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DOLBY STEREO “A BRAVE LITTLE FILM THAT SHOWS IT’S NEVER TO LATE TO COME OF AGE” – Los Angeles Times veryone is welcome at Cinecenta! We are a non-profit division of the University of Victoria Students’ Society, conceived as an inexpensive alternative for students, the University community JUNE - JULY 2016 Eand the public. The theatre is in the Student Union Building at UVic. Many buses come to UVic and stop right outside the SUB. The university charges a fee of $2.50 for parking on campus after 6pm and all UVSS Students $5.75 day on Saturdays. There is no charge for parking on Sundays and holidays. Special for UVSS students Tickets and memberships go on sale 40 minutes before showtime. Please 9pm shows (or later) $4.75 arrive early to avoid disappointment. Seniors, Children (12 & under) $5.75 LOCATED IN THE STUDENT UNION BUILDING Other Students $6.75 EVERYONE’S WELCOME AT CINECENTA! Cinemagic Members $6.75 But if you aren’t affiliated with UVic Alumni, Faculty, Staff, BOREALIS UVic and are going to come and guests(1 only) of above $6.75 more than once a year, you 50 can save money by purchasing MEMBERSHIP Non-members $7.75 a Cinemagic Membership! TWO COMPLIMENTARY TICKETS All films are in English, or with $6.75 ADMISSION FOR YOU + English subtitles where noted. $17. 1 ANNUAL SUBSCRIPTION TEN FILM DISCOUNT PASS Cinecenta office: 250-721-8364 UVSS Students, Seniors $50.00 24-hour info Line: 250-721-8365 Members, UVic Staff $57.50 (unavailable to non-members) Manager: Lisa Sheppard Programmer: Michael Hoppe Design: Calum MacConnell DARK HORSE

FRENCH FAVOURITES JULY 12 THE 400 BLOWS

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experiences in Canada, followed by a panel panel a by followed Canada, in experiences

it’s been so long since the Oscar winner has been given the chance to play anything but but anything play to chance the given been has winner Oscar the since long so been it’s and control these premonitions. Can these these Can premonitions. these control and eral parts, each with a chapter head named for a Tarot card. We meet the screenwriter’s wife wife screenwriter’s the meet We card. Tarot a for named head chapter a with each parts, eral

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romance. Field, meanwhile, has rarely been better – though perhaps that’s simply because because simply that’s perhaps though – better been rarely has meanwhile, Field, romance. Horsdal) is supportive but wants him to try try to him wants but supportive is Horsdal) - plays a screenwriter. The setting is Los Angeles and Las Vegas, with the film arranged in sev in arranged film the with Vegas, Las and Angeles Los is setting The screenwriter. a plays

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shows a deft hand here, gently guiding Field through the minefield that is modern modern is that minefield the through Field guiding gently here, hand deft a shows before it actually occurs. His girlfriend (Chelah (Chelah girlfriend His occurs. actually it before Forget plot, forget characters. This film is an invitation to pay attention to life. Christian Bale Bale Christian life. to attention pay to invitation an is film This characters. forget plot, Forget

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considerable wit and verve by the 69-year-old . Director Michael Showalter Showalter Michael Director Field. Sally 69-year-old the by verve and wit considerable

he knows what is going to happen minutes minutes happen to going is what knows he film is about creating a feeling of transcendence and joy through visual means. It’s remarkable. remarkable. It’s means. visual through joy and transcendence of feeling a creating about is film and inspiring selection of outdoor adventure adventure outdoor of selection inspiring and CHILDREN EVERYBODY’S

A sharp dramedy focusing on the romantic stirrings of a lonely office worker, played with with played worker, office lonely a of stirrings romantic the on focusing dramedy sharp A is nonplussed when he suddenly notices that that notices suddenly he when nonplussed is beauty in all things. As a story, his new film is instantly forgettable. But the experience of the the of experience the But forgettable. instantly is film new his story, a As things. all in beauty Victoria and bringing with it an exhilarating exhilarating an it with bringing and Victoria

Fred Ewanuick plays Charles Patterson who who Patterson Charles plays Ewanuick Fred Terrence Malick is inventing a new kind of cinema, of ecstasy, of the spirit, of witnessing the the witnessing of spirit, the of ecstasy, of cinema, of kind new a inventing is Malick Terrence Festival’s Best of the Fest Tour is coming to to coming is Tour Fest the of Best Festival’s Cast: Sally Field, Max Greenfield, Tyne Daiy Tyne Greenfield, Max Field, Sally Cast:

