DOCSLIB.ORG

Recommended Listening List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

RECOMMENDED LISTENING LIST This list is obviously not a comprehensive listening list. It is intended to be a starting point for the student’s discovery, education and enjoyment. This list has been EXTREMELY condensed to account for page numbers… keep exploring!!! (Jazz Albums, except for big bands, are categorized by the instrument played by the leader.) JAZZ • Thrust * Kenny Werner: Chick Corea: • Beat Degeneration PIANO • Now He Sings Now He Bud Powell: Sobs* Steve Kuhn • Three Quartets* • The Amazing Bud • Steve Kuhn Trio- Powell, Volume 1* McCoy Tyner: Life’s Magic Thelonious Monk: • The Real McCoy* Ellis Marsalis • Misterioso * Dave Brubeck: • The Classic Ellis • Live at the Five Spot * Marsalis • Monk’s Music* • Time Out • Thelonious Monk Quartet With John Geri Allen: SAXOPHONE Coltrane: Live At Carnegie Hall* • In The Year of The Sonny Rollins: Dragon Oscar Peterson Trio: • The Nurturer • Live at the Village Vanguard * • Oscar Peterson Trio + 1 Keith Jarrett: • Saxophone Colossus* Red Garland: • Standards Volume 1 and • Way Out West* 2 * • Groovy • Changes * Joe Henderson: • Standards Live * Ahmad Jamal: • Tribute* • Inner Urge* • Belonging* • Power To The People* • Ahmad’s Blues* • The Cure * • The State Of The Tenor * Bill Evans Michel Camilo: Wayne Shorter: • Waltz for Debby * • Michel Camilo • Live at the Village • Live At The Blue Note • Speak No Evil * Vanguard * • Ju-Ju* Brad Mehldau: Herbie Hancock: Oliver Nelson: • Brad Mehldau Trio Live • Maiden Voyage * • Blues and The Abstract • Empyrean Isles* Truth* • Headhunters Eric Dolphy TRUMPET Joe Lovano: • Out To Lunch * Clifford Brown: • With Booker Little: • Sounds Of Joy* Live at the Five Spot, • Study in Brown * Volume 1 * David Binney: • Live at Basin Street Cannonball Adderley: • South Miles Davis: • Oceanos • Somethin’ Else* • Afinidad • Kind of Blue * • Workin’ Ornette Coleman: Dick Oatts: • Relaxin’ • Steamin’* • The Shape of Jazz To • Southpaw • Milestones * Come * • Meru • Round About Midnight • This is Our Music * * • Ornette* Brandford Marsalis: • Someday My Prince • Change of the Century* Will Come* • Requiem • My Funny • The Dark Keys Valentine/Four and Hank Mobley • Crazy People Music More * (2 CD set) • ESP • Soul Station * Jan Garbarek: • The Sorcerer * • Roll Call • Miles Smiles* • I Took Up The Runes John Coltrane • Nefertiti * Joshua Redman: • Files De Kilamanjaro * • Blue Trane* • In A Silent Way * • Giant Steps * • Elastic • Bitches Brew * • Crescent * • Live Evil • A Love Supreme* Jon Ellis: • We Want Miles • Ballads* • With Johnny Hartman * • Dance Like There’s No Dave Douglas: • Live at Birdland * Tomorrow • The Infinite • Live at the Village Vanguard * Dewey Redman: • Meaning And Mystery • Transition* • Moonshine • Interstellar Space* • Red & Black In Willisau • Spirit Moves • In London Michael Brecker Yusef Lateef Kenny Wheeler: • The Brecker Brothers- Heavy Metal Be-bop* • Live at Pep’s * • Gnu High* • Michael Brecker (his • Double, Double You FIRST solo record) * Chris Potter: • The Widow In The Window Kenny Garrett: • Lift • Underground Wynton Marsalis: • Songbook • Follow the Red Line • Happy People • Ultrahang • Black Codes From The Underground* • Standard Time Volume Drew Gress: Frank Zappa: One* • J Mood • Spin & Drift • Shut Up and Play Yer • Joe Cool’s Blues • Irrational Numbers Guitar • Joe’s Garage Cuong Vu: Mark Helias: John Abercrombie: • It's Mostly Residual • Verbs of Will • Gateway Ingrid Jensen: Ben Allison: • John Abercrombie Trio- Live • Spirals • Cowboy Justice • While We’re Young • Nordic Connect- • Open Land “Flurry” GUITAR • Project O John McLaughlin: • Live At The Royal BASS Grant Green: Festival Hall * • Tokyo Live Charles Mingus: • Talkin’ About Kurt Rosenwinkel: • Ah Um * Allan Holdsworth: • Blues & Roots * • The Next Step • Heavy Metal Fatigue • The Remedy-Live Ray Brown: • Secrets • The Sixteen Men of Tain • Don’t Get Sassy Adam Rogers: • Wardenclyffe Tower • Art of the Invisible Dave Holland: Wes Montgomery: • Conference of The Birds David Gilmore: • The Incredible Jazz * Guitar of Wes • Numerology • Triplicate Montgomery • Seeds of Time* • Smokin’ At The Half Jonathan Kreisberg: • The Razor’s Edge* Note • Jumpin’ In • New For Now • Extensions * John Scofield: • Prime Directive * Tony MacAlpine (with Dennis • Not for Nothin' • Still Warm Chambers and Bunny Brunel) • Time On My Hands * Jaco Pastorious: • Blue Matter * • CAB • CAB 2 • Word of Mouth * Pat Metheny: • Jaco Pastorious * • Pat Metheny Group ORGAN: Eberhard Weber: • 80/81 * • Question And Answer * Jimmy Smith: • Later That Evening • Song X • Still Life Talking • Back at the Chicken Shack * Melvin Rhyne: Mahavishnu Orchestra: • Suadades * • Boss Organ • Birds of Fire * Paul Motian: • The Inner Mounting Larry