DOCSLIB.ORG

Romantic Triangles

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Romantic Triangles Romantic Triangles: Author-Publisher-Reader Relations in Early Nineteenth Century British Literary Magazines: with particular reference to the Familiar Essays of Charles Lamb, William Hazlitt, and Thomas De Quincey by Christopher J. Skelton-Foord B.A.(Cantab.), M.Litt. (Aberdeen) A Master's Dissertation, submitted in partial fulfilment of the requirements for the award of the Master of Arts Degree of the Loughborough University of Technology September 1992 Supervisor: Diana Dixon B.A., M.Phil.(Leicester), Dip.Lib.(London), A.L.A. Departme·nt of Information and Library Studies '. @ C. J. Skelton-Foord, 1992 - iii - ACKNOWLEDGEMENTS I am glad to acknowledge my debt to my research supervisor, Diana Dixon, for advice and friendly guidance which have helped to ensure that writing my dissertation remained challenging and enjoyable. I am grateful to the staff of the British Library Document Supply Centre; Manchester Central Library; and the University Li braries of Aberdeen, Cambridge, Leicester, Loughborough, Manchester, Nottingham, and Staffordshire (especially its Assistant Humanities Librarian, Cathryn Donley) for their courtesy in making available to me their collections. Special thanks go to Mrs Hilary Dyer and Professor John Feather for their kind assistance at Loughborough, to Brandon High and John Urquhart for their encouragement and example, and to the School of English Studies, Journalism and Philosophy at the University of Wales College of Cardiff, whose award of a Corvey Senior Studentship in Bibliography from October 1992 provided me with the reassuring focus of knowing that my research into the production and reception of literature in the Romantic a~e could progress a stage further. Finally, I am very pleased to thank my sister, Cathryn, and my parents, Pat and Ben. Their continuous supply of generosi ty, interest, and support has been invaluable. - iv - DECLARATION This dissertation has been composed, and is a record of work undertaken, by myself. It has not been presented previously in application for any other degree. All quotations are acknowledged by quotation marks or by single- line spacing and indented paragraphs. The sources of all information used and illustrations reproduced are given. Dwsk('1-tllr ~ r \ Signed ...... ·~r~,::· .......... ~ ~ .. Date - v - TABLE OF CONTENTS Page Acknowledgements iii Declaration iv List of Plates with their Sources vi Abstract viii Introduction 1 References to the Introduction 5 CHAPTER I Literary History Literary Development 6 Redefining the Kingdom 6 Towards the "New" Magazines and the Familiar Essay 13 References to Chapter I 24 CHAPTER II The Literature of Symbiosis 27 Critical Theory and the Romantic Periodicals 27 Writing, Culture, and the Market Place 33 References to Chapter 11 40 CHAPTER III Charles Lamb 43 "Who is Elia?" 43 Reading in Con-text 54 References to Chapter III 63 CHAPTER IV William Hazlitt 66 Vocation and' the Magazine Essay 66 Style and the Reader 76 References to Chapter IV 84 CHAPTER V Thomas De Quincey 87 Prisoner of the Press 87 Fashioning a Readership 98 References to Chapter V 106 Conclusion 109 Bibliography III - vi - LIST OF PLATES WITH THEIR SOURCES Page 1. Watercolour drawing of Charles Lamb 12 By G.F. Josepb, ARA, lB19. British flusellB Print Room. IPbotograph by Derrick E. ~itty.) Reproduced from Lord David Cecil. A Portrait of Charles Laob. London: Constable, 1983, half-title page. 2. Miniature of Wil1iam Hazlitt at 13 22 By John Hazlitt. Maidstone liusellB and Art GaUery. Reproduced froo John Kinnaird. Wi11iam Hazlitt: Critic of Po.er. New York: Columbia University Press, 1978, p. 9. 3. Portrait of William Wordsworth at 28 34 By Wi1liao Shuter, 1798. Coroel! University Library. Reproduced frow Lord David Ceci!. A Portrait of Charles Lamb. London: Constable, 1983, facing p. 48. 