Rainer Brüninghaus Freigeweht Mp3, Flac, Wma

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Rainer Brüninghaus Freigeweht mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Freigeweht Country: Germany Released: 1981 Style: Contemporary Jazz MP3 version RAR size: 1430 mb FLAC version RAR size: 1530 mb WMA version RAR size: 1552 mb Rating: 4.5 Votes: 810 Other Formats: RA WMA ADX XM MP4 VQF VOX Tracklist A1 Stufen 8:25 A2 Spielraum 5:59 A3 Radspuren 10:48 B1 Die Flüsse Hinauf 8:32 B2 Täuschung Der Luft 4:16 B3 Freigeweht 12:17 Companies, etc. Phonographic Copyright (p) – ECM Records GmbH Recorded At – Talent Studio Credits Composed By, Piano, Synthesizer – Rainer Brüninghaus Design – Dieter Rehm Drums – Jon Christensen Engineer – Jan Erik Kongshaug Flugelhorn [Fluegelhorn] – Kenny Wheeler Oboe, English Horn – Brynjar Hoff Photography By – Christian Vogt Producer – Manfred Eicher Notes Recorded August 1980 at Talent Studio, Oslo ℗ 1981 ECM Records GmbH Made in W. Germany (on vinyl labels) Printed in W. Germany (on back cover) Photos: Christian Vogt From "Yellow Sequence" Barcode and Other Identifiers Label Code: LC 2516 Rights Society: GEMA Other versions Category Artist Title (Format) Label Category Country Year ECM Freigeweht ECM 1187, 847 Rainer Records, ECM 1187, 847 (CD, Album, Germany Unknown 329-2 Brüninghaus ECM 329-2 RE) Records ECM ECM 1187, Rainer Freigeweht (LP, Records, ECM 1187, Germany 1981 2301 187 Brüninghaus Album, Promo) ECM 2301 187 Records ECM Rainer Freigeweht (LP, Records, ECM-1-1187 ECM-1-1187 US 1981 Brüninghaus Album) Warner Bros. Records ECM Freigeweht ECM 1187, 847 Rainer Records, ECM 1187, 847 (CD, Album, Germany Unknown 329-2 Brüninghaus ECM 329-2 RE) Records Related Music albums to Freigeweht by Rainer Brüninghaus Eberhard Weber - The Following Morning Terje Rypdal - Waves Jan Garbarek - Legend Of The Seven Dreams Dave Holland - Emerald Tears Jan Garbarek - Visible World Pat Metheny Group - Offramp Terje Rypdal - Descendre John Abercrombie - Animato.

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The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 10-6-1982 The aC rroll News- Vol. 67, No. 3 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 67, No. 3" (1982). The Carroll News. 670. http://collected.jcu.edu/carrollnews/670 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. Vol. OINo. 3 October 6. 1982 tlrbe <!Carroll _jf}etus John Carroll University University Heights, Ohio 44118 Student Union proposes renewal of Stunt Night Will Stunt Night return? This Stunt Night was considered recent. Student Union meeting. tion. laborating data of the past is one of the more popular ques· one of the best sources of class JCU alumni have suggested Student Union President stunt nights, and devising tions pervading the halls of unity, and received significant that Stunt Night be brought Chris Miller says that he is wiU· ground rules which will im· Carroll as of late. yearbook coverage. back, according to senior class ing to lli1ten to any ideas prove future stunt nights. "What is Stunt Night?" you Unfortunately, some of the representative Jim Garvey. students have regarding the Stunt Night was once a main might ask. Actually, it was one material in the skits, which was Presently, the newly-formed return of this much-missed at· event on campus to bring of the bigger events here until intended for the coUege·level Investigative Committee, com· traction.
