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LAUREL HARRIS SAG/AFTRA Theatrical & VO Agency: Big Fish 5’5” / Med. Build / Brown Hair / Blue Eyes 303-744-7170 [email protected] Manager: Marchitti Management www.LaurelHarris.com 720-229-3136 TELEVISION _______________________________________________________________________ Saige Paints the Sky (MOW w/ Jane Seymour) Supporting NBC UNIVERSAL Devious Maids (w/Ana Ortiz, James Denton) Large Co-Star LIFETIME Valor (w/ Corbin Reid) Co-Star CBS / The CW Just Roll With It Co-Star DISNEY At the End of the Sante Fe Trail Supporting Saint Hood Productions Spaghetti Noodles… (Live Improv) Comedy/Ensemble PBS Legends & Oddities Recurring DCTV FILM______________________________________________________________________________ Painted Woman (w/ Steph Dawson) Lead STARZ / James Cotton, Dir Scouts Guide to the Zombie Apocalypse Supporting PARAMOUNT /C. Landon, Dir Odd Thomas (w/ Willem Dafoe, Supporting IMAGE /Stephen Sommers, Dir Anton Yelchin & Gugu Mbatha-Raw) The Creep Behind the Camera Supporting SYNAPSE / P. Schuermann, Dir Legacy of the Tengu Supporting Independent Fall River Lead Independent This Place of Love Lead Independent THEATER_________________________________________________________________________ Redneck Romeo and Juliet Montague /Ensemble Dangerous Theatre Kennedy Center Celebration Variety / Improv American Classical Theatre Sycophants (Live / Weekly Show) Variety / Improv Impulse Theatre Squabbles Lead Festival Playhouse God’s Favorite Lead Cowles Theatre Life Happens (Self Authored) Various Globeville Theater Sometime Every Summertime Lead KCME - Live Radio Drama Destination Freedom: “Arctic Autograph” Supporting (2 Roles) KUVO - Live Radio Drama TRAINING _________________________________________________________________________ ACTING: YAT 1-4 w/ Giles Foreman of London, Second City (Levels 1-2), Warner Loughlin, Krater Studios, Acting Pros / Wendy Davis, Visionbox Theater (Chekhov, Shakespeare,) Denver Center for the Performing Arts (Improv, Advanced Acting, Trapeze, Voice), Rocky Mountain Stunts School (Basic) VOICE OVER: Kalmenson Studios, Maggie Roswell, Nancy Wolfson, Julliard’s Lee Chandler Mills ITEMS OF INTEREST / SPECIAL SKILLS ______________________________________________ Award Winning Writer/Producer : A Heartland Emmy, Mulitple Tellys & NATOA’s. B.A. in Film / Television. Narator for “The Dalai Lama Scientist” which premiered at the Venice International Film Festival, Italy. Accents, Backpacking ’14rs,’ Cycling, Dancer/Choreographer (27+ yrs. Semi-Pro), Cross Country & Downhill Skiing (Int), Ear Prompter/Teleprompter (Pro), Emcee /Moderator, Horseback Riding (Int), Ice & Roller Skating, Spokesperson, VO Artist w/ Home Studio & 25+ years experience, Yoga (Adv) US/Foreign Passport. LA Resident. LOCAL HIRE: CA, GA, NM, NY COMMERCIALS – National Campaigns. Conflicts Available. .

