Design and Construction in Romanesque Architecture
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L'église Paroissiale
Université Lumière Lyon 2 École doctorale Sciences Sociales – ED 483 UMR 5138 Archéométrie et Archéologie - ArAr Thèse pour obtenir le grade de Docteur de l’Université Lyon 2 Spécialité : Archéologie médiévale présentée et soutenue publiquement en décembre 2015 par Anelise Nicolier La construction d’un paysage monumental religieux en Brionnais à l’époque romane Tome 3, volume 2 : Corpus Thèse dirigée par M. Nicolas Reveyron, Professeur d’Histoire de l’art et d’Archéologie médiévales Jury : - M. Pierre Ganivet, Maître de conférence d’Histoire du droit, Université d’Auvergne – Clermont 1. - M. Alain Guerreau, Directeur de recherche au CNRS – Centre de Recherches Historiques, Paris. - M. Bruno Phalip, Professeur d’Histoire de l’art et d’Archéologie médiévales, Université d’Auvergne – Blaise Pascal (rapporteur). - M. Nicolas Reveyron, Professeur d’Histoire de l’art et d’Archéologie médiévales, Université Lumière Lyon 2. - M. Jean-François Reynaud, Professeur honoraire d’Histoire de l’art et d’Archéologie médiévales, Université Lumière Lyon 2. - M. Christian Sapin, Directeur de recherche au CNRS, UMR 6298 – ARTeHIS (rapporteur). 1 Table des matières du tome 3, volume 2 Table des matières du tome 3, volume 2 ....................................................................................... 1 FLEURY-LA-MONTAGNE ................................................................................................................ 3 L’ÉGLISE PAROISSIALE ........................................................................................................................ -
Grosne 71.25 – I ‐ Tp Contexte Grosne Aval Grosne 71.25 – I - Tp
GROSNE 71.25 – I ‐ TP CONTEXTE GROSNE AVAL GROSNE 71.25 – I - TP I. PRESENTATION DU CONTEXTE Localisation du contexte, cours d’eau, activités et pressions La Grosne en aval de la confluence avec le Valouzin reçoit successivement les eaux de la Guye en rive gauche et du Grison en rive droite et se jette dans la Saône sur la commune de Marnay. L’occupation du sol est dominée par les prairies, les forêts et les terres arables. Le profil de la Grosne change progressivement vers l’aval en raison d’une pente plus faible et de la présence de nombreux barrages et retenues d’anciens moulins : les vitesses de courant diminuent, les hauteurs d’eau deviennent plus importantes, les herbiers apparaissent en période estivale. Le lit de la Grosne s’élargit nettement après avoir reçu les eaux de la Guye à Savigny‐sur‐Grosne. Le peuplement piscicole évolue aussi avec la présence en plus grand nombre des cyprinidés d’eaux calmes (brème, rotengle, …) et des poissons carnassiers (brochet, perche et silure). ‐ 373 ‐ GROSNE 71.25 – I ‐ TP II. DONNEES GENERALES Limites du Amont Confluence avec le Valouzin, commune de Sainte‐Cécile Alt (m) 250 contexte Aval Confluence avec la Saône, commune de Marnay Alt (m) 174 Linéaire total de Surface du contexte (km²) 343 443,4 cours d'eau (km) Longueur dans le Cours d'eau principal LA GROSNE 69,5 contexte (km) Affluents Tous les affluents dans le contexte excepté la Guye et le Grison Principaux affluents dans le Rive droite : le Petit Grison (9 km) contexte Rive gauche : la Goutteuse (9,8 km) Plans d’eau (>50 ha) Absence -
Artisans D'art
