Buddhism Within the Philosophies of Benjamin Franklin, Thomas Jefferson, and Elihu Palmer
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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
PUBLICATION of SAN FRANCISCO ZEN CENTER Vol. XXXVI No. 1 Spring I Summer 2002 CONTENTS
PUBLICATION OF SAN FRANCISCO ZEN CENTER Vol. XXXVI No. 1 Spring I Summer 2002 CONTENTS TALKS 3 The Gift of Zazen BY Shunryu Suzuki-roshi 16 Practice On and Off the Cushion BY Anna Thom 20 The World Is Vast and Wide BY Gretel Ehrlich 36 An Appropriate Response BY Abbess Linda Ruth Cutts POETRY AND ART 4 Kannon in Waves BY Dan Welch (See also front cover and pages 9 and 46) 5 Like Water BY Sojun Mel Weitsman 24 Study Hall BY Zenshin Philip Whalen NEWS AND FEATURES 8 orman Fischer Revisited AN INTERVIEW 11 An Interview with Annie Somerville, Executive Chef of Greens 25 Projections on an Empty Screen BY Michael Wenger 27 Sangha-e! 28 Through a Glass, Darkly BY Alan Senauke 42 'Treasurer's Report on Fiscal Year 2002 DY Kokai Roberts 2 covet WNO eru 111 -ASSl\ll\tll.,,. o..N WEICH The Gi~ of Zazen Shunryu Suzuki Roshi December 14, 1967-Los Altos, California JAM STILL STUDYING to find out what our way is. Recently I reached the conclusion that there is no Buddhism or Zen or anythjng. When I was preparing for the evening lecture in San Francisco yesterday, I tried to find something to talk about, but I couldn't; then I thought of the story 1 was told in Obun Festival when I was young. The story is about water and the people in Hell Although they have water, the people in hell cannot drink it because the water burns like fire or it looks like blood, so they cannot drink it. -
New American Zen: Examining American Women's Adaptation of Traditional Japanese Soto Zen Practice Courtney M
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 2011 New American Zen: Examining American Women's Adaptation of Traditional Japanese Soto Zen Practice Courtney M. Just Florida International University, [email protected] DOI: 10.25148/etd.FI11120903 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Recommended Citation Just, Courtney M., "New American Zen: Examining American Women's Adaptation of Traditional Japanese Soto Zen Practice" (2011). FIU Electronic Theses and Dissertations. 527. https://digitalcommons.fiu.edu/etd/527 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida NEW AMERICAN ZEN: EXAMINING AMERICAN WOMEN’S ADAPTATION OF TRADITIONAL JAPANESE SOTO ZEN PRACTICE A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in LIBERAL STUDIES by Courtney Just 2011 To: Dean Kenneth Furton College of Arts and Sciences This thesis, written by Courtney Just, and entitled New American Zen: Examining American Women’s Adaptation of Traditional Japanese Soto Zen Practice, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. –––––––––––––––––––––––––––––––––––– Laurie Shrage ––––––––––––––––––––––––––––––––––––– Kiriake Xerohemona ––––––––––––––––––––––––––––––––––––– Lesley A. Northup, Major Professor Date of Defense: November 10, 2011 The thesis of Courtney Just is approved. –––––––––––––––––––––––––––––––––––––––– Dean Kenneth Furton College of Arts and Science ––––––––––––––––––––––––––––––––––––––––– Dean Lakshmi N. -
A Short Talk During Zazen
A Short Talk During Zazen Shunryu Suzuki Roshi (Presented during zazen on the moming of June 28, 1970, between the tenth and eleventh Sandokai lectures) YouSHOULD SIT WITH YOUR WHOLE BODY: your spine, mouth, toes, mudra. l Check on your posture during zazen. Each part of your body should practice zazen independently or separately: Your toes should prac tice zazen independently, your mudra should practice zazen independently, and your spine and your mouth should practice zazen independently. You should feel each part of your body doing zazen independently. Each part of your body should participate completely in zazen. Check to see that each part of your body is doing zazen independently- this is also known as shiknntaza. To think, "I am doing zazen" or "my body is doing zazen" is wrong understanding. It is a self-centered idea. The mudra is especially important. You should not feel as if you are resting your mudra on the heel of your foot for your own convenience. Your mudra should be placed in its own position. Don't move your legs for your own convenience. Your legs are practic ing their own zazen independently and are com pletely involved in their own pain. They are doing zazen through pain. You should all ow them to practice their own zazen. If you think you are practicing zazen, you are involved in some selfish, egotistical idea. If you think that you have a difficulty in some part of your body, then the rest of the body should help the part that is in difficulty. You are not having difficulty with some part of your body, but the part of the body is having difficulty: for example, your mudra is having difficulty. -