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Pressemitteilung 15
MINISTERIUM FÜR WISSENSCHAFT, FORSCHUNG UND KUNST PRESSE- UND ÖFFENTLICHKEITSARBEIT PRESSEMITTEILUNG 15. September 2014 Nr. 77/2014 Landesjazzpreis Baden-Württemberg: Sonderpreis für das Le- benswerk geht an den Bassisten Eberhard Weber „Mit dem neu geschaffenen Sonderpreis ehrt das Land einen Künstler, der seinesgleichen sucht und Jazzgeschichte geschrie- ben hat“, sagt Kunststaatssekretär Walter Der Landesjazzpreis Baden-Württemberg besteht seit 30 Jahren. Im Jahr seines Jubiläums wird der Preis nicht nur - wie sonst jährlich - an Nachwuchskünstler verliehen, sondern erstmals auch in der Kategorie „Sonderpreis für das Lebens- werk“ vergeben. Preisträger ist der in Stuttgart geborene und in Frankreich le- bende Bassist Eberhard Weber. „Beim Jazz-Ehrenpreis geht es um die Würdi- gung der künstlerischen Lebensleistung baden-württembergischer Jazzmusiker. In Verbindung mit der Förderung junger Talente schließt sich mit dem neuen Preis der Kreis in der Jazzförderung des Landes“, sagte Kunststaatssekretär Jür- gen Walter am Montag (15. September) in Stuttgart. „Eberhard Weber hat ein Oeuvre geschaffen, das seinesgleichen sucht. Der cha- rismatische Schwabe hat Jazzgeschichte geschrieben und die internationale Jazzszene geprägt. Das würdigen wir mit dem Preis für das Lebenswerk“, so Walter. Dotiert ist die neue Auszeichnung mit 10.000 Euro. Dieses Preisgeld wird von der L-Bank gestiftet, die damit ihr Engagement im Kultursponsoring auf den Jazz ausweitet: „Entwicklungen in Baden-Württemberg zu fördern, ist eine zentrale Aufgabe der L-Bank. Neuerungen gibt es aber nicht nur in der Wirtschaft sondern auch in der Musik. Die rege Jazzszene in unserem Land brachte und bringt im- Königstraße 46, 70173 Stuttgart, Telefon 0711 279-3005, Fax 0711 279-3081 E-Mail: [email protected], Internet: http://www.mwk.baden-wuerttemberg.de Seite 2 von 3 mer wieder große Künstlerpersönlichkeiten hervor.
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Discourses of Decay and Purity in a Globalised Jazz World
1 Chapter Seven Cold Commodities: Discourses of Decay and Purity in a Globalised Jazz World Haftor Medbøe Since gaining prominence in public consciousness as a distinct genre in early 20th Century USA, jazz has become a music of global reach (Atkins, 2003). Coinciding with emerging mass dissemination technologies of the period, jazz spread throughout Europe and beyond via gramophone recordings, radio broadcasts and the Hollywood film industry. America’s involvement in the two World Wars, and the subsequent $13 billion Marshall Plan to rebuild Europe as a unified, and US friendly, trading zone further reinforced the proliferation of the new genre (McGregor, 2016; Paterson et al., 2013). The imposition of US trade and cultural products posed formidable challenges to the European identities, rooted as they were in 18th-Century national romanticism. Commercialised cultural representations of the ‘American dream’ captured the imaginations of Europe’s youth and represented a welcome antidote to post-war austerity. This chapter seeks to problematise the historiography and contemporary representations of jazz in the Nordic region, with particular focus on the production and reception of jazz from Norway. Accepted histories of jazz in Europe point to a period of adulatory imitation of American masters, leading to one of cultural awakening in which jazz was reimagined through a localised lens, and given a ‘national voice’. Evidence of this process of acculturation and reimagining is arguably nowhere more evident than in the canon of what has come to be received as the Nordic tone. In the early 1970s, a group of Norwegian musicians, including saxophonist Jan Garbarek (b.1947), guitarist Terje Rypdal (b.1947), bassist Arild Andersen (b.1945), drummer Jon Christensen (b.1943) and others, abstracted more literal jazz inflected reinterpretations of Scandinavian folk songs by Nordic forebears including pianist Jan Johansson (1931-1968), saxophonist Lars Gullin (1928-1976) bassist Georg Riedel (b.1934) (McEachrane 2014, pp.
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Baden-Württemberg 2021
Christoph Neuhaus JAZZ AWARD Baden-Württemberg 2021 Artists JAZZ Festivals Baden-Württemberg 2021 Venues Labels Universities of Music Welcome Petra Olschowski Baden-Württemberg‘s jazz scene is both steeped in tradition and modern, rooted in the region and yet internationally wide reaching, and is therefore an important part of culture in the state. With over sixty venues, numerous festivals, creative labels and a wealth of experimental musicians, Baden-Württemberg‘s jazz scene again and again shows its importance as a driving cultural force. The cultural life has been virtually uneventful for the past year. And yet the organisers and musicians have been working on new ideas – which could hardly be seen or heard from the outside. For many performing artists, music and jazz are an important part of life which they just cannot and do not want to give up. Christoph Neuhaus, whom we award with the Baden-Württemberg Jazz Award 2021, was also creative during the pandemic. He had been working hard on his new album „Ramblin Bird“, which was released in March 2021. Imprint Editor This brochure provides interesting details about this year‘s jazz award winner. Ad- Baden-Württemberg Ministry of Science, Research and Arts, Stuttgart ditionally, it gives you an up-to-date overview of the multi-faceted jazz scene in Ba- Graphics, Layout den-Württemberg. You‘ll also learn more about the local musicians, the festivals, venu- Jazzverband Baden-Württemberg e.V. es and labels in this brochure. Furthermore, it briefly describes the promotion lines for Texts Baden-Württemberg Ministry of Science, Research and Arts, Stuttgart jazz and the training opportunities in the field.
