DOCSLIB.ORG

M®C0*2 L*9That Newspaper Magazine from CITR 101.9 FM T

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
M®C0*2 L*9That Newspaper Magazine from CITR 101.9 FM T Jfy 2006 M®c0*2_l*9That newspaper magazine from CITR 101.9 FM t SASQUATCH, MUSIC WASTE, NXNE, MR LIF, JUANA MOLINA, PEACHES, & FAN FICTION lmU^ClTRpresent|fl | dululER TOUR 2006 EsaEMm^^fOI .9FM ^ |iiJ Thu July 6th: AU4 CD Release Party FRONTLINE wl SINEWAVE, GENIKA + PHONTAINEI8pm @ SONAR (66 Water St) Thu July 6th: HINTERLAND, ASSEMBLY; BELLA + Carbon Dating ' @ The BACKSTAGE LOUNGE ^URCEUSEXIT (1585 Johnston Street) Granville Island 19pm Fri July 7th: KARMETIK UNDERGROUND, Orchid Highway + Mark Of The Beats 9pm @ The BACKSTAGE LOUNGE Sat July 8th: CONRAD CD Release wl The HARD ROCK MINERS, Billy Bones & The No Good Loud Mouth Back Stabbing Jerks + Stephen Hedley / 8:30pm @ The RAILWAY CLUB (579 Dunsmuir) Sat July 15th: The KITCHEN and The ALEX MAHER BAND f TICKETS AVAILABLE AT SANCTUARY SUNDAYS AT CELEBRITIES, ZULU, NEW WORM DESI6NS, BEAT STREET, BOOMTOWN, 9pm @ The MEDIA CLUB (695 Cambie) SCRAPE & ONLINE AT CL0BNIBES.COM Fri July 21st: HEY OCEAN! The FURIOS Cheek + Seven O'Clock Scandal 8pm @ The LAMPUGHTER (210 Abbott Street) FRIDAY, JULY 28 Sat July 22nd: SUPERBEING Tour Kick-Off Part§ wl Jeff Johnson + guests I9pm @ MEDIA CLUB Horror ROCKS J$^^_i> from Bellingham, WA Fri July 28th: LIONS IN THE STREET m % + guests 8pm @The LAMPLIGHTER f| 'J BLACK EYES 4MMbottJSt^§ II r & NECK TIES plus guests FriMyMmOTION SOUMDmAM,M WHmBmDOUBTING PARIS THE WAREHOUSE 8p^fBKEDIA CLim695 Cambie) Slocan at Broadway vfiwv.mysf>aee.com/cpup • www,hishpoiirtpra{lucJ30fts,»)m • 878-GoGo ^mulypth:SHUKM& ELIAS '. A HIGH POINT PRODUCTION HftA/e CD Release faffy wUmmSRes ifssy fourth friday! * www.1nppace.ceRi/upR0p Mm @ The BACKSTAG^^WE WOMINGSOON: SKA-T & RUMBLETONE present • Sat Aug 12th ThWEBrWiRYS, Orchid Highway, Fields to Flood + Elias t M@theMe<_l__plO__r JfJ FRBAV, JULY 14lh matAu^mWight Cmmr Bentfgw/DJMW (of Tegan & Sara), The Flairs ^^pl Lamplighter .CSa^g\9thE>JJNDA7ION EP Release Party @ the Backstage Lounge THE AGGROLITES . independent musicians unite . :* *i MPmms Get full sh-ow details at: CITR im uproducttons.com THE BACKSTAGE LOUNGE 101 .9FIi (Granville Island) 2 JULY 2006 Tnp» the Gentle Art of Editing JULY HENEVER I SIT DOWN TO write my hup...). It is in this vulnerable emotional state d Regulars W editorial I feel hke I'm composing an that I find my grandiose plans for this little acceptance speech for the Grammys. It's a block of text slipping away, and my need to _ODG delicate balance to strike, trying to adequately thank our lovely magazine staff growing ever 3 The Gentle Art of Editing thank all the kind folks that help pull the stronger. So big up to the production crew, David Ravensbergen magazine together, and still have a few sound for sticking out the unreasonable hours and Editor bite-worthy bits for Entertainment Tonight. creating a beautiful issue out of chaos. Much DAVID RAVENSBERGEN 4 Eater's Digest Of course my parents, who've made this all appreciation to all who contributed text, even Art Director Coral Short possible, simply must be mentioned, but I fear if it didn't find its way into print this month. WILL BROWN 4 Riff Raff if I start listing off names you'll be tempted to Thanks to the loyal proofreaders, and the Production Manager ALANNA SCOTT Bryce Dunn change the channel and pick up a stray copy of attendees of the emergency strategy session 5 Cinema Aspirant 24 Hours instead. I imagine Grammy winners the night before final deadline. Finally, a Allan Maclnnis go through the same gut-wrenching process hearty pat on the back to everyone that helped 5 