Goldings: Flame * • On Broadway, Volume 1 • Sound of Love • Live at Smalls Fly: Matt Wilson: Gary Versace: • Sky and Country • Fly • Smile • Outside In • Arts and Crafts • The Scenic Route Alice Coltrane: DRUMS • As Wave Follows Wave • Transfiguration Jo Jones (as in Papa Jo Roy Haynes: Jones): Larry Young: • We Three * • The Everest Years* • Out of The Afternoon * • Unity* • Roy Haynes Trio With Max Roach: Danilo Perez and John GROUPS Patitucci * • Drums Unlimited * Weather Report: • We Insist! Freedom Billy Cobham: Now Suite * • Weather Report • Deeds Not Words* • Spectrum • Mysterious Traveler * • Heavy Weather * Art Blakey: Brian Blade Steps Ahead: • A Night At Birdland, • Brian Blade Fellowship- Volumes 1 and 2 * Perceptual * • Steps Ahead * • Moanin’ * • Smokin’ In The Pit * • The Big Beat* Ed Blackwell: • A Night In Tunisia * The Jazz Crusaders: • Ugetsu * • Walls-Bridges • Free For All * • What It Be Like • Southern Comfort Elvin Jones: Ralph Peterson Jr.: Old And New Dreams: • Live At The Lighthouse, • Ornettology • Playing * Volumes 1 and 2 • The Fo’Tet Augmented Return to Forever: Tony Williams: Jeff “Tain” Watts: • Light as a Feather • Emergency * • Citizen Tain * • Hymn of the Seventh • Believe It * • Folk's Songs Galaxy • Romantic Warrior Jack Dejohnette: Dafnis Prieto: • Album Album * • About the Monks * • Special Edition * • Absolute Quintet * Count Basie: Jeff Hamilton: Sarah Vaughn: • The Complete Decca • The Best Things Happen Recordings * • Sarah Vaughn • Count Basie Swings, Joe • Swingin’ Easy Vinnie Colaiuta: Williams Sings * • Straight Ahead Billie Holiday: • Vinnie Colaiuata Thad Jones/Mel Lewis: • Lady In Satin* Ari Hoenig: • Lady Sings the Blues • Central Park North * • Bert's Playground* • Consumation * Ella Fitzgerald: ****** • Lines of Oppression* • Punk Bop* Jim McNeely: • ANYTHING BY ELLA. IF YOU WANT TO Peter Erskine: • Lickety Split (listed under LEARN SWING, YOU the Vanguard Orchestra HAVE TO LISTEN TO • Sweet Soul playing the music of Jim ELLA SING. AND I McNeely) • You Never Know MEAN EVERYONE, • Dedication Suite NOT JUST Chad Wackerman: VOCALISTS!! Maria Schneider: Scream Frank Sinatra: • • Allegresse * Forty Reasons • • Concert In The Garden * • Dreams, Nightmares and • Songs for Swingin’ Lovers Improvisations Bob Brookmeyer: • Come Dance With Me • Sinatra at the Sands BIG BANDS • New Works (with Count Basie)* • Spirit Music Chick Webb: Al Jarreau: WDR Big Band: • Ella Fitzgerald with • We Got By • Prism Chick Webb* • Glow • This Time Bob Mintzer Big Band: Buddy Rich: Sheila Jordan: • Big Swing Face* • Incredible Journey* Art of the Big Band • Swinging New Big • • Portrait of Sheila* Band • Sheila* (WOW! This is Django Bates: killing!) Duke Ellington: • Confirmation** • Like Life (DOUBLE WOW!!) • Ellington At Newport * • Blues In Orbit * Carmen McRae: • Black, Brown and Beige VOCALISTS: * • Carmen Sings Monk* • And His Mother Called Joe Williams: Him Bill* Cassandra Wilson: • Count Basie Swings and Joe Williams Sings* • Blue Skies Earth Wind And Fire: • Led Zeppelin II * Diana Krall: • Led Zeppelin IV * • Greatest Hits Volume 1 • Love Scenes * Pink Floyd: Tower of Power: • Dark Side of The Moon ROCK, POP, AND • What Is Hip?: The Santana: R&B Tower of Power Anthology * • Santana Aretha Franklin: James Brown: Radiohead: Live At Filmore West * • • Star Time (Boxed Set) • OK Computer I Never Loved A Man • **************** • Kid A The Way That I Love • Amnesiac You * Marvin Gaye: • Young Gifted And Black Steely Dan: * • What’s Going On * • Katy Lied * The Meters: Al Green: • Aja * Gaucho * • The Meters** • • Al Green’s Greatest Hits • Look-Ka Py Py The Beatles: • Rejuvenation* Donny Hathaway: • Sgt. Pepper’s Lonely Dr. John, with the Meters: • These Songs For You Hearts Club Band * • Revolver * • In the Right Place* Sly And The Family Stone: • The Beatles (The White Album) Rufus (sometimes listed as • There’s A Riot Going • Please Please Me * Rufus with Chaka Kahn): On* • Abbey Road • Stand * • Rufusized* • Fresh * Allen Toussaint: The Beach Boys: Stevie Wonder: • Pet Sounds • Life, Love and Faith • Fullfillingess’ First Finale * Blood, Sweat and Tears: Me’Shell Ndegeocello • Talking Book * • Innervisions* • Blood Sweat and Tears • Peace Beyond Passion • Songs In The Key Of Life * The Staples Singers: Parliament Funkadelic: Rickie Lee Jones: • Stax Profiles-The • 20th Century Masters - The Millennium Staples Singers • Rickie Lee Jones * Collection: The Best of Parliament * Mavis Staples: Led Zeppelin: • We’ll Never Turn Back* • Led Zeppelin I Gladys Knight and The Pips: Billy Joel: Peter Tosh: • The Ultimate Collection • The Stranger • Legalize It* • Turnstiles The Temptations: Junior Byles: Sting: • My Girl-The Very Best • Beat Down Babylon * of The Temptations • Bring On The Night • Dream Of The Blue The
Recommended publications
  • December 1992

