Robert Farnon's Compositions
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Program Guide Report
Schedule Program Guide For TCN/GEM Sun Oct 17, 2010 06:00 LITTLE WOMEN 1949 Captioned Repeat WS G Little Women Film adaptation of Louisa May Alcott's beloved novel about four daughters of a New England family who fight for happiness during the Civil War. Starring: June Allyson, Elizabeth Taylor, Janet Leigh, Margaret O'brien, Peter Lawford, Rossano Brazzi, Mary Astor 08:30 MAYTIME IN MAYFAIR 1949 G Maytime In Mayfair Penniless man-about-town Michael Gore-Brown is delighted to hear he has been left a high-class Mayfair fashion salon. Starring: Anna Neagle, Michael Wilding, Peter Graves, Thora Hird, Mona Washbourne 10:35 THE MAN WHO LOVED REDHEADS 1955 WS G The Man Who Loved Redheads The honourable Mark St. Neots is playing with some chums when he meets and is bowled over by Sylvia. As he grows older he retains his image of this beautiful young girl with the red hair. Through a chance meeting, he can pursue his career in the diplomatic corps as well as the young ladies he meets. Starring: Moira Shearer, John Justin, Denholm Elliott, Harry Andrews, Gladys Cooper 12:40 BETRAYED 1954 PG Betrayed Academy Award winner Clark Gable stars with Lana Turner in this espionage thriller about a World War II Dutch resistance leader who must uncover a double agent among his trusted operatives... before the Nazis receive information that will cost the lives of hundreds of Dutch underground fighters. Also stars Lana Turner and Victor Mature. Starring: Clark Gable, Lana Turner, Victor Mature, Louis Calhern Cons.Advice: Some Violence 15:00 ANCHORS AWEIGH 1945 G Anchors Aweigh Two sailors, one naive, the other experienced in the ways of the world, on liberty in Los Angeles, is the setting for this movie musical. -
Magnum P.I.” Carry out Weekdaymanager’S Spespecialcial $ 2 Medium 2-Topping Magnum Pizzas5 2.0 8” Individual $1-Topping99 Pizza 5And 16Each Oz
NEED A TRIM? AJW Landscaping 910-271-3777 September 22 - 28, 2018 Mowing – Edging – Pruning – Mulching Licensed – Insured – FREE Estimates 00941084 Jay Hernandez stars in “Magnum P.I.” Carry Out WEEKDAYMANAGEr’s SPESPECIALCIAL $ 2 MEDIUM 2-TOPPING Magnum Pizzas5 2.0 8” Individual $1-Topping99 Pizza 5and 16EACH oz. Beverage (AdditionalMonday toppings $1.40Thru each) Friday from 11am - 4pm 1352 E Broad Ave. 1227 S Main St. Rockingham, NC 28379 Laurinburg, NC 28352 (910) 997-5696 (910) 276-6565 *Not valid with any other offers Joy Jacobs, Store Manager 234 E. Church Street Laurinburg, NC 910-277-8588 www.kimbrells.com Page 2 — Saturday, September 22, 2018 — Laurinburg Exchange Back to the well: ‘Magnum P.I.’ returns to television with CBS reboot By Kenneth Andeel er One,” 2018) in the role of Higgins, dependence on sexual tension in TV Media the straight woman to Magnum’s the new formula. That will ultimate- wild card, and fellow Americans ly come down to the skill and re- ame the most famous mustache Zachary Knighton (“Happy End- straint of the writing staff, however, Nto ever grace a TV screen. You ings”) and Stephen Hill (“Board- and there’s no inherent reason the have 10 seconds to deduce the an- walk Empire”) as Rick and TC, close new dynamic can’t be as engrossing swer, and should you fail, a shadowy friends of Magnum’s from his mili- as its prototype was. cabal of drug-dealing, bank-rob- tary past. There will be other notable cam- bing, helicopter-hijacking racketeers The pilot for the new series was eos, though. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
ANNOUNCEMENT from the Copyright Office, Library of Congress, Washington, D.C
ANNOUNCEMENT from the Copyright Office, Library of Congress, Washington, D.C. 20559-6000 PUBLICATION OF FIFTH LIST OF NOTICES OF INTENT TO ENFORCE COPYRIGHTS RESTORED UNDER THE URUGUAY ROUND AGREEMENTS ACT. COPYRIGHT RESTORATION OF WORKS IN ACCORDANCE WITH THE URUGUAY ROUND AGREEMENTS ACT; LIST IDENTIFYING COPYRIGHTS RESTORED UNDER THE URUGUAY ROUND AGREEMENTS ACT FOR WHICH NOTICES OF INTENT TO ENFORCE RESTORED COPYRIGHTS WERE FILED IN THE COPYRIGHT OFFICE. The following excerpt is taken from Volume 62, Number 163 of the Federal Register for Friday, August 22,1997 (p. 443424854) SUPPLEMENTARY INFORMATION: the work is from a country with which LIBRARY OF CONGRESS the United States did not have copyright I. Background relations at the time of the work's Copyright Off ice publication); and The Uruguay Round General (3) Has at least one author (or in