The Gary Burton Quintet with Eberhard Weber

Total Page：16

File Type：pdf, Size：1020Kb

The Gary Burton Quintet with Eberhard Weber

The Gary Burton Quintet Ring mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Ring Country: Germany Released: 1974 Style: Fusion MP3 version RAR size: 1942 mb FLAC version RAR size: 1486 mb WMA version RAR size: 1800 mb Rating: 4.7 Votes: 568 Other Formats: AAC APE DXD RA AC3 MP1 AA Tracklist Hide Credits Mevlevia A1 6:01 Written-By – Mick Goodrick Unfinished Sympathy A2 3:03 Written-By – Mike Gibbs* Tunnel Of Love A3 5:30 Written-By – Mike Gibbs* Intrude A4 4:47 Written-By – Mike Gibbs* Silent Spring B1 10:37 Written-By – Carla Bley The Colours Of Chloë B2 7:12 Written-By – Eberhard Weber Companies, etc. Phonographic Copyright (p) – ECM Records GMBH Recorded At – Tonstudio Bauer Distributed By – Phonogram Credits Bass – Eberhard Weber (tracks: A1 to A3, B1, B2), Steve Swallow Engineer – Martin Wieland Guitar – Mick Goodrick (tracks: A1 to A3, B1, B2), Pat Metheny Layout – Frieder Grindler Percussion – Bob Moses Photography By [Cover] – Tadayuki Naito* Producer – Manfred Eicher Vibraphone – Gary Burton Notes Ⓟ 1974 ECM Records GmbH Recorded July 23-24 1974 at Studio Bauer, Ludwigsburg. On spine, front & back covers & on labels : Ref. : ECM 1051 ST No Ref. on glued sticker, no label code Barcode and Other Identifiers Matrix / Runout: ST - ECM 1051 A 1 Matrix / Runout: ST - ECM 1051 B 1 Rights Society: GEMA Other (Sale Code in France, on removable sticker (Front Cover)): ⓢ Other versions Category Artist Title (Format) Label Category Country Year The Gary The Gary Burton Burton Quintet* Quintet* with ECM ECM 1051 ECM 1051 Germany 1974 with Eberhard Eberhard Weber - Records Weber Ring (LP, Album) The Gary The Gary Burton Burton Quintet* Quintet* with ECM 58.027 58.027 Brazil 1980 with Eberhard Eberhard Weber - Records Weber Ring (LP, Album) The Gary Burton The Gary Quintet* with Burton Quintet* ECM ECM 1051 ST Eberhard Weber - ECM 1051 ST Spain 1979 with Eberhard Records Ring (LP, Album, Weber RE) The Gary Burton The Gary ECM Quintet* With ECM 1051, Burton Quintet* Records, ECM 1051, Eberhard Weber - Germany Unknown 829 191-2 With Eberhard ECM 829 191-2 Ring (CD, Album, Weber Records RE) The Gary The Gary Burton Burton Quintet* Quintet* with ECM ECM-1-1051 ECM-1-1051 US 1974 with Eberhard Eberhard Weber - Records Weber Ring (LP, Album) Related Music albums to Ring by The Gary Burton Quintet Eberhard Weber - The Following Morning Gary Burton - Works Mike Gibbs & Gary Burton - "In The Public Interest" Eberhard Weber Colours - Silent Feet Eberhard Weber - The Colours Of Chloë Gary Burton & Stephane Grappelli - Paris Encounter Gary Burton - Gary Burton Gary Burton Quintet - Whiz Kids Martin Kolbe + Ralf Illenberger - Waves Eberhard Weber - Fluid Rustle.

