Tom Thomson Art Gallery Movie Series
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Gabrielle De Louise Archambault
Volume 31 numéro 3 Été 2013 5,95 $ ÉTÉ 2013 Gabrielle de Louise Archambault DOSSIER Cinéma et femmes REVUE DE CINÉMA PUBLIÉE PAR L’ASSOCIATION DES CINÉMAS PARALLÈLES DU QUÉBEC VOLUME 31 NUMÉRO 3 VOLUME DU QUÉBEC PARALLÈLES DES CINÉMAS L’ASSOCIATION PUBLIÉE PAR REVUE DE CINÉMA Envoi Poste-publications No de convention : 40069242 ENTRETIEN SPECTACLE FILMS Denis Côté En allant au cinéma Hannah Arendt La Chasse Mud C0 M49 Y66 K0 Volume 31 numéro 3 Été 2013 2 EN COUVERTURE Gabrielle 2 Entretien avec Louise Archambault SOMMAIRE 8 Commentaire critique ENTRETIEN 12 Denis Côté Scénariste et réalisateur de Vic et Flo ont vu un ours 20 Commentaire critique SPECTACLE 12 59 56 En allant au cinéma FILMS 10 Hannah Arendt de Margarethe von Trotta 58 Au-delà des collines de Cristian Mungiu 59 La Chasse de Thomas Vinterberg 60 The Great Gatsby de Baz Luhrmann 61 Mud de Je Nichols 62 Sarah préfère la course de Chloé Robichaud 10 63 This Must Be the Place de Paolo Sorrentino 23 Introduction au dossier 24 Les pionnières québécoises 28 Au Québec en 2013 38 L’horreur au féminin 42 Le combat émancipateur 46 Du masculin au féminin 50 Les lms les plus populaires 54 Coret 20 Courts et grand talent Volume 31 numéro 3 Été 2013 RÉDACTION ÉDITION ABONNEMENT ANNUEL PAYABLE À L’ACPQ (4 NUMÉROS) Éric Perron, rédacteur en chef Association des cinémas parallèles du Québec (ACPQ) Individuel : 23 $ – Institutionnel : 45,99 $ (taxes comprises) [email protected] Martine Mauroy, directrice générale Étranger : 60 $ (non taxable) 514.252.3021 poste 3413 4545, av. -
Beneath the Surface *Animals and Their Digs Conversation Group
FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you. -
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
Rethinking Human Essence and Social Relations from Dogville
Journal of Sociology and Social Work June 2021, Vol. 9, No. 1, pp. 32-36 ISSN: 2333-5807 (Print), 2333-5815 (Online) Copyright © The Author(s). All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/jssw.v9n1a4 URL: https://doi.org/10.15640/jssw.v9n1a4 Rethinking Human Essence and Social Relations from Dogville Paulo Alexandre e Castro1 Abstract One of the main reasons why Dogville (2003), by Lars Von Trier became a famous film, was the way it was filmed, that is, the way Lars Von Trier created a totally new aesthetic in filming, by providing a scenario that represents reality. In fact, this is the right word, scenario, but it‟s not just that. With this particular way of filming, Lars Von Trier provides also a particular way of thinking, that is, he ends up reproducing the way of seeing with the imagination: creating presence in the absence, as happens when we remember a deceased relative or when we create artistically. In Dogville there is no room for imagination. In this sense, we argue that this film represents contemporary (alienated) society where everything has its value and ethical / moral values are only manifested paradoxically as a reaction. Dogville becomes also an aesthetic educational project since it provides an understanding of human condition and human nature. For this task we will make use of some major figures from contemporary philosophy and sociology Keywords: Lars Von Trier; Human nature; Subjectivity; Values; Violence; Dogville; Society. 1. Introduction: Lars Von Trier and Dogma95 challenge Making movies is not making beautiful movies. -
SEQUENCE 1.2 (2014) an Allegory of a 'Therapeutic' Reading of a Film