the 37 CFR Chapter II Agreement on Tariffs and Trade and the case of sound recordings, rightholder) Uruguay Round Agreements Act who was, at the time the work was [Docket No. RM 97-3A] (URAA) (Pub. L. 103-465; 108 Stat. 4809 created, a national or domiciliary of an Copyright Restoration of Works in (1994)) provide for the restoration of eligible country. If the work was Accordance With the Uruguay Round copyright in certain works that were in published, it must have been first Agreements Act; List Identifying the public domain in the United States. published in an eligible country and not Copyrights Restored Under the Under section 104.4 of title 17 of the published in the United States within 30 Uruguay Round Agreements Act for United States Code as provided by the days of first publication. -
Sydney Program Guide
Page 1 of 25 Sydney Program Guide Sun Aug 23, 2015 06:00 TV SHOP - HOME SHOPPING WS G Home shopping programme. 06:30 ELIZABETH OF LADYMEAD 1948 Captioned Repeat WS G Elizabeth Of Ladymead Four generations of a British family live through and relate their experiences in the Crimean War, Boer War, WWI and WWII. Starring: Anna Neagle, Hugh Williams, Bernard Lee, Michael Laurence 08:30 TV SHOP - HOME SHOPPING WS G Home shopping programme. 10:00 ADVENTURES IN RAINBOW COUNTRY Repeat G Long Tough Race Follows the adventures of a teenager named Billy Williams and his friend Pete Gawa in northern Ontario. 10:30 THE LAST DAYS OF DOLWYN 1949 Captioned Repeat WS G The Last Days Of Dolwyn An old woman fights a group of industrialists who are planning to build a dam and flood the valley where she grew up. Starring: Edith Evans, Richard Burton 12:30 SUBARU NATIONAL ROAD SERIES WS NA Tour of The Great South Coast Conducted in Victoria's rugged and spectacular south-west region, this 5-day tour attracts more than 150 competitors from all Australian states & territories, New Caledonia and New Zealand. The participating regions include, Mt Gambier, Glenelg and Grant Shire. AUSTRALIAN GEOGRAPHIC EXPLORES 13:00 Captioned Repeat HD WS G SAMOA Australian Geographic Explores Samoa Join Australian Geographic as they explore the beautiful island of Samoa, from its tropical fauna to its endangered flora, witness the beauty that is Samoa. 13:30 GETAWAY Captioned Repeat HD WS PG This week on Getaway Catriona Rowntree discovers what’s new in Byron Bay while Lauren Phillips uncovers the secrets to the South Melbourne Markets. -
Title: Get the London Look: Anna Neagle As the Emblem of British Fashion and Femininity in Maytime in Mayfair (1949). Between 19
Title: Get the London Look: Anna Neagle as the Emblem of British Fashion and Femininity in Maytime in Mayfair (1949). Between 1947 and 1952, the top British female star at the domestic box office was Anna Neagle. She had displaced Margaret Lockwood, who had achieved the top position during the war years with her turns as dangerous and subversive women in Gainsborough pictures such as The Man in Grey (Arliss, 1943) and, most famously, The Wicked Lady (Arliss, 1945). In both films Lockwood co-starred with James Mason, the brooding, somewhat sadistic idol to a legion of female fans. Mason, mirroring Lockwood’s popularity, was the top male star of 1945 and his appeal was a ‘combination of romantic allure and Sadean fascination’ (Evans 2001: 108) – an appeal that meshed with Lockwood’s ‘unity of transgression and sexual appetite’ (Babington 2001: 94). Aimed at a largely female audience, the Gainsborough melodramas provided escapism and the danger and sexual allure of the characters and stars resulted in a skewing of ‘moral logic’ (Leach 2004: 67), which Jeffrey Richards reads as revelatory of the wartime dislocation of moral values (Richards 1985: 292). With the end of the war, however, there came a reclamation of traditional values, not least in British cinema. In the years immediately following the war, there was a distinct pattern in British films that foregrounded ‘the British people’ as hero, a pattern following the wartime work of Humphrey Jennings in providing images of a united Britain; and the idea image of a Briton was a figure of restraint, good-humour and self-deprecation. -
Eight Students Disciplined After Forcing Way Into Campus Offices
