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Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
ANNOUNCEMENT from the Copyright Office, Library of Congress, Washington, D.C
ANNOUNCEMENT from the Copyright Office, Library of Congress, Washington, D.C. 20559-6000 PUBLICATION OF FIFTH LIST OF NOTICES OF INTENT TO ENFORCE COPYRIGHTS RESTORED UNDER THE URUGUAY ROUND AGREEMENTS ACT. COPYRIGHT RESTORATION OF WORKS IN ACCORDANCE WITH THE URUGUAY ROUND AGREEMENTS ACT; LIST IDENTIFYING COPYRIGHTS RESTORED UNDER THE URUGUAY ROUND AGREEMENTS ACT FOR WHICH NOTICES OF INTENT TO ENFORCE RESTORED COPYRIGHTS WERE FILED IN THE COPYRIGHT OFFICE. The following excerpt is taken from Volume 62, Number 163 of the Federal Register for Friday, August 22,1997 (p. 443424854) SUPPLEMENTARY INFORMATION: the work is from a country with which LIBRARY OF CONGRESS the United States did not have copyright I. Background relations at the time of the work's Copyright Off ice publication); and The Uruguay Round General (3) Has at least one author (or in the 37 CFR Chapter II Agreement on Tariffs and Trade and the case of sound recordings, rightholder) Uruguay Round Agreements Act who was, at the time the work was [Docket No. RM 97-3A] (URAA) (Pub. L. 103-465; 108 Stat. 4809 created, a national or domiciliary of an Copyright Restoration of Works in (1994)) provide for the restoration of eligible country. If the work was Accordance With the Uruguay Round copyright in certain works that were in published, it must have been first Agreements Act; List Identifying the public domain in the United States. published in an eligible country and not Copyrights Restored Under the Under section 104.4 of title 17 of the published in the United States within 30 Uruguay Round Agreements Act for United States Code as provided by the days of first publication. -
Middlebrow Cinematic Taste
4 TIME AND THE MIDDLEBROW IN 1940S BRITISH CINEMA Lawrence Napper In Ealing Studios’ popular wartime comedy Fiddlers Three (Watt 1944), Tommy Trinder, Sonnie Hale and Diana Decker are the victims of a cruel rupture in the otherwise linear structure of time. Caught in a storm on their way back from Navy leave, they take shelter under Stonehenge at midnight on Midsummer’s Eve. A confluence of cosmic forces results in their spectacular but unwilling transportation back to the time of the Roman Empire. However, for all the togas and centurions populating the scenes that follow, the social mores of Roman times seem curiously similar to those of wartime Britain. On spying a Roman legion, Trinder remarks that ‘it’s funny how you can’t get away from ENSA [Entertainments National Service Association]!’ The commanding centurion (James Robertson Justice) tells them they have no right to be in a ‘defence area’, and consequently they are shipped to Rome in a packing case stamped ‘British Druids: With Care’. The Empress (Francis Day) laments the fact that they will be victims of human sac- rifice, especially given the ‘manpower shortage’, although apparently Gladiators have been declared ‘a reserved occupation’. Trinder is able to divert the Roman court with an extended Carmen Miranda impression, and Nero (Francis Sullivan) upbraids his Empress for filling her bath with more than the regulation five inches of milk. Further variations of this gag form the leitmotif of the film which is, as Charles Barr complains, ‘repeated ad nauseum’ (1998, 196). Despite Barr’s crisp dismissal, I would argue that Fiddlers Three contains the germ of an idea about time that is surprisingly pervasive across a variety of cinematic, literary and theatrical texts produced in Britain during the mid-1940s, and which has particular significance for discussions of the ‘middlebrow’ in this period. -
Winter2018smaller.Pdf
new releases Great War Horses (The Fate of 1918) Closing Gambit Over 130,000 Australian horses served in the Great War 1978 Korchnoi versus Karpov and the Kremlin. and none came home. Known as Walers, they could Fascinating story of the 1978 World Chess withstand great heat, travel great distances and perform Championship between the Soviet Communist Party’s great feats in battle. They served their Light Horsemen in protege, Anatoly Karpov, and the traitor and Soviet the ‘Desert War’. Across the inhospitable terrain of the defector, Viktor Korchnoi. One of those instances in life Middle East, they carried the first of the victorious Allied where truth is stranger than fiction. forces into Damascus in 1918. REF: SBD117 | E | 2016 | PRICE: £9.99 REF: SBD114 | E | 2018 | PRICE: £12.99 Two Female Spies With Flowered Panties Checkmate Lina Romay (Bared Wire Dolls and Macumba) and Gorgeous Mediterranean beaches are no distraction Lynn Monteil (Zombie Lake and Sadomania) star as for the Checkmate grandmasters. Ten of the top a pair of cunning bisexual strippers released from chess champions in the world bring their best game prison to work undercover for the U.S. government. to the table, while hosts Anna and Simon provide What follows is a deranged mélange of kinky quick-witted commentary on the competition. threesomes, crazed S&M, depraved white slavers and audacious international politics. REF: MR008 | 18 | 1980 | PRICE: £9.99 REF: SBD118 | E | 2017 | PRICE: £14.99 Cecilia Meatball Machine Kodoku blu-ray After repeatedly flaunting her peerless body to 50 year-old nebbish debt collector, Yuji, tries to her servants, snobbish aristocrat Cecila (Muriel turn his life around when he meets the young and Montrossé) becomes the victim of abuse. -
Film Club Sky 328 Newsletter Freesat 306 APRIL/MAY 2021 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 APRIL/MAY 2021 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, Hoping you are all well and safe, can you believe it, Talking Pictures TV is six in just a few weeks time! It doesn’t quite seem possible and with 6 million of you watching every week it does seem like Noel was right! The Saturday Morning Pictures ‘revival’ has been a real hit with you all and there’s lots more planned for our regular Saturday slot 9-12. Radar Men from the Moon and The Cisco Kid start on Saturday 1st May. GOOD NEWS! We have created a beautiful limited edition enamel badge for all you Saturday Morning Pictures TPTV is 6! club members, see page 7 for details. This month sees the release of two new box sets from Renown Pictures. Our very popular Glimpses collections continue with GLIMPSES VOLUME 5. Some real treats on the three discs, including fascinating footage of Manchester in the 60s, London in the 70s, a short film on greyhound racing in the 70s, The Hillman Minx and Sheffield in the 50s. Still just £20 with free UK postage! Also this month on DVD, fully restored with optional subtitles, you can all recreate Saturday Morning Pictures anytime you like with your own DVD set of FLASH GORDON CONQUERS THE UNIVERSE – just £15 with free UK postage. We’re delighted to announce that LOOK AT LIFE is finally in its rightful home on TPTV, starting in May. -
Sydney Program Guide
Page 1 of 26 Sydney Program Guide Sun Apr 27, 2014 06:00 TV SHOP - HOME SHOPPING WS G Home shopping programme. 06:30 GEM PRESENTS Captioned Repeat WS G Delta Goodrem - Innocent Eyes 10 Year Anniversary Music special. 06:40 TRENT'S LAST CASE 1952 Captioned Repeat WS G Trent's Last Case A police detective on the verge of retirement investigates a socialite accused of murdering her wealthy husband. Starring: Michael Wilding, Margaret Lockwood, Orson Welles, John Mccallum 08:30 TV SHOP - HOME SHOPPING WS G Home shopping programme. 10:00 ADVENTURES IN RAINBOW COUNTRY Repeat G Long Tough Race Follows the adventures of a teenager named Billy Williams and his friend Pete Gawa in northern Ontario. 10:30 I LIVE IN GROSVENOR SQUARE 1945 Captioned Repeat WS G I Live In Grosvenor Square An American, living in Britain during the war, interrupts a romance and creates a romantic triangle involving an English girl, her boyfriend and an American soldier. Starring: Anna Neagle, Rex Harrison, Dean Jagger, Robert Morley 12:45 LOVE THIS CITY: GOLD COAST Captioned HD WS PG Love This City: Gold Coast Queensland’s Gold Coast is a shining city by the seas with more surprising stories than grains of sand on the beach. Join Melissa Downes and Andrew Lofthouse as they present an exciting look at this region thriving on arts, culture, innovation, quality lifestyle and the promise of great things to come. 13:15 THE GARDEN GURUS Captioned Repeat HD WS G This week Trevor tells us what the Garden Gurus are all about, takes a closer look at Seasol, debunks some gardening myths and has a look at the best way to propagate Dracenas. -
The Boer War (1899-1902)