SEQUENCE 1.2 (2014) An Allegory of a ‘Therapeutic’ Reading of a Film: Of MELANCHOLIA Rupert Read SEQUENCE 1.2 (2014) Rupert Read Wittgenstein, Tractatus Logico-Philosophicus: 6.43 If good or bad willing changes the world, it can only change the limits of the world, not the facts; not the things that can be expressed in language. // In brief, the world must thereby become quite another, it must so to speak wax or wane as a whole. // The world of the happy is quite another than that of the unhappy. 6.431 As in death, too, the world does not change, but ceases. 6.4311 Death is not an event of life. Death is not lived through. // If by eternity is understood not endless temporal duration but timelessness, then he lives eternally who lives in the present. // Our life is endless in the way that our visual field is without limit. Heidegger, Being and Time: If I take death into my life, acknowledge it, and face it squarely, I will free myself from the anxiety of death and the pettiness of life - and only then will I be free to become myself. Wittgenstein, Remarks on the philosophy of psychology I: 20: [A]n interpretation becomes an expression of experience. And the interpretation is not an indirect description; no, it is the primary expression of the experience. 2 SEQUENCE 1.2 (2014) Rupert Read 1. This essay is a (more or less philosophical) i. Throughout this paper, I dance in a account or allegory of my viewing(s) of Lars von ‘dialogue’ with – am in ‘conversation’ Trier’s remarkable film, Melancholia (2011).1 It is with – Steven Shaviro’s fascinating personal, and philosophical. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
ZOOM- Press Kit.Docx
PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes.. -
South Africa's Official Selection for the Foreign Film Oscars 2006
Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos. -
Comprehensive Anti-Racism Resources
COMPREHENSIVE ANTI-RACISM RESOURCES Compiled by UNY Conference Commission on Religion and Race Members and the General Commission on Religion & Race Online Resources Study Links – GCORR Lenten Study Series: Roll Down Justice: Six-session study guides and videos www.gcorr.org/series/lenten-series-roll-down-justice/ Racial Justice Conversation Guide www.gcorr.org/racial-justice-conversation-guide/ Is Reverse Racism Really a Thing? Study guide & video www.gcorr.org/is-reverse-racism-really-a-thing/ Wait…That’s Privilege? Article with Privilege Quiz www.gcorr.org/wait-thats-privilege/ Study Links – Other Sources United Methodist Women’s Lenten Study on Racial Justice www.unitedmethodistwomen.org/lent www.youtube.com/watch?v=XITxqC0Sze4 Eye on the Prize – a PSB documentary series (14 episodes) www.youtube.com/watch?v=NpY2NVcO17U UMW Tools for Leaders: Resources for Racial Justice https://s3.amazonaws.com/umw/pdfs/racialjustice2012.pdf 2 Websites National Association for the Advancement of Colored People (NAACP): https://www.naacp.org Southern Poverty Law Center: https://www.splcenter.org General Commission on Religion and Race (GCORR): http://www.gcorr.org/ Black Lives Matter: https://blacklivesmatter.com Local groups involved in anti-racism action in your area Podcasts www.insocialwork.org/list_categories.asp Videos Getting Called Out – How to Apologize: www.youtube.com/watch?v=C8xJXLYL.8pU&feature=youtube).UnderstandingMy Privilege The Danger of a Single Story www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story/transcr ipt?languafe=en PBS, "Race: The Power of an Illusion." Three one-hour videos with discussion questions, 2003. https://www.pbs.org/race/000_General/000_00-Home.htm Crossing the Color Line | Brennon Thompson | TEDxSUNYGeneseo https://www.youtube.com/watch?v=3UQUT4LMhAw "Free Indeed," a video drama about racism and white privilege, available at UNY Resource Center. -