Essertenne D 978 D 984 C1 C1 Saint-Jean- e D 35 n Montcoy La ô D 673 D 974 de-Vaux Sa Morey A6 D 48 Châtenoy- Châtenoy- Châtel-Moron Saint-Denis- D 981 Dracy- Guerfand D 299 de-Vaux le-Royal Chalon- en-Bresse Le Breuil e le-Fort r t n Barizey sur-Saône e C Givry D 69 D 673 D 678 Oslon u l d Saint-Marcel D 38 na D 48 a C Jambles D 290 Saint-Julien- Villeneuve- Lans sur-Dheune en-Montagne D 170 Saint-Rémy D 974 D 123 D 125 D 673 Écuisses Sainte-Hélène N 80 Saint-Christophe- D 678 D 48 Lux L en-Bresse D 680 a S Épervans L'Abergement- N 80 Saint-Désert a ô Sainte-Colombe D 69 n Montchanin e D 977 D 197 Carte Pays du Geste recto 2021.indd 1 2021.indd recto Geste du Pays Carte 05/07/2021 11:33 05/07/2021 Moroges Rosey N 80 Sevrey D 978 Saint-Laurent- D 38 d'Andenay Bissey-sous- D 981 Granges Cruchaud Saint-Loup- Ouroux- N 70 Saint-Martin- de-Varennes Saint-Eusèbe D 125 sur-Saône d'Auxy D 977 D 906 D 977 D 49 La Charmée Sassangy D 6 12 8 Saint-Germain- Varennes- D 197 Marcilly- 1 Buxy 11 D 977 lès-Buxy le-Grand D 978 lès-Buxy D 977 D 6 2 D 6 LÉGENDE D 28 Saint-Germain- 6 Montagny- 9 4 Saint- Marnay du-Plain D 236 D 983 lès-Buxy Ambreuil D 245 A6 D 164 Saint-Privé Savianges Saint-Micaud D 981 Jully- Saint-Vallerin lès-Buxy Saône et Loire D 6 Saint-Cyr Peinture D 147 D 18 Arts plastiques D 90 Le Puley D 983 D 271 Marigny D 906 D 933 Baudrières D 49 Germagny Beaumont- 13 Chenôves D 6 D 90 D 28 Bissy-sur-Fley D 981 sur-Grosne D 90 Gigny- D 906 Céramique Saules sur-Saône D 153 D 28 5 D 18 Genouilly Lalheue D 18 Culles- Saint-Boil Laives D 153 D 49 -
Paysage Et Carrières En Saône-Et-Loire DREAL Bourgogne
Paysage et carrières en Saône-et-Loire DREAL Bourgogne Cédric Chardon paysagiste dplg et géographe octobre 2012 PAYSAGE ET CARRIÈRES EN SAÔNE-ET-LOIRE 1 Le pilotage de cette étude a été assuré par la DREAL Bourgogne Service Ressources et Patrimoine Naturel Mission Air Énergies Renouvelables Ressources Minérales 19bis-21 Avenue Voltaire BP 27 805 21 078 DIJON Cedex Cédric Chardon, paysagiste dplg et géographe SIRET : 488 644 063 00031 adresse : 1bis avenue Alphonse Baudin 01000 Bourg-en-Bresse bureau à Lyon : 92 rue Béchevelin 69007 Lyon port : 06 76 41 87 11 fixe : 09 53 24 63 69 fax : 09 58 24 63 69 mail : [email protected] www.atelierchardon.com demande d’autorisation d’utilisation ou de reproduction des photographies et cartographies à demander à la DREAL Bourgogne et à Cédric Chardon paysagiste. PAYSAGE ET CARRIÈRES EN SAÔNE-ET-LOIRE SOMMAIRE CONTEXTE ET OBJE C TIFS 5 1. LES PAYSAGES DE SAÔNE -ET -LOIRE 7 1.1. LES 6 FAMI ll ES DE PAYSAGES DE SAÔNE -ET -LOIRE 9 1.2. LA SENSIBI L ITÉ DES PAYSAGES : cl ÉS DE C OMPRÉHENSION 12 1.3. LES ENTITÉS PAYSAGÈRES DE SAÔNE -ET -LOIRE 18 1.4. LES UNITÉS PAYSAGÈRES DE SAÔNE -ET -LOIRE 19 2. LES C ARRIÈRES DE SAÔNE -ET -LOIRE 63 2.1. ÉTAT DES L IEUX DES C ARRIÈRES EN SAÔNE -ET -LOIRE 64 2.2. L’IMPA C T PAYSAGER DES C ARRIÈRES DE SAÔNE -ET -LOIRE 66 3. LES RE C OMMANDATIONS POUR L A PRISE EN C OMPTE DU PAYSAGE DANS L ES AMÉNAGEMENTS DE C ARRIÈRES 77 3.1. -
Catalonian Architectural Identity
