Novidades Adultos 2014
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Public Politics/Personal Authenticity
PUBLIC POLITICS/PERSONAL AUTHENTICITY: A TALE OF TWO SIXTIES IN HOLLYWOOD CINEMA, 1986- 1994 Oliver Gruner Thesis submitted for the degree of Ph.D. University of East Anglia School of Film and Television Studies August, 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. 1 TABLE OF CONTENTS Introduction 5 Chapter One “The Enemy was in US”: Platoon and Sixties Commemoration 62 Platoon in Production, 1976-1982 65 Public Politics/Personal Authenticity: Platoon from Script to Screen 73 From Vietnam to the Sixties: Promotion and Reception 88 Conclusion 101 Chapter Two “There are a lot of things about me that aren’t what you thought”: Dirty Dancing and Women’s Liberation 103 Dirty Dancing in Production, 1980-1987 106 Public Politics/Personal Authenticity: Dirty Dancing from Script to Screen 114 “Have the Time of Your Life”: Promotion and Reception 131 Conclusion 144 Chapter Three Bad Sixties/ Good Sixties: JFK and the Sixties Generation 146 Lost Innocence/Lost Ignorance: Kennedy Commemoration and the Sixties 149 Innocence Lost: Adaptation and Script Development, 1988-1991 155 In Search of Authenticity: JFK ’s “Good Sixties” 164 Through the Looking Glass: Promotion and Reception 173 Conclusion 185 Chapter Four “Out of the Prison of Your Mind”: Framing Malcolm X 188 A Civil Rights Sixties 191 A Change -
Understanding Screenwriting'
Course Materials for 'Understanding Screenwriting' FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 Evan Wm. Cameron Professor Emeritus Senior Scholar in Screenwriting Graduate Programmes, Film & Video and Philosophy York University [Overview, Outline, Readings and Guidelines (for students) with the Schedule of Lectures and Screenings (for private use of EWC) for an extraordinary double-weighted full- year course for advanced students of screenwriting, meeting for six hours weekly with each term of work constituting a full six-credit course, that the author was permitted to teach with the Graduate Programme of the Department of Film and Video, York University during the academic years 2001-2002 and 2002-2003 – the most enlightening experience with respect to designing movies that he was ever permitted to share with students.] Overview for Graduate Students [Preliminary Announcement of Course] Understanding Screenwriting FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 FA/FILM 4501 A 6.0 & FA/FILM 4501 B 6.0 Understanding Screenwriting: the Studio and Post-Studio Eras Fall/Winter, 2002-2003 Tuesdays & Thursdays, Room 108 9:30 a.m. – 1:30 p.m. Evan William Cameron We shall retrace within these courses the historical 'devolution' of screenwriting, as Robert Towne described it, providing advanced students of writing with the uncommon opportunity to deepen their understanding of the prior achievement of other writers, and to ponder without illusion the nature of the extraordinary task that lies before them should they decide to devote a part of their life to pursuing it. During the fall term we shall examine how a dozen or so writers wrote within the studio system before it collapsed in the late 1950s, including a sustained look at the work of Preston Sturges. -
Journalismus Und Presse Im Film: Eine Filmographie 2003
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Journalismus und Presse im Film: Eine Filmographie 2003 https://doi.org/10.25969/mediarep/12817 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Journalismus und Presse im Film: Eine Filmographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 19). DOI: https://doi.org/10.25969/mediarep/12817. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0019_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 19, 2003: Journalismus und Presse im Film. ISSN 1613-7477. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 21. Februar 2012. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0019_03.pdf Journalismus und Presse im Film: Eine Filmographie Zusammengestellt von Hans J. Wulff Das Genre der Medienfilme zeichnet eine Geschich- Gerade in der 1930er Jahren haben zahlreiche pro- te der Öffentlichkeitsverständnisse des 20. Jahrhun- fessionelle Zeitungsleute den Wechsel ins Drehbuch- derts nach – in mehrfacher Hinsicht: das Selbstver- gewerbe vollzogen. Damit mag zusammenhängen, ständnis von Journalisten betreffend, die oft implizi- daß der Zeitungsfilm eine Fülle von berufsspezifi- ten Vorstellungen über journalistische Ethik, über schen Problemen aufnahm und reflektierte. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