Strut, Fret and Flicker the eve before their big night. But when their out with our guerilla distribution plan this Penelope Mulligan name finally gets called, all that meticulous month. speech preparation goes out the window, and Taking a page from the book of Bono, no 6 Mixtape they all reach for the sweaty napkin with the Ladyhawk Grammy speech/editorial is complete without dreaded list of thank-yous. a mention of social activism or progressive 6.. Spectres of Discord The night before everything is sealed up, politics. I leave you this month with a call Review Manager KatSiddle JORDIE SPARKLE pdfd and sent to the printer is an emotional for everyone to inform themselves about the Layout & Design 7....... Textually Active time for us here at Discorder too. While this impending Gateway Project; if more pavement WILL BROWN Inkstuds, Down By Law? Field Notes From A month has featured the usual laughs and doesn't strike you as a good solution to the ALANNA SCOTT Catastrophe occasional hysterics, the most prominent Lower Mainland's transportation woes, then make your dissent heard! Jane Jacobs and a 14 Calendar feeling in my text-addled brain right now is Production plain and simple fatigue. We've been cooped up group of concerned citizens halted the Spadina WILL BROWN Sandra Kang for days while the air outside is hot and thick Expressway in Toronto, and we can foil Kevin MARLO CARPENTER as molasses, and I've come down with some Falcon's short-sighted plan here too. Check ARTHUR KRUMINS MIKE LAPOINTE 22.... Under Review ungodly variety of the whooping cough to out www.stophighwayexpansion.ca to learn QUINN OMORI The Goslings, Pony Up!, Big Star, Andrew boot. Plus my serotonin levels have been at an more, or visit www.thedemos.ca and tell your DAVID RAVENSBERGEN Duke, Peaches, Shapes and Sizes, Six Organs of all-time low ever since the Netherlands lost in MP how you feel about fossil fools. ALANNA SCOTT Admittance, Mojave 3, The Blank-Its JORDIE SPARKLE that tragic match with Portugal (Hup, Holland, CAROLINE WALKER 24.... Real Live Action GRAEME WORTHY The Boy Least Likely To, The Bicycles, Bright David Ravensbergen, Editor Eyes, Sex Negative, The Apes, Liars [email protected] Photo & Illustration 25.... CiTR Charts JENN AIRD The Dopest Hits of June 2006 MEGAN BOURNE WILL BROWN 26.... Program Guide MELANIE COLES CARSON DALEY Features BEN FREY JACKEE GUILLOU SANDRA KANG SOPHIA KINACHTCHOUK QUINN OMORI <*> OF LUCAS SOI SASQUATCH MUSIC WASTE Charts W p NXNE LUKE MEAT Distribution PUCO 8,9,10,11,12 LASSE LUTICK US Distribution FRANKIE RUMBLETONE •~1.?.FAN FICTION: THE AGE OF ELECTRIC Publisher STUDENT RADIO SOCIETY OF UBC PEACHES MR. LIF 17,18,19 JUANA MOLINA COVER PHOTOGRAPHY BY MELANIE COLES WS^_ These songs may very well be about you, vies have been ft\ < changed to protect the innocent, since the powers of the universe lt\| © DiSCORDER 2006 by the Student Radio Society of the University of British Columbia. All rights protect the innocent as a matter of heavenly courtesy. reserved. Circulation 10,000. Subscriptions, payable in advance, to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to cover postage); The Dudes' brand new album "Brain,Heart,Guitar,«_," c „ R_$ Please make cheques or money orders payable to DiSCORDER Magazine. DEADLINES: Copy deadline addictive songs (hat capture their playful and intense live sound. An ' _>_Z/f/">/ for the August issue is July 20th. Ad space is available until July 22nd and can be booked by calling album made for that summer read trip you've been3 meanin live soundg to.take An . _kyR^y*}_^P_5_- l^^fr/'r/ > Caroline at 604.822.3017 ext 3. Our rates are available upon-request. DiSCORDER is not responsible for loss, damage, or any other injury to unsolicited manuscripts, unsolicited artwork (including but not limited to drawings, photographs, and transparencies), or any other unsolicited material. Material can be submitted on disc or in type or via email. As always, English is preferred, but we will accept French. Actually, we won't. Send words to [email protected] and art to [email protected]. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 FM as well as through all major [email protected] cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822.2487, our office at 822.3017, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at www.citr.ca or just pick up a goddamn pen and write par*. #233-6138 SUB Blvd., Vancouver, BC, V6T 1Z1, CANADA. SS EATER'S DIGEST VANCOUVER'S #1 NIGHTCLUB BEST MUSIC- BEST SOUND - BEST DJ'S Rime 1130 Commercial Drive www.rime.ca IME, THE BEST TURKISH RESTAURANT item, the Sigara Boregi, just brings us down. R in town, doubles as a wonderfully The mild feta with black sesame seeds in a' CAMERA OBSCURA supportive live music venue, allowing spring roll-like wrap is just too greasy, and bands to play without charging the pomegranate sauce fails to live up to its w/ GEORGIE JAMES them for the space or taking any of Persephonic reputation. their money at the door. They don't treat However, the service is charming and MONDAY, JULY 24 their diners too poorly either. My date and I beautiful, the atmosphere enchanting, are seated at the back of the dim restaurant my date fabulous, and the mains arrive with a lovely carpet hanging behind us, to the appetizing sounds of a live jazz trio. surveying the room filled with candle-lit Upon consulting with the well-informed tables and soft dark pillows on comfortable waitress, I opt for the Karnibahar Graten, couches and chairs. My fellow eater this and Emily has the Iskender Soslu Bursu month, Miss Emily Beamer, proceeds to Kebap.
Load more

Recommended publications
  • The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century.
    [Show full text]
  • NIEUWE RELEASES KLIK OP DE HOES VOOR DE SINGLE (Mits Beschikbaar)
    NIEUWE RELEASES KLIK OP DE HOES VOOR DE SINGLE (mits beschikbaar) LEONARD COHEN – You Want It Darker CD/LP 'You Want It Darker', een paar weken geleden werd deze titeltrack vrijgegeven online en ik was meteen verkocht. Ik vond de vorige plaat 'Populair Problems' al fantastisch maar 'You Want It Darker' overtreft het op alle vlakken. Donkere plaat met veel verwijzingen naar de dood bijvoorbeeld wat op zich niet vreemd is gezien zijn leeftijd (82). Prachtig en ontroerend meesterwerk van deze levende legende! Het wordt druk boven in de top tien albums van het jaar.... KENSINGTON – Control CD/LP ‘Control’ is het nieuwe album van Kensington, het Utrechtse viertal dat zich de afgelopen jaren heeft ontwikkeld tot één van de grootste bands van het land. Niet alleen door het succesvolle album ‘Rivals’ maar ook door hun live reputatie waarmee ze de festival- en live podia (én maar liefst 4x in onze winkel!) hebben veroverd. Eerste single van het album ‘Control’ is ‘Do I Ever’. Het album is gelimiteerd verkrijgbaar als cd digipack inclusief een 20 pagina booklet én op vinyl (eerste oplage is genummerd en gekleurd vinyl). KORN – Serenity of Suffering CD/CD-Deluxe/LP/LP-Deluxe 'Serenity of Suffering' is het 12e studio album van de nu-metal band Korn. Volgens gitarist Brian Welch is deze plaat een stuk zwaarder en steviger dan dat iemand in een lange tijd heeft gehoord. Het album is de opvolger van 'The Paradigm Shift' uit 2013 en werd geproduceerd door Grammy-award winnende producer Nick Raskulinecsz (Foo Fighters, Deftones, Mastodon). Op de deluxe versie staan twee extra tracks.
