Rainer Brüninghaus

Total Page：16

File Type：pdf, Size：1020Kb

Jazz Collection: Rainer Brüninghaus Dienstag, 25. November 2014, 21.00 - 22.00 Uhr Samstag, 29. November 2014, 22.00 - 24.00 Uhr (Zweitsendung) Maximale Wirkung mit minimalen Mitteln Breite Klanggemälde aus Akkordschichtungen, grosse harmonische Bögen - der Pianist Rainer Brüninghaus baut aus Elementen der elektronischen und der Minimal Music Welt Klangräume, in denen man sich verlieren kann. Arpeggios, also Akkorde in schnellen Einzeltönen selber spielen? Seit der Erfindung des Arpeggiators in der Welt der Synthesizer ist das kein Muss mehr für Pianisten, und als Spezialist für Synthesizer hat der Pianist Rainer Brüninghaus sehr früh schon den Arpeggiator eingesetzt. Ebenso früh hat er aber auch bemerkt, dass die Arpeggios irgendwie leblos sind, wenn sie von Maschinen gespielt werden. Also hat er seine Akkord-Schichtungen wieder von Hand zu spielen begonnen und sich so gleich zwei Fliegen auf einen Schlag erspielt: weichere, menschlichere Klänge - und einen persönlichen Stil. Wie Rainer Brüninghaus mit diesem relativ einfachen Mittel eine sehr grosse Wirkung erzielen und von Manfred Schoof bis Jan Garbarek durchwegs mit grossen Bandleadern zusammenarbeiten konnte, das erzählt der Synthesizer-Spezialist und Pianist Immanuel Brockhaus in der Jazz Collection mit Jodok Hess. Redaktion: Jodok Hess Eberhard Weber: The Colours of Chloë (1973) CD ECM Track 2: The Colours of Chloë Rainer Brüninghaus: Freigeweht (1980) CD ECM Track 2: Spielraum Rainer Brüninghaus: Continuum (1983) CD ECM Track 1: Continuum Rainer Brüninghaus / Manfred Schoof: Shadows & Smiles (1988) CD Wergo Track 6: Suggestion Rainer Brüninghaus: I Took Up the Runes (1990) CD ECM Track 9: Buena hora, buenos vientos Rainer Brüninghaus & NDR Big Band: Rainer Brüninghaus & NDR Big Band (1995) CD EA NDR (unveröffentlicht) Track 7: Ostinato (Concerto For Virtual and Real Orchestra) Eberhard Weber: Eberhard Weber - Stages Of A Long Journey (2005) CD ECM Track 6: Transition Bonustracks – nur in der Samstagsausgabe Fredy Studer: Seven Songs CD Vera Bra Track 1: Sans Titre Eberhard Weber: Yellow Fields CD ECM Track 3: Yellow Fields Jan Gabarek: Legend of the seven dreams CD ECM Track1: He Comes From the North Bob Brookmeyer: Electricity CD ACT Track 2: Ugly Music Jim McNeely: East Cost Blow Out CD Lipstick Records Track 4: Cantus Infirmus Jim McNeely: At Maybeck CD Concord Track 5: Round About Midnight .

Copy Link

Recommended publications

The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 10-6-1982 The aC rroll News- Vol. 67, No. 3 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 67, No. 3" (1982). The Carroll News. 670. http://collected.jcu.edu/carrollnews/670 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. Vol. OINo. 3 October 6. 1982 tlrbe <!Carroll _jf}etus John Carroll University University Heights, Ohio 44118 Student Union proposes renewal of Stunt Night Will Stunt Night return? This Stunt Night was considered recent. Student Union meeting. tion. laborating data of the past is one of the more popular ques· one of the best sources of class JCU alumni have suggested Student Union President stunt nights, and devising tions pervading the halls of unity, and received significant that Stunt Night be brought Chris Miller says that he is wiU· ground rules which will im· Carroll as of late. yearbook coverage. back, according to senior class ing to lli1ten to any ideas prove future stunt nights. "What is Stunt Night?" you Unfortunately, some of the representative Jim Garvey. students have regarding the Stunt Night was once a main might ask. Actually, it was one material in the skits, which was Presently, the newly-formed return of this much-missed at· event on campus to bring of the bigger events here until intended for the coUege·level Investigative Committee, com· traction.