4. Portrait of Thomas De Quincey 37 By Sir John Watson Gordon, c. 1845. National Portrait Gallery. Reproduced from Richard Caseby. The Opium­ Eating Editor: Thomas De Quincey and The V1stEorland Gazette. Kendal: Westmorland Gazette, 1985, frontispiece. 5. Aquatint detail from "The South-Sea House" 45 By Sutherland, after Pugin and Rowlandson. Rudolph Ackernann's The Microcosm of London, 1818-1811. IPhotograph by Derrick E. Witty.) Reproduced fro. Lord David Cecil. A Portrait of Charles Lamb. London: Constable, 1983, facing p. 33. 6. Portrait of Samuel Tay10r Coleridge at 23 56 By Peter Vandyke, 1795. National Portrait Gallery. Reproduced from Lord David Ceci1. A Portrait of Charles Lamb. London: Constable, 1983, facing p. 49. 7. Replica, signed 1825, of William Hazlitt 67 from the cbalk-drawing by William Bewick, 1822. National Portrait Gallery. Reproduced from Jobn Kinnaird. ,'illiam Hazlitt: Critic of Power. New York: Columbia University Press, 1978, p. 281. 8. Portrait of Charles Lamb at 29 as a Venetian Senator 71 By William Hazlitt, 1804. National Portrait Gallery. Reproduced from ~innifred F. Courtney. Young Charles Lamb 1775-1802. London and Basingstoke: Macmillan, 1982, frontispiece. 9. Miniature of William Hazlitt at about 35 83 By John Hazlitt. Maidstone Museum and Art Gallery. Reproduced from William Hazlitt: Selected Writings. Ronald Blythe, ed. Harnonds.·orth: Penguin, 1987, front cover. - vii - LIST OF PLATES WITH THEIR SOURCES Page 10. Photograph of Town End "Dove Cottage", Grasmere 97 Reproduced from Richard Caseby. The Opil11Il-Eating Editor: Thomas De Quincey and The Westmorland Gazette. Kendal: Vestmorland Gazette, 1985, p. 107. 11. Chalk detail of Thomas De Quincey 103 From a sketch of De Quincey, his daughters, and his granddaughter hy lames Archer, RSA, 1855. Reproduced from Richard Caseby. The Opium-Eating Editor: Thomas Oe Quincey and The Westmorland Gazette. Kendal: West[orland Gazette, 1985, p. 114. - viii - ABSTRACT This five-chapter account of the production and reception of literature in British magazines examines selected familiar essays from the first half of the nineteenth century by Charles Lamb (1775-1834), William Hazlitt (1778-1830), and Thomas De Quincey (1785-1859), many of which appeared during the 1820s. Literary­ critical and historical analyses of the essays and their publication are provided, with reference to the wider bibliographical and biographical contexts of the three authors. Chapter One delineates the development of essay writing in periodicals from the eighteenth century into the nineteenth, considering the growth of the publishing industry and the reading public, and the nature of Romanticism. The discussion identifies James Boswell's "The Hypochondriack", familiar letters, and the pre-1820 essays of Leigh Hunt, Charles Lamb, and William Hazlitt from The Reflector and The Examiner as precursors of the familiar essay. Details of the inception of the Edinburgh and Quarterly Reviews, and Blackwood' s and the London magazines are provided. Chapter Two defines a symbiotic relationship between authors, publishers, and readers, in the contexts of early nineteenth century pronouncements on the magazine trade and modern critical theory concerning the reading of literature. Editorial and publishing practices, and the notion of writing for a living are also considered. Chapter Three critical examines some of Lamb's magazine essays, collected as Elia and The Last Essays of Elia, by exploring the li terary persona of Elia, the autobiography which informs the essays, the importance of The London l1agazine to Lamb's career, and the fluidity of the author-reader relations. Reference is also made to Lamb's earlier and later magazine contributing, his literary relationship with Coleridge, and