Catalan Identity as Expressed Through Architecture Devon G. Shifflett HIST 348-01: The History of Spain November 18, 2020 1 Catalonia (Catalunya) is an autonomous community in Spain with a unique culture and language developed over hundreds of years. This unique culture and language led to Catalans developing a concept of Catalan identity which encapsulates Catalonia’s history, cuisine, architecture, culture, and language. Catalan architects have developed distinctly Catalan styles of architecture to display Catalan identity in a public and physical setting; the resulting buildings serve as a physical embodiment of Catalan identity and signify spaces within Catalan cities as distinctly Catalonian. The major architectural movements that accomplish this are Modernisme, Noucentisme, and Postmodernism. These architectural movements have produced unique and beautiful buildings in Catalonia that serve as symbols for Catalan national unity. Catalonia’s long history, which spans thousands of years, contributes heavily to the development of Catalan identity and nationalism. Various Celtiberian tribes initially inhabited the region of Iberia that later became Catalonia.1 During the Second Punic War (218-201 BC), Rome began its conquest of the Iberian Peninsula, which was occupied by the Carthaginians and Celtiberians, and established significant colonies around the Pyrennees mountain range that eventually become Barcelona and Tarragona; it was during Roman rule that Christianity began to spread throughout Catalonia, which is an important facet of Catalan identity.2 Throughout the centuries following Roman rule, the Visigoths, Frankish, and Moorish peoples ruled Catalonia, with Moorish rule beginning to flounder in the tenth-century.3 Approximately the year 1060 marked the beginning of Catalan independence; throughout this period of independence, Catalonia was very prosperous and contributed heavily to the Reconquista.4 This period of independence did not last long, though, with Catalonia and Aragon's union beginning in 1 Thomas N. -
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Definition[Edit]
Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque architecture, with proposals ranging from the 6th to the 10th century. It developed in the 12th century into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman Architecture. The Romanesque style in England is traditionally referred to as Norman architecture. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy piers, groin vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplicity when compared with the Gothic buildings that were to follow. The style can be identified right across Europe, despite regional characteristics and different materials. Many castles were built during this period, but they are greatly outnumbered by churches. The most significant are the great abbeychurches, many of which are still standing, more or less complete and frequently in use.[1] The enormous quantity of churches built in the Romanesque period was succeeded by the still busier period of Gothic architecture, which partly or entirely rebuilt most Romanesque churches in prosperous areas like England and Portugal. The largest groups of Romanesque survivors are in areas that were less prosperous in subsequent periods, including parts of southern France, northern Spain and rural Italy. Survivals of unfortified Romanesque secular houses and palaces, and the domestic quarters of monasteries are far rarer, but these used and adapted the features found in church buildings, on a domestic scale. -
Carolingian and Romanesque Architecture 800 to 1200
