Zabaleta, Nicanor Zaballos, Rodrigo De. Zabel, Albert Heinrich Zabern, Conrad Von

Total Page:16

File Type:pdf, Size:1020Kb

Zabaleta, Nicanor Zaballos, Rodrigo De. Zabel, Albert Heinrich Zabern, Conrad Von Zabaleta, Nicanor Zaballos, Rodrigo de. Zabel, Albert Heinrich Zabern, Conrad von. Zacara da Teramo, Antonio [Antonius Berardi Andree de Teramo; Zacar, Zacara, Zaccara, Zacharie] Zaccardi [Zachardus], Florido Zaccaria, Cesare de. Zaccaria, Nicola (Angelo) Zacchino [Zacchini, Zacchinus, Cachino], Giulio Zacconi, Lodovico [Giulio Cesare] Zach, Jan Zachardus, Florido. Zacharia [Zaccaria, Zachariis], Cesare de Zachariä [Zachariae], (Just) [Justus] Friedrich Wilhelm Zacharias, Christian Zacharie, Nicolaus Zachau, Friedrich Wilhelm. Zachau [Zachäus], Peter Zacher, Gerd Zacher [Zächer, Zaecher], Johann Michael Zachow [Zachau], Friedrich Wilhelm Zadar Zadeja, Çesk [Françesk] Zadek, Hilde Zaderatsky, Vsevolod Petrovich Zaderatsky, Vsevolod Vsevolodovich Zador, Eugene [Zádor, Jenő] Zadora, Michael [Michał] [Amadis, Pietro] Zaecher, Johann Michael. Zafred, Mario Zagiba, Franz Zagorsky [Zagorschi], Vasily Georgiyevich Zagreb Zagwijn, Henri Zāhir, Ahmad Zählzeit Zahn, Johannes Zahortsev, Volodymyr Mykolayovych Zaidel-Rudolph, Jeanne ZAIKS Zaimont, Judith Lang Zaimov, Velislav Zajal Zajc, Ivan [Zaytz, Giovanni von] Zajick, Dolora Žák, Benedikt. Zak, Yakov (Izrailevich) Zakaryan, Suren (Karoi) Zakharov, Rostislav Vladimirovich Zakharov, Vladimir Grigor'yevich Zalazar, Antonio de. Zallamella [Zalamella], Pandolfo Zallman, Arlene Zalyotnew, Aleh Barïsavich Zalzal [Mansūr Zalzal al-Dārib] Zamacois (Soler), Joaquín Zamácola, Juan Antonio (Iza) [Don Preciso] Zamara, Antonio Zambello, Francesca Zambia, Republic of. Zambomba Zamboni, Giovanni Zamboni, Giuseppe. Zamboni, Luigi Zamboni, Maria Zámečník, Evžen Zaminer, Frieder Zammāra. Zampieri, Mara Zampogna Zamponi [Zamboni, Samponi], Giuseppe [Gioseffo] Zanata [Zanatta, Zannatta], Domenico Zancanaro, Giorgio Zanchi, Liberale Zänckl, Narcissus. Zander, Johan David Zandonai, Riccardo Zandt, Marie van. Zanella, (Castore) Amilcare Zanelli (Morales), Renato Zanési, Christian Zanetti. Zanetti, Francesco. Zanetti [Zannetti], Gasparo Zanetti, Gerolamo Zanettini, Antonio. Zanetto [Joannetto] da Montichiaro (Micheli) [de Michaelis] Zang, Johann Heinrich Zange, Nikolaus. Zängel [Zanggel, Zenngel, Zänckl], Narcissus Zanger, Johann Zangius [Zange], Nikolaus Zani, Andrea Zanibon. Zani de Ferranti, Marco Aurelio Zaninus [Çaninus] de Peraga de Padua Zannatta, Domenico. Zannetti [Zanetti]. Zannetti [Zanetti], Francesco Zannetti, Gasparo. Zannettini, Antonio. Zannoni [Zanoni], Angelo Maria Zanobi, Luigi. Zanotti, Camillo [Ioannotus, Camillus; Cannatij, Camillus; Canotij, Camillus] Zanotti, Giovanni (Calisto Andrea) Zaparth, Jean. Zapf, Helmut Zaphelius [Zapfelius, Zapfl], Matthias [Matthäus] Zappa, Francesco Zappa, Frank [Francis] (Vincent) Zappasorgo, Giovanni Zaqef. Zār. Zara Zaramella. Zarathustran [Zoroastrian] music. Zardt, Georg. Zarębski, Juliusz Zaremba. Zaremba, Eléna Zarewutius [Zarevutius, Zerewucius, Zarevutzius], Zachariáš [Zacharias] Zargen Zariņš, Margers [Margeris] Zarlino, Gioseffo [Gioseffe] Zarotto, Antonio Zarqa. Zart Zarth [Czard, Czarth, Szarth, Tzarth, Zardt], Georg