    December 1992

    VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F.
  • THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014

    THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014

    COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
  • Booker Little

    Booker Little

    1 The TRUMPET of BOOKER LITTLE Solographer: Jan Evensmo Last update: Feb. 11, 2020 2 Born: Memphis, April 2, 1938 Died: NYC. Oct. 5, 1961 Introduction: You may not believe this, but the vintage Oslo Jazz Circle, firmly founded on the swinging thirties, was very interested in the modern trends represented by Eric Dolphy and through him, was introduced to the magnificent trumpet playing by the young Booker Little. Even those sceptical in the beginning gave in and agreed that here was something very special. History: Born into a musical family and played clarinet for a few months before taking up the trumpet at the age of 12; he took part in jam sessions with Phineas Newborn while still in his teens. Graduated from Manassas High School. While attending the Chicago Conservatory (1956-58) he played with Johnny Griffin and Walter Perkins’s group MJT+3; he then played with Max Roach (June 1958 to February 1959), worked as a freelancer in New York with, among others, Mal Waldron, and from February 1960 worked again with Roach. With Eric Dolphy he took part in the recording of John Coltrane’s album “Africa Brass” (1961) and led a quintet at the Five Spot in New York in July 1961. Booker Little’s playing was characterized by an open, gentle tone, a breathy attack on individual notes, a nd a subtle vibrato. His soli had the brisk tempi, wide range, and clean lines of hard bop, but he also enlarged his musical vocabulary by making sophisticated use of dissonance, which, especially in his collaborations with Dolphy, brought his playing close to free jazz.
  • Mise En Page 1