Bates College SCARAB The aB tes Student Archives and Special Collections 2-17-1954 The aB tes Student - volume 80 number 14 - February 17, 1954 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 80 number 14 - February 17, 1954" (1954). The Bates Student. 1165. http://scarab.bates.edu/bates_student/1165 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. 103 Religious Witness Is Religious In The College Emphasis Week Community Ct* Lx\A^ Theme Vol. LXXX. No. 14 BATES COLLEGE, LEWISTON, MAINE. I-EBRI'AKY 105-4 By Subscription Indian Debaters CA Sponsoring Face Bates Duo Eight Students Disciplined After Discussions On On Ghandi Topic Forcing Way Into Campus Offices Role Of Religion Bates College will debate the By Carol Anderson question. "Is Ghandiism an Alter- Tried To Obtain Four outstanding -peakers will native to War?" in the first inter- be featured in the Religious Em- national debate in two years at 8 Final Exams, phasis Week program which be- p. in. Monday in the Chapel again-t gan this morning in the Chapel. two representatives of India. Restricted Info This year's theme is the "Religious Witness in the College Communi- Discuss World Conflict Eight Bates men have been dis- ty ". Speakers include the Rev. Mary Ellen Bailey and Margaret ciplined, six of them expelled from James Gordan Gilkey; the Rev. -
The Copyright of This Recording Is Vested in the BECTU History Project
Elaine Schreyeck Tape 1 Side A BECTU History Project Interview no: 38 Interviewee: Elaine Schreyeck Interviewer: No of tapes 1 Duration: 1:20:40 COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed. CITATION: Women’s Work in British Film and Television, Elaine Schreyeck, http://bufvc.ac.uk/bectu/oral-histories/bectu-oh [date accessed] By accessing this transcript, I confirm that I am a student or staff member at a UK Higher Education Institution or member of the BUFVC and agree that this material will be used solely for educational, research, scholarly and non-commercial purposes only. I understand that the transcript may be reproduced in part for these purposes under the Fair Dealing provisions of the 1988 Copyright, Designs and Patents Act. For the purposes of the Act, the use is subject to the following: The work must be used solely to illustrate a point The use must not be for commercial purposes The use must be fair dealing (meaning that only a limited part of work that is necessary for the research project can be used) The use must be accompanied by a sufficient acknowledgement. Guidelines for citation and proper acknowledgement must be followed (see above). It is prohibited to use the material for commercial purposes and access is limited exclusively to UK Higher Education staff and students and members of BUFVC. -
Guild Gmbh Switzerland GUILD MUSIC GLCD 5217 by Special Request: Faith & Farnon
GUILD MUSIC GLCD 5217 By Special Request: Faith & Farnon 2014 Guild GmbH GLCD 5217 © 2014 Guild GmbH Guild GmbH Switzerland GUILD MUSIC GLCD 5217 By Special Request: Faith & Farnon BY SPECIAL REQUEST: PERCY FAITH AND ROBERT FARNON GLCD 5179 Portrait of My Love GLCD 5199 Three Great American Light Orchestras GLCD 5180 Bright and Breezy GLCD 5200 A Glorious Century of Light Music GLCD 5181 The Lost Transcriptions – Vol. 2 GLCD 5201 Fiddles and Bows Percy Faith and his Orchestra GLCD 5182 A Second A-Z of Light Music GLCD 5202 Cinema Classics All arrangements by Percy Faith GLCD 5183 A Return Trip to the Library GLCD 5203 Great British Composers – Vol. 2 GLCD 5184 The Lost Transcriptions – Vol. 3 GLCD 5204 Salon, Light & Novelty Orchestras 1 Ride Through The Night (from “Subways Are For Sleeping”) (Jule Styne) 2:50 GLCD 5185 Christmas Celebration GLCD 5205 Here’s To Holidays GLCD 5186 Light Music While You Work – Vol. 3 GLCD 5206 Non-Stop To Nowhere – Columbia CS 8533 1961 GLCD 5187 Light and Easy GLCD 5207 Ça C’est Paris GLCD 5188 The Art of the Arranger – Vol. 1 GLCD 5208 The Lost Transcriptions – Vol. 4 2 Carefree (Percy Faith) – Columbia CS 8360 1961 2:24 GLCD 5189 Holidays for Strings GLCD 5209 My Dream is Yours GLCD 5190 Continental Flavour – Vol. 2 GLCD 5210 Invitation to the Dance GLCD 5191 Strings Afire GLCD 5211 Light Music While You Work – Vol. 5 3 La Golondrina (The Swallow) (Traditional) – Columbia CS 8038 1957 3:46 GLCD 5192 Stereo into the Sixties GLCD 5212 Bright Lights GLCD 5193 The Art of the Arranger – Vol. -