    [Show full text]
  • Lista De Inscripciones Lista De Inscrições Entry List
    LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos,
    [Show full text]
  • Transforming Wikipedia Into a Large-Scale Fine-Grained Entity Type Corpus
    Transforming Wikipedia into a Large-Scale Fine-Grained Entity Type Corpus Abbas Ghaddar, Philippe Langlais RALI-DIRO Montreal, Canada [email protected], [email protected] Abstract This paper presents WiFiNE, an English corpus annotated with fine-grained entity types. We propose simple but effective heuristics we applied to English Wikipedia to build a large, high quality, annotated corpus. We evaluate the impact of our corpus on the fine-grained entity typing system of Shimaoka et al. (2017), with 2 manually annotated benchmarks, FIGER (GOLD) and ONTONOTES. We report state-of-the-art performances, with a gain of 0.8 micro F1 score on the former dataset and a gain of 2.7 macro F1 score on the latter one, despite the fact that we employ the same quantity of training data used in previous works. We make our corpus available as a resource for future works. Keywords: Annotated Corpus, Fine-Grained Entity Type, Wikipedia 1. Introduction considering coreference mentions of anchored texts as can- Entity typing is the task of classifying textual mentions into didate annotations, and by exploiting the out-link structure their respective types. While the standard Named-Entity of Wikipedia. We propose an easy-first annotation pipeline Recognition (NER) task focuses on a small set of types (e.g. described in Section 3 which happens to reduce noise. Sec- 4 classes defined by the CONLL shared task-2003 (Tjong ond, we define simple yet efficient heuristics in order to Kim Sang and De Meulder, 2003)), fine-grained tagging prune the set of candidate types of each entity mention deals with much larger type sets (e.g.
    [Show full text]
  • Le Folk (12/04/2013)
    Dossier d’accompagnement de la conférence / concert du vendredi 12 avril 2013 programmée en partenariat avec le Centre Culturel de Cesson-Sévigné dans le cadre du Programme d’éducation artistique et culturelle de l’ATM. Conférence-concert “LE FOLK” Conférence de Jérôme Rousseaux Concert de Haight-Ashbury Dans son sens le plus large, la musique folk désigne l’ensemble des musiques d’un pays ou d’une région du monde en particulier, souvent de tradition orale (on parle alors de musiques "folkloriques"). S’il est lui aussi rattaché à cette dimension “traditionnelle” à travers ses pionniers, le folk auquel nous nous intéresserons lors de cette conférence qualifie plus précisément une famille musicale d’origine anglo-saxonne (la "folk music") qui a bouleversé l’échiquier des musiques actuelles à partir des années soixante, notamment à travers la personnalité charismatique de Bob Dylan. Nous parlerons ici de la parenté que la musique folk entretient avec le blues, la Afin de compléter la lecture de ce musique country, les musiques traditionnelles et les musiques populaires en dossier, n'hésitez pas à consulter général. les dossiers d’accompagnement Puis, après avoir montré qu’il s’agit d’une esthétique qui passe sans doute plus des précédentes conférences- que les autres par une suite de mouvements revivalistes, et qui porte souvent concerts ainsi que les “Bases de en elle une certaine forme de sincérité et une notion d’engagement, nous données” consacrées aux éditions constaterons que le folk, récemment associé à des approches comme le lo-fi ou 2005, 2006, 2007, 2008, 2009, en tant que composante de l’"americana", est aujourd’hui une musique à la fois 2010, 2011 et 2012 des Trans, multiforme et universelle.
    [Show full text]
  • Radio Essentials 2012
    Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat.
    [Show full text]
  • The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
    Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC).