BEST PICTURE Director Actor in a Leading Role ACTRESS in A
Up–to–the–minute Oscar news and wrap-up on vulture.com 2011 OSCAR POOL BALLOT BEST PICTURE FOreiGN LANGuaGE FilM DOcuMENtarY Feature Black Swan Biutiful Exit Through the Gift Shop Banksy and Jaimie D’Cruz The Fighter Mexico | Directed by Alejandro González Iñárritu Gasland Josh Fox and Trish Adlesic Inception Dogtooth (Kynodontas) Inside Job Charles Ferguson and Audrey Marrs Greece | Directed by Giorgos Lanthimos The Kids Are All Right Restrepo Tim Hetherington and Sebastian Junger In a Better World (Hævnen) The King’s Speech Waste Land Lucy Walker and Angus Aynsley Denmark | Directed by Susanne Bier 127 Hours Incendies DOcuMENtarY SHOrt SUBJect The Social Network Canada | Directed by Denis Villeneuve Killing in the Name Nominees to be determined Toy Story 3 Outside the Law (Hors-la-loi) Poster Girl Nominees to be determined True Grit Algeria | Directed by Rachid Bouchareb Strangers No More Karen Goodman and Kirk Simon Winter’s Bone OriGINal SCOre Sun Come Up Jennifer Redfearn and Tim Metzger DirectOR How to Train Your Dragon John Powell The Warriors of Qiugang Ruby Yang and Darren Aronofsky Black Swan Inception Hans Zimmer Thomas Lennon David O. Russell The Fighter The King’s Speech Alexandre Desplat ANIMated SHOrt FilM Tom Hooper The King’s Speech 127 Hours A.R. Rahman Day & Night Teddy Newton David Fincher The Social Network The Social Network Trent Reznor and Atticus Ross The Gruffalo Jakob Schuh and Max Lang Joel Coen and Ethan Coen True Grit OriGINal SONG Let’s Pollute Geefwee Boedoe ActOR IN A LeadiNG ROle Country Strong “Coming Home” The Lost Thing Shaun Tan and Andrew Ruhemann Javier Bardem Biutiful Music and Lyric by Tom Douglas, Troy Verges, Madagascar, carnet de voyage (Madagascar, a and Hillary Lindsey Journey Diary) Bastien Dubois Jeff Bridges True Grit Tangled “I See the Light” Jesse Eisenberg The Social Network Music by Alan Menken, Lyric by Glenn Slater LIVE ActiON SHOrt FilM Colin Firth The King’s Speech 127 Hours “If I Rise” The Confession Tanel Toom James Franco 127 Hours Music by A.R. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
SCRAPBOOK of MOVIE STARS from the SILENT FILM and Early TALKIES Era
CINEMA Sanctuary Books 790 - Madison Ave - Suite 604 212 -861- 1055 New York, NY 10065 [email protected] Open by appointment www.sanctuaryrarebooks.com Featured Items THE FIRST 75 ISSUES OF FILM CULTURE Mekas, Jonas (ed.). Film Culture. [The First 75 Issues, A Near Complete Run of "Film Culture" Magazine, 1955-1985.] Mekas has been called “the Godfather of American avant-garde cinema.” He founded Film Culture with his brother, Adolfas Mekas, and covered therein a bastion of avant-garde and experimental cinema. The much acclaimed, and justly famous, journal features contributions from Rudolf Arnheim, Peter Bogdanovich, Stan Brakhage, Arlene Croce, Manny Farber, David Ehrenstein, John Fles, DeeDee Halleck, Gerard Malanga, Gregory Markopoulos, Annette Michelson, Hans Richter, Andrew Sarris, Parker Tyler, Andy Warhol, Orson Welles, and many more. The first 75 issues are collected here. Published from 1955-1985 in a range of sizes and designs, our volumes are all in very good to fine condition. Many notable issues, among them, those designed by Lithuanian Fluxus artist, George Macunias. $6,000 SCRAPBOOK of MOVIE STARS from the SILENT FILM and early TALKIES era. Staple-bound heavy cardstock wraps with tipped on photo- illustration of Mae McAvoy, with her name handwritten beneath; pp. 28, each with tipped-on and hand-labeled film stills and photographic images of celebrities, most with tissue guards. Front cover a bit sunned, lightly chipped along the edges; internally bright and clean, remarkably tidy in its layout and preservation. A collection of 110 images of actors from the silent film and early talkies era, including Inga Tidblad, Mona Martensson, Corinne Griffith, Milton Sills, Norma Talmadge, Colleen Moore, Charlie Chaplin, Lillian Gish, and many more. -
2011 Bar Library Academy Awards Competition
