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Public Opinion and Discourse on the Intersection of LGBT Issues and Race the Opportunity Agenda
Opinion Research & Media Content Analysis Public Opinion and Discourse on the Intersection of LGBT Issues and Race The Opportunity Agenda Acknowledgments This research was conducted by Loren Siegel (Executive Summary, What Americans Think about LGBT People, Rights and Issues: A Meta-Analysis of Recent Public Opinion, and Coverage of LGBT Issues in African American Print and Online News Media: An Analysis of Media Content); Elena Shore, Editor/Latino Media Monitor of New America Media (Coverage of LGBT Issues in Latino Print and Online News Media: An Analysis of Media Content); and Cheryl Contee, Austen Levihn- Coon, Kelly Rand, Adriana Dakin, and Catherine Saddlemire of Fission Strategy (Online Discourse about LGBT Issues in African American and Latino Communities: An Analysis of Web 2.0 Content). Loren Siegel acted as Editor-at-Large of the report, with assistance from staff of The Opportunity Agenda. Christopher Moore designed the report. The Opportunity Agenda’s research on the intersection of LGBT rights and racial justice is funded by the Arcus Foundation. The statements made and views expressed are those of The Opportunity Agenda. Special thanks to those who contributed to this project, including Sharda Sekaran, Shareeza Bhola, Rashad Robinson, Kenyon Farrow, Juan Battle, Sharon Lettman, Donna Payne, and Urvashi Vaid. About The Opportunity Agenda The Opportunity Agenda was founded in 2004 with the mission of building the national will to expand opportunity in America. Focused on moving hearts, minds, and policy over time, the organization works with social justice groups, leaders, and movements to advance solutions that expand opportunity for everyone. Through active partnerships, The Opportunity Agenda synthesizes and translates research on barriers to opportunity and corresponding solutions; uses communications and media to understand and influence public opinion; and identifies and advocates for policies that improve people’s lives. -
Laurel Harris
LAUREL HARRIS SAG/AFTRA Theatrical & VO Agency: Big Fish 5’5” / Med. Build / Brown Hair / Blue Eyes 303-744-7170 [email protected] Manager: Marchitti Management www.LaurelHarris.com 720-229-3136 TELEVISION _______________________________________________________________________ Saige Paints the Sky (MOW w/ Jane Seymour) Supporting NBC UNIVERSAL Devious Maids (w/Ana Ortiz, James Denton) Large Co-Star LIFETIME Valor (w/ Corbin Reid) Co-Star CBS / The CW Just Roll With It Co-Star DISNEY At the End of the Sante Fe Trail Supporting Saint Hood Productions Spaghetti Noodles… (Live Improv) Comedy/Ensemble PBS Legends & Oddities Recurring DCTV FILM______________________________________________________________________________ Painted Woman (w/ Steph Dawson) Lead STARZ / James Cotton, Dir Scouts Guide to the Zombie Apocalypse Supporting PARAMOUNT /C. Landon, Dir Odd Thomas (w/ Willem Dafoe, Supporting IMAGE /Stephen Sommers, Dir Anton Yelchin & Gugu Mbatha-Raw) The Creep Behind the Camera Supporting SYNAPSE / P. Schuermann, Dir Legacy of the Tengu Supporting Independent Fall River Lead Independent This Place of Love Lead Independent THEATER_________________________________________________________________________ Redneck Romeo and Juliet Montague /Ensemble Dangerous Theatre Kennedy Center Celebration Variety / Improv American Classical Theatre Sycophants (Live / Weekly Show) Variety / Improv Impulse Theatre Squabbles Lead Festival Playhouse God’s Favorite Lead Cowles Theatre Life Happens (Self Authored) Various Globeville Theater Sometime Every -
The Complexities of Latina Sexuality on Ugly Betty Tanya González