Zarzuela Zarzycki, Aleksander Zasa, Paolo Zaslaw, Neal Zäsur Zatta, Antonio Zátvrzský, Miloš. Zauberoper Zavaglioli, Simone Zavarský, Ernest Zavateri, Lorenzo Gaetano Zavrtal [Zavertal, Zavrthal, Zaverthal; orig. Sawerthal]. Zawose, Hukwe Ubi Zaytz, Giovanni von. Zazhyt'ko, Serhy Zazzerino. Zbinden, Julien-François Zbruyeva, Yevgeniya (Ivanovna) Zeami [Motokiyo, Kanze Saburō] Zeani [Zehan], Virginia Żebrowski, Marcin Józef Zecchi, Adone Zech. Zechlin, Ruth Zechner, Johann Georg Zeckwer, Camille Zedda, Alberto Zednik, Heinz Zeffirelli, Franco [Corsi, Gian Franco] Zehan, Virginia. Zehavi, Oded Zehetmair, Thomas Zehm, Friedrich Zeiler, Gallus Zeira, Mordecai Zeisl, Eric [Erich] Zeisler [née Blumenfeld], Fannie Zeitlin, Zvi Zeitoper Zekert, Josef. Zelenka, István Zelenka, Jan (Lukáš Ignatius) Dismas Zelenscius, Mikołaj. Żeleński, Władysław Zeljenka, Ilja Zell [Zelle], Christian Zellbell, Ferdinand (i) Zellbell, Ferdinand (ii) [den yngre] Zelle, Christian. Zeller, Carl (Johann Adam) Zelman, Alberto Zeltenpferd Zelter, Carl Friedrich Zemlinsky [Zemlinszky], Alexander (von) Zemp, Hugo Zemtsovsky, Izaly Iosifovich Zemzaris, Imants Zenaro, Giulio Zenatello, Giovanni Zenck, Hermann Zenck, Martin Zender, Hans Zeneműkiadó Vállalat. Zenngel, Narcissus. Zeno, Apostolo Zeno, George. Zenobi [Zanobi], Luigi [Cavaliere Luigi del Cornetto] Zenti, Girolamo [Zentis, Hieronymus de] Zerafa, Benigno [Beninju, Beninn] Zerbst. Zerewucius, Zachariáš. Žerotín. Zervos, Yorgos [George] Zesen, Philipp von Zesso, Giovanni Battista Zeugheer, Jakob [Herrmann, Jakob Zeugheer] Zeuner, Charles (Heinrich Christoph) Zeuner, Karl Traugott Zeuner, Martin Zeutschner, Tobias Zeyfas [N. Golodnova; Zh. Kozina; N. Mikhaylova], Natal'ya Mikhaylovna Zeydman, Boris Isaakovich Žganec, Vinko Zgureanu, Teodor Zha Fuxi Zhang Jianting Zhang Ziqian Zhao Songting Zhao Yuzhai Zhelobinsky, Valery Viktorovich Zheng. Zhiganov, Nazib Gayanovich Zhilin, Aleksey Dmitriyevich Zhilyayev, Nikolay Sergeyevich Zhitomirsky, Aleksandr Matveyevich Zhitomirsky, Daniil' Vladimirovich Zhivotov, Aleksey Semyonovich Zhol-khang, bSod-nams Dar-rgyas Zhong. Zhou Long Zhou Xinfang Zhubanova, Gaziza Akhmetovna Zhu Jian'er [Zhu Rongshi] Zhu Jingqing. Zhukov, Sergey Viktorovich Zhukovsky, Herman Leont'yovych Zhukovsky, Vasily Andreyevich Zhu Qinfu Zhu Quan Zhu Rongshi. Zhu Zaiyu Zhyvny, Wojciech. Ziak, Benedikt. Ziani, Marc’Antonio Ziani, Pietro Andrea Zich, Otakar Zichy, Count Géza Žídek, Ivo Židek, Paulus. Ziegfeld, Florenz, jr Ziegler. Ziegler, Caspar Ziegler [née Romanus], Christiane Mariane von Ziegler, Christian Gottlieb Ziegler, Johann Gotthilf Ziegler [Zügler], Joseph Paul Ziehharmonika Ziehn, Bernhard Ziehrer, C(arl) M(ichael) Zielche [Zielcke], Hans Heinrich [Hinrich] Zieleński [Zelenscius], Mikołaj Zielińska, Lidia Zieliński, Jarosław Zieritz, Grete von Zierler, Steffan. Ziernicki, Ignacy Ziesak, Ruth Zieyeva, Malika Ziffrin, Marilyn J(ane) Zigeunertanz Ziino, Agostino Ziino, Ottavio Zikr. Zilberstein, Lilya Zilcher, Hermann (Karl Josef) Zildjian. Ziliani, Alessandro Zillig, Winfried (Petrus Ignatius) Ziloti [Siloti], Aleksandr Il'yich Zimbabwe Zimbala Zimbalist, Efrem (Alexandrovich) Zimbel (i) Zimbel (ii) Zimbelstern Zimerman, Krystian