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Transforming Wikipedia Into a Large-Scale Fine-Grained Entity Type Corpus
Transforming Wikipedia into a Large-Scale Fine-Grained Entity Type Corpus Abbas Ghaddar, Philippe Langlais RALI-DIRO Montreal, Canada [email protected], [email protected] Abstract This paper presents WiFiNE, an English corpus annotated with fine-grained entity types. We propose simple but effective heuristics we applied to English Wikipedia to build a large, high quality, annotated corpus. We evaluate the impact of our corpus on the fine-grained entity typing system of Shimaoka et al. (2017), with 2 manually annotated benchmarks, FIGER (GOLD) and ONTONOTES. We report state-of-the-art performances, with a gain of 0.8 micro F1 score on the former dataset and a gain of 2.7 macro F1 score on the latter one, despite the fact that we employ the same quantity of training data used in previous works. We make our corpus available as a resource for future works. Keywords: Annotated Corpus, Fine-Grained Entity Type, Wikipedia 1. Introduction considering coreference mentions of anchored texts as can- Entity typing is the task of classifying textual mentions into didate annotations, and by exploiting the out-link structure their respective types. While the standard Named-Entity of Wikipedia. We propose an easy-first annotation pipeline Recognition (NER) task focuses on a small set of types (e.g. described in Section 3 which happens to reduce noise. Sec- 4 classes defined by the CONLL shared task-2003 (Tjong ond, we define simple yet efficient heuristics in order to Kim Sang and De Meulder, 2003)), fine-grained tagging prune the set of candidate types of each entity mention deals with much larger type sets (e.g. -
Label ARTIST Piece Tracks/Notes Format Quantity
Label ARTIST Piece Tracks/notes Format Quantity Sire Against Me! 2 song 7" single I Was A Teenage Anarchist (acoustic) 7" vinyl 2500 Sub-pop Album Leaf There Is a Wind Featuring 2 new tracks, 2 alternate takes 12" vinyl 1000 on songs from "A Chorus of Storytellers" LP Righteous Babe Ani DiFranco live @ Bull Moose recorded live on Record Store Day at CD Bull Moose in Maine Rough Trade Arthur Russell Calling Out of Context 12 new tracks Double 12" set 2000 Rocket Science Asteroids Galaxy Tour Fun Ltd edition vinyl of album with bonus 12" 250 track "Attack of the Ghost Riders" Hopeless Avenged Sevenfold Unholy Confessions picture disc includes tracks (Eternal 12" vinyl 2000 Rest, Eternal Rest (live), Unholy Confessions Artist First/Shangri- Band of Skulls Live at Fingerprints Live EP recorded at record store CD 2000 la 12/15/2009 Fingerprints Sub-pop Beach House Zebra 2 new tracks and 2 alternate from album 12" vinyl 1500 "Teen Dream" Beastie Boys white label 12" super surprise 12" vinyl 1000 Nonesuch Black Keys Tighten Up/Howlin' For 12" vinyl contains two new songs 45 RPM 12" Single 50000 You Vinyl Eagle Rock Black Label Society Skullage Double LP look at the history of Zakk Double LP 180 Wylde and Black Label Society Gram GREEN vinyl Graveface Black Moth Super Eating Us extremely limited foil pressed double LP double LP Rainbow Jagjaguwar Bon Iver/Peter Gabriel "Come Talk To Bon Iver and Peter Gabriel cover each 7" vinyl 2000 Me"/"Flume" other. Bon Iver track is EXCLUSIVE to this release Ninja Tune Bonobo featuring "Eyes -
DVD Program Notes
DVD Program Notes Part One: Thor Magnusson, Alex Click Nilson is a Swedish avant McLean, Nick Collins, Curators garde codisician and code-jockey. He has explored the live coding of human performers since such Curators’ Note early self-modifiying algorithmic text pieces as An Instructional Game [Editor’s note: The curators attempted for One to Many Musicians (1975). to write their Note in a collaborative, He is now actively involved with improvisatory fashion reminiscent Testing the Oxymoronic Potency of of live coding, and have left the Language Articulation Programmes document open for further interaction (TOPLAP), after being in the right from readers. See the following URL: bar (in Hamburg) at the right time (2 https://docs.google.com/document/d/ AM, 15 February 2004). He previously 1ESzQyd9vdBuKgzdukFNhfAAnGEg curated for Leonardo Music Journal LPgLlCe Mw8zf1Uw/edit?hl=en GB and the Swedish Journal of Berlin Hot &authkey=CM7zg90L&pli=1.] Drink Outlets. Alex McLean is a researcher in the area of programming languages for Figure 1. Sam Aaron. the arts, writing his PhD within the 1. Overtone—Sam Aaron Intelligent Sound and Music Systems more effectively and efficiently. He group at Goldsmiths College, and also In this video Sam gives a fast-paced has successfully applied these ideas working within the OAK group, Uni- introduction to a number of key and techniques in both industry versity of Sheffield. He is one-third of live-programming techniques such and academia. Currently, Sam the live-coding ambient-gabba-skiffle as triggering instruments, scheduling leads Improcess, a collaborative band Slub, who have been making future events, and synthesizer design. -
Lucid Dream-Pop
