Program Notes | South American Sounds
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Jennifer Higdon-Large Full
Pulitzer Prize and three-time Grammy-winner Jennifer Higdon (b. Brooklyn, NY, December 31, 1962) taught herself to play flute at the age of 15 and began formal musical studies at 18, with an even later start in composition at the age of 21. Despite these obstacles, Jennifer has become a major figure in contemporary Classical music. Her works represent a wide range of genres, from orchestral to chamber, to wind ensemble, as well as vocal, choral and opera. Her music has been hailed by Fanfare Magazine as having “the distinction of being at once complex, sophisticated but readily accessible emotionally”, with the Times of London citing it as “…traditionally rooted, yet imbued with integrity and freshness.” The League of American Orchestras reports that she is one of America's most frequently performed composers. Higdon's list of commissioners is extensive and includes The Philadelphia Orchestra, The Chicago Symphony, The Atlanta Symphony, The Cleveland Orchestra, The Minnesota Orchestra, The Pittsburgh Symphony, the St. Paul Chamber Orchestra, as well such groups as the Tokyo String Quartet, the Lark Quartet, Eighth Blackbird, and the President’s Own Marine Band. She has also written works for such artists as baritone Thomas Hampson, pianists Yuja Wang and Gary Graffman, violinists Nadja Salerno-Sonnenberg, Jennifer Koh and Hilary Hahn. Her first opera, Cold Mountain, won the prestigious International Opera Award for Best World Premiere in 2016; the first American opera to do so in the award’s history. Upcoming commissions include a chamber opera for Opera Philadelphia, a string quartet for the Apollo Chamber Players, a double percussion concerto for the Houston Symphony, an orchestral suite for the Made In America project, and a flute concerto for the National Flute Associations’ 5oth anniversary. -
Rep List 1.Pub
Richmond Symphony Orchestra League Student Concerto Competition Repertoire Please choose your repertoire from the approved selections below. Guitar & percussion students are welcome to participate; Please contact Anne Hoffler, contest coordinator, at aahoffl[email protected] for repertoire approval no later than November 30. VIOLIN Faure Elegy, Op. 24 Bach All Violin concerti Haydn Cello Concerto No. 1 in C major Beethoven Violin Concerto in D major Haydn Cello Concerto No. 2 in D major Beethoven Romance No. 1 in G major Lalo Cello Concerto in D minor Beethoven Romance No. 2 in F major Rubinstein Cello Concerto No. 2 in D minor, Op.96 Bériot Scéne de Ballet, Op. 100 Saint-Saëns Cello Concerto No. 1 in A minor, Op.33 Bériot Violin Concerto No. 7 in G major Saint-Saëns Cello Concerto No. 2 in D minor, Op. 119 Bériot Violin Concerto No. 9 in A minor Schumann Cello Concerto in A minor Bruch Violin Concerto No. 1 in G minor Shostakovich Concerto for Cello No. 1 Haydn All Violin concerti Stamitz All Cello concerti Kabalevsky Violin Concerto in C Major, Op. 48 R. Strauss Romanze in F major Lalo Symphonie Espagnole Tchaikovsky Variations on a Rococo Theme, Op.33 Massenet Méditation from Thaïs Vivaldi All Cello concerti Mendelssohn Violin Concerto in E minor, Op.64 Mozart Violin Concerto No. 1 in B-flat major BASS Mozart Violin Concerto No. 2 in D major Bottesini Double Bass Concerto No.2 in B minor Mozart Violin Concerto No. 3 in G major Capuzzi Double Bass Concerto in D major Mozart Violin Concerto No. -
Repertoire List
APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infoimation Compai^ 300 North Zed) Road, Ann Artx>r MI 48106-1346 USA 313/761-4700 800/521-0600 THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE ABDITORY A PIANO CONCERTO A Document SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS By Gregory F. -
Download This Issue As