Zimmer, Ján Zimmerman, Franklin B(ershir) Zimmermann, Agnes (Marie Jacobina) Zimmermann, (Johann) Anton Zimmermann, Bernd Alois Zimmermann, Frank Peter Zimmermann, Heinz Werner Zimmermann, Julius Heinrich Zimmermann [Zimmerman], Pierre-Joseph-Guillaume Zimmermann, Tabea Zimmermann, Udo Zimmermann, Walter Zinck [Zink], Bendix [Benedict] Friedrich Zinck [Zink], Hardenack [Hartnack, Harnack] Otto Conrad Zincke, Hans Friedrich August. Zinck-Pass Zindelin, Philipp Zineroni, Agostino Zingarelli, Niccolò Antonio Zingarese, alla Zingel, Hans J(oachim) Zingoni [Singoni, Zingone], Giovanni Battista Zink (i) Zink (ii) Zink, Benedict. Zink, Harnack Otto Conrad. Zinman, David (Joel) Zinsstag, Gérard Zinzendorf (und Pottendorf), (Johann) Karl (Christian Heinrich) von Zinzendorf, Nikolaus Ludwig von Zipoli, Domenico Ziporyn, Evan Zipp, Friedrich Zirler, Stephan [Cirlerus, Stephanus; Zyrlerus, Stephanus; Zierler, Steffan] Zirra, Alexandru Ziryāb [Abū ’l-Hasan ‘Alī ibn Nāfi‘] Zister Zítek, Vilém Zither. Zither harp. Zitôle Zitter Ziv, Mikhail Pavlovich Živković, Milenko Živković, Mirjana Živný, Vojtěch [Ziwny, Wojciech; Żiwny]. Zmeskall, Nikolaus (Paul), Edler von Domanovecz Zminský, Emanuel Znamennïy. Zobl, Wilhelm Zoeller, Carli [Karl] [Marteau, Léon] Zografski, Tomislav Zohrabian, Ashot Patvakani Zoilo, Annibale Zoilo, Cesare Zöller, Karlheinz Zollikofer von Altenklingen, Caspar Zöllner, Carl Friedrich Zöllner, Heinrich Zolotaryov, Vasily Andreyevich Zoltai, Dénes Zoltán, Aladár Zonca [Zonka, Zonga], Giovanni Battista Zonca [Zonka, Zonga], Giuseppe [Joseph] Zonta. Zopff, Hermann Zoppa, alla Zoppis, Francesco Zoraqi, Nikolla Zoras, Leonidas Zorin, Dementy Alekseyevich Zorita [Çorita], Nicasio Zorn, John Zoroastrian [Zarathustran] music. Zorzi, Juan Carlos Zorzor, Stefan Zosimus [Zosimos] of Panopolis Zottmayr, Georg Zouhar, Zdeněk Zouk. Zsasskovszky. Zsolt [Zsakovecz], Nándor Zubeldia, Emiliana de [Bydwealth, Emily] Zubiaurre (y Urionabarrenechea), Valentín María de Zubyts'ky, Volodymyr (Danilovych) Zuccalmaglio, Anton Wilhelm Florentin von Zuccari, Carlo Zucchini [Zucchino, Zuchino], Gregorio Zuckerkandl, Viktor Zuckermann [Tsukkerman], Viktor Abramovich Zuckermann, Wolfgang Joachim Zuffolo [chiufolo, ciufolo] Zug (i) Zug (ii) Zügler, Joseph Paul. Zugposaune Zugtrompete Zuidam, Robert Zukerman, Pinchas Zukofsky, Paul Zulaica y Arregui, José Gonzalo. Zulu music. Zulzul. Zumaqué, Francisco Zumaya [Sumaya], Manuel de Zumpe, Herman Zumpe, Johannes [Johann Christoph] Zumsteeg, Emilie Zumsteeg [Zum Steeg], Johann Rudolf Zunge (i) Zunge (ii) Zupan [Suppan], Jakob Županović, Lovro Zur, Menachem Zürich. Zur Mühlen, Raimund von Zurnā. Zusammenklang Zusammenschlag Zuylen, Belle van. Zvonař, Josef Leopold Zwaap, Alexander. Zwart, Jan Zweers, Bernard Zweig, Stefan Zweiller, Andreas Zweiunddreissigstel-Note Zwelinck, Jan Pieterszoon. Zwerchpfeiff Zweter, Reinmar von. Zwetler [Zwettler], Theodor [Johann Nepomuk Felix] Zwick, Johannes Zwickau. Zwilich, Ellen Taaffe Zwingli, Ulrich [Huldreich] Zwiny, Wojciech. Zwischendominante Zwischenspiel Zwolle, Henri Arnaut de [Heinrich Arnold von]. Zwysen, Sebastian. Zwyssig, Alberik (Johann Josef Maria) Zydeco. Zykan, Otto M. Żyliński, Faustyn Zylis-Gara, Teresa Zyrlerus, Stephanus. Żywny, Wojciech [Adalbert] [Živný, Vojtěch; Zhyvny, Ziwny, Żiwny, Zwiny]