his letters. Chapter Four explores Hazli tt's notions of authorship and his literary style, as revealed in his essays, particularly the "Round Table" series from The Examiner, and the "Table-Talks" from the London and New Monthly magazines. He challenges the reader with dichotomies of thought: common sense/common place, genius/skill, and Montaigne/Dr Johnson. Hazlitt's Shakespearean drama criticism, and, how his essays and lectures went to make up his books are both related to the discussion. Chapter Five explores the constraints of the magazine market upon De Quincey, the importance to his career of the Edinburgh magazines of Blackwood's, Tait's, and Hogg's, and intricacies of author-publisher-reader relations in his familiar essays, especially Confessions of an English Opium-Eater from the London. His literary relationship to Wordsworth, and bibliographical problems in the De Quincey canon inform the context. - 1 - INTRODUCTION How was magazine literature produced and received in Britain during the early nineteenth century? This study seeks primarily to answer that question, demonstrating how the relationship between authors, publishers, and readers was sometimes conducive, sometimes antagonistic to the work of the magazine essayist and to the way in which his work was read. It has been undertaken in the hope that Romantic Triangles will be of interest and of use to students and researchers in the fields of: English literature, librarianship, periodicals bibliography, and publishing history. The title indicates clearly the scope of this study. However, in the belief that literary history generally neither respects nor knows chronological boundaries, I have felt free to progress from the late eighteenth century (and sometimes earlier) and into the mid-nineteent~ century whenever a wider historical perspective is useful in developing and complementing my central thesis. Nevertheless, there is an emphasis in my discussion upon literature
Load more

Recommended publications
  • Introduction: 'The Radical Ladder'
    Notes Introduction: ‘The Radical Ladder’ 1. The Loyalist; or, Anti- Radical; Consisting of Three Departments: Satyrical, Miscellaneous, and Historical (W. Wright, 1820), iv. 2. Here, it might also mean (if the artist is being subversive), ‘I Have Suffered’, which Caroline and the radicals certainly had; or, it might stand for ‘In hoc signo vinces’ – ‘with this as your standard you shall have vic- tory’, hinting at the odd relationship between this Queen and republican radicals. 3. See Thompson, The Making, 691–6. 4. See Robert Reid, The Peterloo Massacre (Heinemann, 1989), 117–19. 5. Frederick Jameson, The Political Unconscious: Narrative as Symbolically Social Act (London: Routledge, 2002), ix. 6. Jameson, The Political Unconscious, 1. 7. Clifford Siskin, The Work of Writing: Literature and Social Change in Britain, 1700–1830, (Baltimore: Johns Hopkins University Press, 1999), 2. 8. Frank Kermode, The Romantic Image (London: Fontana Press, 1971), 18–19. 9. Anne Janowitz, ‘“A voice from across the Sea”,: Communitarianism at the Limits of Romanticism’, At the Limits of Romanticism: Essays in Cultural, Feminist and Materialist Criticism, ed. Mary A. Favret and Nicola J. Watson (Bloomington, IN: Indiana University Press, 1994), 85. 10. Nigel Leask and Phillip Connell (eds.), Romanticism and Popular Culture in Britain and Ireland, (Cambridge: Cambridge University Press, 2009), 7. 11. Gary Dyer, British Satire and the Politics of Style, 1789–1832 (Cambridge: Cambridge University Press, 1997), 141. 12. Donald Read, Peterloo: the ‘Massacre’ and its Background (Manchester: Manchester University Press, 1958), 16. Interestingly, in a letter to The Times newspaper on 26 September 2008 Read wrote: ‘The crowd was certainly gathered to demand democratic reform, but it was in a fes- tive mood.