30Th Anniversary
January 2002 Vol. 27, No. 1 The Book and Paper Group: 30th Two Decades Young Anniversary ment, which has helped enlighten our col- LESLIE PAISLEY leagues in other disciplines. This is also true Inside with respect to developments in the area of n the eve of the 30th anniversary of the public service since many of our regional Continuing Education OAmerican Institute for Conservation, centers are made up primarily of BPG mem- Survey Summary the BPG specialty group reflects on its own bers specializing not only in the library and 8 past, present, and future. archives areas, but in art on paper as well. I Qualifications Task BPG members should be proud of the think that this diversity of professionalism in Force Update accomplishments and example it has set for our group—the pulling together of on-going 9 our national professional organization. In the developments in the fields of archives, words of Dianne van der Reyden,“The Book libraries, fine arts, research collections, and Annual Meeting News and Paper Group has been a role model. It is private practice—is what make our group 9 the largest specialty group in AIC and with such a strong, progressive, accomplished and FAIC Awards the high level of activity of its members, has cooperative sector of AIC.” 11 made it one of AIC’s most productive (and As BPG enters the next quarter century, forward thinking) groups. Its members— we have a strong foundation of accomplish- AIC Board Elections especially the Library and Archives areas—are ment upon which to build. 12 on the cusp of developments in the technol- Call for Posters ogy of collections management, scientific 14 research, and now in information manage- CONTINUED ON PAGE 3 In Memoriam 15 AIC Names PA and Preserving AIC’s Past Fellow Members 15 building a family or career, making a large Letter to the Editor HILARY A. -
Paradise Lost BOOK 6 John Milton (1667) the ARGUMENT Raphael
Paradise Lost BOOK 6 John Milton (1667) THE ARGUMENT Raphael continues to relate how Michael and Gabriel were sent forth to battel against Satan and his Angels. The first Fight describ'd: Satan and his Powers retire under Night: He calls a Councel, invents devilish Engines, which in the second dayes Fight put Michael and his Angels to some disorder; But, they at length pulling up Mountains overwhelm'd both the force and Machins of Satan: Yet the Tumult not so ending, God on the third day sends Messiah his Son, for whom he had reserv'd the glory of that Victory: Hee in the Power of his Father coming to the place, and causing all his Legions to stand still on either side, with his Chariot and Thunder driving into the midst of his Enemies, pursues them unable to resist towards the wall of Heaven; which opening, they leap down with horrour and confusion into the place of punishment prepar'd for them in the Deep: Messiah returns with triumph to his Father. ALL night the dreadless Angel unpursu'd Through Heav'ns wide Champain held his way, till Morn, Wak't by the circling Hours, with rosie hand Unbarr'd the gates of Light. There is a Cave Within the Mount of God, fast by his Throne, [ 5 ] Where light and darkness in perpetual round Lodge and dislodge by turns, which makes through Heav'n Grateful vicissitude, like Day and Night; Light issues forth, and at the other dore Obsequious darkness enters, till her houre [ 10 ] To veile the Heav'n, though darkness there might well Seem twilight here; and now went forth the Morn Such as in highest Heav'n, -
Tobias Heinrich Friedrich Schlichtegroll's Nekrolog
Pour citer cet article : Heinrich, Tobias, « Friedrich Schlichtegroll’s Nekrolog. Enlightenment Biography », Les Grandes figures historiques dans les lettres et les arts [en ligne], n° 6 (2017), URL : http://figures-historiques.revue.univ-lille3.fr/6-2017-issn-2261-0871/. Tobias Heinrich New College, University of Oxford Friedrich Schlichtegroll’s Nekrolog. Enlightenment Biography.1 Let the dead bury the dead. We want to see the deceased as living beings, to rejoice in their lives, including their lives as they continue after their demise, and for this same reason we gratefully record their enduring contribution for posterity.2 It is with these words that Johann Gottfried Herder (1744-1803), theorist of Weimar Classicism and progenitor of Cultural Studies [Kulturwissenschaften], commences his critical review of Friedrich Schlichtegroll’s Nekrolog, an annual collection of biographies on the lives of