KENNETH JOHN CONANT CAROLINGIAN AND ROMANESQUE ARCHITECTURE 800 TO 1200 PUBLISHED BY PENGUIN BOOKS CONTENTS LIST OF FIGURES » LIST OF RESTORATION STUDIES XV LIST OF PLATES xvu FOREWORD XXV MAPS xxvii Part One The Pre-Romanesque and Proto-Romanesque Styles 1. THE PREPARATION FOR MEDIEVAL ARCHITECTURE I The Institutional Background i The Leaders - The Architectural Ambit - Monastidsm Primitive and Local Architectural Trends 4 The Persistence of Roman Architectural Ideas and Practice 6 The Transition from Roman to Early Medieval Architecture 7 2. THE CAROLINGIAN ROMANESQUE II Northern Architecture in the Reign of Charlemagne, 771-814 11 Church Architecture in the Northern Part of the Empire under the Later Carolingians 20 Germany - France 3. PRE-ROMANESQUE ARCHITECTURE IN THE NORTH, OUTSIDE THE EMPIRE 3° Ireland 30 Ninth- and Tenth-Century Architecture in Saxon England 32 Scandinavia 34 4. PROTO-ROMANESQUE ARCHITECTURE IN SOUTHERN EUROPE 42 The Asturian Style 42 The Mozarabic Style in Northern Spain 46 The Lombard Kingdom 52 The Byzantine Exarchate 53 Part Two The Earlier Romanesque Styles 5. THE 'FIRST ROMANESQUE* 57 Lombardy 57 Dalmatia 60 Catalonia and Andorra 61 vii CONTENTS The Kingdom of Aries 65 Germany 65 6. ROMANESQUE ARCHITECTURE IN GERMANY UNDER THE SAXON AND FRANCONIAN EMPERORS (936-II25) 67 The Ottomans 67 The Salian or Franconian Emperors 73 7. FRANCE: 900-1050 79 The Ambulatory 79 Burgundian Developments 80 The Spacious Wooden-Roofed Basilicas 87 Part Three The Mature Romanesque as Inter-Regional and International Architecture 8. THE GREAT CHURCHES OF THE PILGRIMAGE ROADS 91 The Preparation: General Considerations 91 St Martin at Tours 96 St-Martial at Limoges 97 Ste-Foi at Conques 98 St-Sernin at Toulouse and Pilgrimage Sculpture 98 Santiago de Compostela, Goal of the Pilgrimage 99 9. -
LISTE DES ÉLECTEURS Scrutin Du Jeudi 20 Mai 2021
COMMISSION CONSULTATIVE PARITAIRE DÉPARTEMENTALE DES ASSISTANTS MATERNELS ET DES ASSISTANTS FAMILIAUX DU DÉPARTEMENT DE SAÔNE-ET-LOIRE LISTE DES ÉLECTEURS Scrutin du jeudi 20 mai 2021 Civilite Nom Complet Individu Adresse Code Postal Commune Emargement Madame ABBACUS AUDE 3 RUE PHILIPPE FLATOT 71380 ST MARCEL Madame ABBOU AYADA 5 RUE DES FEDERES 71530 CHAMPFORGEUIL Madame ABBOUQ ATIKA 5 RUE JULES VALLES 71530 CHAMPFORGEUIL Madame ABBOUQ RAJAA 16 ROUTE D AUTUN 71640 DRACY LE FORT Madame ABDELLILAH YAMINA 9 BOULEVARD DE LA MOUILLELONGUE 71210 TORCY Madame ABDOUS AICHA 44 ALLEE D AMALRIC 71850 CHARNAY LES MACON Madame ABGRALL JANINE 34 AVENUE DE L AUBEPIN 71100 CHALON SUR SAONE Madame ABRIC CHRISTELLE SERMESSE 71390 STE HELENE Madame ADAMSKI REGINE 181/1 RUE MONTGOLFIER 71410 SANVIGNES LES MINES Madame ADIDJA MARIE LOUISE 9 RUE MARIE LAURENCIN 71230 ST VALLIER Madame ADJEL-FOURMONT AICHA 46 RUE DE LA THALIE 71530 CHAMPFORGEUIL Madame AFAHOUNKO SANDRA 9 ALLEE FRANCIS LECHENET 71100 CHALON SUR SAONE Madame AGUA REMEDIO PLACE DE L'EGLISE 71260 MONTBELLET Madame AGUETTAZ CHRISTIANE LIEU DIT TILLY 71430 ST AUBIN EN CHAROLLAIS Madame AHARCHI LAETITIA 314 ROUTE DE SENOZAN 71118 ST MARTIN BELLE ROCHE Madame AIT LHAJ OU AISSA FATIHA 104 RUE DU MURGERET 71000 MACON Madame AIT MAMASS ELODIE 2 RUE DE BRETAGNE 71000 MACON Madame AKAMOUME KHADIJA 35 BOULEVARD SAINT LOUIS 71300 MONTCEAU LES MINES Madame ALABERGERE JEANINE 326 LIEU DIT POIL ROUGE 71260 ST GENGOUX DE SCISSE Madame ALBAN JEZABEL 11 RUE TITUS BARTOLI 71160 DIGOIN Madame ALBERT SOPHIE 19 RUE -
Lemma Italiano Qualifglossfiltro Materia Traduzione Iamerican Eglosse
