DOCSLIB.ORG

Kenneth Woods- Repertoire

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kenneth Woods- Repertoire Kenneth Woods- Conductor Orchestral Repertoire Operatic repertoire follows below Adam, Adolpe: Giselle (complete ballet staged) Adams, John Violin Concerto Arnold, Malcolm: Serenade for Guitar and Strings Concerto for Guitar Scottish Dances Applebaum, Edward: Symphony No. 4 Bach, J.S.: St. John Passion St. Matthew Passion Christmas Oratorio Magnificat Cantata Wachet auf, ruft uns die Stimme BWV 140 Brandenberg Concerti, No.’s 1, 3, 4 and 5 Violin Concerti in A minor and E major Concerto for Two Violins Concerto for Violin and Oboe Orchestral Suite No. 2 in B minor Bacewicz, Grażyna Concerto for String Orchestra Barber, Samuel: Prayer of Kirkegarde Overture to “The School for Scandal” Adagio for Strings Violin Concerto Cello Concerto First Essay Medea’s Meditation and Dance of Vengeance Bartók, Bela: Divertimento for Strings Concerto for Orchestra Two Portraits Violin Concerto No. 2 Piano Concerti No.’s 2 and 3 Viola Concerto Miraculous Mandarin (Complete and Suite) Beethoven, Ludwig van: Symphonies No.’s 1-9 Mass in C Major Overtures: Coriolan, Leonore 1, 2 and 3, Fidelio, Egmont, Creatures of Prometheus, King Stephen Incidental Music to “Egmont” Piano Concerti No.’s 1-5 Kenneth Woods- conductor www.kennethwoods.net Violin Concerto Triple Concerto String Quartet in F minor op. 95, “Serioso,” arr. Gustav Mahler Leonore Overture No. 3 arr. Gustav Mahler Berg, Alban: Three Orchestra Pieces Kammerkonzert Violin Concerto Berio, Luciano: Folk Songs Serenata I for Flute and 14 Intruments Berlioz, Hector: Harold in Italy Symphonie Fantastique Damnation of Faust Overtures: Benvenuto Cellini, Roman Carnival, Corsaire, Beatrice and Benedict Te Deum Bernstein, Leonard: Overture to Candide Symphonic Dances from West Side Story Symphony No. 1 Three Dance Episodes from On the Town On the Waterfront Bizet, Georges: L’Arlesienne Suites No.’s 1 and 2 Carmen Suites No.’s 1 and 2 Symphony in C major Bloch, Ernest: Schelomo: Rhapsodie Hébraïque for Violoncello and Orchestra Concerto Grosso No. 1 Concerto Grosso No. 2 Suite for Cello (or viola) and Orchestra (1919) Boito, Arrigo: Mefistofele- Prologue in Heaven Borenstein, Nimrod Concerto for Piano, Trumpet and String Orchestra Op. 74 (world premiere performance and recording) Borodin, Alexander: Symphony No. 2 Polovtsian Dances In the Steppes of Central Asia Boulez, Pierre: Messagesquisse (conducting from solo cello) Brady, Tim We’re Hardcore, Song Cycle for Mezzo and Chamber Orchestra Brahms, Johannes: Symphonies No.’s 1-4 Serenade no. 1 in D Major (original and chamber version by Alan Boustead) Kenneth Woods- conductor www.kennethwoods.net Alto Rhapsody German Requiem Variations on a theme of Haydn Piano Concerti No.s 1 and 2 Violin Concerto Double Concerto for Cello and Violin Overtures: Tragic and Academic Festival Hungarian Dances Piano Quartet in A Major arr. Kenneth Woods Britten, Benjamin: Four Sea Interludes Cantata Misericordium Les Illuminations Serenade for Tenor, Horn and Strings Sinfonia da Requiem Sinfonietta opus 1 Simple Symphony Matinées musicales Young Person’s Guide to the Orchestra Variations on a Theme of Frank Bridge Brown, Earl Novara Brown, James Francis Clarinet Concerto “Lost Lanes” (London premiere) Bruch, Max: Violin Concerto No. 1 Scottish Fantasy Kol Nidrei for Cello and Orchestra Bruckner, Anton: Symphonies No.’s 2, 4, 5, 7 and 9 Symphonic Prelude Christus Factus Est Busoni, Ferruccio Violin Concerto Butterworth, Arthur On the Banks of Green Willow Canteloube, Joseph: Songs of the Auvergne Chabrier, Emmanuel: Espana Chausson, Ernest: Poème, Op. 25 for Violin and Orchestra Chopin,Frédéric: Piano Concerto No. 1 in E minor Coleridge-Taylor, Samuel: The Bamboula Danse negre Kenneth Woods- conductor www.kennethwoods.net Othello Suite Petite