exceptional people recently deceased. The review, part of Herder’s Briefe zu Beförderung der Humanität [Letters for the Advancement of Humanity] (1792-1797), outlines how the biographer’s task may be understood as an intrinsically political activity, particularly when it comes to collective rather than singular narratives, which were the dominant form of biographical discourse in eighteenth-century Germany.3 However, Herder’s incitation is aimed less at future biographers than at their readers. Instead of seeing obituaries as a passive act of mourning, he envisions a form of public memory that regards the lives of the departed as an inspiration for a better future: ‘They are not dead, our benefactors and friends: for their souls, their contributions to the human race, their memories live on.’4 Herder conceives of humanity [Humanität] as a communal pursuit, aimed at the development of the potential inherent in humankind. -
Introduction Shunryu Suzuki Sojun Mel Weitsman
Introduction Shunryu Suzuki Sojun Mel Weitsman INTHE SUMMER OF 1970 Suzuki Roshi gave these talks on the Sandokai of Sekito Kisen. BRANCHING Suzuki Roshi had come to America in 1959, leaving Rinso-in, his tem STREAMS ple in Yaizu, Japan, to serve as FLOW IN THE priest for the Japanese-American congregation at Sokoji temple at DARKNESS 1881 Bush Street in San Francisco. During those years a large number of people came to practice with him, and San Francisco Zen Center Zen Talks on the Sandokai was born. Suzuki Roshi became By tht author of Z~n Mind. Beginne~s Mind surrounded by so many enthusias- tic American Zen students that in 1969 he and his students moved to a large building at 300 Page Street and established Beginner's Mind Temple. Two years earlier, Zen Center had acquired the Tassajara resort and hot springs, which is at the end of a four teen-mile dirt road that winds through the rugged mountains of the Los Padres National Forest near the central coast of California. He and his stu dents created the first Zen Buddhist monastery in America, Zenshinji (Zen Mind/Heart Te mple). We were starting from scratch under Suzuki Roshi's guidance. Each year Tassajara Zen Mountain Center has two intensive practice period retreats: October through December, and January through March. These two practice periods include many hours of zazen (cross-legged seated meditation) each day, lectures, study, and physical work. The students are there for the entire time. In the spring and summer months (May through August), Tassajara provides a guest season for people who are attracted by the hot mineral baths and the quiet atmosphere. -
Program Guide
IBFF NO1 NOVEMBER 20–23, 2003 LOS ANGELES WWW.IBFF.ORG INTERNATIONAL BUDDHIST FILM FESTIVAL Debra Bloomfield Jerry Burchard John Paul Caponigro Simon Chaput Mark Citret Linda Connor Lynn Davis Peter deLory Don Farber Richard Gere Susannah Hays Jim Henkel Lena Herzog Kenro Izu REFLECTING BUDDHA: Michael Kenna IMAGES BY Heather Kessinger Hirokazu Kosaka CONTEMPORARY Alan Kozlowski PHOTOGRAPHERS Wayne Levin Stu Levy NOVEMBER 14–23 David Liittschwager Elaine Ling Exhibition and Sale to Benefit the International Buddhist Film Festival John Daido Loori Book Signings by Participating Photographers Yasuaki Matsumoto Throughout the Exhibition Steve McCurry Curated by Linda Connor Pasadena Museum of California Art Susan Middleton 490 East Union Street, Pasadena, California Charles Reilly Third Floor Exhibition Space Open Wed. to Sun. 10 am to 5 pm, Fri. to 8 pm David Samuel Robbins www.pmcaonline.org 626.568.3665 Stuart Rome Meridel Rubenstein Larry Snider 2003 pigment print © Linda Connor, Ladakh, India digital archival Nubra Valley, Camille Solyagua John Willis The Dalai Lama’s Rainbow The Dalai Lama’s NOV 20–23 at LACMA www.ibff.org Alison Wright image: Welcome to the first International Buddhist Film Festival. The Buddhist understanding that what we experience is projection, is cinema in the most profound sense. In the sixth century BC, Prince Siddhartha, the future Buddha, was challenged by personal and political upheaval, and he heroically strove to find a meaningful way of living. Waking up and paying attention, he discovered a path of spiritual transformation. The seeds of this breakthrough have continued to flower through 2,500 years. A new wave of contemporary cinema is emerging to embrace all the strands of Buddhism—directly, obliquely, reverently, critically, and comedically too. -
Edwin Kaufmann Hair and Make up Artist