lemma italiano qualifglossfiltro materia traduzioneAmerican i Eglosse inglesolo E/I francese tedesco commento aeroporto m MGH AER airport aeroporto galleggiante m MGH AER seadrome aerostazione f MGH AER air terminal a bandiera #f COSTR cantilevered a bilico #m di ponte COSTR bascule attr., of a bridge I a bilico #m COSTR pivot attr. a bilico #m COSTR pivoting a bilico #m COSTR bascule attr. E a bordo squadrato #m COSTR square-edged a C #f C-shaped E a C #f channel attr. E Dopo C-shaped a cantilever #m ingl con parti sporgenti COSTR cantilevered a cerniera #f COSTR hinge attr. a cerniera #f COSTR hinged a coda di rondine #f COSTR dovetail attr. a coda di rondine #f COSTR dovetailed a croce #f COSTR cross attr. a crociera #f COSTR cross attr. a cupola #f COSTR dome-shaped a doppia parete ##f COSTR double-walled a doppia parete ##f COSTR two-walled a due ante ##f pl di armadio ARRED double-door of a cupboard a due battenti ##m pl di finestra COSTR double-hinged of windows a due battenti ##m pl di finestra COSTR two-hinged of windows a due battenti ##m pl di porta COSTR double-leaf attr., of doors a due battenti ##m pl di porta COSTR two-leaf attr., of doors a due falde ##f pl COSTR two-pitched a due piani ##m pl COSTR bi-level attr. a faccia a vista #f COSTR exposed face attr. a facciavista #f COSTR exposed face attr. a ferro di cavallo #m COSTR horseshoe attr. a forcella #m COSTR fork attr. -
Direction Enfance Et Familles Protection Maternelle Et Infantile Relais Assistants Maternels Territoire D'action Sociale De Autu
DIRECTION ENFANCE ET FAMILLES PROTECTION MATERNELLE ET INFANTILE RELAIS ASSISTANTS MATERNELS TERRITOIRE D'ACTION SOCIALE DE AUTUN MONTCEAU LE CREUSOT 18/09/2020 RAM COUVERTURE GEOGRAPHIQUE ADRESSE 1 ADRESSE 2 ADRESSE 3 CP VILLE TEL 1 TEL 2 MAIL 1 MAIL 2 MAIL 3 Anost – Antully – Autun Saint Pantaléon- Auxy–Barnay - Chissey en Morvan – Cordesse - Curgy - Cussy en MAISON DE LA RELAIS 8 Boulevard riam.autun@gra AUTUN Morvan - Dracy Saint Loup – Igornay - La Celle en PETITE ASSISTANTS Frédéric 71400 AUTUN 03 85 86 95 33 ndautunoismorva Morvan - La Grande Verrière - La Petite Verrière – ENFANCE BEL MATERNELS Latouche n.fr Lucenay l'Évêque – Monthelon - Reclesne - Roussillon GAZOU en Morvan - Saint Forgeot - Sommant - Tavernay - Brion – Broyes - Charbonnat - Dettey - Etang sur riam.broye- BROYE- Arroux - La Boulaye - La Chapelle sous Uchon - Laizy - RAM 4 Rue Mme de mesvres@grand 71190 MESVRES 03 85 54 10 89 MESVRES La Tagnière – La Comelle – Mesvres - St Didier sur INTERCOMMUNAL Sévignée autunoismorvan.f Arroux - St Emilan - St Eugène - Uchon r Collonges la Madeleine - Couches - Créot – Dracy les Couches - Epertully - Épinac - Morlet - Saint Emiland - riam.couches@g RAM Rue des grands COUCHES Saint Gervais sur Couches - Saint Jean de Trézy - 71490 COUCHES 03 85 45 45 56 07 86 35 15 40 randautunoismor INTERCOMMUNAL Bois Saint Léger du Bois - Saint Martin de Communes - van,fr Saint Maurice les Couches - Saisy - Sully - Tintry - Collonges la Madeleine - Couches - Créot – Dracy les Couches - Epertully - Épinac - Morlet - Saint Emiland - Mairie -
Historical Introduction