Suite de Concert Copland, Aaron: Symphony No. 2 (“Short Symphony”) Appalachian Spring (13 instrument and Full Orchestra versions) Clarinet Concerto Four Ballet Pieces from Rodeo Hoe Down A Lincoln Portrait El Salon Mexico An Outdoor Overture Music for the Theater Quiet City Corigliano, John: Fanfare to Music Symphony No. 1 Crumb, George: Ancient Voices of Children Nightmusic I Delibes,Léo: Coppélia Debussy, Claude: Printemps, suite symphonique La Mer Images Prélude à l’après-midi d’un faune (original andSchönberg versions) Trois Nocturnes Donizetti, Gaetano: Overture to Don Pasquale Doolittle, Emily: “falling still” for Violin and Orchestra (US premiere, UK premiere) airs of men long dead (world premiere) green/blue (world premiere, UK premiere) Downie, Gordon forms 7 (world premiere) Dukas, Paul: The Sorcerer’s Apprentice Symphony in C La Péri Dvorak, Antonin: Symphonies No.’s 5, 6, 7, 8, and 9 Stabat Mater Triptych “Nature Life and Love”: In Nature’s Realm, Carnival, Othello, Husitska Overture The Noon Witch The Water Goblin Violin Concerto Piano Concerto Cello Concerto Kenneth Woods- conductor www.kennethwoods.net Slavonic Dances, Op. 46 Symphonic Variations Slavonic Dances, Op. 72 Serenade for Winds Serenade for Strings Czech Suite Elgar, Edward: Symphony No. 1 Symphony no. 2 Enigma Variations Falstaff In the South (Alassio) Introduction and Allegro for Strings Violin Concerto Cello Concerto Cockaigne Overture (“In London Town”) Chanson de nuit Chanson de matin Imperial March Serenade for Strings, op 20 The Spirit of England Sea Pictures (Original version and version for Choir and Strings by Donald Fraser (world premiere) String Quartet (orchestrated David Matthews) Piano Quintet (Orchestrated Donald Fraser (world premiere)) Falla, Manuel de Nights in the Gardens of Spain Franck, César: Symphony in D minor Symphonic Variations for Piano and Orchestra Fauré, Gabriel: Incidental music to Pelléas et Mélisande Requiem Elégie for Cello and Orchestra Fraser, Donald Sinfonietta for Strings (world premiere performance and recording) Gál, Hans: Symphonies no.s 1, 2, 3 and 4 (world premiere recording) Concertino for Violin and Strings (world premiere recording) Concertino for Cello and strings (world premiere Recording) Concerto for Violin and Chamber Orchestra (world premiere recording) Concerto for Piano and Orchestra (world premiere recording) Triptych for Orchestra (world premiere recording) Idyllikon for Chamber Orchestra Divertimento for Winds Garcia, Gerald: Guitar Concerto “Heart of the Rose” (world premiere) Gershwin, George: An American in Paris Concerto in F Rhapsody in Blue Kenneth Woods- conductor www.kennethwoods.net Ginastera, Alberto Harp Concerto Glazunov, Alexander: Violin Concerto in A minor Glinka, Mikhail: Overture to Ruslan and Ludmila Kamarinskaya Gordon, Geoffrey “Saint Blue”: Double Concerto for Trumpet, Piano and Strings after Kandinsky (world premiere performance and recording) Gregson, Edward: “Contrasts:” A Concerto for Orchestra Trombone Concerto Grieg, Edvard: Peer Gynt Suites Two Elegiac Melodies Piano Concerto Holberg Suite Wedding Day at Troldhaugen Gunning, Christopher Symphony No. 2 (world premiere performance and recording) Symphony No. 10 (world premiere performance and recording) Symphony No. 12 (world premiere performance and recording) Handel, George: The Messiah Funeral Anthem for Queen Caroline “The Ways of Zion do Mourn” Haydn, Franz Joseph: Symphonies No.’s 39, 44, 45, 49, 59, 60, 63, 72, 80,82, 83, 84, 86, 88, 92, 93, 94, 98, 99, 100, 101, 102 103 and 104 Sinfonia Concertante for Strings and Winds Cello Concerti in D major and C major Violin Concerto in G major Mass in Time of War Nelson Mass The Creation Higdon, Jennifer Soprano Saxophone Concerto Hindemith, Paul: Concert Music for Brass and Strings The Four Temperaments Viola Concerto “Der Schwanendreher” Hoffman, Joel: The