IS UGLY THE NEW SEXY? The Complexities of Latina Sexuality on Ugly Betty Tanya González ABC’s Emmy and Golden Globe winning television show Ugly Betty stars America Ferrera as Betty Suarez, an intelligent Mexican American executive assistant who lives in Queens, New York, but works at Mode in Manhattan. An adaptation from the Colombian telenovela,Yo soy, Betty la fea, this television show works on a fairy tale premise: the ugly protagonist with a heart of gold will eventually obtain happiness by virtue of her goodness. However, Ugly Betty offers a protagonist with multiple love interests, constantly involving her in a variety of love triangles, begging the question, “Is ugly the new sexy?” The following analysis of Betty as a sexual subject demonstrates that Ugly Betty, within the limits of Hollywood representation, offers complex subjects instead of one-dimensional types. The show’s use of a Latino camp aesthetic continually introduces elements, like Betty’s sexuality, that push the limits of how we perceive Latinas/os on television and in everyday life. As a result, Ugly Betty surprisingly illustrates Chicana/o and Latina/o feminist theories about identity construction. ABC’s Emmy and Golden Globe winning television show Ugly Betty is a global iteration of the Colombian telenovela1 phenomenon Yo soy, Betty la fea (1999-2001). Ugly Betty, which premiered Fall 2006 and will end Spring 2010, stars America Ferrera as Betty Suarez, an intelligent, sweet, perky young Latina2 who lives in Queens, but works at Mode, a fictional representation of Vogue magazine. As the title suggests, people perceive Betty as ugly because she is not model-skinny; wears glasses, braces, and bangs; and has poor fashion sense. -
Kaleidoscope Lifelong Learning at ROLAND PARK COUNTRY SCHOOL
SPRING 2017 Kaleidoscope Lifelong Learning at ROLAND PARK COUNTRY SCHOOL 5204 Roland Avenue• Baltimore, Maryland 21210• 410.323.5500• www.rpcs.org Welcome to Kaleidoscope Spring 2017! Dear Friends of Kaleidoscope, Quin and I welcome you to learn something new with us this spring! This season’s catalog is full of a wide variety of programs including new classes and trips, as well as returning favorites. Highlights include: Judy Pittenger’s Great Books Series on The Bronte Sisters and Charles Dickens, John Butler’s Eye On Hong Kong and Greece lectures, day trips to the Philadelphia Flower Show, National Cathedral, and Brandywine museum, as well as much more! Whether you’ve been a friend of ours for years or this is the first time you’ve discovered our offerings, Kaleidoscope is open to everyone! We hope you will explore the catalog to find programs that speak to your interests, and share your experiences with family and friends. Remember to register early so that you do not miss our most popular offerings. Please look to the Community tab at www.rpcs.org to find our new online registration system for all Kaleidoscope offerings. Please contact our office at 410-323-5500 x3045 with any questions or assistance during the registration process. We look forward to welcoming you to campus this spring! Kindest Regards, Kristin Jarrell Director of External Programs [email protected] Head of School: Caroline Blatti Director of External Programs: Kristin Jarrell External Programs & Communications Associate: Quinlin Porter Kaleidoscope Advisory Board: -
Ugly Betty Stars on Their Show's Legacy 1/22/11 5:01 PM
TV Guide Magazine | News | Ugly Betty Stars on Their Show's Legacy 1/22/11 5:01 PM Home > News > Ugly Betty Stars on Their Show's Legacy Jerritt Clark/WireImage Ugly Betty Stars on Their Show's Legacy By Kayleigh Roberts February 16, 2010 02:35 PM EST The doors may be closing on Mode Magazine, but Ugly Betty’s mark will live on, says the show’s stars. The cast discussed the series’ end at a Joonbug.com Fashion Week event on February 13, saying Betty’s impact on television will prove more than just a fad. “It sounds so corny, but there is sort of a message that comes along with Betty that hasn’t been on TV in a while,” Ana