Geneva, Switzerland, on December 10-11. One of the main topics was the case of the ille- CULTURE PAGE 9 gally detained doctor, Vazha Gaprindashvili, who has been held captive by the puppet regime of the Russian-occupied South Ossetia since early 4 Young Pianists Play November. Image source: alt-info.com Lasha Darsalia, Deputy Foreign Minister and “The human rights and humanitarian situation “We listened to the views of both parties. We at Paris Christmas Gala Head of the Georgian delegation, at the talks, has worsened there since August. There are a hope that Gaprindashvili will be returned to his noted he hoped Gaprindashvili’s case will be number of issues related to both the closure of loved ones in the near future. -
4932 Appendices Only for Online.Indd
APPENDIX I MUSIC AWARDS IN COMPOSITION Key to award cycles: 1941 for works from 1934–40 1942 for works from 1941 1943 for works from 1942 1946a for works from 1943–44 1946b for works from 1945 1947 for works from 1946 1948 for works from 1947 1949 for works from 1948 1950 for works from 1949 1951 for works from 1950 1952 for works from 1951 Not included here: 1953 for works from 1952, no awards made 1954 for works from 1952–53, no awards made (see Appendix IV) Table 1. Awards in Composition by Genre Unusually high numbers are in boldface ’41 ’42 ’43 ’46a ’46b ’47 ’48 ’49 ’50 ’51 ’52 Opera2121117 2 Cantata 1 2 1 2 1 5 32 Symphony 2 1 1 4 1122 Symphonic poem 1 1 3 2 3 Suite 111216 3 Concerto 1 3 1 1 3 4 3 Ballet 1 1 21321 Chamber music 1 1 3 4 11131 Piano pieces 1 1 Film scores 21 2111 1 4 APPENDIX I MUSIC AWARDS IN COMPOSITION Songs 2121121 6 3 Art songs 1 2 Marches 1 Incidental music 1 Folk instruments 111 Table 2. Composers in Alphabetical Order Surnames are given in the most common transliteration (e.g. as in Wikipedia); first names are mostly given in the familiar anglicized form. Name Alternative Spellings/ Dates Class and Year Notes Transliterations of Awards 1. Afanasyev, Leonid 1921–1995 III, 1952 2. Aleksandrov, 1883–1946 I, 1942 see performers list Alexander for a further award (Appendix II) 3. Aleksandrov, 1888–1982 II, 1951 Anatoly 4. -
Cultural Influences Upon Soviet-Era Programmatic Piano Music for Children
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2017 Cultural Influences upon Soviet-Era Programmatic Piano Music for Children Maria Pisarenko University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Education Commons, Fine Arts Commons, and the Theatre and Performance Studies Commons Repository Citation Pisarenko, Maria, "Cultural Influences upon Soviet-Era Programmatic Piano Music for Children" (2017). UNLV Theses, Dissertations, Professional Papers, and Capstones. 3025. http://dx.doi.org/10.34917/10986115 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. CULTURAL INFLUENCES UPON SOVIET-ERA PROGRAMMATIC PIANO MUSIC FOR CHILDREN By Maria Pisarenko Associate of Arts – Music Education (Piano Pedagogy/Performance/Collaborative Piano) Irkutsk College of Music, City -
Georgian Internet Industry Against Internet Piracy Continued from Page 1 Doing So, Stimulate the Local Market
Issue no: 1215 • DECEMBER 27 - 30, 2019 • PUBLISHED TWICE WEEKLY PRICE: GEL 2.50 In this week’s issue... Three Sentenced for FOCUS Stealing 139,000 GEL ON NEW YEAR from Commercial Bank Tbilisi is all set for the holidays! PAGE 2, 12 Consumers NEWS PAGE 2 Kazakh President Announces Major Political Reforms POLITICS PAGE 4 The Russian Effect on the Czech Republic POLITICS PAGE 5 Burjanadze Claims Georgia Should Celebrate Victory over Fascism with Moscow POLITICS PAGE 6 Public Defender Publishes Report on Violence in Prisons SOCIETY PAGE 8 Patriarch Celebrates 42 Years in Power Georgian Internet Industry SOCIETY PAGE 9 The Brotherhood of Man, Middle Eastern Hospitality, against Internet Piracy Georgian Wine, & the BY NINI DAKHUNDARIDZE Christmas Spirit CULTURE PAGE 12 eorgian media, commercial and informational internet portals are concerned with the high statistics One of 20 PEN Translates of internet piracy on Georgian websites, highlighting their belief Awards Goes to a Title Gthat internet piracy disrupts the development of the internet industry in the country. Translated from Georgian The Anti-Piracy Center is joined by Georgian CULTURE PAGE 13 online platforms and organizations specializing in protecting intellectual property, including Entrepreneur, Georgia Today, IPN.GE, TKT.ge, popsport, mygroup, the Innovation Agency, and Georgian Museum of Fine others. These websites and organizations demand steps be taken to improve the situation. In par- Arts Presents Exhibition ticular, they urge the major advertising compa- nies to not locate their advertisements on pirate ‘Hopscotch’ online platforms. The anti-piracy Georgian plat- CULTURE PAGE 15 forms believe that the latter will aid the devel- opment of the internet industry, and the matter of intellectual property protection in Georgia. -