    Mise En Page 1

    NANCY , ville d’échange, dynamique, jeune, première ville universitaire du grand Est, s’impose frustrée. Comme jadis au CMCN et maintenant à Music Academy International, nous sommes des comme un des pôles culturels et artistiques européens. Point chaud du rock, capitale du jazz, européens convaincus. La vocation internationale de notre école n’est pas uniquement dictée par la haut-lieu de la musique classique, Nancy a le goût de la scène. Du club de jazz intimiste à “l’Autre situation géographique de Nancy (dans un rayon de 350 km nous touchons Paris et 6 pays, dans un Canal”, scène de Rock, chanson & électro ultra-équipée, en passant par la salle de concerts rayon de 950 km nous touchons Brest et 11 pays), mais également par l’enrichissement culturel et majestueuse jusqu’au Zénith imposant, Nancy accueille à bras ouverts les musiciens de tous économique qui se présente à l’artiste qui profite de l’ouverture des frontières. horizons. Music Academy International est implantée à proximité de trois parcs, à deux pas de la célèbre place Stanislas, en plein centre ville dans un quartier sympathique et sécurisant. Pour cette raison Music Academy International entre autres, accueille nombre d’artistes étrangers réputés. Music Academy se félicite également d’un partenariat privilégié avec une vingtaine des INTERNATIONAL : Le caractère universel de la musique et plus particulièrement les qualités de plus grandes écoles du monde entier. Mais ne nous y trompons pas, même si à Music Academy le brassage et d’intégration des courants actuels, interdit de délimiter son champ d’action, de rester mot “International” prend toute sa mesure, même si les accents sont multiples, même si tous les replié sur son territoire national.
  • May • June 2013 Jazz Issue 348

    May • June 2013 Jazz Issue 348

    may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher.
  • Dennis Chambers

    Dennis Chambers

    IMPROVE YOUR ACCURACY AND INDEPENDENCE! THE WORLD’S #1 DRUM MAGAZINE FUSION LEGEND DENNIS CHAMBERS SHAKIRA’S BRENDAN BUCKLEY WIN A $4,900 PEARL MIMIC BLONDIE’S PRO E-KIT! CLEM BURKE + DW ALMOND SNARE & MARCH 2019 GRETSCH MICRO KIT REVIEWED NIGHT VERSES’ ARIC IMPROTA FISHBONE’S PHILIP “FISH” FISHER THE ORIGINAL. ONLY BETTER. The 5000AH4 combines an old school chain-and-sprocket drive system and vintage-style footboard with modern functionality. Sought-after DW feel, reliability and playability. The original just got better. www.dwdrums.com PEDALS AND ©2019 Drum Workshop, Inc. All Rights Reserved. HARDWARE 12 Modern Drummer June 2014 LAYER » EXPAND » ENHANCE HYBRID DRUMMING ARTISTS BILLY COBHAM BRENDAN BUCKLEY THOMAS LANG VINNIE COLAIUTA TONY ROYSTER, JR. JIM KELTNER (INDEPENDENT) (SHAKIRA, TEGAN & SARA) (INDEPENDENT) (INDEPENDENT) (INDEPENDENT) (STUDIO LEGEND) CHARLIE BENANTE KEVIN HASKINS MIKE PHILLIPS SAM PRICE RICH REDMOND KAZ RODRIGUEZ (ANTHRAX) (POPTONE, BAUHAUS) (JANELLE MONÁE) (LOVELYTHEBAND) (JASON ALDEAN) (JOSH GROBAN) DIRK VERBEUREN BEN BARTER MATT JOHNSON ASHTON IRWIN CHAD WACKERMAN JIM RILEY (MEGADETH) (LORDE) (ST. VINCENT) (5 SECONDS OF SUMMER) (FRANK ZAPPA, JAMES TAYLOR) (RASCAL FLATTS) PICTURED HYBRID PRODUCTS (L TO R): SPD-30 OCTAPAD, TM-6 PRO TRIGGER MODULE, SPD::ONE KICK, SPD::ONE ELECTRO, BT-1 BAR TRIGGER PAD, RT-30HR DUAL TRIGGER, RT-30H SINGLE TRIGGER (X3), RT-30K KICK TRIGGER, KT-10 KICK PEDAL TRIGGER, PDX-8 TRIGGER PAD (X2), SPD-SX-SE SAMPLING PAD Visit Roland.com for more info about Hybrid Drumming. Less is More Built for the gigging drummer, the sturdy aluminum construction is up to 34% lighter than conventional hardware packs.
  • TRISHA BROWN DANCE COMPANY Ili Trilogy