Recommended publications
  • Program Notes | South American Sounds
    27 Season 2018-2019 Thursday, October 4, at 7:30 The Philadelphia Orchestra Friday, October 5, at 2:00 Saturday, October 6, at 8:00 Miguel Harth-Bedoya Conductor Elizabeth Hainen Harp Gershwin Cuban Overture Ginastera Harp Concerto, Op. 25 I. Allegro giusto II. Molto moderato III. Liberamente capriccioso (solo cadenza)— Vivace Intermission Piazzolla Tangazo First Philadelphia Orchestra performances López Perú negro First Philadelphia Orchestra performances This program runs approximately 1 hour, 45 minutes. These concerts are sponsored by Ken Hutchins. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 28 Please join us following the October 5 concert for a free Chamber Postlude featuring members of The Philadelphia Orchestra. Villa-Lobos Quintet in the Form of a Chôros (in one movement) Patrick Williams Flute Peter Smith Oboe Socrates Villegas Clarinet Angela Anderson Smith Bassoon Ernesto Tovar Torres Horn Ginastera from String Quartet No. 1, Op. 20: I. Allegro violento ed agitato II. Vivacissimo Dara Morales Violin Yu-Ting Chen Violin Meng Wang Viola John Koen Cello Piazzolla “Oblivion” and “Libertango” Dara Morales Violin Yu-Ting Chen Violin Meng Wang Viola John Koen Cello 29 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in
    [Show full text]
  • Fondo A46 Funtsa Nicanor Zabaleta INVENTARIO
    Fondo A46 Funtsa Nicanor Zabaleta INVENTARIO - INBENTARIOA Errenteria 25/11/2016 FONDO A46 FUNTSA INDICE DEL INVENTARIO / INBENTARIOAREN AURKIBIDEA A46/1: Actividad como concertista / Jarduera bakarlari gisa A46/11: Programas / Programak A46/12: Recortes de prensa / Prentsako zatiak A46/13: Discografía / Diskografia A46/2: Actividad conferenciante, gestión y propaganda / Hizlari, kudeatzaile eta publizitate jarduera A46/3: Documentación personal / Dokumentazio pertsonala A46/31: Documentación administrativa / Dokumentazio administratiboa A46/32: Epistolario / Gutun bilduma A46/33: Dedicatorias / Eskaintzak A46/34: Fotografías / Argazkiak A46/35: Diplomas - títulos / Diplomak - tituluak A46/4: Biblioteca / Liburutegia A46/41: Libros / Liburuak A46/42: Revistas / Aldizkariak A46/43 Artículos / Artikuluak A46/44: Catálogos / Katalogoak A46/5: Inventario del fondo de partituras conservado en el Royal College de Londres / Londreseko Royal College-n gordetako partitura funtsaren inbentarioa Autor / Egilea Título / Titulua Tipologia A46/11 - Programas / Programak A46/11-0001 Recital De Arpa Salón La Argentina Programa A46/11-0002 Asociación Wagneriana Sala de la Wagneriana Programa A46/11-0003 Asociación Cultural De Bahía Salón de Actos de la Biblioteca Rivadavia Programa Blanca A46/11-0004 Asociación Wagneriana Teatro Cervantes Programa A46/11-0005 The Overture Concert Association Nicanor Zabaleta harpist Programa A46/11-0006 Asociación Filarmónica De Teatro Independencia Programa Mendoza A46/11-0007 Sociedad Filarmónica De Quito Teatro Nacional
    [Show full text]
  • 555843 Bk Rodrigo EU 8/10/06 2:25 PM Page 12