Members Only Screenings 2006
Films Screened at MFS ‘Members Only’ Nights, Masonic Hall Maleny February ’06 to Dec ’16 ’10 84 Charing Cross Road US drama 1986 ’12 100 Nails ITALY drama 2007 ’14 400 Blows FR drama 1959 ’09 The Archive Project AUS doc 2005 ’07 The Back of Beyond AUS drama 1954 ’08 Babakiueria AUS com 1986 ’14 Barbara GER psych.thriller 2012 ’15 My Beautiful Country GER drama 2012 (Die Brücke am Ibar) ’07 Bedazzled UK comedy 1967 ’11 Black Orpheus BRAZIL/FR drama 1958 ’11 Blow Up UK drama 1966 ’10 Bootmen US/AUS drama 2000 ’16 Bornholmer Street Germany drama 2014 ’16 Breaker Morant AUS drama 1980 ’06 Breaking the Waves US dr/rom 1996 ’12 Breathless (A Bout de Souffle) FR drama 1959 ’09 Brothers Denmark drama 2004 ’13 Bunny Lake is Missing UK mystery/dr 1965 ’07 Cane Toads AUS doc 1987 ’16 Casablanca US drama 1942 ’12 Cherry Blossoms Germany drama 2008 ’06 The Chess Players India drama 1977 ’12 Children of the Revolution AUS drama 1996 ’08 The Company of Strangers Canada drama 1990 ’13 Cul de Sac UK mystery/com 1966 ’06 Cunnamulla AUS doc 2000 ’06 Dance of the Wind INDIA drama 1997 ’09 Dancer in the Dark Denmark musical 2000 ’10 Day for Night FR comedy 1973 ’09 Days of Heaven USA drama 1978 ’16 Dead Poet’s Society USA com/dr 1989 ’11 Dingo AUS jazz/dr ama 1991 ’11 The Discreet Charm of the Bourgeoisie FR satire 1972 ’13 Distant Lights GER immigrant dr 2003 ’11 Il Divo ITALY political dr 2008 ’08 Don’s Party AUS com/drama 1976 ’15 The Dunera Boys AUS doc 1985 ’07 East of Eden US drama 1954 ’07 The Edge of the World/ Scotland doco 1937/ Return to the Edge -
AN UNEASY CONTRADICTION Surveying the Career of Edward Burtynsky by CAROL M CCUSKER
PANORAMIC AN UNEASY CONTRADICTION Surveying the career of Edward Burtynsky BY CAROL M CCUSKER OIL FIELDS #19 (DIPTYCH), BELRIDGE, CALIFORNIA, USA—2003 Our dependence on nature to provide the materials for our con - quarries, and uranium tailings. More recently, he has pho - This photographic trajectory, from the subtle to the shocking, says the photographer. “We are drawn by desire, a chance at sumption, and our concern for the health of our planet sets us into tographed landscapes we couldn’t imagine without his camera: is in sync with growing public awareness of critical land-use issues. good living, yet…the world is suffering for our success.” an uneasy contradiction. — Edward Burtynsky China’s relocation of millions of citizens to make way for the You could say that Ed Burtynsky and his audience have grown up Three Gorges Dam, E-waste recycling, tire dumps, and ship- together in mutual ecological consciousness, with the photogra - sing color film, a large format camera, positioning himself rom the mid-1980s to the present, photographer Edward breaking. For two decades, Burtynsky’s environmentally con - pher acting like Dickens’s “Ghost of Christmas Future,” revealing above his subject, often printing to a painterly size of 50x60 Burtynsky has made beautiful images of landscapes we’d scious photographs have grown from picturing quiet, seemingly the malevolent fruits of our collective consumption. “Between Uinches, with an eye for compositional beauty amid the Frather not see. He photographs sites that are essential to benign hillsides with houses and dogs to the flagrantly poi - attraction and repulsion, seduction and fear…these images are ruins, his photographs form a detailed archive of the present that our worldwide energy consumption: open-pit mines, refineries, sonous, in the red river tailings of Sudbury, Ontario. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.