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This Pdf of Your Paper in Athenian Potters and Painters Volume III Belongs to the Publishers Oxbow Books and It Is Their Copyright This pdf of your paper in Athenian Potters and Painters Volume III belongs to the publishers Oxbow Books and it is their copyright. As author you are licenced to make up to 50 offprints from it, but be- yond that you may not publish it on the World Wide Web until three years from publication (August 2017), unless the site is a limited access intranet (password protected). If you have queries about this please contact the editorial department at Oxbow Books (editorial@ oxbowbooks.com). An offprint from Athenian Pot ters and Painters Volume III edited by John H. Oakley Hardcover Edition: ISBN 978-1-78297-663-9 Digital Edition: ISBN 978-1-78297-664-6 © Oxbow Books 2014 Oxford & Philadelphia www.oxbowbooks.com Published in the United Kingdom in 2014 by OXBOW BOOKS 10 Hythe Bridge Street, Oxford OX1 2EW and in the United States by OXBOW BOOKS 908 Darby Road, Havertown, PA 19083 © Oxbow Books and the individual authors 2014 Hardcover Edition: ISBN 978-1-78297-663-9 Digital Edition: ISBN 978-1-78297-664-6 A CIP record for this book is available from the British Library Library of Congress Control Number: 2010290514 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or by any information storage and retrieval system, without permission from the publisher in writing. Printed in the United Kingdom by Short Run Press, Exeter For a complete list of Oxbow titles, please contact: UNITED KINGDOM Oxbow Books Telephone (01865) 241249, Fax (01865) 794449 Email: [email protected] www.oxbowbooks.com UNITED STATES OF AMERICA Oxbow Books Telephone (800) 791-9354, Fax (610) 853-9146 Email: [email protected] www.casemateacademic.com/oxbow Oxbow Books is part of the Casemate Group Front cover: Contents Foreword .......................................................................................................................................................................vii 1 Fallen Vessels and Risen Spirits: Conveying the Presence of the Dead on White-ground Lekythoi ................................................................................................................................................. 1 2 Under the Tuscan Soil: Reuniting Attic Vases with an Etruscan Tomb ............................................................................................................................................. 11 3 Regional Variation: Pelops and Chrysippos in Apulia ...................................................................................................................................................... 22 4 Baskets, Nets and Cages: Indicia of Spatial Illusionism in Athenian Vase-painting ............................................................................................................................................................. 30 ................................................................................................................................................. 40 6 Smikros and Epilykos: Two Comic Inventions in Athenian Vase-painting .......................................................................................................................................................... 49 ........................................................................................................................................... 63 8 The Gigantomachy in Attic and Apulian Vase-Painting. A New Look at Similarities, Differences and Origins ................................................................................................................................................. 72 9 Plates by Pasteas ............................................................................................................................................................ 80 10 Some Greek Vases in the Museum of Mediterranean Archaeology at Nir David (Gan Hashlosha) Israel ......................................................................................................................................................... 98 11 Trade of Athenian Figured Pottery and the Effects of Connectivity .................................................................................................................... 107 12 Beautiful Men on Vases for the Dead ................................................................................................................................................. 116 13 The View from Behind the Kline: Symposial Space and Beyond v ................................................................................................................................................. 125 ................................................................................................................................................... 134 15 “Whom are You Calling a Barbarian?”A Column Krater by the Suessula Painter ............................................................................................................................................... 146 16 Good Dog, Bad Dog: A Cup by the Triptolemos Painter and Aspects of Canine Behavior on Athenian Vases .................................................................................................................................................... 155 17 A Scorpion and a Smile: Two Vases in the Kemper Museum of Art in St. Louis .................................................................................................................................................... 165 18 Demographics and Productivity in the Ancient Athenian Pottery Industry .................................................................................................................................................. 175 19 An Amazonomachy Attributed to the Syleus Painter .................................................................................................................................................... 187 20 Democratic Vessels? The Changing Shape of Athenian Vases in Late Archaic and Early Classical Times ...................................................................................................................................................... 197 ........................................................................................................................................................ 206 ..................................................................................................................................................... 215 23 The Robinson Group of Panathenaic Amphorae ........................................................................................................................................................ 221 ...................................................................................................................................................... 231 25 Menelaos and Helen in Attic Vase Painting ............................................................................................................................. 242 s ............................................................................................................... 253 ................................................................................................................................................ 263 Color Plates 1–32 ........................................................................................................................................................ 273 27 The Attic Phiale in Context. The Late Archaic Athena Tsingarida 9 10 1 11 2 3 12 decorated 4 5 6 all dated to 13 14 15 16 17 A Small Group of Oversized and Elaborate Products 18 7 19 20 The latter 8 epoiesen 21 264 Athena Tsingarida Fig. 1 Phiale (fragments) attributed to the Foundry Painter, Malibu, J. Paul Getty Museum 90.AE.38 (© The J. Paul Getty Museum, Villa Collection, Malibu, California). 31 epoiesen22 kroschros 32 33 23 24 epoiesen 34 25 26 35 The Attic “Achaemenid phialai” in Clay and 27 Cups of the Class of Agora P10359 28 29 36 30 265 Fig. 2 Phiale attributed to the Berlin Painter, Malibu, J. Paul Fig. 3 Phiale attributed to the Berlin Painter, Malibu, J. Paul Getty Museum 76.AE.96.1 (© The J. Paul Getty Museum, Villa Getty Museum 76.AE.96.2 (© The J. Paul Getty Museum, Villa Collection, Malibu, California). Collection, Malibu, California). Fig. 4 Achaemenid phiale in clay, black-gloss, ca. 500–480, Fig. 5 Achaemenid phiale in clay, black-gloss and coral-red, ca. Athens, Agora Museum P 9274 (Photo: Author). 500–480 BC, Athens, Agora Museum P 23118 (Photo: Author). 37 38 42 39 40 43 41 44 266 Athena Tsingarida – N. Bloch, CReA-Patrimoine, ULB). 45 46 267 – N. Bloch, CReA-Patrimoine, ULB).
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