    555843 bk Rodrigo EU 8/10/06 2:25 PM Page 12 SPANISH CLASSICS Also available: RODRIGO Complete Orchestral Music • 9 8.557801 Concierto serenata Sones en la Giralda Concierto de Aranjuez 8.557223 Gwyneth Wentink, Harp Asturias Symphony Orchestra (OSPA) Maximiano Valdés 8.555843 12 555843 bk Rodrigo EU 8/10/06 2:25 PM Page 2 Joaquín Rodrigo (1901-1999) Orquesta Sinfónica del Principado de Asturias Concierto serenata • Sones en la Giralda (Fantasía sevillana) • Concierto de Aranjuez La historia de la Orquesta del Principado se remonta a 1937. Hizo su presentación oficial como Orquesta Sinfónica en Joaquín Rodrigo was born on St Cecilia’s Day, 22nd seek refuge for eighteen months at the Institute for the enero de 1940 bajo la batuta de Amalio López. En 1943 se hace cargo de su dirección Ángel Muñiz Toca, quien a lo November, 1901, in Sagunto in the Spanish province of Blind in Freiburg. In 1938 they were able to make a largo de veinte años realiza una importantísima labor musical a través de toda la provincia y también fuera de Asturias. Valencia. In 1905 an outbreak of diphtheria impaired brief visit to Spain for a summer school in Santander Con ella colaboraron los más importantes solistas del momento. Temporalmente, y por falta de recursos económicos, se the young boy’s vision and within a few years he lost but, failing to secure appropriate employment, were redujo a Orquesta de Cámara, pero a la muerte de Muñiz Toca había recobrado su primitiva forma y en homenaje a éste every vestige of sight.
    [Show full text]
  • Chicago Symphony Orchestra Riccardo Muti Zell Music Director Riccardo Muti Conductor Xavier De Maistre Harp Chabrier España
    PROGRAM ONE HUNDRED TWENTY-FIFTH SEASON Chicago Symphony Orchestra Riccardo Muti Zell Music Director Pierre Boulez Helen Regenstein Conductor Emeritus Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Tuesday, September 29, 2015, at 7:30 Riccardo Muti Conductor Xavier de Maistre Harp Chabrier España Ginastera Harp Concerto, Op. 25 Allegro giusto Molto moderato Liberamente capriccioso—Vivace XAVIER DE MAISTRE INTERMISSION Charpentier Impressions of Italy Serenade At the Fountain On Muleback On the Summits Napoli Ravel Boléro CSO Tuesday series concerts are sponsored by United Airlines. This work is part of the CSO Premiere Retrospective, which is generously sponsored by the Sargent Family Foundation. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. COMMENTS by Phillip Huscher Emmanuel Chabrier Born January 18, 1841, Ambert, France. Died September 13, 1894, Paris, France. España España is the sole survivor several of his canvases, including his last major of a once-prestigious work, the celebrated Bar aux Folies-Bergère, career. The only work by which he hung over his piano. (At the time of his Emmanuel Chabrier that death in 1894, Chabrier owned a small museum’s is still performed with any worth of significant art, including seven oils by regularity, it began as a Manet, six by Monet, three by Renoir, and one simple souvenir of six by Cézanne.) months in Spain. Although Chabrier dabbled in composition Chabrier and his wife from childhood and became a pianist of impres- spent the latter half of sive virtuosity, at first he followed the family tra- 1882 traveling the country, stopping in Toledo, dition and pursued law as his profession.