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Benny Bailey Islands Mp3, Flac, Wma
Benny Bailey Islands mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Islands Country: Germany Released: 1976 Style: Fusion MP3 version RAR size: 1563 mb FLAC version RAR size: 1666 mb WMA version RAR size: 1961 mb Rating: 4.7 Votes: 758 Other Formats: MMF MP3 AU MP4 AC3 ASF AA Tracklist A1 So Far As I Know A2 Estrelle B1 To Fly Or Not To Fly B2 One Of Those Love Songs B3 Remember The Islands Companies, etc. Recorded At – Studio Barbarossa Credits Bass – Eberhard Weber Drums – Lala Kovacev* Guitar, Sitar – Siggi Schwab* Music By – Mladen (Bobby) Gutesha* Trumpet, Flugelhorn – Benny Bailey Notes Recorded at Studio Barbarossa, Munich, May 25 & 26, 1976. Other versions Category Artist Title (Format) Label Category Country Year Benny Bailey, Benny Bailey, Eberhard Eberhard Weber, Weber, Siggi Schwab*, Enja RJ-7142 RJ-7142 Japan 1977 Siggi Schwab*, Lala Kovacev* - Islands Records Lala Kovacev* (LP, Album) Benny Bailey, Benny Bailey, Eberhard Eberhard Weber, Weber, Siggi Schwab*, Enja ENJ-2082 2 ENJ-2082 2 Germany 1993 Siggi Schwab*, Lala Kovacev* - Islands Records Lala Kovacev* (CD, Album) Benny Bailey, Eberhard Benny Bailey, Weber, Siggi Schwab*, Eberhard Weber, Enja GQCP-59048 Lala Kovacev* - Islands GQCP-59048 Japan 2008 Siggi Schwab*, Records (CD, Album, Ltd, RE, Lala Kovacev* RM, Pap) Benny Bailey, Benny Bailey, Eberhard Eberhard Weber, Weber, Siggi Schwab*, Enja CDSOL-6519 CDSOL-6519 Japan 2014 Siggi Schwab*, Lala Kovacev* - Islands Records Lala Kovacev* (CD, Album, RE) Comments about Islands - Benny Bailey Nirn Smooth, clean Jazz. I played it on YouTube first and liked it even though i'm a "free jazz guy".......Eberhard Weber "Fluid Rustle" Lp is in the Top 5 of all time (my list anyways).......Norma "Kid" Winstone shines on that one.......
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Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality
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Page 1 N E W R E L E a S E
NEW RELEASE O N I N T U I T I O N R E C O R D S R E C E I V E D 4 G R A M M Y N O M I N A T I O N S OREGON’s latest project, Oregon In Moscow, is a double CD with the Moscow Tchaikovsky Symphony Orchestra, and the group’s recorded debut of their orchestral repertoire—a prodigious body of work that has been developing over the life of the band, but never documented. In the thirty-year history of OREGON, there has always existed a strong kinship to orchestral music. The use of the double reeds alone has given the quartet an identity and expansive sound associated with the symphonic orchestra. This association isn’t confined only to their use of many orchestral instruments, but applies also to the composition and presentation of the music, including the careful attention to details such as articulation, dynamics, phrasing and tone production derived from their respective classical studies. Chief composer Ralph Towner explains, “OREGON came together as a group in New York City in 1970, and from the outset it was clear that our unusual instrumentation and collective musical experience invited a different approach to composition and improvisation. The jazz tradition of improvisation usually consists of the soloists taking turns improvising on the song’s harmonic structure, recycling the chord progressions and returning to the original melody only on the last repeat of the cycle. While still using and honoring this tradition, we began composing longer, more sectional forms that allowed each soloist to improvise on different material within the context of a single piece.