MUSIC TRACK IT DOWN The only tunes you need this March p.130 HOCUS OPUS The month’s most spellbinding albums p.152 COMPETITIVE COMPILATIONS Key comps and mixes reviewed p.156 LU C I D DREAM-POP Kelly Lee Owens breaks the mould with her stunning, self-titled debut album... p.152 djmag.com 129 HOUSE BEN ARNOLD James Hadfield and Danny Linton. With its tribal howls, Soak skirts the right side of QUICKIES 'world music' without being Phil Weeks wanky — always a perilous Raw Instrumental Vol. 2 [email protected] tightrope act. Instead, it's PW/Robsoul Recordings wonky and wonderful. Man 8.0 Power himself drops in a moody, Phil Weeks is clearly never visited with writer's acidic re-rub, while Axel Boman block. This eight-track EP being rather sturdy wallops yet another remix out evidence of this, a collection of weaponised into the bleachers, dropping house music to damage dancefloors. Bravo. the four-four in favour of a new genre, Balearic garage (which Justin Cudmore has just been coined here, this Forget It EP very moment). The Bunker New York 8.5 Oh yes. This blisteringly acidic four-tracker for MICHAEL ZAHNSCHIRM & THERESA LIPP ZAHNSCHIRM MICHAEL Jamie Lidell/Matthew The Bunker New York had us at hello. 'New Jack Pic: Herbert MONEY Lidell/Herbert The House' is a deeply classy slab, while 'Forget Moony Me SHOT! Accidental Jnr It' is machine music par excellence. Contemplatin' EP 9.0 Klamauk Lidell and Herbert have been 9.5 muckers for donkey's years, MIA LUCCI KINDISCH Thoroughly arresting house but this bootleg of the former's music here from German/ track 'When I Come Back Venezuelan/Austrian, Around' from his majestic 2005 Eduardo A. -
Ethernet: an Engineering Paradigm
Ethernet: An Engineering Paradigm Mark Huang Eden Miller Peter Sun Charles Oji 6.933J/STS.420J Structure, Practice, and Innovation in EE/CS Fall 1998 1.0 Acknowledgements 1 2.0 A Model for Engineering 1 2.1 The Engineering Paradigm 3 2.1.1 Concept 5 2.1.2 Standard 6 2.1.3 Implementation 6 3.0 Phase I: Conceptualization and Early Implementation 7 3.1 Historical Framework: Definition of the Old Paradigm 7 3.1.1 Time-sharing 8 3.1.2 WANs: ARPAnet and ALOHAnet 8 3.2 Anomalies: Definition of the Crisis 10 3.2.1 From Mainframes to Minicomputers: A Parallel Paradigm Shift 10 3.2.2 From WAN to LAN 11 3.2.3 Xerox: From Xerography to Office Automation 11 3.2.4 Metcalfe and Boggs: Professional Crisis 12 3.3 Ethernet: The New Paradigm 13 3.3.1 Invention Background 14 3.3.2 Basic Technical Description 15 3.3.3 How Ethernet Addresses the Crisis 15 4.0 Phase II: Standardization 17 4.1 Crisis II: Building Vendor Support (1978-1983) 17 4.1.1 Forming the DIX Consortium 18 4.1.2 Within DEC 19 4.1.3 Within Intel 22 4.1.4 The Marketplace 23 4.2 Crisis III: Establishing Widespread Compatibility (1979-1984) 25 4.3 The Committee 26 5.0 Implementation and the Crisis of Domination 28 5.1 The Game of Growth 28 5.2 The Grindley Effect in Action 28 5.3 The Rise of 3Com, a Networking Giant 29 6.0 Conclusion 30 A.0 References A-1 i of ii ii of ii December 11, 1998 Ethernet: An Engineering Paradigm Mark Huang Eden Miller Charles Oji Peter Sun 6.933J/STS.420J Structure, Practice, and Innovation in EE/CS Fall 1998 1.0 Acknowledgements The authors would like to thank the following individuals for contributing to this project. -
For Immediate Release / August 28, 2020 Metallica
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / AUGUST 28, 2020 METALLICA AND SAN FRANCISCO SYMPHONY: S&M2 OUT NOW Live album and video captured September 6 & 8, 2019 at San Francisco’s Chase Center Available now via metallica.com/sm2 SAN FRANCISCO, CA—The San Francisco Symphony and Metallica’s S&M2 live album and video, captured at concerts on September 6 & 8, 2019 at San Francisco’s Chase Center is out now, available in a variety of formats including vinyl, CD, DVD, and Blu-ray via metallica.com/sm2. The concerts were historic on multiple levels, serving as the grand opening of San Francisco’s Chase Center, reuniting the band and Symphony for the first time since the 1999 performances captured on the Grammy-winning S&M album, and featuring the first-ever symphonic renditions of songs written and released since those original S&M shows. “S&M2 offers an inspired and eye-opening view into not just the shared heritage of classical music and heavy metal, but into the spirit of innovation and to endless vistas awaiting exploration.” - Louder “And it’s also of little surprise, especially for anyone who attended those increasingly legendary shows at Chase last year, that this new album is another major winner. What a great memento of such a monumental night in Bay Area live music history.” - The Mercury News “This collaboration between Metallica and the San Francisco Symphony brings to life the fusion of heavy metal and classical music. As it was in 1999, S&M2 is a grand celebration of the energy and magic that these forms of music convey.” – Metal Wani S&M2 is a landmark release in the Metallica catalogue, both sonically and visually. -
We're Not Square Anymore!