    [Show full text]
  • UNIVERSITY of CALIFORNIA RIVERSIDE the 1964 Festival Of
    UNIVERSITY OF CALIFORNIA RIVERSIDE The 1964 Festival of Music of the Americas and Spain: A Critical Examination of Ibero- American Musical Relations in the Context of Cold War Politics A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Alyson Marie Payne September 2012 Dissertation Committee: Dr. Leonora Saavedra, Chairperson Dr. Walter Clark Dr. Rogerio Budasz Copyright by Alyson Marie Payne 2012 The Dissertation of Alyson Marie Payne is approved: ______________________________________________________________ ______________________________________________________________ _______________________________________________________________ Committee Chairperson University of California, Riverside Acknowledgments I would like to acknowledge the tremendous help of my dissertation committee, Dr. Leonora Saavedra, Dr. Walter Clark, and Dr. Rogerio Budasz. I am also grateful for those that took time to share their first-hand knowledge with me, such as Aurelio de la Vega, Juan Orrego Salas, Pozzi Escot, and Manuel Halffter. I could not have completed this project with the support of my friends and colleagues, especially Dr. Jacky Avila. I am thankful to my husband, Daniel McDonough, who always lent a ready ear. Lastly, I am thankful to my parents, Richard and Phyllis Payne for their unwavering belief in me. iv ABSTRACT OF THE DISSERTATION The 1964 Festival of Music of the Americas and Spain: A Critical Examination of Ibero- American Musical Relations in the Context of Cold War Politics by Alyson Marie Payne Doctor of Philosophy, Graduate Program in Music University of California, Riverside, September 2012 Dr. Leonora Saavedra, Chairperson In 1964, the Organization of American States (OAS) and the Institute for Hispanic Culture (ICH) sponsored a lavish music festival in Madrid that showcased the latest avant-garde compositions from the United States, Latin America, and Spain.
    [Show full text]
  • Known Also As Conrado Del Campo)
    Zabaleta C Conrado del Campo y Zabaleta C kawn-RAH-tho dell KAHM-po ee thah-vah- LAY-tah C (known also as Conrado del Campo) Zabaleta C Nicanor Zabaleta C nee-kah-NAWR thah-vah-LAY-tah Zabalza y olaso C Don Dámaso Zabalza y Olaso C DAWN DAH-mah-so thah-VAHL-thah ee o-LAH-so Zabel C Albert Heinrich Zabel C AHL-pert H¦N-rihh TSAH-buhl Zabrack C Harold Zabrack C HA-rulld zuh-BRACK Zaccaria C Nicola Zaccaria C nee-KO-lah zahk-kah-REE-ah C (known also as Nicola Angelo [AH6-gay-lo] Zaccaria) Zacconi C Lodovico Zacconi C lo-doh-VEE-ko tsahk-KO-nee C (known also as Lodovico Giulio Cesare [JOO-leeo chay-ZAH-ray] Zacconi) Zach C Jan Zach C YAHN ZAHK Zach C Max Zach C MAHKSS TSAHK C (known also as Max Wilhelm [VILL-hellm] Zach) Zach C Natan Zach C NAH-tahn ZAHH Zacharewitsch C Michael Zacharewitsch C {M¦-kull zah-KAH-ruh-vihch} mee-kahEEL zah- kah-RAY-vihch Zachariae C Elisabeth Zachariae C eh-LEE-zuh-bett dzuh-KAH-reeay Zacharias C Christian Zacharias C KRIH-stihahn tsahk-ah-REE-ahss Zachariasiewicz C Jan Zachariasiewicz C YAHN zah-hah-reeah-seeEH-veech Zachow C Friedrich Wilhelm Zachow C FREET-rihh VILL-hellm TSAH-kawv C (the last name is also spelled Zachau [TSAH-kahôô]) Zadok the priest C ZAY-dahk (the priest) C (Coronation anthem by George Frideric Handel [JAW-urj FRIH-duh-rick HANN-d’l]) Zador C Dezsö Zádor C DEH-zhö ZAHAH-dawr Zador C Eugene Zador C yôô-JEEN ZAH-dawr C (Americanized version of the Hungarian name JenÅ Zádor [YEH-nöö ZAHAH-dawr]) Zadora C Michael Zadora C M¦-kull zah-DAW-rah Zadori C Maria Zadori C (see Mária Zádori) Zadori
    [Show full text]
  • FRENCH CONCERTOS from the 19Th Century to the Present A
    FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers A-K LOUIS ABBIATE (1866-1933) Born in Monaco. He learned the piano, organ and cello as a child and then attended the Conservatories Turin and Paris where he studied the cello. He worked as a cellist in the Monte Carlo Orchestra and then at Milan's La Scala. He taught the cello at the St. Petersburg Conservatory for some years and after the Russian Revolution returned to Monaco and became the first director of its École Municipale de Musique. He composed orchestral, chamber, instrumental and vocal works. Concerto Italien in A major for Piano and Orchestra, Op. 96 (1922) Maurice Bousquet (piano)/Louis Frémaux/Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Monaecencis) ECCE MUSICA CM 306 (LP) (1970s) Concerto for Cello and Orchestra in D minor, Op. 35 (1895) Elaine Magnan (cello)/Louis Frémaux/Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Les Elfes and Le Songe d'Or) ECCE MUSICA CM 312 (LP) (1970s) Monaecencis for Piano and Orchestra, Op. 110 (1925) Maurice Bousquet (piano)/Richard Blareau /Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Concerto Italien) ECCE MUSICA CM 306 (LP) (1970s) JEAN-LOUIS AGOBET (b. 1968) Born in Blois, Loir-et-Cher, Centre. He studied composition and electronic music at the Ecole Normale de Musique in Aix-en-Provence, followed by further studies at the Conservatoire National à Rayonnement in Nice and then with Philippe Manoury at the Conservatoire de Lyon.