    TRISHA BROWN DANCE COMPANY Ili Trilogy

    THÉÂTRE DES CHAMPS-ÉLYSÉES TRISHA BROWN DANCE COMPANY iLI Trilogy Trisha Brown, chorégraphie Dave Douglas, musique 16 au 19 novembre 2000 Document de communication du Festival d'Automne à Paris - tous droits réservés Trisha Brown Dance Company EL TRILOGY Five Part Weather Invention Rupture to Leon James Groove and Countermove Trisha Brown, chorégraphie Dave Douglas, musique Terry Winters, décors et costumes Jennifer Tipton, lumières Jeudi 16, vendredi 17, samedi 18, dimanche 19 novembre 2000, 20h dimanche 19 novembre 2000, 15h 5 représentations Service de presse - Nathalie Sergent Tél :01 49 52 50 70 - Fax :01 49 52 07 41 e-mail : [email protected] Document de communication du Festival d'Automne à Paris - tous droits réservés El Trilogy Depuis le début des années 1970 et la création de sa compagnie, Trisha Brown n'a cessé d'influencer le ballet contemporain, proposant un vocabu- Renseignements pratiquesp. 4 laire chorégraphique réinventé à chaque uvre. Ces dernières années, elle a entamé un cycle illustrant les relations de la danse et de la musique. Inaugu- Five Part Weather Inventionp. 5 rées par une pièce sur L'Offlande musicale de Bach, ses recherches se sont Rupture to Leon Jamesp. 6 Groove and Countermovep. 7 poursuivies avec les quatuors à cordes de Webern puis avec sa magnifique mise en scène de L'Orfeo de Monteverdi (créée à la Monnaie de Bruxelles au Trisha Brown, à propos d'El Trilogyp. 8 printemps 1998 et présentée par la suite entre autres au festival d'Aix-en- El Jubilation Trilogy, par Denise Luccionip. 10 Provence et au Théâtre des Champs-Élysées).
  • Top 40 Singles Top 40 Albums

    Top 40 Singles Top 40 Albums

    21 September 1986 CHART #538 Top 40 Singles Top 40 Albums Venus True Colors The Final On The Beach 1 Bananarama 21 Cyndi Lauper 1 Wham 21 Chris Rea Last week 1 / 5 weeks POLYGRAM Last week - / 1 weeks CBS Last week 1 / 6 weeks Platinum / SONY Last week 13 / 4 weeks POLYGRAM Spirit In The Sky I Can't Wait True Blue A Kind Of Magic 2 Dr & the Medics 22 Nu Shooz 2 Madonna 22 Queen Last week 2 / 6 weeks CBS Last week 15 / 14 weeks WEA Last week 4 / 11 weeks Platinum / WEA Last week 20 / 13 weeks EMI Wild Wild Life You To Me Are Everything Invisible Touch Bring On The Night 3 Talking Heads 23 The Real Thing 3 Genesis 23 Sting Last week 25 / 2 weeks EMI Last week 21 / 13 weeks POLYGRAM Last week 5 / 11 weeks Gold / VIRGIN Last week 22 / 3 weeks FESTIVAL Take My Breath Away The Edge Of Heaven Revenge The Seer 4 Berlin 24 Wham 4 Eurythmics 24 Big Country Last week 5 / 4 weeks CBS Last week 8 / 8 weeks CBS Last week 2 / 7 weeks Platinum / RCA Last week 17 / 5 weeks POLYGRAM Words Get In The Way When Tomorrow Comes Rat In The Kitchen Knocked Out Loaded 5 Miami Sound Machine 25 Eurythmics 5 UB40 25 Bob Dylan Last week 12 / 5 weeks CBS Last week 20 / 6 weeks RCA Last week 8 / 3 weeks VIRGIN Last week 23 / 2 weeks CBS I Wanna Be A Cowboy Eagle Rock George Thorogood Live Picture Book 6 Boys Don't Cry 26 Daddy Cool 6 George Thorogood 26 Simply Red Last week 3 / 11 weeks FESTIVAL Last week 19 / 6 weeks RCA Last week 6 / 5 weeks EMI Last week 35 / 23 weeks Gold / WEA Sailing Away Point Of No Return Standing On A Beach In Visible Silence 7 All Of Us 27
  • Musica Jazz Autore Titolo Ubicazione