Ortiz (Hilda) says. “It’s really uplifting and [about] rooting for the underdog, but also tackling social issues. We tackled health care, we tackled single motherhood, so I think there’s a long legacy with Betty.” Costar Tony Plana, who plays Betty’s father Ignacio, says the titular A look back at the "King of Pop" Michael character has had an “iconoclastic” impact on television thanks to Jackson's superstar career. the series’ comment on feminine and ethnic issues. “In terms of content, and in terms of social and cultural impact, I don’t think there’s ever been a series like it, maybe since All in the Family,” he says. For Vanessa Williams (Wilhemina) the show’s legacy is in its celebration of uniqueness, and that’s why she thinks it should continue. “We’re not ready to pack it in, and we think it’s premature,” she says of the cancellation. -
Revitalizing Through Arts and Culture: the Market in Montgomery County Montgomery County Board of Commissioners Joshua D
Revitalizing through Arts and Culture: The Market in Montgomery County Montgomery County Board of Commissioners Joshua D. Shapiro, Chair Leslie S. Richards, Vice Chair Bruce L. Castor, Jr., Commissioner Planning Commission Board Members Marc D. Jonas, Chair Dulcie F. Flaharty, Vice Chair Jill Blumhardt Mary Jo Daley Scott Exley Roy Rodriguez, Jr. Charles J. Tornetta Reverend John H. West, III V. Scott Zelov Revitalizing through Arts and Culture: The Market in Montgomery County MCPC Prepared by the Montgomery County Planning Commission 2012 A Some of the data used for this report was provided by the Cultural Data Project (“CDP”), a collaborative project of the Greater Philadelphia Cultural Alliance, the Greater Pittsburgh Arts Council, Pennsylvania Council on the Arts, the Pew Charitable Trusts, the William Penn Foundation, the Heinz Endowments and the Pittsburgh Foundation, created to strengthen arts and culture by documenting and disseminating information on the arts and culture sector. Any interpretation of the data is the view of the Montgomery County Planning Commission and does not reflect the views of the Cultural Data Project. For more information on the Cultural Data Project, visit www.culturaldata.org. Contents EXECUTIVE SUMMARY . .vii INTRODUCTION . xi CHAPTER 1 IMPORTANCE OF ARTS AND CULTURE . 1 CHAPTER 2 ARTS AND CULTURE VENUES . 3 CHAPTER 3 DEMOGRAPHICS OF TRADE AREAS . .35 CHAPTER 4 MARKET ANALYSIS BY TYPE OF ARTS AND CULTURE FACILITY . 41 APPENDIX METHODOLOGY. 47 Figures Figure 2-1: Map of the Greater Montgomery County Region’s Arts and Culture Venues . 4 Figure 2-2: Regional Fine Art Galleries, Museums and Instruction. .6 Figure 2-3: Fine Art Galleries, Museums and Instruction in Montgomery County’s Trade Areas. -
Shockey 2018 Catalog 72.Pdf
TRAVEL TREASURES 2018 SEE AMERICA COAST TO COAST Dear Friends, What a change time makes in modern day travel. Growing up in the 1960’s and 70’s my parents seldom ventured beyond our hometown of Louisville, Ky. On occasion we would visit some relatives in Portland, Tn. but most often Eastview, Ky. was our “vacation” destination of choice. Tere my Dad’s parents lived on a farm with plenty of felds, woods, clean springs to drink water from, and barns to play in. In the evening we could watch westerns on the black and white TV screen. I could only dream of one day possibly getting to go out west. Guess what? Tis year my wife Donna and I did just that. We went on the Black Hills-Grand Tetons-Canadian Rockies Tour in August. Words can’t describe how great this trip was. Te wonder and beauty of God’s grace through this North American creation, what has sometimes been called breathtaking, is no joke. Lots to see and do, if ever possible give this tour a try. It was beyond my dreams. Our desire for you (our Shockey friends) would be to look through this 2018 catalog and maybe fnd a tour of your dreams and become venturous enough to fulfll it. Life is too short not to. Travel is easy, exciting, and relaxing with Shockey Tours. We can provide you with a worry-free vacation, one that ofers you the comfort of having a trained professional guide to care for you within the security of a group, and our professional drivers and comfortable coaches will ensure you the most pleasant trip possible. -