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she end up like this? And why does he care so much? so care he does why And this? like up end she “ONE OF THE BEST MOVIES OF

the past. Plagued by years of regret and loss, Davis flirts with annihilation until he once once he until annihilation with flirts Davis loss, and regret of years by Plagued past. the scene. national the on mark a make to wants ter ways of delivering many social benefits. benefits. social many delivering of ways ter

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comes to the screen. Maggie Smith, as you would expect, has a ball. She is shrill and and shrill is She ball. a has expect, would you as Smith, Maggie screen. the to comes –Rolling Stone

Alone and holed up in his home, he is beset a deteriorating hip, his musical voice stifled stifled voice musical his hip, deteriorating a beset is he home, his in up holed and Alone on aspects of Prince’s life, it’s about a a about it’s life, Prince’s of aspects on THE YEAR” Germany, Portugal, Slovenia, Iceland, Iceland, Slovenia, Portugal, Germany,

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- bonds. Based on the book and stage accounts of the peculiar van-lady who took ref took who van-lady peculiar the of accounts stage and book the on Based bonds. nominee Don Cheadle. In the midst of a dazzling and prolific career at the forefront of of forefront the at career prolific and dazzling a of midst the In Cheadle. Don nominee moment its of currents underlying the rides ing, the antidote to global doom and and doom global to antidote the ing,

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eccentric tenant (Maggie Smith), which slowly deepens into an exploration of human human of exploration an into deepens slowly which Smith), (Maggie tenant eccentric music’s creative geniuses, Miles Davis, featuring a career defining performance by Oscar Oscar by performance defining career a featuring Davis, Miles geniuses, creative music’s It do: to supposed are musicals what does - inspir most his also and years in film able

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Don Cheadle, USA, 2016, 101 min; 14A 14A min; 101 2016, USA, Cheadle, Don min 106 1967, USA, Nichols, Mike PG min; 109 1984, USA, Magnoli, Albert Michael Moore, USA, 2015, 121 min; PG min; 121 2015, USA, Moore, Michael

Director: Nicholas Hytner; UK, 2015, 105 minutes; PG minutes; 105 2015, UK, Hytner; Nicholas Director: Toronto Star Toronto – MILES AHEAD MILES GRADUATE THE RAIN PURPLE

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CELEBRATE PRINCE’S BIRTHDAY BIRTHDAY PRINCE’S CELEBRATE

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Winner ! PALME D’OR “A BRAVE LITTLE FILM THAT SHOWS -Cannes Film “AMAZINGLY LIKABLE.” IT’S NEVER TO LATE TO COME OF AGE” Festival 2015 – Minneapolis Star-Tribune – Los Angeles Times yyyyy FIVE STARS! JUNE 19 (5:00 & 7:00) JUNE 20 & 21 (7:00 & 9:20) “ONE OF THE FIRST TRULY MUST-SEE JUNE 22 & 23 (7:00 & 9:15) “CLEAR-EYED, TIGHTLY WOUND, AND JUNE 24 & 25 (7:00 & 9:00) MOVIES OF 2016.” CINEMATICALLY AND PSYCHOLOGICALLY HELLO, MY NAME IS DORIS EVERYBODY WANTS SOME!! – The Atlantic IMMERSIVE” – The Film Stage A HOLOGRAM FOR THE KING Michael Showalter, USA, 2016, 90 min; PG Richard Linklater; USA, 2016, 117 min; 14A ; France, 2015, Tamil & French with subtitles, 115 min; 14A Tom Tykwer; USA, 2016, 99 min; PG Cast: Sally Field, Max Greenfield, Tyne Daly A hilarious comedy about male bonding, Richard Linklater’s latest ranks right up there with French director Jacques Audiard (“Rust and Bone”) ‘s latest film is almost entirely in the Tamil Alan Clay (Tom Hanks) ‘s marriage has failed and his job status is shaky. Perhaps it’s a his masterpieces. After “Boyhood,” he now serves up a deceptively simple comedy about the language. It’s about a family of immigrants newly arrived in France – only they’re really strang- good thing that his job has taken him to Saudi Arabia. Clay has been tasked with selling PLEASE SEE JUNE 17 & 18 FOR ers huddling under a flag of convenience to leave Sri Lanka. Yalini (Kalieaswari Srinivasan) DESCRIPTION weekend shenanigans that transpire at a Texas college in August 1980. The school’s rowdy a holographic communication system. Problem is, he’s having trouble getting a meeting baseball team welcomes freshman pitcher Jake (Blake Jenner) with the kind of genial haz- is a woman who enlists a girl to play her daughter, while “husband” Dheepan (Jesuthasan with the king’s representative. Engulfed in the Saudi heat, Clay strives to keep his cool. “SALLY FIELD IS PERFECT. SHE MAKES THIS ing that brings to mind Linklater’s “Dazed and Confused.” Bongs will be lit. Pink Floyd will be Antonythasan) is a militant with the recently defeated Tamil Tigers. French social services bil- Based on the novel by Dave Eggers; director Tom Tykwer delivers a delightfully reflective discussed. —Time Out let them in a dilapidated estate, where Dheepan works as a caretaker – and where a drug war comedy-drama. —St. Louis Post-Dispatch MOVIE WORK.” – Austin Chronicle is about to erupt. —The Guardian

“WILL MAKE YOU LAUGH, CRY, AND LEAVE YOU HUMMING ITS SONGS FOR DAYS” –Empire

JUNE 26 (5:00 & 7:00) JUNE 27, 28, 29, 30 (7:00 & 8:45) JULY 1 (7:00 ONLY) & JULY 2 (7:00 & 9:10) “A HEARTWARMING TRUE STORY THAT HAS BEEN EXPERTLY “FEW FILMS ARE EVER AS ENJOYABLE AND DARK HORSE CRAFTED INTO AN IRRESISTIBLE, EMOTION-CHARGED DOCUMENTARY.” –Screen International SING STREET –Consequence of Sound DARK HORSE Louise Osmond; UK, 2015, 87 mins; G John Carney; Ireland, 2016, 106 min; PG ENDEARING” This account of Welsh villagers who team up to sponsor a race horse that surprises everyone by turning out a winner, has all the elements of crowd-pleasing Britflicks such as “,” “Billy Elliott” Welcome to 1985’s Dublin, where times are desperate and London is the dream destina- and “Pride.” Louise Osmond’s genial, enthralling documentary is one of those real-life, against-all-odds sagas that almost defies belief, yet the most important elements here are the characters. Two stand out tion, just a pop song away. It’s the setting for this uplifting crowd-pleaser. As he did with in particular—one human, one equine. The biped is a twinkly-eyed, middle-aged woman named Jan Vokes who works as a barmaid in a depressed Welsh village. Horse racing is a sport that’s belonged to the “Once,” Irish filmmaker John Carney mixes realism with romanticism. Young teenage aristocracy for centuries, but Jan has an idea. The expenses are more than she could afford, obviously, but what if a group of friends shared them? She quickly assembles a team of allies. The horse, named Cosmo (Ferdia Walsh-Peelo) spends the film not fitting in – but looking to get in with an Dream Alliance, eventually wins a high-profile race. Jan Vokes’ irrepressible sense of fun—which encompasses realizing her whole enterprise’s absurd improbability—sets the film’s light-hearted, engaging tone. older girl (Lucy Boynton). The soundtrack is a pure love letter to eighties radio, and the —RogerEbert.com yyyy “FOUR STARS! WITH ITS SHEER WARMTH AND LIKABILITY, THIS GOOD-NATURED DOCUMENTARY WON MY HEART.” –P.Bradshaw; The Guardian climactic scene will cause hearts to cheer and chests to swell. —The Globe and Mail

JULY 3 (4:45 & 7:00) JULY 4 & 5 (7:00 & 9:20) July 6 & 7 (7:00 & 9:00) JULY 8 & 9 (7:00 & 9:10) “SARANDON’S PERFORMANCE IS SING STREET I SAW THE LIGHT DISORDER “TERRIFICALLY SUSPENSEFUL!” –Empire THE MEDDLER SOMETHING TO BEHOLD” John Carney; Ireland, 2016, 106 min; PG Marc Abraham; USA, 2015, 124 min; PG Alice Winocour; France, 2015, 99 min, French with subtitles; PG Lorene Scafaria; USA, 2016, 104 min; PG –Chicago Sun-Times PLEASE SEE JULY 1 & 2 FOR DESCRIPTION Tom Hiddleston takes centre stage as country music legend and legendary renegade Hank A pulsing, sexy thriller. plays Vincent, a French military man who Susan Sarandon is a star shining on her highest beams. She dives into her juiciest role in “THE MOST ROMANTIC MOVIE YOU’LL FIND Williams. This adaptation of Colin Escott’s definitive biography chronicles Williams’ rapid ascent to may not be able to go back to active duty due to his war-induced mental anguish. He is years as Marnie, a New Jersey widow who travels to Los Angeles to be near her screen- stardom, his whirlwind romance with Audrey Mae (Elizabeth Olsen) and the tragedy of a life and hired to watch over a Lebanese businessman’s wife (Diane Kruger), and Vincent is clearly writer daughter (). Why? The title would indicate it’s to meddle, but the gifted ANYWHERE THESE DAYS, BRIMMING OVER WITH career cut short. Laid to rest at only 29, Williams left behind a truly remarkable body of work that drawn to her. Paranoid and suffering from panic attacks, Vincent is not really the best guy writer-director Lorene Scafaria is after something far less clichéd and more nuanced, MUSIC, FUN, AND THE THRILL OF FIRST LOVE” saw a staggering 35 Top 10 singles released in only six years. Hiddleston handles his own singing for this job. Is this family in any danger, or is Vincent just losing it? That’s initially unclear, turning the film into a hilarious and heartfelt tribute to mothering. Watching Sarandon –Rolling Stone chores here and does the man—and his music—proud. —Vancouver International Film Festival the film filling with a tingly air of uncertainty. —Vanity Fair chart Marnie’s slow-growing self awareness is a thing of beauty. —Rolling Stone

“SIMPLY A WORK OF ART” “A SOLID HISTORICAL DRAMA OPPOSING RACISM, –IndieWIRE XENOPHOBIA AND WEAK MATH SKILLS” FRENCH FAVOURITES –Minneapolis Star-Tribune “A BRILLIANT, RIOTOUSLY SURREALIST FILM.” – The Independent JULY 10 (4:45 & 7:00) JULY 11 (7:00 & 9:20) JULY 12 (7:00 & 9:00) 100% ON JULY 13 & 14 (7:00 & 9:15) JULY 15 & 16 (7:00 & 9:20) ROTTEN “A RETRO-FUTURISTIC, DYSTOPIAN HAIL, CAESAR! EMBRACE OF THE SERPENT THE 400 BLOWS TOMATOES! THE MAN WHO KNEW INFINITY HIGH-RISE PHANTASMAGORIA” Joel and Ethan Coen, USA, 2015, 106 min; Ciro Guerra; Columbia/Venezuela/ François Truffant; France, 1959, 99 min, Matt Brown; UK, 2015, 109 min; PG Ben Wheatley; UK, 2015, 119 min; 18A –Toronto International Film Festival PG Argentina, 2015, 125 min, Spanish/ French with subtitles; PG The true story of self-taught mathematical genius Srinivasa Ramanujan. “You dance with Cast: Tom Hiddleston, Sienna Miller and Jeremy Irons Cast: Josh Brolin, George Clooney, Ralph Portuguese/German with subtitles François Truffaut’s first feature is toldnumbers up to infinity,” says Professor Hardy (Jeremy Irons), admiringly, to his protégéCould this happen in Trump Tower? This adaptation of J.G. Ballard’s 1975 novel stars Tom Fiennes, Scarlet Johansson, Channing In this vibrant and wildly original feature, through the eyes of Antoine Doinel (Jean- Srinivasa Ramanujan (Dev Patel), a self-taught mathematics genius. It’s 1913, at Trinity Hiddleston as the upwardly-mobile surgeon who has no idea what is store when he moves Tatum, Tilda Swinton, Frances McDormand two explorers (Jan Bijvoet & Brionne Davis) Pierre Léaud), and it sensitively re-creates College in Cambridge University, and Ramanujan, an impoverished accounting clerk, has into his sleek new apartment building. It’s a scorching satire concerning class, hedonism embark on parallel journeys—40 years the trials of Truffaut’s own childhood, unsen- left India in the hopes of convincing the academic establishment to publish his theories. and depravity. Imagine an adult “Lord of the Flies” cross-wired with the faulty towers in “PURE, POPCORN FUN!”—Chicago Sun-Tribune apart—down the Colombian Amazon. timentally portraying aloof parents, oppres- “Infinity,” like all good biopics, leaves you wanting to know more about its subject andTerry Gilliam’s “Brazil.” —Vancouver International Film Festival sive teachers, and petty crime. about the mysterious way that math geniuses think. —Seattle Times

FRENCH FAVOURITES JULY 17 (5:00 & 7:00) JULY 18 (7:00 & 9:00) July 19 (7:00 & 9:20) 100% ON July 20 & 21 (7:00 & 9:10) JULY 22 & 23 (7:00 & 9:00) ROTTEN 99% ON ! TOMATOES! “SPECTACULAR PERFORMANCES” BOREALIS PURPLE NOON INTO THE FOREST –Georgia Straight LOVE & FRIENDSHIP Sean Garrity; Canada, 2015, 95 min René Clément; France, 1960, 117 min Patricia Rozeema; Canada, 2015, 101 min; 14A Whit Stillman, USA/Ireland, 2016, 92 min This made-in-Manitoba road movie is full of rich comic moments and euphoric revela- French with subtitles Two sisters, Nell (Ellen Page) and Eva (Evan Rachel Wood), live in a home up in the moun- The first time I saw Love & Friendship I fell head over heels. And like anything you love tions. What makes the film soar is the chemistry between actor Jonas Chernick and This ripe, colorful adaptation of Patricia tains on the West Coast. Suddenly, the power goes out. No one knows why. Then, one at first sight, you want to see it again. I can’t think of a more wickedly modern romantic rising teen star Joey King. Chernick, who wrote the script, plays a deceitful, unem- Highsmith’s novel The Talented Mr. Ripley stars day, the radio stops broadcasting. Step by ominous step, everything that Nell, an aspiring comedy, even though the film is based on Lady Susan, an unfinished epistolary novella ployed dad. King plays his daughter, with whom he is trying to reconnect as she is Alain Delon as a duplicitous charmer. What academic and Eva, a promising dancer, have come to rely on is stripped away. The sisters that Jane Austen wrote in 1794 when she was about 20. A sublime Kate Beckinsale digs about to go blind. He drives north to Churchill to show her the Northern Lights before seems a carefree tale soon morphs into a thrill- fall deeper into a primitive life that tests their endurance and their bond. Based on the into the role of her career as Lady Susan Vernon, a widow with impeccable taste and she’s unable to see them. —Toronto Star ing saga of seduction, identity theft, and murder. popular novel by Jean Heglund. —Vancouver International Film Festival scheming ambitions. It’s pure pleasure and ONE OF THE BEST MOVIES OF THE YEAR. Gorgeous location photography of coastal Italy. —Rolling Stone

“JOYOUS...WILL HAVE AUDIENCES “A TERRIFIC FILM” –J.B. Spins “WOW. JUST, WOW.” GRINNING FROM –Arizona Republic EAR TO EAR” –The Wrap FRENCH FAVOURITES JULY 24 (5:00 & 7:00) JULY 25 (7:10 & 9:00) JULY 26 (7:00 & 9:25) JULY 27 & 28 (7:00 & 9:10) SPONSORED BY JULY 29 & 30 (7:00 & 9:15) “VISUALLY STUNNING AND HIGHLY LOVE & FRIENDSHIP SONG OF LAHORE AMÉLIE I AM THE BLUES VICTORIA BLUES SOCIETY THE JUNGLE BOOK DRAMATIC” –Globe and Mail Whit Stillman, USA/Ireland, 2016, 92 min Sharmeen Obaid-Chinoy & Andy Schocken; Jean-Pierre Jeunet; France, 2001, 123 min, Daniel Cross; USA/Canada, 2016, 106 min Jon Favreau; USA, 2016, 106 minutes; PG – may frighten young children. PLEASE SEE JULY 22 & 23 FOR Pakistan/USA, 2015, 82 min, English & Urdu French with subtitles; 14A A musical journey through the swamps of the Louisiana Bayou, the juke joints of the Voices of: Bill Murray, Idris Elba, , Ben Kingley, Lupita Nyong’o, DESCRIPTION with subtitles This excellent documentary This utterly beguiling fable is the charming Mississippi Delta and moonshine-soaked BBQs. Visiting the last original blues devils, Christopher Walken follows a group of Pakistani classical musicians tale of a French girl () who many in their 80’s, still living in the deep south, and touring the Chitlin’ Circuit. Let Bobby Rush, Barbara Lynn, Henry Gray, Carol Fran, Lazy Lester, Bilbo Walker, RL The new Disney version of Rudyard Kipling’s Jungle Book is a triumph of technology. It’s “ONE OF THE BEST MOVIES OF who were invited to perform at Lincoln Center. helps strangers find love and happiness. dazzling — almost no one will dislike it. The movie uses a real actor, Neel Sethi as Mowgli, A fascinating study in cross-cultural pollination, But she proves rather less successful at Boyce, Jimmy ’Duck’ Holmes, Lil Buck Sinegal, LC Ulmer and their friends awaken the blues in all of us. the boy raised by wolves, and surrounded by brilliantly computer-animated wolves, THE YEAR” –Rolling Stone “Lahore” positively sings. —BBCi bettering her own lot. —BBCi panthers, tigers, and bears. The journey is thrillingly kinetic. —New York Magazine

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