    Musica Jazz Autore Titolo Ubicazione

    MUSICA JAZZ AUTORE TITOLO UBICAZIONE AA.VV. Blues for Dummies MSJ/CD BLU AA.VV. \The \\metronomes MSJ/CD MET AA.VV. Beat & Be Bop MSJ/CD BEA AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Victor Jazz History vol. 13 MSJ/CD VIC AA.VV. Blue'60s MSJ/CD BLU AA.VV. 8 Bold Souls MSJ/CD EIG AA.VV. Original Mambo Kings (The) MSJ/CD MAM AA.VV. Woodstock Jazz Festival 1 MSJ/CD WOO AA.VV. New Orleans MSJ/CD NEW AA.VV. Woodstock Jazz Festival 2 MSJ/CD WOO AA.VV. Real birth of Fusion (The) MSJ/CD REA AA.VV. \Le \\grandi trombe del Jazz MSJ/CD GRA AA.VV. Real birth of Fusion two (The) MSJ/CD REA AA.VV. Saint-Germain-des-Pres Cafe III: the finest electro-jazz compilationMSJ/CD SAI AA.VV. Celebrating the music of Weather Report MSJ/CD CEL AA.VV. Night and Day : The Cole Porter Songbook MSJ/CD NIG AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Saint-Germain-des-Pres Cafe II: the finest electro-jazz compilationMSJ/CD SAI Adderley, Cannonball Cannonball Adderley MSJ/CD ADD Aires Tango Origenes [CD] MSJ/CD AIR Al Caiola Serenade In Blue MSJ/CD ALC Allison, Mose Jazz Profile MSJ/CD ALL Allison, Mose Greatest Hits MSJ/CD ALL Allyson, Karrin Footprints MSJ/CD ALL Anikulapo Kuti, Fela Teacher dont't teach me nonsense MSJ/CD ANI Armstrong, Louis Louis In New York MSJ/CD ARM Armstrong, Louis Louis Armstrong live in Europe MSJ/CD ARM Armstrong, Louis Satchmo MSJ/CD ARM Armstrong, Louis
  • Downbeat.Com December 2014 U.K. £3.50

    Downbeat.Com December 2014 U.K. £3.50

    £3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
  • John Anthony Final Revisions Thesis

    John Anthony Final Revisions Thesis

    Improvisational Devices of Jazz Guitarist Adam Rogers on the Thelonious Monk Composition “Let’s Cool One” by John J. Anthony Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in Jazz Studies YOUNGSTOWN STATE UNIVERSITY August, 2012 Improvisational Devices of Jazz Guitarist Adam Rogers on the Thelonious Monk Composition “Let’s Cool One” John J. Anthony I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: John J. Anthony, Student Date Approvals: Dr. David Morgan, Thesis Advisor Date Dr. Kent Engelhardt, Committee Member Date Dr. Randall Goldberg, Committee Member Date Dr. Glenn Schaft, Committee Member Date Peter J. Kasvinsky, Dean of School of Graduate Studies and Research Date ABSTRACT Adam Rogers is one of the most influential jazz guitarists in the world today. This thesis offers a transcription and analysis of his improvisation on the Thelonious Monk composition “Let’s Cool One” which demonstrates five improvisational devices that define Rogers’s approach over this composition: micro-harmonization, rhythmic displacement, motivic development, thematic improvisation, and phrase rhythm. This thesis presents a window into the aesthetics of contemporary jazz improvisation and offers a prism for conceptualizing not only the work of Adam Rogers, but
  • Jazz and Radio in the United States: Mediation, Genre, and Patronage

    Jazz and Radio in the United States: Mediation, Genre, and Patronage

    Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.