Members Only Screenings 2006

Total Page:16

File Type:pdf, Size:1020Kb

Members Only Screenings 2006 Films Screened at MFS ‘Members Only’ Nights, Masonic Hall Maleny February ’06 to Dec ’16 ’10 84 Charing Cross Road US drama 1986 ’12 100 Nails ITALY drama 2007 ’14 400 Blows FR drama 1959 ’09 The Archive Project AUS doc 2005 ’07 The Back of Beyond AUS drama 1954 ’08 Babakiueria AUS com 1986 ’14 Barbara GER psych.thriller 2012 ’15 My Beautiful Country GER drama 2012 (Die Brücke am Ibar) ’07 Bedazzled UK comedy 1967 ’11 Black Orpheus BRAZIL/FR drama 1958 ’11 Blow Up UK drama 1966 ’10 Bootmen US/AUS drama 2000 ’16 Bornholmer Street Germany drama 2014 ’16 Breaker Morant AUS drama 1980 ’06 Breaking the Waves US dr/rom 1996 ’12 Breathless (A Bout de Souffle) FR drama 1959 ’09 Brothers Denmark drama 2004 ’13 Bunny Lake is Missing UK mystery/dr 1965 ’07 Cane Toads AUS doc 1987 ’16 Casablanca US drama 1942 ’12 Cherry Blossoms Germany drama 2008 ’06 The Chess Players India drama 1977 ’12 Children of the Revolution AUS drama 1996 ’08 The Company of Strangers Canada drama 1990 ’13 Cul de Sac UK mystery/com 1966 ’06 Cunnamulla AUS doc 2000 ’06 Dance of the Wind INDIA drama 1997 ’09 Dancer in the Dark Denmark musical 2000 ’10 Day for Night FR comedy 1973 ’09 Days of Heaven USA drama 1978 ’16 Dead Poet’s Society USA com/dr 1989 ’11 Dingo AUS jazz/dr ama 1991 ’11 The Discreet Charm of the Bourgeoisie FR satire 1972 ’13 Distant Lights GER immigrant dr 2003 ’11 Il Divo ITALY political dr 2008 ’08 Don’s Party AUS com/drama 1976 ’15 The Dunera Boys AUS doc 1985 ’07 East of Eden US drama 1954 ’07 The Edge of the World/ Scotland doco 1937/ Return to the Edge of the World 1978 ’08 The Edukators GER act/com/cr 2004 ’14 End Play AUS drama 1975 ’08 Ermo CHINA com/drama 1994 ’11 Faro - Goddess of the Waters MALI drama 2007 ’08 Fear Eats the Soul GER drama 1974 ’11 Fitzcarraldo GER drama 1982 ’10 Flowers from Another World SPAIN drama 1999 ’06 Flying Classroom GER dr/com/fam 1954 ’16 For the Term of his Natural Life AUS drama 1927 Films Screened at MFS ‘Members Only’ Nights, Masonic Hall Maleny February ’06 to Dec ’16 ’07 Gadjo Dilo FR gypsy drama 1997 ’14 Georgia AUS thriller 1988 ’13 Goodbye Lenin GER com/drama 2003 ’14 Good Morning Night ITALY polit. drama 2003 ’15 A Gorgeous Girl Like Me FR blck comedy 1972 ’15 The Grapes of Wrath US drama 1940 ’13 Happy Together HK love story 1997 ’08 Harvey Krumpet (1/2) AUS animé /short 2003 ’14 High Hopes UK com/satire 1988 ’08 History: An Untold Story AUS doc 1989 ’10 In the Mood for Love CHINA romance/dr 2000 ’08 It US com/rom 1927 ’16 The Jazz Singer US musical 1927 ’09 Jedda AUS drama 1955 ’13 Jules et Jim FR drama/rom 1962 ’08 The Lady from Shanghai US cr/dr/noir 1948 ’16 The Leopard (Il Gattopardo) IT/FR drama/hist. 1963 ’13 A Lesson in Love SWEDEN com/drama 1954 ’12 Lessons in Chocolate ITALY rom com 2007 ’13 Love in the Time of Cholera US rom drama 2007 ’06 Love Streams US drama 1984 ’12 Made in Sudan (short stories) Germany drama 2010 ’11 The Magician Sweden drama 1958 ’09 Maleny Movies AUS 2008 ’08 Man of Flowers AUS drama 1983 ’06 Man with a Movie Camera RUS 1929 ’13 Manhattan US rom com 1979 ’11 Many Kisses Later ITALY dr/com/rom 2009 ’15 McCabe and Mrs Miller US westn/com 1971 ’08 Modern Times US comedy 1936 ’12 Molokai, the Story of Father Damien AUS historic dma 1998 ’13 Monkey Grip AUS soc. real. dr 1982 ’11 More Animation Greats CAN shorts ’71-’96 ’08 One Night the Moon (1/2) AUS dr/mus/myst 2001 ’14 Persepolis FR animé 2007 ’16 Persona SWE psych drama 1966 ’10 The Picture Show Man AUS memoir 1977 ’15 Polska Love Serenade GER road movie 2004 ’09 Il Postino ITALY dr/romance 1995 ’15 Radiance AUS family drama 1997 ’06 Raging Bull US drama 1980 ’09 Raise the Red Lantern CHINA drama 1991 ’07 Rebel Without a Cause US drama 1955 ’06 Ryan CAN animé doc 2004 ’11 The Road Home CHINA romance/dr 1990 ’15 The Road to Nhil AUS comedy 1996 ’06 The Rules of the Game FR drama 1939 ’16 They’re a Weird Mob AUS comedy 1966 ’14 Run Lola Run GER drama 1999 Films Screened at MFS ‘Members Only’ Nights, Masonic Hall Maleny February ’06 to Dec ’16 ’07 Salaam Bombay IND drama 1988 ’12 Saratan USSR drama 2005 ’07 The Searchers US western 1956 ’07 Serenades AUS drama 2001 ’16 Singing in the Rain US mus/romcom 1952 ’14 Smiles of a Summer Night SWE comedy 1955 ’15 Some Like it Hot US comedy 1959 ’15 Soul Boy KEN drama 2010 ’07 Spider and Rose AUS drama 2004 ’10 Strangers on a Train US noir/com/thr 1951 ’10 Sunday Too Far Away AUS drama 1975 ’15 The Tale of Ruby Rose AUS drama 1987 ’12 That Obscure Object of Desire FR drama 1977 ’10 Those Days (In Jenen Tagen) GER drama 1947 ’12 Tinker, Tailor, Soldier, Spy UK spy thriller 2011 ’06 Tokyo Story JAPAN drama 1953 ’13 Travels with My Aunt US dr/com/adv 1972 ’09 The Tree of Wooden Clogs ITALY drama 1978 ’09 The Truman Show US drama 1998 ’14 The Year of Living Dangerously AUS polit/thriller 1982 ’14 Wages of Fear FR drama 1953 ’16 The Wild Duck AUS drama 1984 ’06 Wild Strawberries Sweden drama 1957 & ’10 ’12 Zabriskie Point US drama 1959 Note: Films screened prior to 2006 (May - Dec 2005) are not included in this list .
Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • It 2.007 Vc Italian Films On
    1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute.