Millenium Dances Holst, Gustav: A Somerset Rhapsody St Paul’s Suite The Planets Hummel, Johann Nepomuk Trumpet Concerto Kenneth Woods- conductor www.kennethwoods.net Ives, Charles: The Unanswered Question Central Park in the Dark They Are There Lincoln, the Great Commoner The Majority Orchestra Set no. 2 Symphony No. 3 “The Camp Meeting” Janáček, Leoš: Sinfonietta Idyll Taras Bulba Johnson, Robert: Autumnal for English Horn and Oboe Janus Variations Jones, Jesse Smith Square Dances (world premiere) Kabalevsky, Dmitri: Overture to Colas Breugnon Cello Concerto No. 1 Kaprálová, Vítězslava Partita for Piano and Strings Khachaturian, Aram: Violin Concerto Sabre Dance from “Gayane” Kim, Earl: Where Grief Slumbers Korngold, Erich: Sinfonietta Violin Concerto Kodaly, Zoltan: Harry Janos Suite Psalmus Hungaricus Galanta Dances Summer Music Krenek, Ernst Piano Concerti no’s 1-4 (world premiere recordings) Concerto for Two Pianos (world premiere recording) Doppelkonzert for Violin, Piano and Strings (world premiere recording) Little Concerto for Piano and Organ (world premiere recording) Lalo, Eduard: Cello Concerto Symphonie Espagnol for Violin and Orchestra Lehar, Franz: Overture to The Merry Widow Liadov, Anatol: Eight Russian Folk Songs Kenneth Woods- conductor www.kennethwoods.net Liszt, Franz: Les Preludes Mazeppa Piano Concerto No. 1 Totentanz Macha, Otmar: Variations Mahler, Gustav: Symphonies No.’s 1, 2, 3, 4, 5, 6, 7, 8 and 9 Symphony no. 10 (rev. Cooke III – first performance) Adagio from Symphony No. 10 arr. 18 Solo Strings, arr. Hans Stadlmair Das Lied von der Erde (Original and Schönberg/reduced versions) Lieder eines fahrenden Gesellen (Songs of a Wayfarer)(Original and Schönberg/reduced versions) Kindertotenlieder (Songs on the Death of Children) Rückert Lieder Martinů, Bohuslav: Memorial to Lidice Partita for Strings Matthews, David Romanza (world premiere recording) Symphony No. 9 Variations for Strings Double
Load more

Recommended publications
  • The St. Petersburg Chamber Philharmonic Innovative Dynamic
    Innovative Dynamic Progressive Unique TheJeffery St. Meyer, Petersburg Artistic Director Chamber & Principal Philharmonic Conductor The St. Petersburg Chamber Philharmonic was founded in 2002 to St.create Petersburg and encourage cultural exchange Chamber between the United Philharmonic States and Russia and has become St. Petersburg’s most exciting and in- “The St. Petersburg novative chamber orchestra. Since its inception, the St. PCP has performed in the major concert halls of the city and has been pre- sentedAbout in its most important festivals. The orchestra’s unique and Chamber Philharmonic progressive programming has distinguished it from the many orches- tras of the city. It has performed over 130 works, including over has become an integral a dozen world premieres, introduced St. Petersburg audiences to more than 30 young performers, conductors and composers from part of the city’s culture” 15 different countries (such up-and-coming stars as Alisa Weilerstein, cello), and performed works by nearly 20 living American compos- ers, including Russian premieres of works by Pulitzer Prize-winning American composers Steve Riech, Steven Stucky and John Adams. Festival Appearances: Symphony Space, Wall-to-Wall Festival, “Behind the Wall”, 2010 “The orchestra 14th International Musical Olympus Festival, 2009 & 2010 International New Music Festival “Sound Ways”, 2005, 2006, 2007, 2008 demonstrates splendid 43rd International Festival St. Petersburg “Musical Spring”, 2006 5th Annual Festival “Japanese Spring in St. Petersburg”, 2005 virtuosity” “Avant-garde in our Days” Music Festival, 2003 Halls: Symphony Space, New York City Academic Capella Hall of Mirrors, Beloselsky-Belozersky Palace Hermitage Theatre “Magnificent” Maly Sal (Glinka) of the Philharmonic Shuvalovksy Palace Hall, Fontanka River St.