    [Show full text]
  • The Many Identities of William Duane
    Transoceanic Radical: The Many Identities of William Duane Nigel Little Transoceanic Radical: The Many Identities of William Duane Nigel Ken Little, B.A. (Hons) This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2003 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary institution. ………………………………………………………………….. Table of Contents Page Acknowledgements.................................................................ii Abstract...................................................................................iii Abbreviations..........................................................................v Introduction ............................................................................1 1. Identities .........................................................................11 2. Origins .............................................................................24 3. “The Great Gulf Of All Undone Beings” ........................58 4. The Bengal Journal .........................................................82 5. An Indian World ..............................................................108 6. “…Tribe of Editors…” ....................................................129 7. London Interlude ............................................................171 8. Mythical Homeland Made ..............................................187 9. Jeffersonian Victory ........................................................206
    [Show full text]
  • Gentlemen of the Press,” 1810-1845
    Virginia Commonwealth University VCU Scholars Compass English Publications Dept. of English 2020 Letters from the “Gentlemen of the Press,” 1810-1845 David E. Latane Virginia Commonwealth University, [email protected] Follow this and additional works at: https://scholarscompass.vcu.edu/engl_pubs Part of the European History Commons, Intellectual History Commons, Literature in English, British Isles Commons, and the Other Film and Media Studies Commons public domain; letters physically owned by the author Downloaded from https://scholarscompass.vcu.edu/engl_pubs/7 This Research Report is brought to you for free and open access by the Dept. of English at VCU Scholars Compass. It has been accepted for inclusion in English Publications by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Letters from the “Gentlemen of the Press,” 1810-1845 David E. Latané Virginia Commonwealth University In John Wilson Croker: Irish Ideas and the Invention of Modern Conservatism, 1800-1835, Robert Portsmouth analyzes the way in which the newspaper press was manipulated via interlocking circles of journalists and politicians during the era of Reform. In addition to Croker, one of the important figures in the Tory press was his fellow Irishman William Maginn, and it was in the course of researching and writing William Maginn and the British Press: A Critical Biography (Ashgate, 2013) that I began collecting letters to and from members of the press. The letters presented here help reveal the shape of relationships that prevailed on Fleet Street at the cusp of the Victorian era. A quick note dashed off by legendary Times editor Thomas Barnes, for instance, to John Wilson Croker shows how careful Barnes was, even as his paper was supporting the Whigs, to avoid offense to a powerful Tory politician and Quarterly reviewer.
    [Show full text]
  • In That So Clare's Sonnets Green the Requirements for the Degree Of
    ne, ne « / +• In That So Gentle Skys A Study of John Clare’s Sonnets Richard L. Gillin A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1971 í» © 1972 Richard Lewis Gillin ALL RIGHTS RESERVED ii ABSTRACT In 1820 John Clare became the most popular literary figure in London following the appearance of his Poems Descriptive of Rural Life and Scenery. By 1827, after the publication of three subse­ quent volumes of poetry, he was virtually ignored even though his poetic abilities had increased significantly. In this study the nature of John Clare’s achievement as a poet was analyzed in con­ junction with his sonnets. Clare’s best work appears in his short poems. The sonnets he wrote indicate his concerns and suggest the degree of his maturity as a lyric poet. The significant biographical and historical influences on Clare have been delineated in association with his poetry. An examination of the poems in each volume of poetry published during his lifetime revealed that the sonnets reflect the major impetus of each volume as well as suggesting the direction his later work would take. Experiments with sonnet forms such as the Shakespearian and regular innovative forms of Clare’s own creation are traced and analyzed. As a fledgling poet Clare's greatest problem was to reconcile the various elements of his perception and verse. Often, it has been shown, there is a cleavage between the subject matter and the speaker’s response to the subject in the early sonnets.
    [Show full text]
  • Nineteenth Century Literary Manuscripts, Part 4
    Nineteenth Century Literary Manuscripts, Part 4 NINETEENTH CENTURY LITERARY MANUSCRIPTS Part 4: The Correspondence and Papers of John Gibson Lockhart (1794-1854), Editor of the Quarterly Review, from the National Library of Scotland Contents listing PUBLISHER'S NOTE CONTENTS OF REELS DETAILED LISTING EXTRACTS: On the Cockney School of Poetry When Youthful Faith has Fled Nineteenth Century Literay Manuscripts, Part 4 Publisher's Note John Gibson Lockhart (1794-1854) desrves our attention for many reasons: He was one of the most important critics of the 19th century He was Editor of The Quarterly Review He became Scott’s Boswell, writing an acknowledged masterpiece of biography He played an important part in the rise of the novel as a literary form His letters provide a detailed account of literary society in Edinburgh and London His papers are now opened to a wider audience through the publication of this microform edition. They include: 14 volumes of correspondence received by Lockhart as Editor of The Quarterly Review, 1825-1854 (NLS MSS.923-936); 3 volumes of letters from Lockhart to Whitwell Elwin, his successor as Editor (NLS MSS.145, 341 & 2262); 3 volumes of correspondence between Lockhart and Scott, 1818-1832 (NLS.MSS.142-143, & 859); 7 volumes of family letters, 1820-1854 (NLS.MSS.1552-1558); 1 volume of letters from Lockhart to Allan Cunningham about the Lives of British Painters (NLS.MS.820); and 10 volumes of literary manuscripts by Lockhart (NLS.MSS.1623-1626, 3995 & 4817-4822). The Editorial correspondence is especially rich and includes letters from Byron, Coleridge, Croker, Disraeli, Edgeworth (one entire volume and numerous other letters besides), Murray, Norton, Southey (“a willing and ready assistant in your new undertaking”), and Wordsworth.