Copy Link

Recommended publications

The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 10-6-1982 The aC rroll News- Vol. 67, No. 3 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 67, No. 3" (1982). The Carroll News. 670. http://collected.jcu.edu/carrollnews/670 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. Vol. OINo. 3 October 6. 1982 tlrbe <!Carroll _jf}etus John Carroll University University Heights, Ohio 44118 Student Union proposes renewal of Stunt Night Will Stunt Night return? This Stunt Night was considered recent. Student Union meeting. tion. laborating data of the past is one of the more popular ques· one of the best sources of class JCU alumni have suggested Student Union President stunt nights, and devising tions pervading the halls of unity, and received significant that Stunt Night be brought Chris Miller says that he is wiU· ground rules which will im· Carroll as of late. yearbook coverage. back, according to senior class ing to lli1ten to any ideas prove future stunt nights. "What is Stunt Night?" you Unfortunately, some of the representative Jim Garvey. students have regarding the Stunt Night was once a main might ask. Actually, it was one material in the skits, which was Presently, the newly-formed return of this much-missed at· event on campus to bring of the bigger events here until intended for the coUege·level Investigative Committee, com· traction.
[Show full text]
Pressemitteilung 15
MINISTERIUM FÜR WISSENSCHAFT, FORSCHUNG UND KUNST PRESSE- UND ÖFFENTLICHKEITSARBEIT PRESSEMITTEILUNG 15. September 2014 Nr. 77/2014 Landesjazzpreis Baden-Württemberg: Sonderpreis für das Le- benswerk geht an den Bassisten Eberhard Weber „Mit dem neu geschaffenen Sonderpreis ehrt das Land einen Künstler, der seinesgleichen sucht und Jazzgeschichte geschrie- ben hat“, sagt Kunststaatssekretär Walter Der Landesjazzpreis Baden-Württemberg besteht seit 30 Jahren. Im Jahr seines Jubiläums wird der Preis nicht nur - wie sonst jährlich - an Nachwuchskünstler verliehen, sondern erstmals auch in der Kategorie „Sonderpreis für das Lebens- werk“ vergeben. Preisträger ist der in Stuttgart geborene und in Frankreich le- bende Bassist Eberhard Weber. „Beim Jazz-Ehrenpreis geht es um die Würdi- gung der künstlerischen Lebensleistung baden-württembergischer Jazzmusiker. In Verbindung mit der Förderung junger Talente schließt sich mit dem neuen Preis der Kreis in der Jazzförderung des Landes“, sagte Kunststaatssekretär Jür- gen Walter am Montag (15. September) in Stuttgart. „Eberhard Weber hat ein Oeuvre geschaffen, das seinesgleichen sucht. Der cha- rismatische Schwabe hat Jazzgeschichte geschrieben und die internationale Jazzszene geprägt. Das würdigen wir mit dem Preis für das Lebenswerk“, so Walter. Dotiert ist die neue Auszeichnung mit 10.000 Euro. Dieses Preisgeld wird von der L-Bank gestiftet, die damit ihr Engagement im Kultursponsoring auf den Jazz ausweitet: „Entwicklungen in Baden-Württemberg zu fördern, ist eine zentrale Aufgabe der L-Bank. Neuerungen gibt es aber nicht nur in der Wirtschaft sondern auch in der Musik. Die rege Jazzszene in unserem Land brachte und bringt im- Königstraße 46, 70173 Stuttgart, Telefon 0711 279-3005, Fax 0711 279-3081 E-Mail: [email protected], Internet: http://www.mwk.baden-wuerttemberg.de Seite 2 von 3 mer wieder große Künstlerpersönlichkeiten hervor.