Kaleidoscope Lifelong Learning at ROLAND PARK COUNTRY SCHOOL
SPRING 2018 Kaleidoscope Lifelong Learning at ROLAND PARK COUNTRY SCHOOL 5204 Roland Avenue• Baltimore, Maryland 21210• 410.323.5501• www.rpcs.org Welcome to Kaleidoscope Spring 2018! There are no great limits to growth because there are no limits of human intelligence, imagination, and wonder. - Ronald Reagan Come and grow with us this spring! Kaleidoscope Lifelong Learning at Roland Park Country School is dedicated to providing opportunities to learn, discover, and explore. As we prepare for the spring semester to begin at RPCS, we encourage you to embark on a new learning adventure of your own. We are pleased to provide a wonderful array of offerings this semester, including new classes and trips, as well as returning favorites. Highlights include: Judy Pittenger’s Great Books Series on The French Realists and Trollope, lectures on the musical Hamilton, James Bond, and Sherlock Holmes, author Col. John Fenzel sharing “A Green Beret’s Perspective”, as well as our Art Lectures focusing on Women in Art History, and day trips to the Philadelphia Flower Show, St. Michaels, and back for a second year, the Baltimore Food Tours. New this semester are more daytime class offerings. There truly is something for everyone! Whether you’ve been a friend of ours for years or this is the first time you’re discovering our offerings, Kaleidoscope is open to all! We hope you will explore the catalog to find programs that speak to your interests, and share your experiences with family and friends. Remember to register online early so that you do not miss our most popular offerings. -
Ugly Betty's BECKI NEWTON Returns to NYC
www.resident.com • January 29-February 4, 2008 • Vol. 20, No. 33 • $2.95 www.resident.com • December 2-15, 2008 • Vol. 20, N0. 61 • $2.95 WHO'S WHO in New York The Year's Winners and Losers PLUS KITCHEN KINGS AND QUEENS and REAL ESTATE RULERS EXCLUSIVE ON LOCATION Ugly Betty's BECKI NEWTON returns to NYC Holiday Window Guide • Offi ce Party Dos and Don'ts • Luxe Vegas Escape 20 • Resident The Week Of December 2, 2008 COVER returns to New York On LocationBecki Newton Ugly Betty’s By Rachel Bowie ecki Newton is thrilled to be home again. Back in New York to shoot on Broadway. As Newton says, the rest is history. the third season of the hit TV series Ugly Betty, Newton is in the midst “Part of the reason why I’m in love with New York of redecorating her new dressing room at Silvercup Studios in Queens. is because so many things have happened here,” The personal touches are obvious — freshly painted plum walls, the she says. “I met my husband here, I had my fi rst sleek white leather couch, a framed photo of her with husband Chris apartment here and, now, this job — there are just Diamantopoulos — she has made the room her own, a well-designed so many great associations with this city.” Breminder that she is back on the East coast. Newton, 30, grew up in Connecticut and moved On Ugly Betty, Newton plays Amanda, the receptionist and resident mean girl at to New York fresh out of college after earning a the Vogue-esque fashion magazine Mode. -
Beethoven's "Eroica" | the Philadelphia Orchestra