[Show full text]
Pressemitteilung 15
MINISTERIUM FÜR WISSENSCHAFT, FORSCHUNG UND KUNST PRESSE- UND ÖFFENTLICHKEITSARBEIT PRESSEMITTEILUNG 15. September 2014 Nr. 77/2014 Landesjazzpreis Baden-Württemberg: Sonderpreis für das Le- benswerk geht an den Bassisten Eberhard Weber „Mit dem neu geschaffenen Sonderpreis ehrt das Land einen Künstler, der seinesgleichen sucht und Jazzgeschichte geschrie- ben hat“, sagt Kunststaatssekretär Walter Der Landesjazzpreis Baden-Württemberg besteht seit 30 Jahren. Im Jahr seines Jubiläums wird der Preis nicht nur - wie sonst jährlich - an Nachwuchskünstler verliehen, sondern erstmals auch in der Kategorie „Sonderpreis für das Lebens- werk“ vergeben. Preisträger ist der in Stuttgart geborene und in Frankreich le- bende Bassist Eberhard Weber. „Beim Jazz-Ehrenpreis geht es um die Würdi- gung der künstlerischen Lebensleistung baden-württembergischer Jazzmusiker. In Verbindung mit der Förderung junger Talente schließt sich mit dem neuen Preis der Kreis in der Jazzförderung des Landes“, sagte Kunststaatssekretär Jür- gen Walter am Montag (15. September) in Stuttgart. „Eberhard Weber hat ein Oeuvre geschaffen, das seinesgleichen sucht. Der cha- rismatische Schwabe hat Jazzgeschichte geschrieben und die internationale Jazzszene geprägt. Das würdigen wir mit dem Preis für das Lebenswerk“, so Walter. Dotiert ist die neue Auszeichnung mit 10.000 Euro. Dieses Preisgeld wird von der L-Bank gestiftet, die damit ihr Engagement im Kultursponsoring auf den Jazz ausweitet: „Entwicklungen in Baden-Württemberg zu fördern, ist eine zentrale Aufgabe der L-Bank. Neuerungen gibt es aber nicht nur in der Wirtschaft sondern auch in der Musik. Die rege Jazzszene in unserem Land brachte und bringt im- Königstraße 46, 70173 Stuttgart, Telefon 0711 279-3005, Fax 0711 279-3081 E-Mail: [email protected], Internet: http://www.mwk.baden-wuerttemberg.de Seite 2 von 3 mer wieder große Künstlerpersönlichkeiten hervor.
[Show full text]
Discourses of Decay and Purity in a Globalised Jazz World
1 Chapter Seven Cold Commodities: Discourses of Decay and Purity in a Globalised Jazz World Haftor Medbøe Since gaining prominence in public consciousness as a distinct genre in early 20th Century USA, jazz has become a music of global reach (Atkins, 2003). Coinciding with emerging mass dissemination technologies of the period, jazz spread throughout Europe and beyond via gramophone recordings, radio broadcasts and the Hollywood film industry. America’s involvement in the two World Wars, and the subsequent $13 billion Marshall Plan to rebuild Europe as a unified, and US friendly, trading zone further reinforced the proliferation of the new genre (McGregor, 2016; Paterson et al., 2013). The imposition of US trade and cultural products posed formidable challenges to the European identities, rooted as they were in 18th-Century national romanticism. Commercialised cultural representations of the ‘American dream’ captured the imaginations of Europe’s youth and represented a welcome antidote to post-war austerity. This chapter seeks to problematise the historiography and contemporary representations of jazz in the Nordic region, with particular focus on the production and reception of jazz from Norway. Accepted histories of jazz in Europe point to a period of adulatory imitation of American masters, leading to one of cultural awakening in which jazz was reimagined through a localised lens, and given a ‘national voice’. Evidence of this process of acculturation and reimagining is arguably nowhere more evident than in the canon of what has come to be received as the Nordic tone. In the early 1970s, a group of Norwegian musicians, including saxophonist Jan Garbarek (b.1947), guitarist Terje Rypdal (b.1947), bassist Arild Andersen (b.1945), drummer Jon Christensen (b.1943) and others, abstracted more literal jazz inflected reinterpretations of Scandinavian folk songs by Nordic forebears including pianist Jan Johansson (1931-1968), saxophonist Lars Gullin (1928-1976) bassist Georg Riedel (b.1934) (McEachrane 2014, pp.