    [Show full text]
  • Jennifer Higdon-Large Full
    Pulitzer Prize and three-time Grammy-winner Jennifer Higdon (b. Brooklyn, NY, December 31, 1962) taught herself to play flute at the age of 15 and began formal musical studies at 18, with an even later start in composition at the age of 21. Despite these obstacles, Jennifer has become a major figure in contemporary Classical music. Her works represent a wide range of genres, from orchestral to chamber, to wind ensemble, as well as vocal, choral and opera. Her music has been hailed by Fanfare Magazine as having “the distinction of being at once complex, sophisticated but readily accessible emotionally”, with the Times of London citing it as “…traditionally rooted, yet imbued with integrity and freshness.” The League of American Orchestras reports that she is one of America's most frequently performed composers. Higdon's list of commissioners is extensive and includes The Philadelphia Orchestra, The Chicago Symphony, The Atlanta Symphony, The Cleveland Orchestra, The Minnesota Orchestra, The Pittsburgh Symphony, the St. Paul Chamber Orchestra, as well such groups as the Tokyo String Quartet, the Lark Quartet, Eighth Blackbird, and the President’s Own Marine Band. She has also written works for such artists as baritone Thomas Hampson, pianists Yuja Wang and Gary Graffman, violinists Nadja Salerno-Sonnenberg, Jennifer Koh and Hilary Hahn. Her first opera, Cold Mountain, won the prestigious International Opera Award for Best World Premiere in 2016; the first American opera to do so in the award’s history. Upcoming commissions include a chamber opera for Opera Philadelphia, a string quartet for the Apollo Chamber Players, a double percussion concerto for the Houston Symphony, an orchestral suite for the Made In America project, and a flute concerto for the National Flute Associations’ 5oth anniversary.
    [Show full text]
  • The Double Keyboard Concertos of Carl Philipp Emanuel Bach
    The double keyboard concertos of Carl Philipp Emanuel Bach Item Type text; Thesis-Reproduction (electronic) Authors Waterman, Muriel Moore, 1923- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 18:28:06 Link to Item http://hdl.handle.net/10150/318085 THE DOUBLE KEYBOARD CONCERTOS OF CARL PHILIPP EMANUEL BACH by Muriel Moore Waterman A Thesis Submitted to the Faculty of the DEPARTMENT OF MUSIC In Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 7 0 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of re­ quirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judg­ ment the proposed use of the material is in the interests of scholar­ ship. In all other instances, however, permission must be obtained from the author. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: JAMES R.
    [Show full text]
  • 6 Program Notes
    UMD Wind OrchestraUMD VIRTUOSI University Maryland of School Music of Presents March 3, 2018 . 8PM DEKELBOUM CONCERT HALL at The Clarice University of Maryland School of Music presents VIRTUOSI University of Maryland Wind Orchestra PROGRAM Michael Votta Jr., music director James Stern, violin Audrey Andrist, piano Kammerkonzert .........................................................................................................................Alban Berg I. Thema scherzoso con variazioni II. Adagio III. Rondo ritmico con introduzione James Stern, violin Audrey Andrist, piano INTERMISSION Serenade for Brass, Harp,Piano, ........................................................Willem van Otterloo Celesta, and Percussion I. Marsch II. Nocturne III. Scherzo IV. Hymne Danse Funambulesque .....................................................................................................Jules Strens I wander the world in a ..................................................................... Christopher Theofanidis dream of my own making 2 MICHAEL VOTTA, JR. has been hailed by critics as “a conductor with ABOUT THE ARTISTS the drive and ability to fully relay artistic thoughts” and praised for his “interpretations of definition, precision and most importantly, unmitigated joy.” Ensembles under his direction have received critical acclaim in the United States, Europe and Asia for their “exceptional spirit, verve and precision,” their “sterling examples of innovative programming” and “the kind of artistry that is often thought to be the exclusive
    [Show full text]
  • Isang Yun World Premiere: 06 Nov 1983 Trossingen, Germany Hugo Noth, Accordion; Joachim-Quartett