    [Show full text]
  • Scandinavian Loanwords in English in the 15Th Century
    Studia Anglica Posnaniensia 54 (2019): 157–177 doi: 10.2478/stap-2019-0008 INTERPRETING CHARLES LAMB’S ‘NEAT-BOUND BOOKS’ LAURA WRIGHT1 AND CHRISTOPHER LANGMUIR2 ABSTRACT In this paper we consider a much-quoted phrase published by the essayist Charles Lamb (1775– 1834) in the London Magazine in 1822 about a desirable quality in books: that they should be ‘strong-backed and neat-bound’. We identify meanings of modifier neat as evidenced by different communities of practice in early nineteenth-century newspapers, and in particular we present meanings of neat as used in certain Quaker writings known to have been read with approval by Lamb. By this method we assemble a series of nuanced meanings that the phrase neat-bound would have conveyed to contemporary readers – specifically, the readership of the London Magazine. Keywords: Collocates; communities of practice; social networks; leather-workers; accountants; Quakers. 1. Introduction In his 1822 London Magazine essay “Detached Thoughts on Books and Reading”, the London East India Company clerk, poet, novelist, playwright, critic, author of literature for children, essayist, and book-collector Charles Lamb (1775–1834) advanced the credo that “to be strong-backed and neat-bound is the desideratum of a volume”. In this article, we consider what ‘strong-backed and neat-bound’ might have meant to Lamb, because the phrase was taken up and repeated after his lifetime, to the extent that it figures in the Pan Dictionary of Famous Quotations (Hyman 1993 [1962]). Unusually, Lamb traversed the social classes in that he was born the son of a servant and his wife but received an education at Christ’s Hospital through the intervention of his father’s employer.
    [Show full text]
  • Global Spaces and Travel in the Literature of William Wordsworth
    Boundless Explorations: Global Spaces and Travel in the Literature of William Wordsworth, Percy Shelley, and Mary Shelley by Alexander J. Willis A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Alexander J. Willis 2011 ii Boundless Explorations: Global Spaces and Travel in the Literature of William Wordsworth, Percy Shelley, and Mary Shelley Alexander J. Willis, Doctor of Philosophy Graduate Department of English, University of Toronto, 2011 Abstract This dissertation focuses on a Romanticism that was profoundly global in scope, and examines the boundary-crossing literary techniques of William Wordsworth, Percy Shelley and Mary Shelley. These authors saw identity as delimited by artificial borders, and we witness in their work competitions between local and global, immediate and infinite, home and away – all formulated in spatial terms. This thesis argues that by using motifs and philosophies associated with “borderless” global travel, these authors radically destabilized definitions of nature, history, and the home. Wordsworth and the Shelleys saw the act of travel as essentially cosmopolitan, and frequently depicted spaces outside of familiar boundaries as being rich in imaginative vitality. Their fiction and poetry abounds with examples of North American primitivism, radical modes of transportation, and unknown territories sought by passionate explorers. Importantly, they often used such examples of foreignness to rejuvenate familiar spaces and knowledge – these were individuals determined to retain a certain amount of local integrity, or connection with the reluctant minds who feared alien contexts. As such, they were each aware of the fragility of embedded minds, and the connection of these minds to bordered historical contexts.