Official Publication of the International Conference of Symphony and Opera Musicians VOLUME 56 NO. 1 MARCH 2018 Partly Sunny Skies in In This Issue San Antonio’s Wild Ride Partly Sunny Skies in By Marisa Bushman, SAS ICSOM Louisville Louisville ....................... 1 Delegate By Bert Witzel, LO ICSOM Delegate San Antonio’s Wild Ride ............................... 1 he last year has been tumultuous for the n December 2011, the Louisville Orchestra Chairperson’s Report .... 2 Musicians of the San Antonio Sympho- Inc. filed for bankruptcy and attempted to ICSOM at SphinxConnect ny. Our collective emotions have ranged President’s Report ........ 3 T reject the musicians’ contract in federal from cautious optimism to total despair as the I The Purpose and court. Upon advice of labor counsel, Liza Hirsch events of the last year have unfolded. Relevance of ICSOM Stacy Nyikos Medina, the Louisville Orchestra musicians imme- Congress Delivers a Last spring, the Mu- O’Neil Arnold diately engaged the most Tax Pay Cut to ICSOM sicians of the San An- reputable local bankrupt- Musicians ...................... 4 tonio Symphony were cy attorneys and defeated How the new law notified of a plan for a that effort. We were able affects musicians takeover of the Sym- to keep our contract and Conrad’s Concert .......... 6 phony by three of the continued to work for its Kansas City creates largest foundations in sensory-friendly concerts duration. After the con- Musicians of the San Antonio, the Tobin tract expired came an in- San Francisco Opera Endowment, the Kron- famous lockout that lasted Organize Benefit kosky Foundation, and an entire season. -
(1756-1791) Completed Wind Concertos: Baroque and Classical Designs in the Rondos of the Final Movements
Wolfgang Amadeus Mozart's (1756-1791) Completed Wind Concertos: Baroque and Classical Designs in the Rondos of the Final Movements Item Type text; Electronic Thesis Authors Koner, Karen Michelle Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 21:25:51 Link to Item http://hdl.handle.net/10150/193304 1 Wolfgang Amadeus Mozart’s (1756-1791) Completed Wind Concertos: Baroque and Classical Designs in the Rondos of the Final Movements By Karen Koner __________________________________ Copyright © Karen Koner 2008 A Thesis Submitted to the Faculty of the School of Music In Partial Fulfillment of the Requirements for the Degree of Master of Music In the Graduate College The University of Arizona 2008 2 STATEMENT BY THE AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgement of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. Signed: Karen Koner Approval By Thesis Director This thesis has been approved on the date shown below: J. Timothy Kolosick 4/30/2008 Dr. -
Adagio (1950–51) Metamorphose (1953) Symphony No. 1, Sinfonia Austéra (1953–55, Rev
WORKS BY PER NØRGÅRD Works for Orchestra Preludio (1950–51) Adagio (1950–51) Metamorphose (1953) Symphony No. 1, Sinfonia austéra (1953–55, rev. 1956) Bright Dances (1959) Fragment VI (1959–61) The Young Man Is Getting Married (1964–68) Le jeune homme à marier — Suite (1965) Composition for Orchestra (1966) Töne vom Hernst (1966) Iris (1966–67, rev. 1968) Luna, Four Phases for Orchestra (1967) Århus’ tapre skrædder (1968) Voyage into the Golden Screen (1968) The Man Who Thought Things (1969) Tango Chikane (chamber orchestra version) (1969) Symphony No. 2, in one movement (1970, rev. 1971) Symphony No. 3, in two movements (1972–75) Dream Play (1975, rev. 1980) Twilight (1976–77, rev. 1979) Towards Freedom? (1977) Symphony No. 4, Indian Rose Garden and Chinese Witch Sea (1981) Surf (1983) Burn (1984) Symphony No. 5 (1990, rev. 1991) Spaces of Time (1991) Night-Symphonies, Day Breaks (1991–92) Fugitive Summer (1992) Out of This World — Hommage à Lutosławski (1994) Four Observations — From an Infinite Rapport. Hommage à Bartók (1995) Tributes — Album for strings (1995) Voyage into the Broken Screen, Hommage à Sibelius (1995) Aspects of Leaving (1997) (more) Symphony No. 6, At the End of the Day (1997–99, rev. 2000) Terrains Vagues (2000) Intonation/Detonation (2001) Symphony No. 7 (2004–06) Lysning (Glade) (2006) Symphony No. 8 (2010–11) Works for Soloist(s) and Orchestra Rhapsody — in D (for piano) (1952) Concerto for Piano and Orchestra (1955–58) Nocturnes, Fragment VII (for soprano) (1961–62) Three Love Songs (for alto) (1963) Recall — Concerto for Accordion (1968) For a Change — Percussion Concerto No. -
Fondo A46 Funtsa Nicanor Zabaleta INVENTARIO