HISTORICAL INTRODUCTION The arts of music, drama, and public discourse have both influenced and been influenced by the acoustics and architecture of their presentation environments. It is theorized that African music and dance evolved a highly complex rhythmic character due, in part, to its being performed outdoors-rather than the melodic line of early European music. Wallace Clement Sabine (1868–1919), an early pioneer in architectural acoustics, felt that the development of a tonal scale in Europe rather than in Africa could be ascribed to the differences in living environment. In Europe, prehistoric tribes sought shelter in caves and later constructed increasingly large and reverberant temples and churches. Gregorian chant grew out of the acoustical characteristics of the gothic cathedrals, and subsequently Baroque music was written to accommodate the churches of the time. In the latter half of the twentieth century both theater design and performing arts became technology driven, particularly with the invention of the electronic systems that made the film and television industries possible. With the development of computer programs capable of creating the look and sound of any environment, a work of art can now not only influence, but also define the space it occupies. 1.1 GREEK AND ROMAN PERIOD (650 bc - AD 400) Early Cultures The origin of music, beginning with some primeval song around an ancient campfire, is impossible to date. There is evidence (Sandars, 1968) to suggest that instruments existed as early as 13,000 bc. The understanding of music and consonance dates back at least to 3000 bc, when the Chinese philosopher Fohi wrote two monographs on the subject (Skudrzyk, 1954). -
Los Aujòls D'elisabèt De Brandoin
Joan Francés Blanc LOS AUJÒLS D'ELISABÈT DE BRANDOIN LES ANCÊTRES D'ÉLISABETH DE BRANDOUIN ELISABÈT DE BRANDOIN’S ANCESTRY 8. NÒTAS (3: SOSAS 160537 A 325536) 2012 Los aujòls d'Elisabèt de Brandoin - 8 Joan Francés Blanc, Los aujòls d'Elisabèt de Brandoin. 8 – Nòtas (3: Sosas 160537 a 325536), <http://blanc.mfoudi.online.fr>, 2012 ©2012 Joan Francés Blanc / Jean-François Blanc 2 Los aujòls d'Elisabèt de Brandoin - 8 ENSENHADOR DEL METEIS AUTOR........................................................................................................................................4 NÒTAS (3: SOSAS 160537 A 325536)...............................................................................................................5 3 Los aujòls d'Elisabèt de Brandoin - 8 DEL METEIS AUTOR Jean Lafitte, Jean-François Blanc (eds.), Louis Alibert, Lexique français-occitan des gallicismes corrigés, online 1992 Joan Francés Blanc, Lexic occitan-chèc, Courbevoie, 1992 Joan Francés Blanc, Pichon lexic sorabe bas-occitan/Maly delnjoserbsko-okcitanski slownik, Courbevoie, 1993 Joan Francés Blanc,"Nueit de junh" in De quan panèren un peishic de pais, Editorial Pagès, Lleida, 1994, ISBN 84-7935-231-0. Joan Francés Blanc, Lexic anglés-occitan, En linha, 1996 Joan Francés Blanc, Lexic basco-occitan, En linha, 1996 Joan Francés Blanc,Pichon lexic d'informatica anglés-occitan (little english-occitan lexic of computer science), En linha, 1996 Joan Francés Blanc,"Onzadas" in Paraules dera tèrra, Editorial Pagès, Lleida, 1997, . ISBN 84-7935- 415-1 Joan Francés Blanc,"Extrach de cronica negra e blava dels jorns de Praga" dins Escrituras descobertistas : presentacion d'una jove literatura occitana, Lo Gai Saber, Tolosa, 1996 Joan Francés Blanc,Heisei, Princi Negre, Pau, 1999, ISBN 2-905007-42-7 Joan Francés Blanc,Enciclopedia dels drapèls, En linha, 2002 Joan Francés Blanc,Enciclopèdia dels drapèls, Segonda edicion, En linha, 2008 Joan Francés Blanc,(Collaboracion) Lexique thématique français-occitan.