    [Show full text]
  • FRENCH CONCERTOS from the 19Th Century to the Present
    FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers L-Z ÉDOUARD LALO - see separate page SERGE LANCEN (1922-2005) Born in Paris. After some initial training, he studied the piano with Marguerite Long and Lazare Lévy as well as composition with Noël Gallon and Tony Aubin at the Paris Conservatory. In 1950 he was awarded the "Prix de Rome." He composed various genres of music including chamber music, works for piano, ballet music, a chamber opera and symphonic compositions. He excelled in music for band. Among his unrecorded concertante works are his Piano Concerto (1947-51), Piano Concertino (1949), Harmonica Concerto (1954), Violin Concerto (1966), Concerto Rhapsodie for Piano and Orchestra (1974), Concerto for Violin, Double Bass and Orchestra (1985) and Harp Concerto (1988). Concerto for Double Bass and String Orchestra (1962) Yoan Goilav (double bass)/Clemens Dahinden/Winterthur String Ensemble ( + Cooqui, Montag: Extrême, Bloch: Prayer, Mortari: Duettini Concertati, Schubert: Arpeggione Sonata and Sperger: Sonata à Due) TUXEDO MUSIC TUXCD 1205 (2001) (original LP release: CLASSIC PIC (70-121) (1976) Concerto Champêtre for Harp and Wind Orchestra (1968) Joke Brethouwer (harp)/Jan Cober/Brabant Conservatory Wind Orchestra ( + Trombone Concerto and Parade Concerto) MBCD 31.1016.72 (1990) Hélène Silvie (harp)/Désiré Dondeyne/Orchestra ( + Damase: Harp Concerto, Grandjany: Aria in Classic Style and Dondeyne Quintet for Harp ad String Quartet) QUANTUM QM 7030 (2004) Concerto da Camera for Flute and Orchestra (1962) Pedro Eustache (flute)/Daniel Chabrun/Orchestre de Chambre de l'ORTF ( + Printanieres, Leclair: Violin Concerto, and Boismortier: Flute Sonata) FRENCH BROADCASTING SYSTEM IN NORTH AMERICA, Programs 619-20 (2 non-commercial LPs) (c.
    [Show full text]
  • 555843 Bk Rodrigo US 8/10/06 2:26 PM Page 5
    555843 bk Rodrigo US 8/10/06 2:26 PM Page 5 Asturias Symphony Orchestra (OSPA) SPANISH CLASSICS The Orchestra of the Principality of Asturias was established in 1937 and gave its first official performance in 1940 Also available: under the bâton of Amalio López. In 1943 the direction of the orchestra was entrusted to Ángel Muñiz Toca, a musician who played a leading part in musical life in the Asturias and elsewhere over the course of some twenty years. For a time economic circumstances reduced the number of players, to create a chamber orchestra, but by the death of Muñiz Toca it had regained its original size, known in his honour as the Orquesta Sinfónica de Asturias “Ángel Muñiz Toca”. Later conductors included Vicente Santimoteo and Alfonso Ordieres, succeeded in 1974 by Benito Lauret. 1980 opened a new era, with the appointment of Víctor Pablo Pérez, and in 1988 it was decided to RODRIGO enlarge the orchestra, to meet the demands of new repertoire in the 1990s. The Orquesta Sinfónica del Principado de Asturias made its official début in 1991 under its first Principal Conductor, Jesse Levine, and since 1994 it has been under the direction of the distinguished conductor Maximiano Valdés, winning, with its international complement Complete Orchestral of 69 players, an assured position in collaboration with leading artists both at home and abroad, as well as in the recording studio. Music • 9 8.557801 Maximiano Valdés Concierto serenata The conductor Maximiano Valdés has been closely involved with the musical life of Spain. He served as Principal Conductor of the Euskadi Symphony Orchestra, and for three seasons as Principal Guest Conductor of the Spanish National Orchestra.