The Great 'Umar Khayyam
The Great ‘Umar Khayyam Great The IRANIAN IRANIAN SERIES SERIES The Rubáiyát by the Persian poet ‘Umar Khayyam (1048-1131) have been used in contemporary Iran as resistance literature, symbolizing the THE GREAT secularist voice in cultural debates. While Islamic fundamentalists criticize ‘UMAR KHAYYAM Khayyam as an atheist and materialist philosopher who questions God’s creation and the promise of reward or punishment in the hereafter, some A GLOBAL RECEPTION OF THE RUBÁIYÁT secularist intellectuals regard him as an example of a scientist who scrutinizes the mysteries of the universe. Others see him as a spiritual A.A. Seyed-Gohrab (ed.) master, a Sufi, who guides people to the truth. This remarkable volume collects eighteen essays on the history of the reception of ‘Umar Khayyam in various literary traditions, exploring how his philosophy of doubt, carpe diem, hedonism, and in vino veritas has inspired generations of poets, novelists, painters, musicians, calligraphers and filmmakers. ‘This is a volume which anybody interested in the field of Persian Studies, or in a study of ‘Umar Khayyam and also Edward Fitzgerald, will welcome with much satisfaction!’ Christine Van Ruymbeke, University of Cambridge Ali-Asghar Seyed-Gohrab is Associate Professor of Persian Literature and Culture at Leiden University. A.A. Seyed-Gohrab (ed.) A.A. Seyed-Gohrab WWW.LUP.NL 9 789087 281571 LEIDEN UNIVERSITY PRESS The Great <Umar Khayyæm Iranian Studies Series The Iranian Studies Series publishes high-quality scholarship on various aspects of Iranian civilisation, covering both contemporary and classical cultures of the Persian cultural area. The contemporary Persian-speaking area includes Iran, Afghanistan, Tajikistan, and Central Asia, while classi- cal societies using Persian as a literary and cultural language were located in Anatolia, Caucasus, Central Asia and the Indo-Pakistani subcontinent. -
Classical Literature and the Retroaction of Socialist Ideologyâ•Flthe Sovietization of a Medieval Georgian Epic Poem And
Diego Benning Wang, 1 Classical Literature and the Retroaction of Socialist Ideology—The Sovietization of a Medieval Georgian Epic Poem and Its Mysterious Author Diego Benning Wang O Georgia—who makest us shed tears, /Thou art the second cradle of the Russian muse. /One who carelessly forgets about Georgia, /Is not likely to be a poet in Russia. –Evgeny Evtushenko When you read Rustaveli, you would be thinking: could there be many writers who lived 700-odd years ago akin to this precious genius of the Georgian people? –Mikhail Kalinin Early-20th-century Russian poet Kontantin Balmont, the first person to fully translate the medieval Georgian epic poetry vepkhistqaosani (The Knight in Panther Skin) into Russian, said such about the work’s author Shota Rustaveli: “Like Homer to the Hellas, Dante to Italy, Shakespeare to England, Calderón and Cervantes to Spain, Rustaveli is Georgia… A people, if great, will compose a song and carry in their bosom their world- renowned poet. Such crown-bearer of the ages, still unbeknownst to the Russians to this day, was the chosen one of Georgia, Shota Rustaveli, who in the twelfth century endowed his homeland with a banner and an appeal—vepkhistqaosani […] This is the best poetry of love ever composed in Europe, a rainbow of love, a bridge of fire, which connects the heaven with the earth.”1 Long after Balmont’s Russian translation of vepkhistqaosani was completed, the work still remained unknown to most non-Georgians of the Soviet Union. Yet four decades later, Rustaveli had become a household name far beyond his native Georgia and throughout the Soviet Union.