27 Season 2018-2019 Thursday, April 25, at 7:30 Friday, April 26, at 2:00 The Philadelphia Orchestra Saturday, April 27, at 8:00 Yannick Nézet-Séguin Conductor (Thursday and Saturday) Kensho Watanabe Conductor (Friday) Jonathan Biss Piano Weber Overture to Der Freischütz Schumann Piano Concerto in A minor, Op. 54 I. Allegro affettuoso II. Intermezzo: Andantino grazioso— III. Allegro vivace Intermission Beethoven Symphony No. 3 in E-flat major, Op. 55 (“Eroica”) I. Allegro con brio II. Marcia funebre: Adagio assai III. Scherzo (Allegro vivace) and Trio IV. Finale: Allegro molto—Andante—Presto This program runs approximately 1 hour, 55 minutes. LiveNote® 2.0, the Orchestra’s interactive concert guide for mobile devices, will be enabled for these performances. The April 26 concert is sponsored by the Red Moose Charitable Trust. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 28 Please join us following the April 26 concert for a free Chamber Postlude featuring members of The Philadelphia Orchestra and special guest Jonathan Biss. Brahms Piano Quartet No. 2 in A major, Op. 26 I. Allegro non troppo II. Poco adagio III. Scherzo: Poco allegro—Trio—Scherzo da capo senza replica IV. Finale: Allegro—Animato Jonathan Biss Piano Julia Li Violin Burchard Tang Viola Priscilla Lee Cello The Postlude runs approximately 50 minutes. 29 ® Getting Started with LiveNote 2.0 » Please silence your phone ringer. » Make sure you are connected to the internet via a Wi-Fi or cellular connection. -
Proquest Dissertations
Race-crossings at the crossroads of African American travel in the Caribbean Item Type text; Dissertation-Reproduction (electronic) Authors Alston, Vermonja Romona Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 03/10/2021 22:46:02 Link to Item http://hdl.handle.net/10150/280506 RACE-CROSSINGS AT THE CROSSROADS OF AFRICAN AMERICAN TRAVEL IN THE CARIBBEAN by VERMONJA ROMONA ALSTON Copyright © Vermonja Romona Alston 2004 A Dissertation Submitted to the Faculty of the PROGRAM IN COMPARATIVE CULTURAL AND LITERARY STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2004 UMI Number: 3131583 Copyright 2004 by Alston, Vermonja Romona All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3131583 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. -
Download the 2021 Philly Theatre Week
APRIL 22-MAY 2, 2021 THE 4TH ANNUAL PHILLY THEATRE WEEK PRESENTED BY THEATRE PHILADELPHIA WWW.PHILLYTHEATREWEEK.COM WWW.THEATREPHILADELPHIA.ORG [email protected] #PHILLYTHEATREWEEK ABOUT US WWW.THEATREPHILADELPHIA.ORG Founded in 2012, Theatre Philadelphia unites, celebrates, THEATRE PHILADELPHIA and promotes the Philadelphia region’s diverse and growing theatre comunity. We lead efforts that expand BOARD OF DIRECTORS audiences and engage the public to participate in our community’s work. Theatre Philadelphia envisions an equitable and inclusive region that champions and JASON LINDNER, PRESIDENT nurtures local artists. We aim to raise our city’s profile as STEVE PACEK, VICE PRESIDENT a world-class city and enrich the lives of Philadelphia-area citizens. EMILY ZECK, TREASURER DEBORAH BLOCK, SECRETARY PATRESHETTARLINI ADAMS LANESHE MILLER-WHITE RACHEL CAMP Executive Director KASH GOINS LaNeshe Miller White is a cultural TS HAWKINS producer, actress, and marketer. She is a ERLINA ORTIZ graduate of Temple University's School of Communications and Theater. She CONRAD PERSON believes in using art for social change and is the Executive Director and Co-Founder of Theatre in the X, a West Philadelphia based theater company that produces accessible theater productions for Black audiences and PHILLY THEATRE WEEK provides opportunities for Black artists. She became the Executive Director of Theatre SUPPORTERS Philadelphia in August 2020. WILLIAM PENN FOUNDATION PENNSYLVANIA COUNCIL ON THE ARTS THE PHILADELPHIA CULTURAL FUND KATHERINE CLARK THE VIRGINIA BROWN MARTIN FUND OF THE Marketing & Communications Director PHILADELPHIA FOUNDATION Katherine joined Theatre Philadelphia in September 2017. As Theatre Philadelphia’s CITIZENS FOR THE ARTS Marketing and Communications Director, she AVERSA PR AND EVENTS focuses on building audiences and awareness for Philadelphia’s thriving theatre community.