    [Show full text]
  • Confessional Writing in Blackwood's and the London Magazine
    This is a repository copy of From Gluttony to Justified Sinning: Confessional Writing in Blackwood’s and the London Magazine. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/105635/ Version: Accepted Version Book Section: Higgins, D (2013) From Gluttony to Justified Sinning: Confessional Writing in Blackwood’s and the London Magazine. In: Morrison, R and Roberts, D, (eds.) Romanticism and Blackwood’s Magazine: ‘An Unprecedented Phenomenon’. Palgrave , pp. 47-56. ISBN 978-0-230-30441-3 (c) contributors, 2013. Higgins, D (2013) From Gluttony to Justified Sinning: Confessional Writing in Blackwood’s and the London Magazine. In: Morrison, R and Roberts, D, (eds.) Romanticism and Blackwood’s Magazine: ‘An Unprecedented Phenomenon’. Palgrave , reproduced with permission of Palgrave. This extract is taken from the author's original manuscript and has not been edited. The definitive, published, version of record is available here: http://www.palgrave.com/gb/book/9780230304413. Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request.
    [Show full text]
  • Romantic Periodicals and the Invention of the Living Author
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 Romantic Periodicals and the Invention of the Living Author Christine Marie Woody University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Woody, Christine Marie, "Romantic Periodicals and the Invention of the Living Author" (2016). Publicly Accessible Penn Dissertations. 2102. https://repository.upenn.edu/edissertations/2102 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2102 For more information, please contact [email protected]. Romantic Periodicals and the Invention of the Living Author Abstract ROMANTIC PERIODICALS AND THE INVENTION OF THE LIVING AUTHOR Christine Marie Woody Michael Gamer This dissertation asks how the burgeoning market of magazines, book reviews, and newspapers shapes the practice and meaning of authorship during the Romantic period. Surveying the innovations in and conventions of British periodical culture between 1802 and 1830, this study emphasizes the importance of four main periodicals—the Edinburgh Review, Quarterly Review, London Magazine, and Blackwood’s Edinburgh Magazine—to the period’s understanding of what it means to be, or read, an author who is still living. In it, I argue that British periodicals undertook a project to theorize, narrativize, and regulate the deceptively simple concept of a living author. Periodicals confronted the inadequacy of their critical methods in dealing with the living and came to define the “living author” as a disturbing model for the everyday person—an encouragement to self-display and a burden on public attention. Through their engagement with this disruptive figure, periodical writers eventually found in it a potential model for their own contingent, anonymous work, and embraced the self-actualizing possibilities that this reviled figure unexpectedly offered.
    [Show full text]
  • Early History of Blackwood's Edinburgh Magazine
    1917 P65 UNSVERSITY OF llLINOiS / EARLY HISTORY OF BLACKWOOD'S EDINBURGH MAGAZINE BY ALICE MARY DOANE A. B. Earlham College, 1914 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN ENGLISH IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1917 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL / 191 y I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPER- VISION BY ENTITLED J BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF ^/(^^jc^i,::^^ ^^^^fT^r^'. r.:::::^.. -I Head of Department Recommendation concurred in :* Committee on Final Examination* ^Required for doctor's degree but not for master's. Digitized by the Internet Archive in 2013 http://archive.org/details/earlyhistoryofblOOdoan Contents I. Introduction p. 1 - 15 II. Geneeis p. 16- 29 III. Dramatis Personae p. 30- 3^ IV. First Years of"MagaV p. 37- 67 Bibliography p. 68- 69 s EARLY HISTORY CP BLACKV/COD* S ELIKBURGH MAGAZIITE - I - Introduct ior. -^ People love to be shocked! That explains the present circulation of Life. It explains, too, the clamor v;ith which Edinburgh received the October number of Blackwood* s Edinburgh Magazine in 1817. For the first tirae in periodical history, the reading public was actually thrilled and completely shockedl Edinburgh held up its hands in horror, looked pious, wagged its head - and bouglit up every number I It is a strange parallel, perhaps, Life and Blackwood' . - yet not so strange. It is hard at first glance to understand how those yellow, musty old pages could have been so shocking which now seem to have lost all savor for the man in the street.