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities Matthew Robinson A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2016 90,792 words Contents Abstract 2 Chapter One: Introduction 3 Chapter Two: Critical Review 24 Chapter Three: Producing the British Biopic 1900-2014 63 Chapter Four: The Reception of the British Biopic 121 Chapter Five: Conventions and Themes of the British 154 Biopic Chapter Six: This is His Story: ‘Wounded’ Men and 200 Homosocial Bonds Chapter Seven: The Contemporary British Biopic 1: 219 Wounded Men Chapter Eight: The Contemporary British Biopic 2: 263 Homosocial Recoveries Chapter Nine: Conclusion 310 Bibliography 323 General Filmography 355 Appendix One: Timeline of the British Biopic 1900-2014 360 Appendix Two: Distribution of Gender and Professional 390 Field in the British Biopic 1900-2014 Appendix Three: Column and Pie Charts of Gender and 391 Profession Distribution in British Biopics Appendix Four: Biopic Production as Proportion of Total 394 UK Film Production Previously Published Material 395 1 Abstract This thesis offers a revaluation of the British biopic, which has often been subsumed into the broader ‘historical film’ category, identifying a critical neglect despite its successful presence throughout the history of the British film industry. It argues that the biopic is a necessary category because producers, reviewers and cinemagoers have significant investments in biographical subjects, and because biopics construct a ‘public history’ for a broad audience. -
Odette (1950) Brand New Restoration
ODETTE (1950) BRAND NEW RESTORATION ON DVD, BLU-RAY & DOWNLOAD ON JUNE 10 COMPLETE WITH BRAND NEW EXTRAS! STUDIOCANAL is delighted to announce the release of a newly restored version of the classic British war film, ODETTE, on June 10. Released to coincide with the 75th Anniversary of D- Day on June 6, director Herbert Wilcox’s (Sixty Glorious Years, Spring in Park Lane) moving story based on true events was originally released in 1950 and will be available to own on DVD, Digital Download and, for the very first time, on Blu-Ray looking better than ever as part of the Vintage Classics collection. Starring Anna Neagle (Lady and the Lamp, Maytime in Mayfair), Trevor Howard (The Third Man Brief Encounter), Peter Ustinov (Spartacus, Billy Budd) and Marius Goring (The Red Shoes, A Matter of Life and Death), the new release comes complete with brand new extras material including an exclusive interview with author Sebastian Faulks. The new digital restoration has been completed from a new 4k 16bit scan of the original 35mm negative. ODETTE is the inspiring true story of a French-born heroine, Odette Sansom (Anna Neagle) who leaves behind her three young daughters and life in Britain to return to her occupied homeland to spy for the Special Operations Executive (SOE) during the Second World War. Smuggled into France to work with Radio Operator Alex Rabinovich (Peter Ustinov) and Captain Peter Churchill (Trevor Howard), Odette skillfully works with the SOE until her capture by the Gestapo. Taken to Ravensbruck concentration camp, Odette must survive interrogation and torture as the Nazi Commandant attempts to extract her secrets and the names of her fellow Resistance fighters. -
Past and Present 19/7/05 3:53 Pm Page I
2725 M&M Past and Present 19/7/05 3:53 pm Page i Turner Classic Movies British Film Guides General Editor: Jeffrey Richards Brighton Rock Dracula The 39 Steps Steve Chibnall Peter Hutchings Mark Glancy A Hard Day’s Night Get Carter The Dam Busters Stephen Glynn Steve Chibnall John Ramsden My Beautiful The Charge of the Light A Night to Remember Launderette Brigade Jeffrey Richards Christine Geraghty Mark Connelly The Private Life of Whiskey Galore! & The Henry VIII Maggie Greg Walker Colin McArthur Cinema and Society Series General Editor: Jeffrey Richards ‘Banned in the USA’: British Films in the United States and Their Censorship, 1933–1960 Anthony Slide Best of British: Cinema and Society from 1930 to the Present Anthony Aldgate & Jeffrey Richards Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema Colin McArthur British Cinema and the Cold War Tony Shaw The British at War: Cinema, State and Propaganda, 1939–1945 James Chapman Christmas at the Movies: Images of Christmas in American, British and European Cinema Edited by Mark Connelly The Crowded Prairie: American National Identity in the Hollywood Western Michael Coyne Distorted Images: British National Identity and Film in the 1920s Kenton Bamford An Everyday Magic: Cinema and Cultural Memory Annette Kuhn Film and Community in Britain and France: From La Règle du Jeu to Room at the Top Margaret Butler 2725 M&M Past and Present 19/7/05 3:53 pm Page ii Film Propaganda: Soviet Russia and Nazi Germany Richard Taylor Hollywood Genres and Post-War America: Masculinity,