Fondo A46 Funtsa Nicanor Zabaleta INVENTARIO - INBENTARIOA Errenteria 25/11/2016 FONDO A46 FUNTSA INDICE DEL INVENTARIO / INBENTARIOAREN AURKIBIDEA A46/1: Actividad como concertista / Jarduera bakarlari gisa A46/11: Programas / Programak A46/12: Recortes de prensa / Prentsako zatiak A46/13: Discografía / Diskografia A46/2: Actividad conferenciante, gestión y propaganda / Hizlari, kudeatzaile eta publizitate jarduera A46/3: Documentación personal / Dokumentazio pertsonala A46/31: Documentación administrativa / Dokumentazio administratiboa A46/32: Epistolario / Gutun bilduma A46/33: Dedicatorias / Eskaintzak A46/34: Fotografías / Argazkiak A46/35: Diplomas - títulos / Diplomak - tituluak A46/4: Biblioteca / Liburutegia A46/41: Libros / Liburuak A46/42: Revistas / Aldizkariak A46/43 Artículos / Artikuluak A46/44: Catálogos / Katalogoak A46/5: Inventario del fondo de partituras conservado en el Royal College de Londres / Londreseko Royal College-n gordetako partitura funtsaren inbentarioa Autor / Egilea Título / Titulua Tipologia A46/11 - Programas / Programak A46/11-0001 Recital De Arpa Salón La Argentina Programa A46/11-0002 Asociación Wagneriana Sala de la Wagneriana Programa A46/11-0003 Asociación Cultural De Bahía Salón de Actos de la Biblioteca Rivadavia Programa Blanca A46/11-0004 Asociación Wagneriana Teatro Cervantes Programa A46/11-0005 The Overture Concert Association Nicanor Zabaleta harpist Programa A46/11-0006 Asociación Filarmónica De Teatro Independencia Programa Mendoza A46/11-0007 Sociedad Filarmónica De Quito Teatro Nacional -
FMSO COMMISSION Or COMMISSION PARTICIPANT
FMSO COMMISSION or COMMISSION PARTICIPANT MAJOR COLLABORATION WITH OTHER ORGANIZATION/COMMUNITY OUTREACH PROJECT HYBRID PROGRAMMING – POPS/THEMATIC/TRADITIONAL AUDIO-VISUAL ENHANCEMENT LOCAL/YOUTH EMPHASIS MASTERWORKS SERIES PROGRAMMING – 2005 – Present 2018-2019 – EXPERIENCE THE SYMPHONY CHEE-YUN & SERGEY Dvorak – Slavonic Dances No. 2 & 7 Popper – Hungarian Rhapsody – with cellist SERGEY ANTONOV Liszt – Mephisto Waltz No. 1 Saint-Saëns – Introduction & Rondo Capriccioso – with violinist CHEE-YUN Brahms – Double Concert – with CHEE-YUN & SERGEY HIGDON HARP CONCERTO – regional premiere Mozart – Concerto for Flute & Harp, mvt. 2 – with harpist YOLANDA KONDONASSIS & Deb Harris Higdon – Harp Concerto – with harpist YOLANDA KONDONASSIS Nielsen – Symphony No. 4 “The Inextinguishable” MYTHICAL HEROES & WOMEN WARRIORS - with projected images Djawadi/Peterson – Music from “Game of Thrones” Smetana – “Sarka” from Ma Vlast (My Homeland) Shore – Music from “Lord of the Rings” Sibelius – Four Legends from the “Kalevala” (Lemminkainen Suite) THE VIRTUOSO NEXT DOOR – featuring FMSO musicians as soloists Shostakovich – Festive Overture (side by side with FMAYS Sr. High Orchestra) Poulenc – Double Piano Concerto – with pianists Jay Hershberger & Tyler Wottrich Tower – Fanfares for the Uncommon Woman – featuring FMSO brass & percussion Adams – Tromba Lontana – featuring FMSO trumpets Corigliano – Chaconne from “The Red Violin” CLAUSEN WORLD PREMIERE – FMSO COMMISSION Wagner/Clausen – “Elsa’s Procession to the Cathedral” from Lohengrin Copland – Appalachian Spring Clausen – TITLE TBA – FMSO Commission 2017-2018 – JUMP IN ALTERED STATES Hermann – Music from “Psycho” Corigliano – “Three Hallucinations” from Altered States Berlioz – Symphonie Fantastique THE ILLUMINATED SOUL – A COLLABORATION WITH THE ST. JOHN’S BIBLE PROJECT Bruch – Ave Maria (with cellist Inbal Segev) Bloch – Schelomo (with cellist Inbal Segev) Strauss – Death and Transfiguration Theofanidis – Rainbow Body (with projected images from The St. -
555843 Bk Rodrigo EU 8/10/06 2:25 PM Page 12
555843 bk Rodrigo EU 8/10/06 2:25 PM Page 12 SPANISH CLASSICS Also available: RODRIGO Complete Orchestral Music • 9 8.557801 Concierto serenata Sones en la Giralda Concierto de Aranjuez 8.557223 Gwyneth Wentink, Harp Asturias Symphony Orchestra (OSPA) Maximiano Valdés 8.555843 12 555843 bk Rodrigo EU 8/10/06 2:25 PM Page 2 Joaquín Rodrigo (1901-1999) Orquesta Sinfónica del Principado de Asturias Concierto serenata • Sones en la Giralda (Fantasía sevillana) • Concierto de Aranjuez La historia de la Orquesta del Principado se remonta a 1937. Hizo su presentación oficial como Orquesta Sinfónica en Joaquín Rodrigo was born on St Cecilia’s Day, 22nd seek refuge for eighteen months at the Institute for the enero de 1940 bajo la batuta de Amalio López. En 1943 se hace cargo de su dirección Ángel Muñiz Toca, quien a lo November, 1901, in Sagunto in the Spanish province of Blind in Freiburg. In 1938 they were able to make a largo de veinte años realiza una importantísima labor musical a través de toda la provincia y también fuera de Asturias. Valencia. In 1905 an outbreak of diphtheria impaired brief visit to Spain for a summer school in Santander Con ella colaboraron los más importantes solistas del momento. Temporalmente, y por falta de recursos económicos, se the young boy’s vision and within a few years he lost but, failing to secure appropriate employment, were redujo a Orquesta de Cámara, pero a la muerte de Muñiz Toca había recobrado su primitiva forma y en homenaje a éste every vestige of sight. -