    [Show full text]
  • Rethinking Human Essence and Social Relations from Dogville
    Journal of Sociology and Social Work June 2021, Vol. 9, No. 1, pp. 32-36 ISSN: 2333-5807 (Print), 2333-5815 (Online) Copyright © The Author(s). All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/jssw.v9n1a4 URL: https://doi.org/10.15640/jssw.v9n1a4 Rethinking Human Essence and Social Relations from Dogville Paulo Alexandre e Castro1 Abstract One of the main reasons why Dogville (2003), by Lars Von Trier became a famous film, was the way it was filmed, that is, the way Lars Von Trier created a totally new aesthetic in filming, by providing a scenario that represents reality. In fact, this is the right word, scenario, but it‟s not just that. With this particular way of filming, Lars Von Trier provides also a particular way of thinking, that is, he ends up reproducing the way of seeing with the imagination: creating presence in the absence, as happens when we remember a deceased relative or when we create artistically. In Dogville there is no room for imagination. In this sense, we argue that this film represents contemporary (alienated) society where everything has its value and ethical / moral values are only manifested paradoxically as a reaction. Dogville becomes also an aesthetic educational project since it provides an understanding of human condition and human nature. For this task we will make use of some major figures from contemporary philosophy and sociology Keywords: Lars Von Trier; Human nature; Subjectivity; Values; Violence; Dogville; Society. 1. Introduction: Lars Von Trier and Dogma95 challenge Making movies is not making beautiful movies.
    [Show full text]
  • SEQUENCE 1.2 (2014) an Allegory of a 'Therapeutic' Reading of a Film
    SEQUENCE 1.2 (2014) An Allegory of a ‘Therapeutic’ Reading of a Film: Of MELANCHOLIA Rupert Read SEQUENCE 1.2 (2014) Rupert Read Wittgenstein, Tractatus Logico-Philosophicus: 6.43 If good or bad willing changes the world, it can only change the limits of the world, not the facts; not the things that can be expressed in language. // In brief, the world must thereby become quite another, it must so to speak wax or wane as a whole. // The world of the happy is quite another than that of the unhappy. 6.431 As in death, too, the world does not change, but ceases. 6.4311 Death is not an event of life. Death is not lived through. // If by eternity is understood not endless temporal duration but timelessness, then he lives eternally who lives in the present. // Our life is endless in the way that our visual field is without limit. Heidegger, Being and Time: If I take death into my life, acknowledge it, and face it squarely, I will free myself from the anxiety of death and the pettiness of life - and only then will I be free to become myself. Wittgenstein, Remarks on the philosophy of psychology I: 20: [A]n interpretation becomes an expression of experience. And the interpretation is not an indirect description; no, it is the primary expression of the experience. 2 SEQUENCE 1.2 (2014) Rupert Read 1. This essay is a (more or less philosophical) i. Throughout this paper, I dance in a account or allegory of my viewing(s) of Lars von ‘dialogue’ with – am in ‘conversation’ Trier’s remarkable film, Melancholia (2011).1 It is with – Steven Shaviro’s fascinating personal, and philosophical.
    [Show full text]
  • Sans Titre-2