[Show full text]
Discourses of Decay and Purity in a Globalised Jazz World
1 Chapter Seven Cold Commodities: Discourses of Decay and Purity in a Globalised Jazz World Haftor Medbøe Since gaining prominence in public consciousness as a distinct genre in early 20th Century USA, jazz has become a music of global reach (Atkins, 2003). Coinciding with emerging mass dissemination technologies of the period, jazz spread throughout Europe and beyond via gramophone recordings, radio broadcasts and the Hollywood film industry. America’s involvement in the two World Wars, and the subsequent $13 billion Marshall Plan to rebuild Europe as a unified, and US friendly, trading zone further reinforced the proliferation of the new genre (McGregor, 2016; Paterson et al., 2013). The imposition of US trade and cultural products posed formidable challenges to the European identities, rooted as they were in 18th-Century national romanticism. Commercialised cultural representations of the ‘American dream’ captured the imaginations of Europe’s youth and represented a welcome antidote to post-war austerity. This chapter seeks to problematise the historiography and contemporary representations of jazz in the Nordic region, with particular focus on the production and reception of jazz from Norway. Accepted histories of jazz in Europe point to a period of adulatory imitation of American masters, leading to one of cultural awakening in which jazz was reimagined through a localised lens, and given a ‘national voice’. Evidence of this process of acculturation and reimagining is arguably nowhere more evident than in the canon of what has come to be received as the Nordic tone. In the early 1970s, a group of Norwegian musicians, including saxophonist Jan Garbarek (b.1947), guitarist Terje Rypdal (b.1947), bassist Arild Andersen (b.1945), drummer Jon Christensen (b.1943) and others, abstracted more literal jazz inflected reinterpretations of Scandinavian folk songs by Nordic forebears including pianist Jan Johansson (1931-1968), saxophonist Lars Gullin (1928-1976) bassist Georg Riedel (b.1934) (McEachrane 2014, pp.
[Show full text]
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings.
[Show full text]
Baden-Württemberg 2021
Christoph Neuhaus JAZZ AWARD Baden-Württemberg 2021 Artists JAZZ Festivals Baden-Württemberg 2021 Venues Labels Universities of Music Welcome Petra Olschowski Baden-Württemberg‘s jazz scene is both steeped in tradition and modern, rooted in the region and yet internationally wide reaching, and is therefore an important part of culture in the state. With over sixty venues, numerous festivals, creative labels and a wealth of experimental musicians, Baden-Württemberg‘s jazz scene again and again shows its importance as a driving cultural force. The cultural life has been virtually uneventful for the past year. And yet the organisers and musicians have been working on new ideas – which could hardly be seen or heard from the outside. For many performing artists, music and jazz are an important part of life which they just cannot and do not want to give up. Christoph Neuhaus, whom we award with the Baden-Württemberg Jazz Award 2021, was also creative during the pandemic. He had been working hard on his new album „Ramblin Bird“, which was released in March 2021. Imprint Editor This brochure provides interesting details about this year‘s jazz award winner. Ad- Baden-Württemberg Ministry of Science, Research and Arts, Stuttgart ditionally, it gives you an up-to-date overview of the multi-faceted jazz scene in Ba- Graphics, Layout den-Württemberg. You‘ll also learn more about the local musicians, the festivals, venu- Jazzverband Baden-Württemberg e.V. es and labels in this brochure. Furthermore, it briefly describes the promotion lines for Texts Baden-Württemberg Ministry of Science, Research and Arts, Stuttgart jazz and the training opportunities in the field.
[Show full text]
Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra.
[Show full text]
Downbeat.Com April 2011 U.K. £3.50
£3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz,
[Show full text]
An Analytical Approach to Vibraphone Performance Through the Transcription and Analysis of Gary Burton’S Solo on Blue Monk