    [Show full text]
  • John Scott, John Taylor, and Keats's Reputation John R
    Lehigh University Lehigh Preserve Theses and Dissertations 1963 John Scott, John Taylor, and Keats's reputation John R. Gustavson Lehigh University Follow this and additional works at: https://preserve.lehigh.edu/etd Part of the Arts and Humanities Commons Recommended Citation Gustavson, John R., "John Scott, John Taylor, and Keats's reputation" (1963). Theses and Dissertations. 3152. https://preserve.lehigh.edu/etd/3152 This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. .•••·· -·"' -· '1/- .~ •. -. ..... '·--·-· -- .. - ' . .. ·~ ... - ... ·-··--·--- ·-·--·-··-~•-•¥••----., ...... .. ' ·:.0.--:'_• _ _.., ___•1-' .......""T,b.-~-~~f'Mt,'lllr!iill. 1"• ... ,~'"!".~·· -- . ~..... .... ,Ill\ ,, •• ,":• -r---1 'I • - .. , .•. - ... -----fQS' ·--·~· ....... 1:·.·" ...... ~ , • ' ..,.: .tf>•Z • .... -..... ' ........ -.--···· ... _ .. _ ' i .I JOHN SCOTT,.. JOHN TAYLOR, AND KEATS'S REPUTATION - by John Raymond Gustavson A THESIS Presented to the Graduate Faculty of Lehigh University in candidacy for the Degree of Master of Arts 1, ·• Lehigh University ··,~-- 1963 -•• · l• -- ·.:·_ .;·~: ..:,.:... _. - -- - --· -- ·---..: --;---:•--=---· -, ~ _., --.~ .... •.-' ... ------- ,.1 ... !" ·.,i .1 l,! ; ': ·)1 :i - ' -~·-· ~ _ _.,.,::_ '. -• .:,•,,", .,_ '' - . ' ... -.. ~.:-_•;,." -, ii ... • '~,:~ ...... ··rt· • -···-•-Y: .. --~--,-•,:·,·,:-~:.• .~,' .,~
    [Show full text]
  • History of the American Theatre
    .^N BOUGHT WITH THE INCO PROM THE SAGE ENDOWMENT THE GIFT OF I89I CORNELL UNIVERSITY LIBRARY 760 029 U, 3 m Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924091760029 HISTORY OF THB American Theatre NEW FOUNDATIONS. GEORGE O. SEII^HAMER. PHILADELPHIA: GLOBE PRINTING HOUSE. 1891. 5-4 /\ . ? ^ 1 CORNELL\> UNIVERSITY V \LIBRAR ( Copyright, 1891, GEORGE O. Sehhamer. Press of Globe Printing House, Philadelphia. «; TO ( . ALBERT M. PALMER THIS VOLUME OF NEW FOUNDATIONS IS INSCRIBED BY THE AUTHOR, In Testimony of his Taste and Skill as a Manager, AND His Earnest Interest in the History of the American Theatre. — CONTENTS. CHAPTER I. American Strollers. " English actors look to the West—The Kennas—Vaughan's mishap—" Walking Stewart —Mrs. Gardner—An American wandering patentee—Signor Trisobio—McGrath and Godwin—Virginia strolling—Mr. and Mrs. Solomon I CHAPTER II. The Beginning at Boston. Hallam and Henry's petition—Plays at Portsmouth and Salem—Repeal meetings in Fanueil Hall —Legislative action—New Exhibitjon Room—Powell—The law defied—Placide's pantomimes—First Boston campaign—Harper's arrest .... 13 . CHAPTER III. Henry's Recruits. Henry in England—Account of John Hodgkinson—Mrs. Hodgkinson—Miss Brett Mrs. Wrighten's career—King and West—Luke Robbins—Personal descriptions of Henry's recruits 27 CHAPTER IV. Hallam and Henry, 1792-3. The season in Philadelphia—Hodgkinson's first appearance—The other debuts—Contem- porary opinions of the actors — Casts and parts—Mr.
    [Show full text]