[Show full text]
Baden-Württemberg 2021
Christoph Neuhaus JAZZ AWARD Baden-Württemberg 2021 Artists JAZZ Festivals Baden-Württemberg 2021 Venues Labels Universities of Music Welcome Petra Olschowski Baden-Württemberg‘s jazz scene is both steeped in tradition and modern, rooted in the region and yet internationally wide reaching, and is therefore an important part of culture in the state. With over sixty venues, numerous festivals, creative labels and a wealth of experimental musicians, Baden-Württemberg‘s jazz scene again and again shows its importance as a driving cultural force. The cultural life has been virtually uneventful for the past year. And yet the organisers and musicians have been working on new ideas – which could hardly be seen or heard from the outside. For many performing artists, music and jazz are an important part of life which they just cannot and do not want to give up. Christoph Neuhaus, whom we award with the Baden-Württemberg Jazz Award 2021, was also creative during the pandemic. He had been working hard on his new album „Ramblin Bird“, which was released in March 2021. Imprint Editor This brochure provides interesting details about this year‘s jazz award winner. Ad- Baden-Württemberg Ministry of Science, Research and Arts, Stuttgart ditionally, it gives you an up-to-date overview of the multi-faceted jazz scene in Ba- Graphics, Layout den-Württemberg. You‘ll also learn more about the local musicians, the festivals, venu- Jazzverband Baden-Württemberg e.V. es and labels in this brochure. Furthermore, it briefly describes the promotion lines for Texts Baden-Württemberg Ministry of Science, Research and Arts, Stuttgart jazz and the training opportunities in the field.
[Show full text]
Benny Bailey Islands Mp3, Flac, Wma
Benny Bailey Islands mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Islands Country: Germany Released: 1976 Style: Fusion MP3 version RAR size: 1563 mb FLAC version RAR size: 1666 mb WMA version RAR size: 1961 mb Rating: 4.7 Votes: 758 Other Formats: MMF MP3 AU MP4 AC3 ASF AA Tracklist A1 So Far As I Know A2 Estrelle B1 To Fly Or Not To Fly B2 One Of Those Love Songs B3 Remember The Islands Companies, etc. Recorded At – Studio Barbarossa Credits Bass – Eberhard Weber Drums – Lala Kovacev* Guitar, Sitar – Siggi Schwab* Music By – Mladen (Bobby) Gutesha* Trumpet, Flugelhorn – Benny Bailey Notes Recorded at Studio Barbarossa, Munich, May 25 & 26, 1976. Other versions Category Artist Title (Format) Label Category Country Year Benny Bailey, Benny Bailey, Eberhard Eberhard Weber, Weber, Siggi Schwab*, Enja RJ-7142 RJ-7142 Japan 1977 Siggi Schwab*, Lala Kovacev* - Islands Records Lala Kovacev* (LP, Album) Benny Bailey, Benny Bailey, Eberhard Eberhard Weber, Weber, Siggi Schwab*, Enja ENJ-2082 2 ENJ-2082 2 Germany 1993 Siggi Schwab*, Lala Kovacev* - Islands Records Lala Kovacev* (CD, Album) Benny Bailey, Eberhard Benny Bailey, Weber, Siggi Schwab*, Eberhard Weber, Enja GQCP-59048 Lala Kovacev* - Islands GQCP-59048 Japan 2008 Siggi Schwab*, Records (CD, Album, Ltd, RE, Lala Kovacev* RM, Pap) Benny Bailey, Benny Bailey, Eberhard Eberhard Weber, Weber, Siggi Schwab*, Enja CDSOL-6519 CDSOL-6519 Japan 2014 Siggi Schwab*, Lala Kovacev* - Islands Records Lala Kovacev* (CD, Album, RE) Comments about Islands - Benny Bailey Nirn Smooth, clean Jazz. I played it on YouTube first and liked it even though i'm a "free jazz guy".......Eberhard Weber "Fluid Rustle" Lp is in the Top 5 of all time (my list anyways).......Norma "Kid" Winstone shines on that one.......
