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Corpus Vasorum Antiquorum, Fascicule 10 UNION ACADÉMIQUE INTERNATIONALE CORPUS UASORUM ANTIQUORUM THE J. PAUL GETTY MUSEUM • MALIBU Athenian Red-Figure Column- and Volute-Kraters DESPOINA TSIAFAKIS THE J. PAUL GETTY MUSEUM FASCICULE 10 • [U.S.A. FASCICULE 40] 2019 CORPUS UASORUM ANTIQUORUM UNITED STATES OF AMERICA • FASCICULE 40 The J. Paul Getty Museum, Malibu, Fascicule 10 UNION ACADÉMIQUE INTERNATIONALE CORPUS UASORUM ANTIQUORUM THE J. PAUL GETTY MUSEUM • MALIBU Athenian Red-Figure Column- and Volute-Kraters DESPOINA TSIAFAKIS THE J. PAUL GETTY MUSEUM FASCICULE 10 • [U.S.A. FASCICULE 40] 2019 The free online edition of this catalogue is available at http://www.getty.edu/publications The J. Paul Getty Museum’s prior CVA fascicules 1–9 are /cva10. Also available are free PDF, EPUB, and MOBI downloads of the book, CSU and available for free download in our Uirtual Library at JSON downloads of the object data, and JPG downloads of the catalogue images. www.getty.edu/publications/virtuallibrary. © 2019 J. Paul Getty Trust Also from Getty Publications: ✦ Ancient Lamps in the J. Paul Getty Museum Jean Bussière and Birgitta Lindros Wohl This work is licensed under a Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/. ✦ Ancient Terracottas from South Italy and Sicily in the J. Paul Getty Museum Published by the J. Paul Getty Museum, Los Angeles Maria Lucia Ferruzza Getty Publications 1200 Getty Center Drive, Suite 500 ✦ Roman Mosaics in the J. Paul Getty Museum Los Angeles, California 90040-1682 Alexis Belis www.getty.edu/publications Greg Albers, Project Manager Rachel Barth, Project Editor Laura diZerega, Editorial and Digital Assistant Sharon Herson, Manuscript Editor Michelle Woo Deemer, Production David Saunders, Curatorial Liaison Toby Schreiber, Profile Drawings Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Library of Congress Cataloging-in-Publication Data Corpus vasorum antiquorum. [United States of America.] The J. Paul Getty Museum, Malibu. (Corpus vasorum antiquorum. United States of America; fasc. 23– ) Uol. 1 by Andrew J. Clark. At head of title: Union académique internationale. Includes index. Contents: v. 1. Molly and Walter Bareiss Collection: Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes. 1. Uases, Greek—Catalogs. 2. Bareiss, Molly—Art collections—Catalogs. 3. Bareiss, Walter—Art collections—Catalogs. 4. Uases—Private collections— California—Malibu—Catalogs. 5. Uases—California— Malibu—Catalogs. 6. J. Paul Getty Museum—Catalogs. I. Clark, Andrew J., 1949– . II. J. Paul Getty Museum. III. Series: Corpus vasorum antiquorum. United States of America; fasc. 23, etc. NK.4640.C6.U5 fasc. 23, etc. 738.3’82’0938074 s 88–12781 [NK4624.B37] [738.3’82’0938074019493] ISBN 0-89236-134-4 ISBN 978-1-60606-601-0 (fasc. 10; hardcover) ISBN 978-1-60606-602-7 (fasc. 10; ebook) ISBN 978-1-60606-603-4 (fasc. 10; online) CONTENTS Foreword . viii Preface . x Abbreviations . xiii Catalogue Column-Kraters (nos. 1–16) . 1 Uolute-Kraters (nos. 17–24) . 35 Profile Drawings . 65 Concordance between J. Paul Getty Museum Accession Numbers, Bareiss Collection Numbers, and CVA Numbers . 72 Index of Attributions to Painters, Groups, and Workshops . 74 Index of Subjects . 76 Plates . 88 FOREWORD The J. Paul Getty Museum’s extensive collection of Greek painted pottery is especially rich in Athenian black- and red-figure vases of the sixth and fifth centuries B.C. Examples of two of the most distinctive and popular shapes of that period, column-kraters and volute-kraters, are gathered in this fascicule of the Corpus Vasorum Antiquorum, the tenth of the series devoted to the holdings of the J. Paul Getty Museum. These are large vessels, made for mixing wine and water at the symposium. The column-krater—called the “Corinthian krater” in antiquity—takes its modern name from the columnar supports at the rim. It was developed in Corinth by the end of the seventh century B.C. and soon adopted also by potters in Athens, where the shape is one of the most enduring. Uolute- kraters are, in the words of Sir John Beazley, “the vase-shape which has more of the temple in it than any other.” Typically large, with high curling handles, these vases are often finely potted and present expansive fields for decoration. As with many pottery vessel shapes, the form also occurs in metal, and the Getty’s dinoid krater (87.AE.93; entry no. 24) offers a striking example of ceramicists emulating and elaborating upon that costlier medium. Most Athenian red-figure vase-painters seem to have specialized as either cup or pot painters, and the selection of vases and fragments gathered here has been attributed to many significant artists of the fifth century B.C., including Myson, the Pan Painter, the Kleophrades Painter, and Polygnotos. Iconographically, the kraters present a rich and engaging array of motifs and details. Notable