    A l’Espace Audiovisuel: Les Palmes d’Or du festival de Cannes Année Titre Réalisateur Pays Cote 2010 Oncle Boonmee Weerasethakul Apichatpong Thaïlande 3344DVD 2009 Le ruban blanc Haneke Michael Autriche 2720DVD 2008 Entre les murs Cantet Laurent France 1727DVD 2007 4 mois, 3 semaines, 2 jours Mungiu Cristian Roumanie 1403DVD 2006 Le vent se lève Loach Ken Royaume-Uni 1161DVD Jean-Pierre et 2005 L'enfant Dardenne Luc Belgique 1284DVD 2004 Fahrenheit 9 / 11 Moore Michael Etats-Unis 2692DVD 2003 Elephant Van Sant Gus Etats-Unis 496DVD 2002 Le pianiste Polanski Roman Pologne 649DVD 2001 La chambre du fils Moretti Nanni Italie 1892DVD 2000 Dancer in the dark Trier Lars von Danemark 269DVD Jean-Pierre et 1999 Rosetta Dardenne Luc Belgique 57DVD 1998 L'éternité et un jour Angelopoulos Theo Grèce 1503DVD Le goût de la cerise Kiarostami Abbas Iran 1929AVV 1997 L'anguille Imamura Shohei Japon 1921AVV 1996 Secrets et mensonges Leigh Mike Royaume-Uni 1028DVD 1995 Underground Kusturica Emir Yougoslavie 1994 Pulp fiction Tarantino Quentin Etats-Unis 1203DVD Nouvelle- 1993 La leçon de piano Campîon Jane Zélande 1032DVD Adieu ma concubine Kaige Chen Chine 1086DVD 1992 Les meilleures intentions August Bille Danemark 1991 Barton Fink Coen Ethan et Joel Etats-Unis 1505DVD 1990 Sailor et Lula Lynch David Etats-Unis 1218DVD 1989 Sexe, mensonge et vidéo Soderbergh Steven Etats-Unis 1068AVV 1988 Pelle le conquérant August Bille Danemark 288DVD 1987 Sous le soleil de Satan Pialat Maurice France 11DVD 1986 Mission Joffé Roland Royaume-Uni 1985 Papa est en voyage
    [Show full text]
  • The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
    Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author
    [Show full text]
  • Phoenix Films 1999-2019/20 Sorted by Film Title 10
    Phoenix Films 1999-2019/20 Sorted by Film Title Film Date Rating(%) 2046 1-Feb-2006 68 120BPM (Beats Per Minute) 24-Oct-2018 75 3 Coeurs 14-Jun-2017 64 35 Shots of Rum 13-Jan-2010 65 45 Years 20-Apr-2016 83 5 x 2 3-May-2006 65 A Bout de Souffle 23-May-2001 60 A Clockwork Orange 8-Nov-2000 81 A Fantastic Woman 3-Oct-2018 84 A Farewell to Arms 19-Nov-2014 70 A Highjacking 22-Jan-2014 92 A Late Quartet 15-Jan-2014 86 A Man Called Ove 8-Nov-2017 90 A Matter of Life and Death 7-Mar-2001 80 A One and A Two 23-Oct-2001 79 A Prairie Home Companion 19-Dec-2007 79 A Private War 15-May-2019 94 A Room and a Half 30-Mar-2011 75 A Royal Affair 3-Oct-2012 92 A Separation 21-Mar-2012 85 A Simple Life 8-May-2013 86 A Single Man 6-Oct-2010 79 A United Kingdom 22-Nov-2017 90 A Very Long Engagement 8-Jun-2005 80 A War 15-Feb-2017 91 A White Ribbon 21-Apr-2010 75 Abouna 3-Dec-2003 75 About Elly 26-Mar-2014 78 Accident 22-May-2002 72 After Love 14-Feb-2018 76 After the Storm 25-Oct-2017 77 After the Wedding 31-Oct-2007 86 Alice et Martin 10-May-2000 All About My Mother 11-Oct-2000 84 All the Wild Horses 22-May-2019 88 Almanya: Welcome To Germany 19-Oct-2016 88 Amal 14-Apr-2010 91 American Beauty 18-Oct-2000 83 American Honey 17-May-2017 67 American Splendor 9-Mar-2005 78 Amores Perros 7-Nov-2001 85 Amour 1-May-2013 85 Amy 8-Feb-2017 90 An Autumn Afternoon 2-Mar-2016 66 An Education 5-May-2010 86 Anna Karenina 17-Apr-2013 82 Another Year 2-Mar-2011 86 Apocalypse Now Redux 30-Jan-2002 77 Apollo 11 20-Nov-2019 95 Apostasy 6-Mar-2019 82 Aquarius 31-Jan-2018 73
    [Show full text]
  • Guide to the Papers of the Capri Community Film Society
    Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline.