[Show full text]
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality By Carlo Estolano Commentaries for the PhD folio of compositions University of York Music December 2017 2 3 Unbound Jazz: Composing and Performing in a Multi-Cultural Tonality Thesis submitted in partial fulfilment of a PhD degree in Music at The University of York, December 2018 by Carlo Estolano. Abstract This folio is conceived to propose and demonstrate music realisation of original compositions throughout the employment of elements of mainly two distinct sources: a selection from the wide palette of Brazilian folk styles that have improvisation as a strong element, which is internationally acknowledged as Brazilian Jazz; and its intersections with a certain style of European Jazz represented by artists notable by their keenness to combine elements from distinct musical genres with their Classical background, such as Ralph Towner, Jan Garbarek, John Abercrombie, Eberhard Weber, Kenny Wheeler, Terje Rypdal, Keith Jarrett to name a few. Both Brazilian and European approaches to Jazz seem to share processes of appropriation of foreign musical languages, as well as utilising characteristic features of their own traditions. Another common ground is their relation with some elements and procedures of classical music. The methodology to accomplish an organized collection of musical material was to divide them in five major influences, part of them by composers and part by genres notable by having evolved through absorbing elements from distinct cultural sources. In five projects, fifteen original compositions are provided along with their recorded and/or filmed performances and commentaries about the compositional aspects, concerningthe style or composer focused on.
[Show full text]
Copyright © 2013 Jefferson Forrest Calico All Rights Reserved. The
Copyright © 2013 Jefferson Forrest Calico All rights reserved. The Southern Baptist Theological Seminary has permission to reproduce and disseminate this document in any form by any means for purposes chosen by the Seminary, including, without limitation, preservation or instruction. ÁSATRÚ IN AMERICA: A NEW AMERICAN RELIGION A Dissertation Presented to the Faculty of The Southern Baptist Theological Seminary In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Jefferson Forrest Calico May 2013 APPROVAL SHEET ÁSATRÚ IN AMERICA: A NEW AMERICAN RELIGION Jefferson Forrest Calico Read and Approved by: __________________________________________ James D. Chancellor (Chair) __________________________________________ Theodore J. Cabal Date______________________________ This work is dedicated to my beautiful wife, Cari, who worked while I read. TABLE OF CONTENTS Page PREFACE . ix Chapter 1. INTRODUCTION . 10 Chapters . 18 2. A BRIEF HISTORY . 21 1970s: The New Awakening . 22 1980s-90s: Race and Schism . 25 2000s: Current Trends . 28 Flourishing of Independent Heathen Life . 29 Current Trends . 30 Story-Telling on the West Coast . 31 Culturally Specific Heathenry on the East Coast . 33 Tribalism in the Mid-West . 35 Conclusion . 38 3. THEORETICAL AND METHODOLOGICAL CONSIDERATIONS . 39 Asatru as a Response to Changing Notions of Race . 44 Globalization and Multiculturalism . 51 Asatru as a Response to Modernity . 55 Researching a New Religious Movement . 60 Conclusion . 65 4. THE WORLDVIEW OF CONTEMPORARY ASATRU . 67 iv Chapter Page What is Reconstruction? . 68 Why Reconstruct? . 78 Heathenry Reconstructed? . 84 Cosmology: The World Tree and the Precariousness of Life . 89 Time: The Presence of the Past . 95 Sacred space . 99 Theology: The Heathen Gods . 104 Anthropology: What is a person? Orlog and Ancestors .