- 1 - THE BOER WAR (1899-1902) Films in BFI Collections, National Film and Television Archive Contents Introduction 2 1) Pre-war 4 2) The war 8 3) Fakes and dramatisations 34 4) Post-war 39 5) Compilations 53 6) Glossary and Who's Who 55 7) Index of film titles 61 Sources 65 Luke McKernan NFTVA Cataloguing Department August 1999 Second edition (first edition 1997) Cover still: Joe Rosenthal, cameraman for the Warwick Trading Company (courtesy of BFI Stills, Posters and Designs). - 2 - INTRODUCTION The Boer War (also known as the Anglo-Boer War or the South African War, and sometimes referred to as the Second Boer War to distinguish it from a short conflict in 1881) was fought between the forces of the British Empire and the combined forces of the Transvaal and Orange Free State, the two independent Boer republics. The direct cause of the war was the refusal of the Boers (Afrikaners) to offer political rights to the mainly British `Uitlander' immigrant workforce. The larger cause was British imperial ambitions in South Africa, rich in gold and diamonds. The Boers issued an ultimatum, then invaded Natal on 11 October 1899. The existing British forces were beaten back, and the invasion force under Sir Redvers Buller made a two-pronged attack, to the west along the border between Cape Colony and Orange Free State, and to the east in Natal attempting to relieve Ladysmith. Major reverses were suffered at Magersfontein, Colenso and Spion Kop, and the overall command was taken by Lord Roberts, who advanced from the south-west to take first Bloemfontein and then Pretoria (5 June 1900). -
SCOREBOARD Iia N Rh Ffitfr
20—MANCHESTER HERALD, Monday, August 27, 1990 SCOREBOARD TUESDAY A Red Sox 1, Blue JaysO — J r — "'ly ------- LOCAL NEWS INSIDE BOSTON TORONTO Baseball T--' a b rh b l ab r h bl Golf iianrhffitfr A JoReed 2b 4 0 1 1 MWilsn cf 4 0 0 0 Ouintan 1 b 4 0 0 0 TFrndz ss 2 0 0 0 ■ Coventry lawsuit dismissal sought. American League standings Boggs 3b 4 0 1 0 Sojo ss 10 0 0 Burks cl 3 0 1 0 Gruber 3b 4 0 0 0 Tallwood East Division Greenwl If 4 0 0 0 McGrilf 1b 2 0 1 0 LOW GROSS, LOW NET, EXCLUDE RAR ■ Ed board votes total smoking ban. W L Pci. GB Evans dh 4 0 1 0 Olerud dh 4 0 0 0 3'S — A - Gross- Lee Kupidora 58, Stan Boston ___ 69 57 .548 Bmnsky rt 2 10 0 Myers c 3 0 1 0 Domian 60, Ken Comertord 63, Not - Jim Bid- Toronto 66 62 .516 4 Pena c 3 0 0 0 Williams If 0 0 0 0 well 53, Tom Juknis 5, Ted Blasko 55. Bob Baltimore 59 66 .472 9'/z Rivera ss 3 0 1 0 Felix rf 3 0 0 0 Cappa 55, Norm Kidwell 56. Rich Dosnoyers ■ Dem’s duai headquarters plan nixed. Detroit What's 60 68 .469 10 Lee 2b 3 0 0 0 57, Bruce Hence 57, Tom Malin 58; B- Gross- Cleveland 67 .468 10 59 GHill If 2 0 0 0 Bill Wood 63, Bruce Maynard 65, Bill Mustard Milwaukee 58 68 .460 11 Mlinks ph 0 0 0 0 69. -
Robert Farnon Film Scores
1996 Edition Robert Farnon - Film Page 99 Scores ROBERT FARNON'S FILM SCORES This section of the discography gives an indication of Robert Farnon's versatility as a composer and arranger for film. It has been compiled from the surviving records which in some cases are incomplete and rely on the producing companies' differing methods of detailing the music. Film background music is written to accompany specific sections of action or dialogue and because of this, and the short length of some segments on the screen, coherent titles are not in general use. Most of the longer pieces are also included in the titles section. ALL FOR MARY (1955) Based on C.S. Forrester's book "The Happy Return" Rank Organisation and starring Gregory Peck, Virginia Mayo and Robert Beatty. The director was Rauol Walsh; the musical Directed by Wendy Toye. A colour film starring Nigel director was Louis Levy. Robert Farnon spent several Patrick and David Tomlinson as two Englishmen on months living on the south coast of England to capture holiday in the Swiss Alps who have to suffer the latter's the appropriate atmosphere. The film score was old nanny - played by Kathleen Harrison - when they adapted into a continuous orchestral suite for a fall ill. Jill Day provides the romantic interest and sings recording issued by Delysé‚ in l960. An overture, Far Away from Everybody. The Stargazers sang the Captain Horatio, was adapted from the score and first opening theme which, with Jill Day's song, was issued performed at the BBC Light Music Festival in l969. -
Robert Farnon's Compositions