Edwin Kaufmann Hair and Make up Artist Skills Hair- and make up artist Hairdresser Body make-up SFX Photographer Antonio Montani, Alfred Saerchinger, Anja Frers, Andreas Koschere, Axel Kranz, Bert Spangermacher , Birgit Bielefelds, Bob Jeusette, Daniel Woeller, Dieter Schwer, Frank Wartenberg, Gerry Ebner, Guenter, Feuerbacher, Harald Hufgad, Heli Henkel, Jens Ihnken, Jean-Luc Droux, Joerg Schifferecke, Leif Schmodde, Margaretha Olschewski, Matt Jones, Michael Leis, Michael Reh, Michael Pettersson, Marc Trautmann, Mike Azzato, Michel Comte, Neil Marriott, Nico Schmid-Burgk, Olivia Graham, Oliver Mark, Orion Dahlmann, Patrick Penkwitt, Patrick Schwalb, Peter Lidbergh, Philipp Rathmer, Tim Thiel, Thorsten Ruppert, Vlado Golub, Wilfried Bege Celebrities Aura Dione, Aloha from Hell, Britt, Backstreet Boys, Boris Becker, David Garett, Dirk Nowitzki, Die Geissens, Emily Sande, Franz Beckenbauer, Fräulein Wunder, Gabriella Cilmi, Gabrielle Strehle, Glashaus, Harald Schmidt, Jürgen Kliensmann, Jörk Pilawa, Johannes B. Kerner, Johannes Laffer, Klitschkow Brothers, Kim Wilde, Lena Meyer-Landrut, Lou Bega, Modern Talking, Mario Adorf, Nervo, No Angels, Nena, Regina Halmich, Reiner Calmund, Snap, Sabrina Settlur, Sven Väth, Steffi Graf, Verona Poth, Xavier Naidoo Clients Advertising American Express, Astra Beer, BMW, Bosch, Deutsche Bank, Dresdner Bank, Egerie, Ferrero, Ford, Gossard Lingerie, Intimates Lingerie, Lufthansa, Lidl, MTV Nestlé, Norgren, Nintento, Opel Car, Pimkie Fashion, Smart Car, Sony, Siemens, Target, Toyota, Telekom, Volkswagen -
Romantic Triangles
Romantic Triangles: Author-Publisher-Reader Relations in Early Nineteenth Century British Literary Magazines: with particular reference to the Familiar Essays of Charles Lamb, William Hazlitt, and Thomas De Quincey by Christopher J. Skelton-Foord B.A.(Cantab.), M.Litt. (Aberdeen) A Master's Dissertation, submitted in partial fulfilment of the requirements for the award of the Master of Arts Degree of the Loughborough University of Technology September 1992 Supervisor: Diana Dixon B.A., M.Phil.(Leicester), Dip.Lib.(London), A.L.A. Departme·nt of Information and Library Studies '. @ C. J. Skelton-Foord, 1992 - iii - ACKNOWLEDGEMENTS I am glad to acknowledge my debt to my research supervisor, Diana Dixon, for advice and friendly guidance which have helped to ensure that writing my dissertation remained challenging and enjoyable. I am grateful to the staff of the British Library Document Supply Centre; Manchester Central Library; and the University Li braries of Aberdeen, Cambridge, Leicester, Loughborough, Manchester, Nottingham, and Staffordshire (especially its Assistant Humanities Librarian, Cathryn Donley) for their courtesy in making available to me their collections. Special thanks go to Mrs Hilary Dyer and Professor John Feather for their kind assistance at Loughborough, to Brandon High and John Urquhart for their encouragement and example, and to the School of English Studies, Journalism and Philosophy at the University of Wales College of Cardiff, whose award of a Corvey Senior Studentship in Bibliography from October 1992 provided me with the reassuring focus of knowing that my research into the production and reception of literature in the Romantic a~e could progress a stage further. -
Songs by Artist
DJU Karaoke Songs by Artist Title Versions Title Versions ! 112 Alan Jackson Life Keeps Bringin' Me Down Cupid Lovin' Her Was Easier (Than Anything I'll Ever Dance With Me Do Its Over Now +44 Peaches & Cream When Your Heart Stops Beating Right Here For You 1 Block Radius U Already Know You Got Me 112 Ft Ludacris 1 Fine Day Hot & Wet For The 1st Time 112 Ft Super Cat 1 Flew South Na Na Na My Kind Of Beautiful 12 Gauge 1 Night Only Dunkie Butt Just For Tonight 12 Stones 1 Republic Crash Mercy We Are One Say (All I Need) 18 Visions Stop & Stare Victim 1 True Voice 1910 Fruitgum Co After Your Gone Simon Says Sacred Trust 1927 1 Way Compulsory Hero Cutie Pie If I Could 1 Way Ride Thats When I Think Of You Painted Perfect 1975 10 000 Maniacs Chocol - Because The Night Chocolate Candy Everybody Wants City Like The Weather Love Me More Than This Sound These Are Days The Sound Trouble Me UGH 10 Cc 1st Class Donna Beach Baby Dreadlock Holiday 2 Chainz Good Morning Judge I'm Different (Clean) Im Mandy 2 Chainz & Pharrell Im Not In Love Feds Watching (Expli Rubber Bullets 2 Chainz And Drake The Things We Do For Love No Lie (Clean) Wall Street Shuffle 2 Chainz Feat. Kanye West 10 Years Birthday Song (Explicit) Beautiful 2 Evisa Through The Iris Oh La La La Wasteland 2 Live Crew 10 Years After Do Wah Diddy Diddy Id Love To Change The World 2 Pac 101 Dalmations California Love Cruella De Vil Changes 110 Dear Mama Rapture How Do You Want It 112 So Many Tears Song List Generator® Printed 2018-03-04 Page 1 of 442 Licensed to Lz0 DJU Karaoke Songs by Artist