Music.Gear.Style. No.27 February 2010 OMG! We’re Not Square Anymore! Superlative Performance: The YG Acoustics Anat Studio Speakers Speakers for Everyone: A Group of Great Small Speakers From Snell, ERA, Penaudio and More MartinLogan’s Custom Shop Waterfall Acoustics Glass Speakers We Revisit The Spica TC-50: Still Great After All These Years Bob Gendron Goes to Toronto To Catch Guns N’ Roses In Fine Form New Music from ECM and more! Stereotypes Sound City Audio Classics Shelley’s Stereo Audio Vision S F Daytona Beach, FL 32114 Denville, NJ 07834 Vestal, NY 13850 Hi Fi Center San Francisco, CA 94109 386-253-7093 973-627-0083 607-766-3501 Woodland Hills, CA 91367 415-641-1118 818-716-8500 Sound Components The Sound Concept Home Theater Concepts Audio FX Coral Gables, FL 33146 Bedford Hills, NY 10507 Morton, IL 61550 DSS- Dynamic Sacramento, CA 95825 305-665-4299 914-244-0900 309-266-6640 Sound Systems 916-929-2100 Carlsbad, CA 92088 Audio Advisors Sound Image Audio and Global Sight & Sound 760-723-2535 Media Enviroments West Palm Beach, FL 33409 Video Design Group Sussex, WI 53089 San Rafael, CA 94901 561-478-3100 Carrollton, TX 75006 262-820-0600 L & M Home Entertainment 415-456-1681 972-503-4434 Tempe, AZ 85285 Independence Audio Freeman’s Stereo 480-403-0011 Pro Home Systems Independence, MO 64055 Advanced Home Charlotte, NC 28216 Oakland, CA 94609 816-252-9782 Theater Systems 704-398-1822 Joseph Cali Systems Design 510-653-4300 3800 Watts. Plano, TX 75075 Santa Monica, CA 90404 Definitive Audio 972-516-1849 Hi Fi Buys 310-453-3297 Overture Bellevue, WA 98005 Nashville, TN 37211 Winnington, DE 19803 360 lbs. -
Subjectivity and Critique : a Study of the Paradigm Shift in Critical Theory.”