[Show full text]
Page 1 N E W R E L E a S E
NEW RELEASE O N I N T U I T I O N R E C O R D S R E C E I V E D 4 G R A M M Y N O M I N A T I O N S OREGON’s latest project, Oregon In Moscow, is a double CD with the Moscow Tchaikovsky Symphony Orchestra, and the group’s recorded debut of their orchestral repertoire—a prodigious body of work that has been developing over the life of the band, but never documented. In the thirty-year history of OREGON, there has always existed a strong kinship to orchestral music. The use of the double reeds alone has given the quartet an identity and expansive sound associated with the symphonic orchestra. This association isn’t confined only to their use of many orchestral instruments, but applies also to the composition and presentation of the music, including the careful attention to details such as articulation, dynamics, phrasing and tone production derived from their respective classical studies. Chief composer Ralph Towner explains, “OREGON came together as a group in New York City in 1970, and from the outset it was clear that our unusual instrumentation and collective musical experience invited a different approach to composition and improvisation. The jazz tradition of improvisation usually consists of the soloists taking turns improvising on the song’s harmonic structure, recycling the chord progressions and returning to the original melody only on the last repeat of the cycle. While still using and honoring this tradition, we began composing longer, more sectional forms that allowed each soloist to improvise on different material within the context of a single piece.
[Show full text]
Downloaded at the Conclusion of the Study
Epidemiology of severe hypoglycaemia in children and adolescents with type 1 diabetes FG Mahesh (Max) K. Bulsara BSc (Hons) Mathematics MSc Statistics FG This thesis is submitted for the degree of Doctor of Philosophy at The University of Western Australia School of Population Health Telethon Institute for Child Health Research Faculty of Medicine, Dentistry and Health Science 2008 JK i STATEMENT OF CONTRIBUTION The author of this thesis, under the guidance of the candidate’s co- ordinating supervisor Professor D’Arcy Holman and co-supervisor Clinical Associate Professor Tim Jones, undertook the planning, structuring of the data, data checking, statistical analysis, literature reviews, interpretation of the results, discussions and conclusions included in this thesis. The candidate was responsible for 100% of the drafting of this thesis and for 90% of all peer-reviewed publications associated with it (the bibliographic details of all the published manuscripts are listed in section 1.3; page 4 of this thesis). The author of this thesis was not directly involved in the collection of all the clinical data. This was carried out by the Diabetes Research Team at Princess Margaret Hospital. Professor Holman and Assoc Professor Jones provided feedback on various drafts of the thesis and manuscripts. Due to the multi-disciplinary nature of this project, most of the manuscripts have collaborators listed as co-authors and hence permission was sought and granted by all collaborators to include the publications in this thesis. Signed: ------------------------------------------------------ M.K. BULSARA (Candidate) ------------------------------------------------------ Professor C.D.J. HOLMAN (Co-ordinating supervisor) i ABSTRACT Type 1 Diabetes is emerging as a significant public health problem faced by nearly every country in the world.
[Show full text]
The New Library 1.4 M Books, 3,000 Chairs Readied for New Home
HOUSING AND STUDENT AFFAIRS administra- THE HUSKIES SOCCER TEAM his taken a back f tors say they don't expect plans for a Hardees scat in the New England weekly coaches' poll of INSIDE TODAY restaurant on campus will kill off plans for a I renovated Commons Dining Hall. Story page 3. who's doing how. Story page 12. (ftmmecttat iailtj GlampuB Serving Storrs Since 1896 u Vol. LXXX1 No. 7 STORRS, CONNECTICUT Tuesday. September 20. l 77 The new library 1.4 M books, 3,000 chairs readied for new home By MARK A. DUPU1S So far. he added, he's been unable to come up After more than a decade of planning and with a way to move the books because of one major battling with the state. University officials today problem — the state has not given the University are within grasp of opening day for the new any money with which to make the move. S19-million University of Connecticut Library. A pet proposal raised by UConn President Glenn And while construction crews continue to put the W. Ferguson, would sec long lines of students, next-to-the-last touches on the building, the faculty and other persons passing books along a University's director of libraries, a state planner line like the bucket brigades of the last century. and a University library planner continue to attack but the plan hasn't met with much enthusiasm the questions of how they'll move 1.4 million books from library officials. from the Wilbur L. Cross University Library into If that were to be done.