is the recurrence of scenes of worship before altars and herms, images of devotion that would have been a central component of the lived experience of ancient Athenians. Besides these scenes of human activity, myths and heroic exploits continued to offer inspiration. Though fragmentary, the elaborate sack of Troy on Polygnotos’s volute-krater (79.AE.198; entry no. 23) demonstrates the ongoing interest in this subject, while the Kleophrades Painter’s krater (77.AE.11; entry no. 19) presents a mythological tour de force, with Peleus battling Thetis, three of Herakles’s Labors, and an extended Amazonomachy. This catalogue marks a renewed commitment to publishing the Getty’s vase collection within the CVA, as the locus classicus of the field. It also marks a major shift forward, for this fascicule has been developed as an open-access digital publication with the option of print on demand. In publishing digitally, we maintain all of the respected and admired features of the CVA, now enhanced with the rich flexibility of free online access. We hope that this provides a model for future catalogues, and we are especially grateful to the American CVA Committee for supporting this initiative. viii The volume has been many years in the making, and I congratulate its author, Despoina Tsiafakis, for bringing it to fruition. The project has had the ongoing support of the Getty’s Department of Antiquities, beginning with Marion True’s invitation and thereafter shepherded by David Saunders, Jens Daehner, and Kenneth Lapatin. The Department of Antiquities Conservation, particularly Jeffrey Maish, provided essential documentation, analysis, and conservation work. The vases have been newly photographed by Tahnee Cracchiola and Rebecca Truszkowski, and Toby Schreiber prepared the profile drawings. Sharon Herson copyedited the manuscript and Juliana Froggatt provided careful proofreading. Greg Albers, Rachel Barth, Michelle Woo Deemer, Kara Kirk, Ruth Evans Lane, Karen Levine, and Laura diZerega have been instrumental in developing the publication. Timothy Potts Director The J. Paul Getty Museum ix PREFACE To Dimitris, my son This CVA fascicule presents a selection of Attic red-figure kraters from the collection of the J. Paul Getty Museum. This volume contains the column- and volute-kraters, which range from 520 to 510 B.C. to the early fourth century B.C.; many are works of known potters and painters. Their presentation accords, in general, with the chronological sequence established by Sir John Beazley. The descriptions follow the format provided by the members of the American CVA Committee, and attributions made by other scholars are credited under the heading ATTRIBUTION AND DATE. These vases have come to the Museum from a variety of sources, mostly from the art market. A number were part of the collection of Walter and Molly Bareiss. The origin of the vases, along with their known histories, is provided under the heading PROUENANCE. The last version of the complete manuscript was delivered in late 2013. Since then, some new bibliographic references have appeared and are included in the entries. Additions to the bibliography were made until 2015, with a few more in 2016, 2017, and 2019. The Getty Museum’s coral-red volute-krater (84.AE.974) is not included in this volume. Ever since its acquisition in 1984, it has regularly been published as an exceptional instance of the use of coral-red on a large scale,1 but in 2013, Dyfri Williams and Jasper Gaunt contacted the Getty Museum with serious concerns about the vase’s authenticity. Their doubts were manifold, spanning the application and use of coral-red, the potting of the vessel, its overall decorative scheme and subsidiary ornament, and many aspects of style and iconography. Williams and Gaunt will discuss their concerns in a forthcoming study.2 Technical examinations are still being undertaken and will be published as soon as completed, but all parties have agreed that it is inappropriate to include the krater in this CVA. The preparation of this volume began years ago, when I was invited by Dr. Marion True, curator of antiquities at that time, to undertake this project. I would like to thank her for trusting me with the material and for all her support. I studied the vases during two short visits, the last in 2003. The members of the Museum’s Department of Antiquities, however, were always most helpful to me, and I thank them for that. Jens Daehner and Kenneth Lapatin assisted me in various ways during the earlier years of this project, while in recent years David Saunders has been of tremendous help and a great source of information; I am x very grateful to him for everything that he has done. Jeffrey Maish shared with me the results of his analysis of the coral-red krater (84.AE.974) and provided the measurements for many of the kraters in this volume.
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