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • A History of Hip Hop in Halifax: 1985 - 1998
    HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the
    [Show full text]
  • The Polaris Music Prize Announces the Split Surprise 7” Sponsored by Scion
    FOR IMMEDIATE RELEASE THE POLARIS MUSIC PRIZE ANNOUNCES THE SPLIT SURPRISE 7” SPONSORED BY SCION CHANCE TO WIN ONE OF FIVE GOLDEN TICKETS TO ATTEND THE GALA. TORONTO, ON – Thursday, August 2, 2012 The Polaris Music Prize is pleased to announce the return of the surprise split 7”, sponsored by Scion. Purchase any one of the ten 2012 Polaris Music Prize Short List artist’s album (cd or vinyl) at any of the participating retailers (listed below) and you will be given a surprise split 7”. The unmarked limited edition instant collectible 7” will feature one artist’s single on each side and will be one of the following combination of this year’s Short List artists: Grimes / Handsome Furs, Kathleen Edwards / Cold Specks, Japandroids / Cadence Weapon, Fucked Up / YAMANTAKA // SONIC TITAN. 5 golden tickets for two to this year’s Polaris Music Prize Gala will be randomly distributed inside 5 of the split 7” packages. Transportation and accommodation to Toronto are not included with the winning tickets. The 2012 Polaris Music Prize Short List Nominees, as announced on July 17th, are: Cadence Weapon, Cold Specks, Drake, Kathleen Edwards, Feist, Fucked Up, Grimes, Handsome Furs, Japandroids, YAMANTAKA // SONIC TITAN. The participating retailers are: Newfoundland Fred's (St John's) Nova Scotia Obsolete Records (Halifax) Taz Records (Halifax) New Brunswick Backstreet (St John) Backstreet (Fredericton) Quebec Phonopolis (Montreal) Frequences (Ste-Hyacinthe) Aux 33 Tours (Montreal) Ontario CDWarehouse (Kanata) CDWarehouse (Ottawa East) CDWarehouse (Nepean)
    [Show full text]
  • Autolux – Transit Transit 1
    DEC. 2010 • VOL. 21 ISSUE # 264 • ALWAYS FREE • SLUGMAG.COM SaltLakeUnderGround 1 2 SaltLakeUnderGround SaltLakeUnderGround 3 SaltLakeUnderGround • Vol. 21• Issue # 264 •December 2010 • slugmag.com Publisher: Eighteen Percent Gray [email protected] Editor: Angela H. Brown Jemie Sprankle Managing Editor: [email protected] Jeanette D. Moses Shauna Brennan Editorial Assistant: Ricky Vigil [email protected] Action Sports Editor: Marketing: Ischa Buchanan, Jea- Adam Dorobiala nette D. Moses, Jessica Davis, Billy Copy Editing Team: Jeanette D. Ditzig, Hailee Jacobson, Stephanie Moses, Rebecca Vernon, Ricky Buschardt, Giselle Vickery, Veg Vollum, Vigil, Esther Meroño, Liz Phillips, Katie Josh Dussere, Chrissy Hawkins, Emily Panzer, Rio Connelly, Joe Maddock, Burkhart, Rachel Roller, Jeremy Riley. Alexander Ortega, Mary Enge, Kolbie SLUG GAMES Coordinators: Mike Stonehocker, Cody Kirkland, Hannah Brown, Jeanette D. Moses, Mike Reff, Christian. Sean Zimmerman-Wall, Adam Doro- Daily Calendar Coordinator: biala, Jeremy Riley, Katie Panzer, Jake Jessica Davis Vivori, Brett Allen, Chris Proctor, Dave [email protected] Brewer, Billy Ditzig. Social Networking Coordinator: Distribution Manager: Eric Granato Katie Rubio Distro: Eric Granato, Tommy Dolph, Cover Photo: “Drawn” by Jake Garn Tony Bassett, Joe Jewkes, Jesse See page 18 Hawlish, Nancy Burkhart, Adam Heath, Design Interns: Adam Dorobiala, Adam Okeefe, Manuel Aguilar, Chris Eric Sapp Proctor, David Frohlich. Ad Designers: Todd Powelson, Office Interns: Jessica Davis, Jeremy Kent Farrington,
    [Show full text]
  • No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
    20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change.
    [Show full text]