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Public Opinion and Discourse on the Intersection of LGBT Issues and Race the Opportunity Agenda
Opinion Research & Media Content Analysis Public Opinion and Discourse on the Intersection of LGBT Issues and Race The Opportunity Agenda Acknowledgments This research was conducted by Loren Siegel (Executive Summary, What Americans Think about LGBT People, Rights and Issues: A Meta-Analysis of Recent Public Opinion, and Coverage of LGBT Issues in African American Print and Online News Media: An Analysis of Media Content); Elena Shore, Editor/Latino Media Monitor of New America Media (Coverage of LGBT Issues in Latino Print and Online News Media: An Analysis of Media Content); and Cheryl Contee, Austen Levihn- Coon, Kelly Rand, Adriana Dakin, and Catherine Saddlemire of Fission Strategy (Online Discourse about LGBT Issues in African American and Latino Communities: An Analysis of Web 2.0 Content). Loren Siegel acted as Editor-at-Large of the report, with assistance from staff of The Opportunity Agenda. Christopher Moore designed the report. The Opportunity Agenda’s research on the intersection of LGBT rights and racial justice is funded by the Arcus Foundation. The statements made and views expressed are those of The Opportunity Agenda. Special thanks to those who contributed to this project, including Sharda Sekaran, Shareeza Bhola, Rashad Robinson, Kenyon Farrow, Juan Battle, Sharon Lettman, Donna Payne, and Urvashi Vaid. About The Opportunity Agenda The Opportunity Agenda was founded in 2004 with the mission of building the national will to expand opportunity in America. Focused on moving hearts, minds, and policy over time, the organization works with social justice groups, leaders, and movements to advance solutions that expand opportunity for everyone. Through active partnerships, The Opportunity Agenda synthesizes and translates research on barriers to opportunity and corresponding solutions; uses communications and media to understand and influence public opinion; and identifies and advocates for policies that improve people’s lives.
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The Complexities of Latina Sexuality on Ugly Betty Tanya González
IS UGLY THE NEW SEXY? The Complexities of Latina Sexuality on Ugly Betty Tanya González ABC’s Emmy and Golden Globe winning television show Ugly Betty stars America Ferrera as Betty Suarez, an intelligent Mexican American executive assistant who lives in Queens, New York, but works at Mode in Manhattan. An adaptation from the Colombian telenovela,Yo soy, Betty la fea, this television show works on a fairy tale premise: the ugly protagonist with a heart of gold will eventually obtain happiness by virtue of her goodness. However, Ugly Betty offers a protagonist with multiple love interests, constantly involving her in a variety of love triangles, begging the question, “Is ugly the new sexy?” The following analysis of Betty as a sexual subject demonstrates that Ugly Betty, within the limits of Hollywood representation, offers complex subjects instead of one-dimensional types. The show’s use of a Latino camp aesthetic continually introduces elements, like Betty’s sexuality, that push the limits of how we perceive Latinas/os on television and in everyday life. As a result, Ugly Betty surprisingly illustrates Chicana/o and Latina/o feminist theories about identity construction. ABC’s Emmy and Golden Globe winning television show Ugly Betty is a global iteration of the Colombian telenovela1 phenomenon Yo soy, Betty la fea (1999-2001). Ugly Betty, which premiered Fall 2006 and will end Spring 2010, stars America Ferrera as Betty Suarez, an intelligent, sweet, perky young Latina2 who lives in Queens, but works at Mode, a fictional representation of Vogue magazine. As the title suggests, people perceive Betty as ugly because she is not model-skinny; wears glasses, braces, and bangs; and has poor fashion sense.
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Ugly Betty Stars on Their Show's Legacy 1/22/11 5:01 PM
TV Guide Magazine | News | Ugly Betty Stars on Their Show's Legacy 1/22/11 5:01 PM Home > News > Ugly Betty Stars on Their Show's Legacy Jerritt Clark/WireImage Ugly Betty Stars on Their Show's Legacy By Kayleigh Roberts February 16, 2010 02:35 PM EST The doors may be closing on Mode Magazine, but Ugly Betty’s mark will live on, says the show’s stars. The cast discussed the series’ end at a Joonbug.com Fashion Week event on February 13, saying Betty’s impact on television will prove more than just a fad. “It sounds so corny, but there is sort of a message that comes along with Betty that hasn’t been on TV in a while,” Ana Ortiz (Hilda) says. “It’s really uplifting and [about] rooting for the underdog, but also tackling social issues. We tackled health care, we tackled single motherhood, so I think there’s a long legacy with Betty.” Costar Tony Plana, who plays Betty’s father Ignacio, says the titular A look back at the "King of Pop" Michael character has had an “iconoclastic” impact on television thanks to Jackson's superstar career. the series’ comment on feminine and ethnic issues. “In terms of content, and in terms of social and cultural impact, I don’t think there’s ever been a series like it, maybe since All in the Family,” he says. For Vanessa Williams (Wilhemina) the show’s legacy is in its celebration of uniqueness, and that’s why she thinks it should continue. “We’re not ready to pack it in, and we think it’s premature,” she says of the cancellation.