[Show full text]
Recommended Listening List
RECOMMENDED LISTENING LIST This list is obviously not a comprehensive listening list. It is intended to be a starting point for the student’s discovery, education and enjoyment. This list has been EXTREMELY condensed to account for page numbers… keep exploring!!! (Jazz Albums, except for big bands, are categorized by the instrument played by the leader.) JAZZ • Thrust * Kenny Werner: Chick Corea: • Beat Degeneration PIANO • Now He Sings Now He Bud Powell: Sobs* Steve Kuhn • Three Quartets* • The Amazing Bud • Steve Kuhn Trio- Powell, Volume 1* McCoy Tyner: Life’s Magic Thelonious Monk: • The Real McCoy* Ellis Marsalis • Misterioso * Dave Brubeck: • The Classic Ellis • Live at the Five Spot * Marsalis • Monk’s Music* • Time Out • Thelonious Monk Quartet With John Geri Allen: SAXOPHONE Coltrane: Live At Carnegie Hall* • In The Year of The Sonny Rollins: Dragon Oscar Peterson Trio: • The Nurturer • Live at the Village Vanguard * • Oscar Peterson Trio + 1 Keith Jarrett: • Saxophone Colossus* Red Garland: • Standards Volume 1 and • Way Out West* 2 * • Groovy • Changes * Joe Henderson: • Standards Live * Ahmad Jamal: • Tribute* • Inner Urge* • Belonging* • Power To The People* • Ahmad’s Blues* • The Cure * • The State Of The Tenor * Bill Evans Michel Camilo: Wayne Shorter: • Waltz for Debby * • Michel Camilo • Live at the Village • Live At The Blue Note • Speak No Evil * Vanguard * • Ju-Ju* Brad Mehldau: Herbie Hancock: Oliver Nelson: • Brad Mehldau Trio Live • Maiden Voyage * • Blues and The Abstract • Empyrean Isles* Truth* • Headhunters
[Show full text]
20210824 Recensieoverzichtplaten69tmheden
ARTIEST PLAAT LABEL RECENSENT NR. 1000+1 Butterfly Garden El Negocito Fluitman 224 3 Brave Souls 3 Brave Souls Challenge Korten 191 3/4 Peace 3/4 Peace El Negocito Loo, te 207 3/4 Peace Rainy Days On The Common Land El Negocito Loo, te 250 37 Fern 37 Fern TryTone Loo, te 348 3Hands Clapping Shaman Dance Juice Junk Records Korten 99 3times7 Squeeze The Lemon Eigen Beheer Hollebrandse 281 4Beat6 Plays The Music Of Benny Goodman Vol. 1 Eigen Beheer Lammen 85 4tet Different Song Leo Records Loo, te 178 5 Up High 5 Up High Timeless Fluitman 273 6 Spoons, 1 Kitchen Blend LopLop Beetz 201 6ix Almost Even Further Leo Records Loo, te 187 A A.G.N.Z. (Azzolina, Govoni, Nussbaum & Zinno) Chance Meeting Whaling City Sound Fluitman 264 Aagre, Froy Cycle Of Silence ACT Fluitman 133 Aardvark Jazz Orchestra American Agonistes Leo Records Loo, te 100 Aardvark Jazz Orchestra Evocations Leo Records Loo, te 181 Aardvark Jazz Orchestra Impressions Leo Records Loo, te 226 Abate, Greg Magic Dance Whaling City Sound Valk, de 353 Abate, Greg & Phil Woods Kindred Spirits Live At Chan's Whaling City Sound Fluitman 257 Abate, Greg & Tim Ray Trio Road To Forever Whaling City Sound Fluitman 274 Abdelnour/Schild La Louve Wide Ear Loo, te 322 Abercrombie Quartet, John Wait Till You See Her ECM Korten 128 Abercrombie Quartet, John Within A Song ECM Korten 183 Abercrombie Quartet, John 39 Steps ECM Beetz 209 Abercrombie, John The Third Quartet ECM Korten 76 Abercrombie, John & John Ruocco Topics Challenge Fluitman 90 Ablanedo, Pablo ReContraDoble Creative Nation Music Fluitman 197 Abou-Khalil, Rabih Em Português Enja Loo, te 101 Abou-Khalil, Rabih Selection Enja Loo, te 131 Abou-Khalil, Rabih Trouble In Jerusalem Enja Loo, te 150 Abrams, Jess Growing Up Challenge Huser 93 Abrams, Muhal Richard Sound Dance Pi Recordings Loo, te 161 Absolute Ensemble (ft.
[Show full text]