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The New Library 1.4 M Books, 3,000 Chairs Readied for New Home
HOUSING AND STUDENT AFFAIRS administra- THE HUSKIES SOCCER TEAM his taken a back f tors say they don't expect plans for a Hardees scat in the New England weekly coaches' poll of INSIDE TODAY restaurant on campus will kill off plans for a I renovated Commons Dining Hall. Story page 3. who's doing how. Story page 12. (ftmmecttat iailtj GlampuB Serving Storrs Since 1896 u Vol. LXXX1 No. 7 STORRS, CONNECTICUT Tuesday. September 20. l 77 The new library 1.4 M books, 3,000 chairs readied for new home By MARK A. DUPU1S So far. he added, he's been unable to come up After more than a decade of planning and with a way to move the books because of one major battling with the state. University officials today problem — the state has not given the University are within grasp of opening day for the new any money with which to make the move. S19-million University of Connecticut Library. A pet proposal raised by UConn President Glenn And while construction crews continue to put the W. Ferguson, would sec long lines of students, next-to-the-last touches on the building, the faculty and other persons passing books along a University's director of libraries, a state planner line like the bucket brigades of the last century. and a University library planner continue to attack but the plan hasn't met with much enthusiasm the questions of how they'll move 1.4 million books from library officials. from the Wilbur L. Cross University Library into If that were to be done.
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Play a Bill Frisell Set List Press Release
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Spring 2018 Vinyl
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Rainer Brüninghaus
Jazz Collection: Rainer Brüninghaus Dienstag, 25. November 2014, 21.00 - 22.00 Uhr Samstag, 29. November 2014, 22.00 - 24.00 Uhr (Zweitsendung) Maximale Wirkung mit minimalen Mitteln Breite Klanggemälde aus Akkordschichtungen, grosse harmonische Bögen - der Pianist Rainer Brüninghaus baut aus Elementen der elektronischen und der Minimal Music Welt Klangräume, in denen man sich verlieren kann. Arpeggios, also Akkorde in schnellen Einzeltönen selber spielen? Seit der Erfindung des Arpeggiators in der Welt der Synthesizer ist das kein Muss mehr für Pianisten, und als Spezialist für Synthesizer hat der Pianist Rainer Brüninghaus sehr früh schon den Arpeggiator eingesetzt. Ebenso früh hat er aber auch bemerkt, dass die Arpeggios irgendwie leblos sind, wenn sie von Maschinen gespielt werden. Also hat er seine Akkord-Schichtungen wieder von Hand zu spielen begonnen und sich so gleich zwei Fliegen auf einen Schlag erspielt: weichere, menschlichere Klänge - und einen persönlichen Stil. Wie Rainer Brüninghaus mit diesem relativ einfachen Mittel eine sehr grosse Wirkung erzielen und von Manfred Schoof bis Jan Garbarek durchwegs mit grossen Bandleadern zusammenarbeiten konnte, das erzählt der Synthesizer-Spezialist und Pianist Immanuel Brockhaus in der Jazz Collection mit Jodok Hess. Redaktion: Jodok Hess Eberhard Weber: The Colours of Chloë (1973) CD ECM Track 2: The Colours of Chloë Rainer Brüninghaus: Freigeweht (1980) CD ECM Track 2: Spielraum Rainer Brüninghaus: Continuum (1983) CD ECM Track 1: Continuum Rainer Brüninghaus / Manfred Schoof:
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Catalogue 2009/10 ECM Paul Griffiths Bread and Water
Catalogue 2009/10 ECM Paul Griffiths Bread and Water Here is someone standing at the entrance to the gallery who goes on talking all the time while almost all the visitors who come are rushing by in their eagerness to inspect what is on show inside. The hall a little way beyond is packed with rare and wonderful things, beautifully laid out and informatively labelled. There is much to see, much to learn. This is what the visitors have come for. Why, then, linger at the doorway? Why wait? But you, you have stopped. Thank you. Yes, this is the gallery, this the exhibition: a catalogue. We can use the word either to mean this paper object you hold in your hands or the totality of items a publisher or, as in this case, record company has available for sale: the CATALOGUE, as we may put it. Such a CATALOGUE is changeable as the ocean is: things will go (though rarely, where ECM is concerned), more will come. The catalogue, on the other hand, is fixed, a photograph of the ocean. There was a moment, probably before it reached print, when the catalogue was identical with the CATALOGUE. But that moment has passed and will not come again, for the ocean is growing and the photograph cannot. Is the catalogue therefore impoverished? No, no more than a photograph is. This is no snapshot, no fuzzy image trapped half_thoughtlessly on a mobile phone. Look at what you have in your hands: this is something well made, something composed. A professional photographer must have been invited to make a study of the ocean.
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