AN ANALYTICAL APPROACH TO VIBRAPHONE PERFORMANCE THROUGH THE TRANSCRIPTION AND ANALYSIS OF GARY BURTON’S SOLO ON BLUE MONK A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in Partial fulfillment of the Requirements for the degree of Doctor of Musical Arts in The School of Music By Charles B. Brooks B.A., Western Kentucky University, 1997 M.A., Austin Peay State University, 2000 December 2007 ACKNOWLEDGMENTS This document would not exist without the guidance and counsel of several extraordinary individuals. It is dedicated to my father for introducing me to the world of music. I would like to extend special gratitude to my mother for her guidance, strength, and belief that anything is possible. In addition I would like to thank Johnny Walker and my brother, Michael Brooks, without whom none of this would possible. This document is also dedicated to Kenneth Welch and Larry Long for their counsel and friendship. I extend special thanks to my teachers Dr. Christopher Norton, Mr. David Steinquest, Dr. Charles Smith, Dr. Thomas King, Dr. Jefferey Wood, Dr. Dinos Constantinides, Dr. Joseph Skillen, Dr. Robert Peck, and Dr. Michael Kingan. I would especially like to thank Dr. Willis Delony for staying the course and guiding me through rough terrain. ii TABLE OF CONTENTS ACKNOWLEDGMENTS ..............................................................................................ii LIST OF MUSICAL EXAMPLES................................................................................iv
[Show full text]
Ears Embiggened: 50 Years of ECM
Ears Embiggened: 50 Years of ECM (The first in a series of preview posts as we count down to the 2019 Big Ears Festival in Knoxville, TN.) Back in the old days – way before the internet machine made hearing just about any recorded piece of music in the world as easy as finding a homemade porno of some celebrity and/or politician – finding out about music beyond the typical commercial channels took some real work. Much of this involved poring over publications of varying literacy levels to find out who was playing with who, where, and how often.<fn>God bless the Village Voice.</fn> You had to spend time dialing in college and alternative radio stations (no internet radio! You had to be within hailing range.) and hoping against reason that the stoned DJ <fn>I resemble that remark.</fn> might remember to announce the name of the track you were dying to identify. Often, you would listen to six or eight more songs in a row, only to have the hapless jock (mea culpa) announce only the last two because, well, he forgot, man. You had to haunt the record stores. There used to be mammoth stores – stores like Peaches and Turtles and Virgin – aisle after aisle of record bins sorted by genre, carefully filed in alphabetical order. This was for the new, sealed releases. Very expensive, at least 5 or 6 bucks a record. Then there were the used record stores, meccas for music geeks where you could stand for hours flipping through the stacks hoping to find a gem that you could make off with for two clams, three if it was a double disc set.
[Show full text]
Benny Bailey Islands Mp3, Flac, Wma
Benny Bailey Islands mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Islands Country: Germany Released: 1976 Style: Fusion MP3 version RAR size: 1563 mb FLAC version RAR size: 1666 mb WMA version RAR size: 1961 mb Rating: 4.7 Votes: 758 Other Formats: MMF MP3 AU MP4 AC3 ASF AA Tracklist A1 So Far As I Know A2 Estrelle B1 To Fly Or Not To Fly B2 One Of Those Love Songs B3 Remember The Islands Companies, etc. Recorded At – Studio Barbarossa Credits Bass – Eberhard Weber Drums – Lala Kovacev* Guitar, Sitar – Siggi Schwab* Music By – Mladen (Bobby) Gutesha* Trumpet, Flugelhorn – Benny Bailey Notes Recorded at Studio Barbarossa, Munich, May 25 & 26, 1976. Other versions Category Artist Title (Format) Label Category Country Year Benny Bailey, Benny Bailey, Eberhard Eberhard Weber, Weber, Siggi Schwab*, Enja RJ-7142 RJ-7142 Japan 1977 Siggi Schwab*, Lala Kovacev* - Islands Records Lala Kovacev* (LP, Album) Benny Bailey, Benny Bailey, Eberhard Eberhard Weber, Weber, Siggi Schwab*, Enja ENJ-2082 2 ENJ-2082 2 Germany 1993 Siggi Schwab*, Lala Kovacev* - Islands Records Lala Kovacev* (CD, Album) Benny Bailey, Eberhard Benny Bailey, Weber, Siggi Schwab*, Eberhard Weber, Enja GQCP-59048 Lala Kovacev* - Islands GQCP-59048 Japan 2008 Siggi Schwab*, Records (CD, Album, Ltd, RE, Lala Kovacev* RM, Pap) Benny Bailey, Benny Bailey, Eberhard Eberhard Weber, Weber, Siggi Schwab*, Enja CDSOL-6519 CDSOL-6519 Japan 2014 Siggi Schwab*, Lala Kovacev* - Islands Records Lala Kovacev* (CD, Album, RE) Comments about Islands - Benny Bailey Nirn Smooth, clean Jazz. I played it on YouTube first and liked it even though i'm a "free jazz guy".......Eberhard Weber "Fluid Rustle" Lp is in the Top 5 of all time (my list anyways).......Norma "Kid" Winstone shines on that one.......