    [Show full text]
  • Nature and the Feminine in Lars Von Trier's Antichrist
    PARRHESIA NUMBER 13 • 2011 • 177-89 VIOLENT AFFECTS: NATURE AND THE FEMININE IN LARS VON TRIER’S ANTICHRIST Magdalena Zolkos [Of all my films] Antichrist comes closest to a scream. Lars von Trier INTRODUCTION / INVITATION: “THE NATURE OF MY FEARS”1 Lars von Trier’s 2009 film Antichrist, produced by the Danish company Zentropa, tells a story of parental loss, mourning, and despair that follow, and ostensibly result from, the tragic death of a child. The film stars two protagonists, identified by impersonal gendered names as She (Charlotte Gainsbourg) and He (Willem Dafoe). This generic economy of naming suggests that Antichrist, in spite of, or perhaps because of, the eschatological signification of its title, is a story of origins. Antichrist stages a quasi-religious return (within the Abrahamic tradition) to a lapsarian space where the myth of the female agency of the originary transgression,2 and the subsequent establishment of human separateness from nature, are told by von Trier as a story of his own psychic introspection. In the words of Joanne Bourke, professor of history at Birkbeck College known for her work on sexual violence and on history of fear and hatred, Antichrist is a re-telling of the ancient Abrahamic mythology framed as a question “what is to become of humanity once it discovers it has been expelled from Eden and that Satan is in us.”3 This mythological trope grapples with the other-than-human presence, as a demonic or animalistic trace, found at the very core of the human.4 At the premiere of Antichrist at the 2009
    [Show full text]
  • Dogme 95 and the Representation of Reality Zsolt Gyenge Moholy-Nagy University of Art and Design, Budapest (Hungary) Email: [email protected]
    Acta Univ. Sapientiae, Film and Media Studies, 1 (2009) 6979 Illusions of Reality and Fiction or the Desired Reality of Fiction: Dogme 95 and the Representation of Reality Zsolt Gyenge Moholy-Nagy University of Art and Design, Budapest (Hungary) email: [email protected] Abstract. The paper identies a two channel strategy developed by the authors of the Danish Dogme lms having as goal the generation of the illusion of reality. The rst channel is aiming at the visual layer of the movies, which shows a rm decision to break with the style of the traditional ction lms. The second channel of this strategy is concerned with the narration of the lms. In this regard Dogme contrary to what had been declared in the Vow of Chastity chose one of the most popular lm and TV genres: melodrama. On the one hand Dogme lms created a highly self-reexive visual style and then they combined it on the other hand with a genre which calls for extreme audience identication. Documentarism and deeply conventionalized stories are put together in most Dogme lms to create the reality of ction. Movie is not an illusion states the Manifesto,1 and thus it makes us clear that the movement tries to say something about one of the major themes of cinema and lm theory (and of visual communication in general): the representation of reality. It is well known that the initiators of Dogme 952 1The two founding documents of the Dogme 95 are the Manifesto and the Vow of Chastity. Until recently they were to be found on the ocial website (www.dogme95.dk) of the movement, which in February 2009, during the nal revision of this paper, became unavailable.
    [Show full text]
  • Love, Faith and Spirituality in Von Trier's Breaking the Waves
    Journal of Religion & Film Volume 15 Issue 1 April 2011 Article 8 April 2011 In the Kingdom of Men: Love, Faith and Spirituality in von Trier's Breaking the Waves Ingrid Fernandez Stanford University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Fernandez, Ingrid (2011) "In the Kingdom of Men: Love, Faith and Spirituality in von Trier's Breaking the Waves," Journal of Religion & Film: Vol. 15 : Iss. 1 , Article 8. Available at: https://digitalcommons.unomaha.edu/jrf/vol15/iss1/8 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. In the Kingdom of Men: Love, Faith and Spirituality in von Trier's Breaking the Waves Abstract Rehabilitating Lars von Trier: The power of von Trier’s Breaking the Waves lies exactly in its irreducibility to a fixed interpretation. The director reconceptualizes the themes of spiritual devotion, faith and love in an unorthodox tale of the human struggle to find meaning and purpose in the world. The character of Bess allows us to penetrate into the innermost regions of the mind and affirms a humanistic approach to our relationship to ourselves and others. Von Trier places an individual’s actions as a form of development, a gesture towards transcendence that nonetheless exists within the mixture of banality and profundity that constitutes the world of man. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol15/iss1/8 Fernandez: In the Kingdom of Men Introduction Lars von Trier’s Breaking the Waves has raised multiple issues and a considerable amount of controversy since its release in 1996.
    [Show full text]
  • Film Appreciation Wednesdays 6-10Pm in the Carole L
    Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced.
    [Show full text]