    [Show full text]
  • Catalogue of Compositions
    CATALOGUE OF COMPOSITIONS COMPILED BY MADELEINE MILHAUD FROM THE COMPOSER'S NOTEBOOKS AND REVISED BY JANE HOHFELD GALANTE The translator owes a debt of gratitude to Mme. Milhaud for the many hours of assistance, helpful counsel, and gracious hospitality she contributed to the revision of this catalogue. Very special appreciation is also due toR. Wood Massi for his extensive work in verifying and re-ordering data pertaining to the music, to Jean-Franfois Denis for his excellently detailed preparation of the final copy, and to Dr. Katharine M. Warne for her constructive perusal of the proofs and her many invaluable suggestions. I should like to thank the Mills College Department ofMusic for providing research funds and the Mills College Library for giving me unlimited access to the Milhaud collection. I am especially grateful to Eva Konrad Kreshka for her unstinting encouragement and enthusiasm. The careful reader will note some discrepancies between this catalogue, which is based on Milhaud's notebooks, and the printed scores, mostly in regard to exact dates, places ofcomposition, and timing. In the majority of instances, the notebook entry is the one used except where information given on the score adds something ofspecial interest. !.H. G. CATALOGUE OF COMPOSITIONS ARRANGED CHRONOLOGICALLY BY CATEGORIES Entry format ____________________ Title opus number (Recording available) (general comments) [Text author] Section titles Cross references Place, date (day, month, year) of composition Orchestration Publisher: (former publisher) present publisher Dedication and/or commission First performance: Date (day, month, year). Place. Artist Duration: min s 231 Explanation of terms ___________________ The designation (R) means that the work has been recorded.
    [Show full text]
  • The Musicologist Behind the Composer: the Impact of Historical Studies Upon the Creative Life in Joaquín Rodrigo's Guitar Compositions Josã© Antonio Donis
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 The Musicologist Behind the Composer: The Impact of Historical Studies Upon the Creative Life in Joaquín Rodrigo's Guitar Compositions Josã© Antonio Donis Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE MUSICOLOGIST BEHIND THE COMPOSER: THE IMPACT OF HISTORICAL STUDIES UPON THE CREATIVE LIFE IN JOAQUÍN RODRIGO’S GUITAR COMPOSITIONS By JOSÉ A. DONIS A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded Summer Semester, 2005 Copyright © 2005 José A. Donis All Rights Reserved The members of the Committee approve the thesis of José A. Donis defended on 9 June 2005. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Jeffery T. Kite-Powell Committee Member ______________________________ Bruce Holzman Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii This thesis is dedicated to my cousin Rodrigo Mondelo--who introduced me to Joaquín Rodrigo’s music--his daughter Almudena, and my niece Katelyn. iii ACKNOWLEDGEMENTS I would like to acknowledge, first and foremost, Dr. Charles E. Brewer for his tireless guidance and patient demeanor. I would also like to acknowledge Dr. Jeffery Kite-Powell and Mr. Bruce Holzman for their insight and expertise on this project, and Ms. María José Cordero for her assistance translating from Spanish to English. I would like to acknowledge Cecilia Rodrigo and Katherine Zegarra at Ediciones Joaquín Rodrigo.
    [Show full text]
  • Flamenco Guitar Techniques in the Music of Joaquin Rodrigo Silviu Octavian Ciulei
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Flamenco Guitar Techniques in the Music of Joaquin Rodrigo Silviu Octavian Ciulei Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC FLAMENCO GUITAR TECHNIQUES IN THE MUSIC OF JOAQUIN RODRIGO By SILVIU OCTAVIAN CIULEI A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2013 Silviu Octavian Ciulei defended this treatise on March 27, 2013. The members of the supervisory committee were: Bruce Holzman Professor Directing Treatise Leo Welch University Representative Eliot Chapo Committee Member Gregory Sauer Committee Member The Graduate School has verified and approved the above-named committee, and certifies that the treatise has been approved in accordance with university requirements. ii I dedicate this treatise to my parents and brother, which have always been there for me and unconditionally supported me, and to my guitar professors which have never let me put down this instrument. iii ACKNOWLEDGEMENTS I would like to acknowledge and greatly thank Professor Bruce Holzman for his invaluable guidance and direction not only for the preparation of this treatise, but also for my overall preparation as a classical guitarist and musician in general. I will always be in debt to you. I would also like to thank Dr. Leo Welch for his continued help and advice. Many thanks go to Professor Elliot Chapo and Professor Greg Sauer for their help and support with this treatise, recitals, comprehensive exams, forms et cetera.
    [Show full text]