[Show full text]
From Onegin to Ada: Nabokov's Canon and the Texture of Time Marijeta Bozovic Submitted in Partial Fulfillment of the Requireme
From Onegin to Ada: Nabokov’s Canon and the Texture of Time Marijeta Bozovic Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 2011 Marijeta Bozovic all rights reserved ABSTRACT From Onegin to Ada: Nabokov’s Canon and the Texture of Time Marijeta Bozovic The library of existing scholarship on Vladimir Nabokov circles uncomfortably around his annotated translation Eugene Onegin (1964) and late English-language novel Ada, or Ardor (1969). This dissertation juxtaposes Pushkin’s Evgenii Onegin (1825-32) with Nabokov’s two most controversial monuments and investigates Nabokov’s ambitions to enter a canon of Western masterpieces, re-imagined with Russian literature as a central strain. I interrogate the implied trajectory for Russian belles lettres, culminating unexpectedly in a novel written in English and after fifty years of emigration. My subject is Nabokov, but I use this hermetic author to raise broader questions of cultural borrowing, transnational literatures, and struggles with rival canons and media. Chapter One examines Pushkin’s Evgenii Onegin, the foundation stone of the Russian canon and a meta-literary fable. Untimely characters pursue one another and the latest Paris and London fashions in a text that performs and portrays anxieties of cultural borrowing and Russia’s position vis-à-vis the West. Fears of marginalization are often expressed in terms of time: I use Pascale Casanova’s World Republic of Letters to suggest a global context for the “belated” provinces and fashion-setting centers of cultural capital. Chapter Two argues that Nabokov’s Eugene Onegin, three-quarters provocation to one-quarter translation, focuses on the Russian poet and his European sources.
[Show full text]
WDR 3 Jazz & World, 25. September 2017
WDR 3 Jazz & World, 25. September 2017 Some Echos, Some Shadows – Dem Komponisten Mike Gibbs zum 80. Geburtstag 22:04 Uhr - 00:00 Uhr E-Mail: [email protected] | Online: jazz.wdr.de Moderation: Karl Lippegaus Redaktion: Bernd Hoffmann Laufplan 1. To Lady Mac: In Sympathy K: Mike Gibbs 2:11 MIKE GIBBS & GARY BURTON Polydor PD 6503; LC: 0309 CD: In the Public Interest 2. Intrude K: Mike Gibbs 2:00 BOB MOSES ECM 1051; LC: 02516 CD: Ring 3. Sweet Rain K: Mike Gibbs 3:40 GARY BURTON & Atlantic WPCR-27118; LC: 00121 STEPHANE GRAPPELLI CD: Paris Encounter SCHAERER/ WOLLNY 4. Throb K: Mike Gibbs 5:27 GARY BURTON QUARTET ECM 1040, LC: 02516 NDR KAMMERORCHESTER CD: Seven Songs For Quartet And Chamber Orchestra 5. Fly Time Fly (Sigh) K: Mike Gibbs 4:28 GARY BURTON Essentials Jazz Classics EJC55627 CD: Who Is Gary Burton? 6. June the 15th, 1967 K: Mike Gibbs 4:51 GARY BURTON Legacy 88985308372; LC: 00316 CD: A Genuine Ton Funeral (Bonus-Track) 7. Six Improvisatory Sketches K: Mike Gibbs 5:04 GARY BURTON RCA NL 89377; LC: 00316 CD: Somethings’s Coming 8. Undergrowth K: Mike Gibbs 2:05 MIK EGIBBS BAND BGO BGOCD 273; LC: 7590 CD: The Only Chrome-Waterfall Ochestra 9. Feelings and Things K: Mike Gibbs 4:56 MIKE GIBBS & TWELVE Whirlwind WR4639 CD: Mike Gibbs & Twelve Play Gil Evans 10. Ballet K: Mike Gibbs 4:07 GARY BURTON RCA 74321257302; LC: 00316 CD: Duster 11. Liturgy K: Mike Gibbs 3:24 GARY BURTON wie Titel 10 12.
[Show full text]