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Ugly Betty's BECKI NEWTON Returns to NYC
www.resident.com • January 29-February 4, 2008 • Vol. 20, No. 33 • $2.95 www.resident.com • December 2-15, 2008 • Vol. 20, N0. 61 • $2.95 WHO'S WHO in New York The Year's Winners and Losers PLUS KITCHEN KINGS AND QUEENS and REAL ESTATE RULERS EXCLUSIVE ON LOCATION Ugly Betty's BECKI NEWTON returns to NYC Holiday Window Guide • Ofﬁ ce Party Dos and Don'ts • Luxe Vegas Escape 20 • Resident The Week Of December 2, 2008 COVER returns to New York On LocationBecki Newton Ugly Betty’s By Rachel Bowie ecki Newton is thrilled to be home again. Back in New York to shoot on Broadway. As Newton says, the rest is history. the third season of the hit TV series Ugly Betty, Newton is in the midst “Part of the reason why I’m in love with New York of redecorating her new dressing room at Silvercup Studios in Queens. is because so many things have happened here,” The personal touches are obvious — freshly painted plum walls, the she says. “I met my husband here, I had my ﬁ rst sleek white leather couch, a framed photo of her with husband Chris apartment here and, now, this job — there are just Diamantopoulos — she has made the room her own, a well-designed so many great associations with this city.” Breminder that she is back on the East coast. Newton, 30, grew up in Connecticut and moved On Ugly Betty, Newton plays Amanda, the receptionist and resident mean girl at to New York fresh out of college after earning a the Vogue-esque fashion magazine Mode.
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Proquest Dissertations
Race-crossings at the crossroads of African American travel in the Caribbean Item Type text; Dissertation-Reproduction (electronic) Authors Alston, Vermonja Romona Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 03/10/2021 22:46:02 Link to Item http://hdl.handle.net/10150/280506 RACE-CROSSINGS AT THE CROSSROADS OF AFRICAN AMERICAN TRAVEL IN THE CARIBBEAN by VERMONJA ROMONA ALSTON Copyright © Vermonja Romona Alston 2004 A Dissertation Submitted to the Faculty of the PROGRAM IN COMPARATIVE CULTURAL AND LITERARY STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2004 UMI Number: 3131583 Copyright 2004 by Alston, Vermonja Romona All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3131583 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code.
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LGBTQ Work on the Ground
HUMAN RIGHTS CAMPAIGN AND HUMAN RIGHTS CAMPAIGN FOUNDATION 2020 ANNUAL REPORT Letter from We Must Make the Racial Justice Must Be HRC President Equality Act the Law the Cornerstone Alphonso David // 5 of the Land // 6 of Our Work // 12 50 Years 2019 National of Pride // 8 Dinner // 14 The Next The Road Chapter // 10 to 2020 // 18 Equality The Future Financials // 30 in the of Our States // 20 Movement // 26 Justice for The Global Trans Lives // 22 Fight for Equality // 28 Finding Common Ground in Faith // 24 HRC President Alphonso David at the New York City Pride March (Jeff Zelevansky/AP Images for Human Rights Campaign) See Beyond Ourselves Dear Friends, In August of 2019, I took the helm as president We have also deepened and expanded our CNN last fall. Together, we are working to make of the Human Rights Campaign. It has been work to protect and support the transgender sure that pro-equality voters are making their an amazing journey so far — one that has community, particularly trans and non-binary voices heard. inspired me, challenged me and deepened my people of color. Since the launch of the HRC appreciation for this incredible organization. Foundation’s Transgender Justice Initiative, we As the fiscal year came to a close, we Your support has helped me strengthen our have introduced new programming to empower encountered an unprecedented change to our existing work, while undertaking exciting and and assist trans leaders who are doing lifesaving daily lives with the COVID-19 pandemic. But necessary transformations to move LGBTQ work on the ground.
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Mercado Historia Producto
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Seeking Justice
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Lifetime Announces Returns of Hit Series Unreal and Devious Maids Mondays Beginning June 6 in Canada
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Additional Production Biographies Oliver Bokelberg
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