Chicago Symphony Orchestra Riccardo Muti Zell Music Director Riccardo Muti Conductor Xavier De Maistre Harp Chabrier España
PROGRAM ONE HUNDRED TWENTY-FIFTH SEASON Chicago Symphony Orchestra Riccardo Muti Zell Music Director Pierre Boulez Helen Regenstein Conductor Emeritus Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Tuesday, September 29, 2015, at 7:30 Riccardo Muti Conductor Xavier de Maistre Harp Chabrier España Ginastera Harp Concerto, Op. 25 Allegro giusto Molto moderato Liberamente capriccioso—Vivace XAVIER DE MAISTRE INTERMISSION Charpentier Impressions of Italy Serenade At the Fountain On Muleback On the Summits Napoli Ravel Boléro CSO Tuesday series concerts are sponsored by United Airlines. This work is part of the CSO Premiere Retrospective, which is generously sponsored by the Sargent Family Foundation. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. COMMENTS by Phillip Huscher Emmanuel Chabrier Born January 18, 1841, Ambert, France. Died September 13, 1894, Paris, France. España España is the sole survivor several of his canvases, including his last major of a once-prestigious work, the celebrated Bar aux Folies-Bergère, career. The only work by which he hung over his piano. (At the time of his Emmanuel Chabrier that death in 1894, Chabrier owned a small museum’s is still performed with any worth of significant art, including seven oils by regularity, it began as a Manet, six by Monet, three by Renoir, and one simple souvenir of six by Cézanne.) months in Spain. Although Chabrier dabbled in composition Chabrier and his wife from childhood and became a pianist of impres- spent the latter half of sive virtuosity, at first he followed the family tra- 1882 traveling the country, stopping in Toledo, dition and pursued law as his profession. -
2019 CCPA Solo Competition: Approved Repertoire List FLUTE
2019 CCPA Solo Competition: Approved Repertoire List Please submit additional repertoire, including concertante pieces, to both Dr. Andrizzi and to your respective Department Head for consideration before the application deadline. FLUTE Arnold, Malcolm: Concerto for flute and strings, Op. 45 strings Arnold, Malcolm: Concerto No 2, Op. 111 orchestra Bach, Johann Sebastian: Suite in B Minor BWV1067, Orchestra Suite No. 2, strings Bach, Carl Philipp Emanuel: Concerto in D Minor Wq. 22, strings Berio, Luciano: Serenata for flute and 14 instruments Bozza, Eugene: Agrestide Op. 44 (1942) orchestra Bernstein, Leonard: Halil, nocturne (1981) strings, percussion Bloch, Ernest: Suite Modale (1957) strings Bloch, Ernest: "TWo Last Poems... maybe" (1958) orchestra Borne, Francois: Fantaisie Brillante on Bizet’s Carmen orchestra Casella, Alfredo: Sicilienne et Burlesque (1914-17) orchestra Chaminade, Cecile: Concertino, Op. 107 (1902) orchestra Chen-Yi: The Golden Flute (1997) orchestra Corigliano, John: Voyage (1971, arr. 1988) strings Corigliano, John: Pied Piper Fantasy (1981) orchestra Devienne, Francois: Concerto No. 7 in E Minor, orchestra Devienne, Francois: Concerto No. 10 in D Major, orchestra Devienne, Francois: Concerto in D Major, orchestra Doppler, Franz: Hungarian Pastoral Fantasy, Op. 26, orchestra Feld, Heinrich: Fantaisie Concertante (1980) strings, percussion Foss, Lucas: Renaissance Concerto (1985) orchestra Godard, Benjamin: Suite Op. 116; Allegretto, Idylle, Valse (1889) orchestra Haydn, Joseph: Concerto in D Major, H. VII f, D1 Hindemith, Paul: Piece for flute and strings (1932) Hoover, Katherine: Medieval Suite (1983) orchestra Hovhaness, Alan: Elibris (name of the DaWn God of Urardu) Op. 50, (1944) Hue, Georges: Fantaisie (1913) orchestra Ibert, Jaques: Concerto (1933) orchestra Jacob, Gordon: Concerto No.