“Subjectivity and Critique : A Study of the Paradigm Shift in Critical Theory.” by Alexander Reynolds A thesis submitted for the degree of Doctor of Philosophy in the Government Department of the London School of Economics, February 1995. UMI Number: U079B09 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U079B09 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 F 720 2_ 2 Abstract of thesis. The German social-philosophical tradition of Critical Theory has recently undergone what its current practitioners have themselves described as a “paradigm shift”. Writers like Jurgen Habermas and Kari-Otto Apel are today attempting to reformulate the socially-critica! insights of Max Horkheimer and Theodor Adorno in new terms. Where Horkheimer and Adorno had tried to articulate their critique of existing social relations in a language of “subjectivity” and “objectivity” drawn largely from the classical German philosophical tradition, Habermas and Apel are trying to formulate an - ostensibly - similar critique in a language of “a priori intersubjectivity” drawn from the “ordinary language” and “speech-act" theory which has emerged since the Second World War in the Anglo-American philosophical sphere. -
The Relationship Between the Aristotelian, Newtonian and Holistic Scientific Paradigms and Selected British Detective Fiction 1980 - 2010
THE RELATIONSHIP BETWEEN THE ARISTOTELIAN, NEWTONIAN AND HOLISTIC SCIENTIFIC PARADIGMS AND SELECTED BRITISH DETECTIVE FICTION 1980 - 2010 HILARY ANNE GOLDSMITH A thesis submitted in partial fulfilment of the requirements of the University of Greenwich for the Degree of Doctor of Philosophy July 2010 i ACKNOWLEDGEMENTS I would like to acknowledge the help and support I have received throughout my studies from the academic staff at the University of Greenwich, especially that of my supervisors. I would especially like to acknowledge the unerring support and encouragement I have received from Professor Susan Rowland, my first supervisor. iii ABSTRACT This thesis examines the changing relationship between key elements of the Aristotelian, Newtonian and holistic scientific paradigms and contemporary detective fiction. The work of scholars including N. Katherine Hayles, Martha A. Turner has applied Thomas S. Kuhn’s notion of scientific paradigms to literary works, especially those of the Victorian period. There seemed to be an absence, however, of research of a similar academic standard exploring the relationship between scientific worldviews and detective fiction. Extending their scholarship, this thesis seeks to open up debate in what was perceived to be an under-represented area of literary study. The thesis begins by identifying the main precepts of the three paradigms. It then offers a chronological overview of the developing relationship between these precepts and detective fiction from Sir Arthur Conan Doyle’s The Sign of Four (1890) to P.D.James’s The Black Tower (1975). The present state of this interaction is assessed through a detailed analysis of representative examples of the detective fiction of Reginald Hill, Barbara Nadel, and Quintin Jardine written between 1980 and 2010. -
The Seduction of Feminist Theory
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2011 The Seduction of Feminist Theory Erin Amann Holliday-Karre Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Holliday-Karre, Erin Amann, "The Seduction of Feminist Theory" (2011). Dissertations. 168. https://ecommons.luc.edu/luc_diss/168 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2011 Erin Amann Holliday-Karre LOYOLA UNIVERSITY CHICAGO THE SEDUCTION OF FEMINIST THEORY A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN ENGLISH LITERATURE BY ERIN HOLLIDAY-KARRE CHICAGO, ILLINOIS MAY 2011 Copyright by Erin Holliday-Karre, 2011 All rights reserved. ACKNOWLEDGEMENTS I am eternally indebted to Pamela L. Caughie not only for her tireless work on and enthusiastic support of this project but also for her friendship, which ultimately pushed me to persist with an “ambitious” dissertation. To Anne Callahan for spending so many hours in her writing studio helping me search for just the right word to capture what I was trying to say. To Holly Laird for graciously acknowledging in my work a previous aspiration of her own and for her masterful editorial skills. -
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From the Editors The only local voice for Keeping your head above water in this news, arts, and culture. CONTENTS: Editors-in-Chief: inharmonious flood Brian Graham & Adam Welsh t least two things will and the future of our city Managing Editor: October 26, 2016 Nick Warren happen during the schools. Erie School District Copy Editor: JRL RIP – 4 Acourse of this issue: Superintendent Jay Badams Katie Chriest Halloween and the presiden- was there to offer his per- Contributing Editors: Looking back on the life of an Erie tial election. One of those spective, answering ques- Ben Speggen things is getting a lot more tions as well as posing his Jim Wertz sports icon attention, and it’s not accom- own. Afterwards, he chatted Contributors: Lisa Austin, Civitas panied by trick or treaters. with state Senate candidate Ed Bernik At long last, this tumultuous Dan Laughlin. A few days lat- Mary Birdsong cacophony of Donald Trump er, Erie Arts & Culture hosted Tracy Geibel Lisa Gensheimer versus Hillary Clinton is their 2016 Fall for Arts and Gregory Greenleaf-Knepp coming to a close. Trump’s Culture Awards. There, they Dan Schank Tommy Shannon chances have grown increas- presented awards to Jude Ryan Smith ingly dim since our last is- Shingle of Box of Light stu- Ti Sumner Matt Swanseger sue. While there’s certainly a dios, Mark Tanenbaum of Bryan Toy great deal of schadenfreude PACA, Grove City’s George Cover Design: to be had watching the idea Junior Republic, artist Ron Nick Warren Photographers: of a Trump presidency slip Bayuzick, and a lifetime Ryan Smith CONTRIBUTED PHOTO away, as the late Yogi Berra achievement award to the Brad Triana said, “It ain’t over till it’s over.” Erie Playhouse. -
University of Huddersfield Repository
University of Huddersfield Repository Sfetcu, Andrei Approaching Forms and Structures in Electronic Dance Music Original Citation Sfetcu, Andrei (2018) Approaching Forms and Structures in Electronic Dance Music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34829/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Approaching Forms and Structures in Electronic Dance Music Andrei Sfetcu A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of MA by Research The University of Huddersfield May 2018 i. The author of this thesis (including any appendices and/ or schedules to this thesis) owns any copyright in it (the “Copyright”) and s/he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes.