DOCSLIB.ORG

Jamal Malik's Motivation in Joining Who Wants To

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI JAMAL MALIK’S MOTIVATION IN JOINING WHO WANTS TO BE A MILLIONAIRE QUIZ AS SEEN IN SIMON BEAUFOY’S SLUMDOG MILLIONAIRE SCRIPT A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Nastiti Adi Hapsari Student Number: 121214121 ENGLISH LANGUAGE EDUCATION STUDY PROGRAMME DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF THE TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2016 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI JAMAL MALIK’S MOTIVATION IN JOINING WHO WANTS TO BE A MILLIONAIRE QUIZ AS SEEN IN SIMON BEAUFOY’S SLUMDOG MILLIONAIRE SCRIPT A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Nastiti Adi Hapsari Student Number: 121214121 ENGLISH LANGUAGE EDUCATION STUDY PROGRAMME DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF THE TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2016 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI DEDICATION PAGE “I CAN DO ALL THINGS THROUGH CHRIST WHO STRENGTHENS ME” Philippians 4:13 This thesis is dedicated to: Jesus Christ My Family iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Hapsari, Nastiti Adi. (2016). Jamal Malik’s Motivation in Joining Who Wants to be a Millionaire Quiz as seen in Simon Beaufoy’s Slumdog Millionaire Script. English Language Education Study Program, Yogyakarta: Sanata Dharma University. This research analyzes Slumdog Millionaire, a movie script written by Simon Beaufoy. The script is an adaptation of the novel Q&A (2005) by an Indian author Vikas Swarup. Slumdog Millionaire script tells about Jamal Malik, an eighteen-year-old boy from Juhu slum of Mumbai who joins an Indian quiz version of Who Wants to be a Millionaire. This research focuses on Jamal Malik’s motivation in joining the Who Wants to be a Millionaire quiz. The objective of this research is to find and reveal the motivation of Jamal Malik’s crucial decision to join the quiz. In order to reveal Jamal Malik’s motivation, this research has two formulated problems namely “How is Jamal Malik described in the script of the movie?” and “What is Jamal Malik’s motivation in joining the quiz of Who Wants to be a Millionaire?” In conducting this study, the researcher uses two kinds of sources. The primary source is the script of Slumdog Millionaire, while the secondary sources are some related theories taken from books and electronic sources. There are some theories used to answer the problem formulations in this research namely theory of character, characterization, personality, and motivation. The approach used in this research is psychological approach. Based on the analysis, the researcher finds two results in this research. The first finding is the description of Jamal Malik’s characteristic. The research concludes that Jamal Malik belongs to a major and round character, and being described as a kind, brave, generous, introvert, and reactive person. The second finding is the surface meaning of Jamal’s motivation that is to meet Latika, the girl he loves, since they have been separated for several times, so they can reunite again. Meanwhile, the deeper meaning of Jamal’s motivation is to safe Jamal and Latika from a group of gangster. In the last part of this thesis, there are recommendations and suggestions. The recommendation is for the future researchers that they can analyze two kinds of topics. The first is about the true meaning of Jamal’s love towards Latika. While the second is about Salim Malik’s motivation in joining a group of gang. The next is suggestion. The suggestion is for English teachers. They can use the script as a teaching material to teach Prose, Drama, or Play Performance. Keywords: true intention, motivation, Slumdog Millionaire vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRAK Hapsari, Nastiti Adi. (2016). Jamal Malik’s Motivation in Joining Who Wants to be a Millionaire Quiz as seen in Simon Beaufoy’s Slumdog Millionaire Script. Program Studi Pendidikan Bahasa Inggris, Yogyakarta: Universitas Sanata Dharma. Penelitian ini menganalisis Slumdog Millionaire, sebuah naskah film yang ditulis oleh Simon Beaufoy. Naskah ini merupakan sebuah adaptasi novel karangan Vika Swarup, seorang penulis asal India. Naskah Slumdog Millionaire menceritakan tentang Jamal Malik, seorang lelaki berumur delapan belas tahun dari kawasan kumuh Juhu, Mumbai, yang mengikuti sebuah kuis versi India bernama Who Wants to be a Millionaire. Penelitian ini berfokus pada motivasi Jamal Malik mengikuti kuis Who Wants to be a Millionaire. Tujuan dari penelitian ini adalah untuk menemukan dan mengungkapkan keputusan krusial Jamal Malik dalam mengikuti kuis tersebut. Untuk mengetahui motivasi Jamal Malik, penelitian ini memiliki dua rumusan masalah yaitu “Bagaimanakah Jamal Malik dideskripsikan di dalam naskah?” dan “Apa motivasi Jamal Malik dalam mengikuti kuis Who Wants to be a Millionaire?” Pada penelitian ini, penulis menggunakan dua jenis sumber. Sumber utama adalah naskah Slumdog Millionaire, sedangkan sumber kedua adalah teori-teori yang berkaitan yang terdapat pada buku-buku cetak dan sumber-sumber elektronik. Ada beberapa teori yang digunakan untuk menjawab rumusan masalah pada penelitian ini yaitu teori karakter, teori karakterisasi, teori kepribadian, dan teori motivasi. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan psikologis. Berdasarkan analisa, peneliti menemukan dua hasil di penelitian ini. Hasil pertama adalah deskripsi dari sifat-sifat Jamal Malik. Peneliti menyimpulkan bahwa Jamal termasuk karakter utama dan komplek, dan merupakan seseorang yang baik, pemberani, murah hati, tertutup, dan responsif. Hasil yang kedua adalah tentang makna tertulis dari motivasi Jamal Malik mengikuti kuis yang adalah untuk bertemu dengan Latika, gadis yang ia cintai, karena mereka telah beberapa kali terpisahkan. Sedangkan makna yang sesungguhnya dari motivasi Jamal Malik adalah untuk menyelamatkan Jamal dan Latika dari sebuah kelompok preman. Pada bagian akhir skripsi ini, terdapat rekomendasi dan saran. Rekomendasi pada bagian ini adalah untuk para peneliti selanjutnya bahwa mereka dapat menganalisa dua hal. Yang pertama adalah tentang makna cinta Jamal Malik terhadap Latika. Kemudian, yang kedua adalah tentang motivasi Salim Malik untuk bergabung dalam sebuah kelompok preman. Selanjutnya adalah saran. Saran pada bagian ini adalah untuk para guru Bahasa Inggris. Mereka dapat menggunakan naskah ini sebagai bahan ajar untuk mengajar Prose, Drama, atau Play Performance. Kata Kunci: true intention, motivation, Slumdog Millionaire viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS Firstly, I would like to express my deepest gratitude to Jesus Christ and Mother Mary for the love, blessings, guidance and strength so that I can finish this thesis. I always receive strength in finishing this thesis everytime I feel like giving up. Secondly, my gratitude goes to my advisor, Dr. Antonius Herujiyanto, M.A., for his time in guiding, giving suggestions, and support patiently during the process of writing this thesis from the beginning until I finish it. Next, I would like to thank all lecturers of ELESP especially to my Academic Advisor, Laurentia Sumarni, M. Trans. St., for her time, support and guidance during my study in Sanata Dharma University. I give my love and best gratitude to Ibuk Retno Adiyati and Bapak Piettoyo Habsoro who always love, support and pray for me unconditionally. I also thank my sister, Bun, for her help. I also want to thank my great friends, Pipi, Mike, Venny, Nina, Tiak and Uut for the support, time, help and joy that we share. I am also very thankful with Carol ‘Mbak Yayuk’ for helping and giving her kindness to me during the process of finishing this thesis. My big thanks also go to IRIS, a group of people who always support and help one another, for the time we have spent together. I also thank all of my friends in my thesis writing class for the help, support and inspiration. ix PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI My other special thanks go to PBI E 2012, EMC, PBI Squad in PPL SMP Maria Immaculata, and KKN LI 42. At last, I want to thank those whom I cannot mention one by one here for the contribution and help in finishing this thesis. Nastiti Adi Hapsari x PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI TABLE OF CONTENTS TITLE PAGE ................................................................................................... i APPROVAL PAGE ........................................................................................ ii DEDICATION PAGE ..................................................................................... iv STATEMENT OF WORK’S ORIGINALITY .............................................. v PERNYATAAN PERETUJUAN PUBLIKASI ............................................... vi ABSTRACT .................................................................................................... vii ABSTRAK ....................................................................................................... viii ACKNOWLEDGEMENTS ............................................................................ ix TABLE OF CONTENTS ................................................................................ xi LIST
Recommended publications
  • DISTINGUISHED ALUMNI As of 3/1/2017

    DISTINGUISHED ALUMNI As of 3/1/2017

    University of Northern Colorado School of Theatre Arts and Dance DISTINGUISHED ALUMNI as of 3/1/2017 Broadway – 25 Performers (55 Productions) Josh Buscher – West Side Story 2009 (OC), Pricilla Queen of the Desert (OC), Big Fish (OC) Ryan Dinning – Machinal (OC) Jenny Fellner – Wicked, Mamma Mia, The Boyfriend, Pal Joey (OC) Scott Foster – Forbidden Broadway (Alive and Kicking) 2013, Brooklyn (OC), Forbidden Broadway (Alive and Kicking) 2014 Greg German – Assassins (OC), Biloxi Blues (OC), Boeing/Boeing Patty Goble – Bye Bye Birdie 2009 (OC), Curtains (OC), The Woman in White (OC), La Cage Aux Follies 2004 (OC), Kiss Me Kate 1999 (OC), Ragtime (OC), Phantom of the Opera Derek Hanson – Anything Goes (Sutton Foster), Side Show (2014 Revival), An American in Paris (2016), Tamara Hayden – Les Miz, Cabaret Autumn Hulbert – Legally Blonde Aisha Jackson – Beautiful: The Carol King Musical, Waitress (OC) Ryan Jesse – Jersey Boys Patricia Jones – Buried Child (OC), Indiscretions (w/Kathleen Turner) Andy Kelso – Mamma Mia, Kinky Boots (OC) Beth Malone – Ring of Fire (OC), Fun Home (OC)+ Victoria Matlock – Million Dollar Quartet (OC) Jason Olazabal – Julius Caesar (OC) (w/Denzel Washington) Laura Ryan – Country Roads The John Denver Musical (OC) Lisa Simms – A Chorus Line Andrea Dora Smith – Tarzan, Motown (OC) Erica Sweany – Honeymoon in Vegas – The Musical (OC) Jason Veasey – The Lion King Jason Watson – Mamma Mia Aléna Watters – Sister Act (OC), Adams Family Musical (OC), West Side Story 2009, Wysandria Woolsey – Chess, Parade, Beauty and the
  • Monty Python Tops Fave Brit-Flick Poll

    Monty Python Tops Fave Brit-Flick Poll

    Monty Python Tops Fave Brit-flick Poll February 1, 2004 Amazon.co.uk and IMDB announce top 40 favourite British films of all-time Monty Python and the Holy Grail has been voted the favourite British film of all time--knocking Stanley Kubrick's A Clockwork Orange into second place with more than double the votes--in a poll conducted by Amazon.co.uk and the Internet Movie Database (IMDB), which coincides with the BAFTA awards this Sunday February 15. The film was the comfortable winner, taking a quarter of the total votes in the poll of over 7,000 people conducted by Amazon.co.uk and IMDB. The final list reveals the public's 40 favourite British films ranging from old classics such as Great Expectations, Oliver Twist and The 39 Steps to more recent British comedies such as Love Actually (out on DVD March 26 and available to pre-order now with £10 off at Amazon.co.uk), Four Weddings and a Funeral and The Full Monty.Featured Films The final list reflects the huge diversity of British films with the top 20 featuring everything from gritty realism to surreal comedy; from majestic epics to spy films; and from classic war stories to classic Shakespeare. This survey demonstrates the eclectic nature of British films and here at Amazon.co.uk we aim to offer the biggest selection of these genre-spanning movies comments Mark Walker, DVD Product Manager at Amazon.co.uk. I think the biggest surprise is the presence of two Monty Python films in the top 10.
  • The Full Monty

    The Full Monty

    The Full Monty PLEASE be prepared with your song when you come to auditions. We may not have time to teach anything depending on how many people audition. If two songs are listed for a character, learn the first one for auditions. The second song will only be used if we need to hear more. Vocals/harmonies for this show are difficult and on the higher side (especially Jerry). You must be able to sing. Reading music is not necessary, but being able to learn parts by listening is a must (not just listening to the CD, but to parts played during rehearsal). Singing only with the accompanist. No acapella or singing with pre-recorded music. You may be asked to sing other songs from the show with no preparation. You will be taught the music should this be the case. If you have any questions, please contact the Music Director, Steve Woznicki, at [email protected] All files can be found on my DROPBOX site. JERRY LUKOWSKI - tenor - Unemployed, divorced, in debt, trying to keep his son. Self- confident almost to a fault. Age Range 25-50. #12 Breeze Off The Water (ms. 32-end) #2 Scrap (ms. 8 through 35) PAM LUKOWSKI - Jerry's ex-wife. Sympathetic about Jerry's struggle, but wants the best for her son. Strong acting role; minimal singing required (ensemble). Age Range 25-50. #3 It's A Woman's World (beginning through ms. 34) DAVE BUKATINSKY - bari-tenor - Unemployed, battling with his weight and his marriage. Likeable, easy-going. Age Range 25-50.
  • Oscars and America 2011

    Oscars and America 2011

    AMERICA AND THE MOVIES WHAT THE ACADEMY AWARD NOMINEES FOR BEST PICTURE TELL US ABOUT OURSELVES I am glad to be here, and honored. I spent some time with Ben this summer in the exotic venues of Oxford and Cambridge, but it was on the bus ride between the two where we got to share our visions and see the similarities between the two. I am excited about what is happening here at Arizona State and look forward to seeing what comes of your efforts. I’m sure you realize the opportunity you have. And it is an opportunity to study, as Karl Barth once put it, the two Bibles. One, and in many ways the most important one is the Holy Scripture, which tells us clearly of the great story of Creation, Fall, Redemption and Consummation, the story by which all stories are measured for their truth, goodness and beauty. But the second, the book of Nature, rounds out that story, and is important, too, in its own way. Nature in its broadest sense includes everything human and finite. Among so much else, it gives us the record of humanity’s attempts to understand the reality in which God has placed us, whether that humanity understands the biblical story or not. And that is why we study the great novels, short stories and films of humankind: to see how humanity understands itself and to compare that understanding to the reality we find proclaimed in the Bible. Without those stories, we would have to go through the experiences of fallen humanity to be able to sympathize with them, and we don’t want to have to do that, unless we have a screw loose somewhere in our brain.
  • Novidades Adultos 2014

    Novidades Adultos 2014

    Los puentes de Madison = The bridges of Madison county / screenplay by Richard LaGravanese ; produced by Clint Eastwood and Kathleen Kennedy ; directed by Clint Eastwood. Ano de realización: 1995 Duración: 129 min. Localización: CINE 791-DM PUE [AUDV 19] Memorias de África = Out of Africa / directed by Sydney Pollack ; screenplay by Kurt Luedtke ; music by John Barry. Ano de realización: 1985 Duración: 154 min. Localización: CINE 791-DM MEM Lo que queda del día / una película de James Ivory ; screenplay by Ruth Prawer Jhabvala ; guión de Ruth Prawer Jhabvala ; música de Richard Robbins. Ano de realización: 1993 Duración: 129 min. Localización: CINE 791-DM LOQ Maridos y mujeres = Husbands and wives / una comedia escrita y dirigida por Woody Allen. Ano de realización: 1992 Duración: 103 min. Localización: CINE 791-C MAR Groundhog day = [Atrapado en el tiempo] / directed by Harold Ramis ; screenplay by Danny Rubin and Harol Rams ; produced by Trevor Albert and Harold Rams. Ano de realización: 1993 Duración: 97 min. Localización: CINE 791-C ATR La vida de Adèle / Abdellatif Kechiche. Ano de realización: 2013 Duración: 180 min. Localización: CINE 791-DM VID Los amantes del Círculo Polar / una película de Julio Medem. Ano de realización: 1998 Duración: 112 min. Localización: CINE 791-DM AMA Call me by your name / directed by Luca Guadagnino ; screenplay by James Ivory. Ano de realización: 2017 Duración: 127 min. Localización: CINE 791-DM CAL Midnight in Paris / escrita y dirigida por Woody Allen ; productores Letty Aronson, Stephen Tenenbaum, Jaume Roures. Ano de realización: 2011 Duración: 94 min. Localización: CINE 791-C MID El diario de Noa / dirigida por Nick Cassavetes ; guión de Jeremy Leven ; producida por Mark Johnson, Lynn Harris.
  • Annual Report 2013 Annual Report Annual Report 2013 Novamedia/Postcode Lotteries

    Annual Report 2013 Annual Report Annual Report 2013 Novamedia/Postcode Lotteries

    Annual Report 2013 Annual Report 2013 Novamedia/Postcode Lotteries People’s Postcode Lottery Svenska PostkodLotteriet Nationale Postcode Loterij Lottery Postcode People’s 76 George Street Visiting address: Visiting address: Edinburgh Klarabergsviadukten 63 Van Eeghenstraat 70 EH2 3BU 111 64 Stockholm 1071 GK Amsterdam United Kingdom Sweden The Netherlands Telephone 0044 - 131 - 554 87 94 Postal address: Postal address: E-mail [email protected] P.O. Box 193 P.O. Box 75025 101 23 Stockholm 1070 AA Amsterdam www.postcodelottery.co.uk Sweden The Netherlands Svenska PostkodLotteriet Telephone 0046 - 8 - 562 488 00 Telephone 0031 - 20 - 673 24 46 Fax 0046 - 8 - 662 58 70 Fax 0031 - 20 - 573 75 55 E-mail [email protected] E-mail [email protected] www.postkodlotteriet.se www.postcodeloterij.nl Nationale Postcode Loterij Nationale Postcode BankGiro Loterij VriendenLoterij Would you like to know more about the Postcode Lottery format? BankGiro Loterij Visiting address: Visiting address: Van Eeghenstraat 70 Van Eeghenstraat 70 Then please contact: 1071 GK Amsterdam 1071 GK Amsterdam Novamedia The Netherlands The Netherlands Van Eeghenstraat 93-95 1071 EX Amsterdam Postal address: Postal address: The Netherlands P.O. Box 75969 P.O. Box 75092 VriendenLoterij 1070 AZ Amsterdam 1070 AB Amsterdam Telephone 0031 - 20 - 664 09 78 The Netherlands The Netherlands Fax 0031 - 20 - 679 75 06 E-mail [email protected] Telephone 0031 - 20 – 573 74 74 Telephone 0031 - 20 – 573 75 07 Fax 0031 - 20 – 573 74 80 Fax 0031 - 20 – 573 75 55 www.novamedia.com E-mail [email protected] E-mail [email protected] www.bankgiroloterij.nl www.vriendenloterij.nl GB-ed.
  • AS YOU LIKE IT, the First Production of Our 50Th Anniversary Season, and the First Show in Our Shakespearean Act

    AS YOU LIKE IT, the First Production of Our 50Th Anniversary Season, and the First Show in Our Shakespearean Act

    Welcome It is my pleasure to welcome you to AS YOU LIKE IT, the first production of our 50th anniversary season, and the first show in our Shakespearean act. Shakespeare’s plays have been a cornerstone of our work at CSC, and his writing continues to reflect and refract our triumphs and trials as individuals and collectively as a society. We inevitability turn to Shakespeare to express our despair, bewilderment, and delight. So, what better place to start our anniversary year than with the contemplative search for self and belonging in As You Like It. At the heart of this beautiful play is a speech that so perfectly encapsulates our mortality. All the world’s a stage, and we go through so many changes as we make our exits and our entrances. You will have noticed many changes for CSC. We have a new look, new membership opportunities, and are programming in a new way with more productions and a season that splits into what we have called “acts.” Each act focuses either on a playwright or on an era of work. It seemed appropriate to inaugurate this with a mini-season of Shakespeare, which continues with Fiasco Theater's TWELFTH NIGHT. Then there is Act II: Americans dedicated to work by American playwrights Terrence McNally (FIRE AND AIR) and Tennessee Williams (SUMMER AND SMOKE); very little of our repertoire has focused on classics written by Americans. This act also premieres a new play by Terrence McNally, as I feel that the word classic can also encapsulate the “bigger idea” and need not always be the work of a writer from the past.
  • SKYSCRAPER the Rock Jumping the Queue for Rex Tickets

    SKYSCRAPER the Rock Jumping the Queue for Rex Tickets

    AUGUST 2018 SKYSCRAPER The Rock jumping the queue for Rex tickets “velveteen glamour and brilliant programming...” (The Guardian) “possibly Britain’s most beautiful cinema..” (BBC) AUGUST 2018 • ISSUE 161 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm BEST IN AUGUST CONTENTS Films At A Glance 16-17 Rants & Pants 26-27 BOX OFFICE: 01442 877759 Summer 1993 Mon to Sat 10.30-6.30 From Spain, a beautifully told autobiographical story of family and belonging. The children are tiny but weirdly ‘natural actors’. Remarkable. Sun 4.30-5.30 Don’t miss. See page 11 SEAT PRICES BEST OF THE WORST Circle £9.50 Concessions/ABL £8.00 Back Row £8.00 The perfect venue for Table £11.50 Concessions/ABL £10.00 your meetings and events Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 Matinees - Upstairs £5, Downstairs £6.50, Royal Box £10 A unique conference venue, the perfect location for a board meeting, Swimming With Men Tag A ridiculous (true?) Full Monty tale Total All-American pap. Men being away day, or team building activities! Disabled and flat access: through of eight hapless men ‘formation children all their lives, determined the gate on High Street (right of drowning’. All the actors to win ‘tag’ at all costs. Another apartments) - 30 minutes from London drown, no stand ins. true? yarn. You will hope it’s not. - A former Royal Residence See page 11 See page 19 - 33 fully equipped meeting rooms suitable for up to 300 people Director: James Hannaway - 10 historic function rooms 01442 877999 - 190 bedrooms Advertising: Chloe Butler - Beautiful gardens ideal for team building activities 01442 877999 - Access to world class speakers through Ashridge Executive Education Artwork: Demiurge Design 01296 668739 For further information or to arrange a site inspection, The Rex please call our dedicated events team.
  • BEST PICTURE Director Actor in a Leading Role ACTRESS in A

    BEST PICTURE Director Actor in a Leading Role ACTRESS in A

    Up–to–the–minute Oscar news and wrap-up on vulture.com 2011 OSCAR POOL BALLOT BEST PICTURE FOreiGN LANGuaGE FilM DOcuMENtarY Feature Black Swan Biutiful Exit Through the Gift Shop Banksy and Jaimie D’Cruz The Fighter Mexico | Directed by Alejandro González Iñárritu Gasland Josh Fox and Trish Adlesic Inception Dogtooth (Kynodontas) Inside Job Charles Ferguson and Audrey Marrs Greece | Directed by Giorgos Lanthimos The Kids Are All Right Restrepo Tim Hetherington and Sebastian Junger In a Better World (Hævnen) The King’s Speech Waste Land Lucy Walker and Angus Aynsley Denmark | Directed by Susanne Bier 127 Hours Incendies DOcuMENtarY SHOrt SUBJect The Social Network Canada | Directed by Denis Villeneuve Killing in the Name Nominees to be determined Toy Story 3 Outside the Law (Hors-la-loi) Poster Girl Nominees to be determined True Grit Algeria | Directed by Rachid Bouchareb Strangers No More Karen Goodman and Kirk Simon Winter’s Bone OriGINal SCOre Sun Come Up Jennifer Redfearn and Tim Metzger DirectOR How to Train Your Dragon John Powell The Warriors of Qiugang Ruby Yang and Darren Aronofsky Black Swan Inception Hans Zimmer Thomas Lennon David O. Russell The Fighter The King’s Speech Alexandre Desplat ANIMated SHOrt FilM Tom Hooper The King’s Speech 127 Hours A.R. Rahman Day & Night Teddy Newton David Fincher The Social Network The Social Network Trent Reznor and Atticus Ross The Gruffalo Jakob Schuh and Max Lang Joel Coen and Ethan Coen True Grit OriGINal SONG Let’s Pollute Geefwee Boedoe ActOR IN A LeadiNG ROle Country Strong “Coming Home” The Lost Thing Shaun Tan and Andrew Ruhemann Javier Bardem Biutiful Music and Lyric by Tom Douglas, Troy Verges, Madagascar, carnet de voyage (Madagascar, a and Hillary Lindsey Journey Diary) Bastien Dubois Jeff Bridges True Grit Tangled “I See the Light” Jesse Eisenberg The Social Network Music by Alan Menken, Lyric by Glenn Slater LIVE ActiON SHOrt FilM Colin Firth The King’s Speech 127 Hours “If I Rise” The Confession Tanel Toom James Franco 127 Hours Music by A.R.
  • Ruth Prawer Jhabvala's Adapted Screenplays

    Ruth Prawer Jhabvala's Adapted Screenplays

    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
  • 2011 Bar Library Academy Awards Competition

    2011 Bar Library Academy Awards Competition

    2011 Bar Library Academy Awards Competition $2.00 entry fee. One entry per person. Entry with most correct answers wins pool. In the event of a tie, the pool is divided amongst those with most correct entries. Entries must be lodged at the Bar library or [email protected] by close of business Friday 25 February 2011. * denotes Australian nominee Name : Chambers: Telephone No: Best Picture Actor in a Leading Role □ “Black Swan” Mike Medavoy, Brian □ Javier Bardem in “Biutiful” Oliver and Scott Franklin, Producers □ Jeff Bridges in “True Grit” □ “The Fighter” David Hoberman, Todd Lieberman and Mark Wahlberg, □ Jesse Eisenberg in “The Social Producers Network” □ “Inception” Emma Thomas and □ Colin Firth in “The King's Speech” Christopher Nolan, Producers □ James Franco in “127 Hours” □ “The Kids Are All Right” Gary Gilbert, Jeffrey Levy-Hinte and Celine Actor in a Supporting Role Rattray, Producers □ Christian Bale in “The Fighter” □ “The King's Speech” Iain Canning, Emile Sherman* and Gareth Unwin, □ John Hawkes in “Winter's Bone” Producers □ Jeremy Renner in “The Town” □ “127 Hours” Christian Colson, Danny Boyle and John Smithson, Producers □ Mark Ruffalo in “The Kids Are All Right” □ “The Social Network” Scott Rudin, Dana Brunetti, Michael De Luca □ Geoffrey Rush* in “The King's and Ceán Chaffin, Producers Speech” □ “Toy Story 3” Darla K. Anderson, Producer □ “True Grit” Scott Rudin, Ethan Coen and Joel Coen, Producers □ “Winter's Bone" Anne Rosellini and Alix Madigan-Yorkin, Producers Actress in a Leading Role Cinematography □ Annette
  • 1 CHAPTER I INTRODUCTION A. Background of the Study People

    1 CHAPTER I INTRODUCTION A. Background of the Study People

    CHAPTER I INTRODUCTION A. Background of the Study People lives in the world have maintained a goal, which can motivate someone to become survive in the world. Each people have a different maintain a goal, but it has a same purpose to make a better life. Many people lives to make a life better than before. They must work hard and endeavor to get better. They have the same opportunity to get their property, prosperity, and happiness. They can change their destiny and make a life better thing as they wish. The way to change their destiny and to hope their wish is called endeavor for life. According to Meizeir (Meizeir, Email: www.selfgrowth.com.2008) “Struggle is any personal goal achievement accompanied by discomfort and resistance. Struggle may still certainly involve overcoming resistance and discomfort”. Struggle or also called endeavor has a general meaning as a way to get the best result and something worth. People will do everything to get it. This occurs in many kinds of field, one of them in literary works. Literary work which has idea of endeavor elements such as novel, poetry, and movie. Movie has the same position in textual studies. Sometimes it reflex’s a daily life, history, or legends. That the meaning of movie has become part of daily life, which is more complicated than the other works. 1 2 Making a movie is not like writing a novel. It needs a teamwork, which involves many people as crew. Film has many elements, such as director, script, writer, editor, music composer, artistic, costume, designer, etc.