2011 Bar Library Academy Awards Competition $2.00 entry fee. One entry per person. Entry with most correct answers wins pool. In the event of a tie, the pool is divided amongst those with most correct entries. Entries must be lodged at the Bar library or [email protected] by close of business Friday 25 February 2011. * denotes Australian nominee Name : Chambers: Telephone No: Best Picture Actor in a Leading Role □ “Black Swan” Mike Medavoy, Brian □ Javier Bardem in “Biutiful” Oliver and Scott Franklin, Producers □ Jeff Bridges in “True Grit” □ “The Fighter” David Hoberman, Todd Lieberman and Mark Wahlberg, □ Jesse Eisenberg in “The Social Producers Network” □ “Inception” Emma Thomas and □ Colin Firth in “The King's Speech” Christopher Nolan, Producers □ James Franco in “127 Hours” □ “The Kids Are All Right” Gary Gilbert, Jeffrey Levy-Hinte and Celine Actor in a Supporting Role Rattray, Producers □ Christian Bale in “The Fighter” □ “The King's Speech” Iain Canning, Emile Sherman* and Gareth Unwin, □ John Hawkes in “Winter's Bone” Producers □ Jeremy Renner in “The Town” □ “127 Hours” Christian Colson, Danny Boyle and John Smithson, Producers □ Mark Ruffalo in “The Kids Are All Right” □ “The Social Network” Scott Rudin, Dana Brunetti, Michael De Luca □ Geoffrey Rush* in “The King's and Ceán Chaffin, Producers Speech” □ “Toy Story 3” Darla K. Anderson, Producer □ “True Grit” Scott Rudin, Ethan Coen and Joel Coen, Producers □ “Winter's Bone" Anne Rosellini and Alix Madigan-Yorkin, Producers Actress in a Leading Role Cinematography □ Annette -
Catalogue-2020-21 Mise En Page 1
2 Éditos p 4 L’association Cannes Cinéma p 8 Les Rencontres de Cannes p 14 Cannes Cinéphiles p 22 Cannes Écrans Juniors p 24 CANNESERIES p 26 Les événements spéciaux p 28 En avant les premières p 29 Regards sur... p 30 Semaine du Cinéma Italien de Cannes p 33 ACID POP p 35 Les Mercredis de l’image p 36 Les événements de la ville de Cannes avec Cannes Cinéma p 37 Les Jeudis de Cannes Cinéma p 39 Les Mercredis des petits p 43 Les Ciné-conférences avec Cannes Université p 49 Ciné voir et revoir avec le GIP Cannes Bel Âge p 52 Ciné-club avec le Film Club de Cannes p 62 Cannes Filmécole p 71 Les lieux de projection de Cannes Cinéma p 74 Calendrier des projections p 77 Remerciements p 82 3 4 Éditos Retrouvons le cinéma Que de jours, de semaines, de mois avons-nous été privés du plaisir des salles obscures par la pandémie du Covid-19. Aujourd’hui encore, malgré l’application de règles sanitaires plus souples, nous peinons parfois à franchir le seuil d’un cinéma. Et pourtant… Quoi de plus précieux et de plus nécessaire que d’échapper, l’espace de quelques heures, à un quotidien pesant en se laissant transporter par la magie d’un bon scénario ? Comme le disait le réalisateur François Truffaut : « Le cinéma est un mélange parfait de vérité et de spectacle ». C’est cette double réalité que nous recherchons en toute œuvre. Celle qui raconte à la fois le monde tel qu’il est et tel qu’il pourrait être, gardant les pieds sur terre et la tête dans les étoiles. -
20Th Anniversary Initiation Banquet ·=- February 1956
( LlKA 20th anniversary initiation banquet ·=- february 1956 ALPHA CHAPTER DELTA KAPPA ALPHA 20th ANNIVERSARY INITIATION BANQUET Saturday, February 11, 1956 Biltmore Hotel - Los Angeles PROGRAM Introduction of Guests Barry Kirk Introduction of Honorary and Associate Members - Chris Seiter Introduction of Alumni and Active Members Welcome from the President Daulat Masuda "25 Years of Cinema at SC" Dr. Robert 0. Hall Message from the National President ('Daulat Masuda Initiation Ceremonies (Chris Seiter (Tom Conrad Presentation of Awards Daulat Masuda Introduction of Mr. Williams Daulat Masuda Acceptance Speech Elmo Williams, A.C.E. Intermission Film Showing of SC Cinema Production, THE FACE of LINCOLN Delta Kappa Alpha N a tiona! Honorary Cinema Fraternity SILVER ANNIVERSARY BANQUET honoring MARY PICKFORD and HAROLD LLOYD January 6, 1963 TOWN and GOWN University of Southern California / PROGRAM I. Opening Dr. Norman Topping, President, USC II. Representing DKA and Cinema Dr. Bernard Kantor III. l\!listress of Ceremonies Bette Davis IV. Harold Lloyd interviewed by Steve Allen Delmer Daves Jack Lemmon V. Film clips of Harold Lloyd VI. Adolph Zukor VII. Mary Pickford interviewed by Bette Davis George Cukor Arthur Knight VIII. Film clips of Mary Pickford Piano-Dave Raksin IX. Leonard Firestone, Chairman of USC Board of Trustees Presentation to Mary Pickford and Harold Lloyd X. In closing Dr. Norman Topping Banquet Committee of USC Friends and Alumni Mrs. George Axelrod Miss Jeanette MacDonald Mrs. Harry Brand Mrs. Robert Stack George Cukor Miss Barbara Stanwyck Bette Davis Mrs. Norman Taurog Y. Frank Freeman Charles Walters Mrs. Beatrice Greenough Miss Ruth Waterbury l\llrs. Leiland Atherton Irish Mrs.