1996 Edition Compositions Section Page 109 ROBERT FARNON'S COMPOSITIONS This section lists Bob Farnon's compositions, including the sub-sections of composite works. However, it does not include all of the very short (often only a few seconds) pieces which formed parts of film scores - details of these may be found in the FILM SCORES section. For further information about individual compositions, refer to the titles section which also gives details of the many arrangements Bob made over the years including the unrecorded ones. Absent Friends The Cabbage Patch Cymbal Crash and Three Chords Eb, Academic (Introductions No.2) Cache Chase F & G Accent On Drama Calypso Joe The Dame In Red Action Ahead Canadian Caravan Dance Band (Introductions No.2) Action In Drama Candlelight And Vino Dark Journey (Accent On Drama Pt.1) Adventurer (Introductions No.1) Captain Horatio Hornblower RN : Dark Mood (Notes In Brief) Africana 1 (Accent On Drama Pt.2) Suite Daydream Africana 2 (Accent On Drama Pt.2) Cark Theme Defeat At Bosworth After Hours Cascades (Harp Interludes Part 3) Delight For Dancers After The Fair Cascades To The Sea Derby Day Age Of Innocence La Casita Mia Deserted Road (Notes In Brief) Alcan Highway (Canadian Catacombs (Accent On Drama Pt.3) Desolation (Reign Of Terror) Impressions) Catch That Bus! (Pulse Of The City) Devil's Cauldron All For Mary (Film Score 1955) Cause For Alarm Diary Of An Orchid All Sports March Celebrity (Accent On Drama Pt.3) Dinner Date (Pulse Of The City) Alliance Variations Almost A Lullaby Cellar Club Disappearance -
The Grand Valley Ledger M
hcag s L.H.S. Graduates 4 SOK's- 333,- „ x Featured In — CHI CAN 43234 This Issue! The Grand Valley Ledger i UVolume? , Issue 30 Serving Lowell Area Reader* Since 1893 June 2f 1983 WCUZ weekend o BIG success The sun opened the door to fun and laughter Saturday and wel- comed over 6500 friends, rela- tives and guests to the WCUZ/ Budweiser Lowell Showboat m weekend Over $12,000 - $14,000 was raised for the Showboat fund. Of all the thanks owed by Showboat fans, the greatest and MEET THE BOARD CANDIDATES longest applause should be given to WCUZ's Kevin Reynolds, Meet the candidates night, sponsored by the Lowell Education who orchestrated the Softball Association, will be held Monday, June 6 at 7:00 P.M. in the Mid- Classic and the Bobby Bare dle School Cafetorium. School Board candidates will be on hand to Show. Another round of meet and answer questions for the general public. applause should be given to West 4J Side Beer and Budweiser for L.H.S. GRADUATION their cooperation and contrib- ution in the weekend's fes- High School Graduation will be held Sunday. June 5. in the Low- tivities. Drop a note to Kevin at ell Showboat amphitheatre. Commencement ceremonies begin at WCUZ, 1 McKay Tower. G.R. 3:00. 49503 or call him at 451-2551 to Senior awards night tonight Thursday. June 2. at 7:30 in the High express your thanks. School Gym. Awards Scholarships. Athletic awards. Leadership, The action kicked off Satur- • and senior awards will be presented. -
British National Cinema
British national cinema With films as diverse as Bhaji on the Beach, The Dam Busters, Mrs Miniver, Trainspotting, The Draughtsman's Contract, and Prick Up Your Ears, twentieth- century British cinema has produced wide-ranging notions of British culture, identity and nationhood. British National Cinema is a comprehensive introduction to the British film industry within an economic, political and social context. Describing the development of the British film industry, from the Lumière brothers’ first screening in London in 1896 through to the dominance of Hollywood and the severe financial crises which affected Goldcrest, Handmade Films and Palace Pictures in the late 1980s and 1990s, Sarah Street explores the relationship between British cinema and British society. Using the notions of ‘official’ and ‘unofficial’ cinema, the author demonstrates how British cinema has been both ‘respectable’ and ‘disreputable’ according to the prevailing notions of what constitutes good cinema. British National Cinema analyses the politics of film and establishes the difficult context within which British producers and directors have worked. Sarah Street questions why British film-making, production and distribution have always been subject to government apathy and financial stringency. In a comparison of Britain and Hollywood, the author asks to what extent was there a 'star system' in Britain and what was its real historical and social function. An examination of genres associated with British film, such as Ealing comedies, Hammer horror and 'heritage' films, confirms the eclectic nature of British cinema. In a final evaluation of British film, she examines the existence of 'other cinemas': film-making which challenges the traditional concept of cinema and operates outside mainstream structures in order to deconstruct and replace classical styles and conventions.