    9790202514955 Accordion, String Quartet Isang Yun World Premiere: 06 Nov 1983 Trossingen, Germany Hugo Noth, accordion; Joachim-Quartett Contemplation 1988 11 min for two violas 9790202516089 2 Violas Isang Yun photo © Booseyprints World Premiere: 09 Oct 1988 Philharmonie, Kammermusiksaal, Berlin, Germany Eckart Schloifer & Brett Dean ENSEMBLE AND CHAMBER WITHOUT VOICE(S) Availability: This work is available from Boosey & Hawkes for the world Bläseroktett Distanzen 1993 18 min 1988 16 min for wind octet with double bass ad lib. for wind quintet and string quintet 2ob.2cl.2bn-2hn-db(ad lib) 9790202516409 (Full score) 9790202518427 (Full score) World Premiere: 09 Oct 1988 World Premiere: 19 Feb 1995 Philharmonie, Kammermusiksaal, Berlin, Germany Stuttgart, Germany Scharoun Ensemble Stuttgarter Bläserakademie Conductor: Heinz Holliger Availability: This work is available from Boosey & Hawkes for the world Availability: This work is available from Boosey & Hawkes for the world Bläserquintett Duo for cello and harp 1991 16 min 1984 13 min for wind quintet (or cello and piano) fl.ob.cl.bn-hn 9790202514986 Cello, Harp 9790202580790 Flute, Oboe, Clarinet, Bassoon, Horn (score & parts) 9790202580806 Flute, Oboe, Clarinet, Horn, Bassoon (Full Score) World Premiere: 27 May 1984 Ingelheim, Germany Ulrich Heinen, cello / Gerda Ockers, harp World Premiere: 06 Aug 1991 Schleswig-Holstein Musik Festival, Altenhof bei Kiel, Germany Availability: This work is available from Boosey & Hawkes for the world Albert Schweitzer Quintett Espace II Concertino 1993 13 min 1983 17 min for cello, harp and oboe (ad lib.) for accordion and string quartet 9790202517475 Cello, Harp, (optional Oboe) 9790202518700 Accordion, String Quartet (string parts) World Premiere: 17 Sep 1993 St.
    [Show full text]
  • Franz Anton Hoffmeister’S Concerto for Violoncello and Orchestra in D Major a Scholarly Performance Edition
    FRANZ ANTON HOFFMEISTER’S CONCERTO FOR VIOLONCELLO AND ORCHESTRA IN D MAJOR A SCHOLARLY PERFORMANCE EDITION by Sonja Kraus Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2019 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Emilio Colón, Research Director and Chair ______________________________________ Kristina Muxfeldt ______________________________________ Peter Stumpf ______________________________________ Mimi Zweig September 3, 2019 ii Copyright © 2019 Sonja Kraus iii Acknowledgements Completing this work would not have been possible without the continuous and dedicated support of many people. First and foremost, I would like to extend my deepest gratitude to my teacher and mentor Prof. Emilio Colón for his relentless support and his knowledgeable advice throughout my doctoral degree and the creation of this edition of the Hoffmeister Cello Concerto. The way he lives his life as a compassionate human being and dedicated musician inspired me to search for a topic that I am truly passionate about and led me to a life filled with purpose. I thank my other committee members Prof. Mimi Zweig and Prof. Peter Stumpf for their time and commitment throughout my studies. I could not have wished for a more positive and encouraging committee. I also thank Dr. Kristina Muxfeldt for being my music history advisor with an open ear for my questions and helpful comments throughout my time at Indiana University. I would also like to thank Dr.
    [Show full text]
  • Tertis's Viola Version of Elgar's Cello Concerto by Anthony Addison Special to Clevelandclassical
    Preview Heights Chamber Orchestra conductor's notes: Tertis's viola version of Elgar's Cello Concerto by Anthony Addison Special to ClevelandClassical An old adage suggested that violists were merely vio- linists-in-decline. That was before Lionel Tertis! He was born in 1876 of musical parents who had come to England from Poland and Russia and, at three years old, he started playing the piano. At six he performed in public, but had to be locked in a room to make him practice, a procedure that has actually fostered many an international virtuoso. At thirteen, with the agree- ment of his parents, he left home to earn his living in music playing in pickup groups at summer resorts, accompanying a violinist, and acting as music attendant at a lunatic asylum. +41:J:-:/1?<1>95@@1041?@A0510-@(>5:5@E;88131;2!A?5/@-75:3B5;85:-?45? "second study," but concentrating on the piano and playing concertos with the school or- chestra. As sometime happens, his violin teacher showed little interest in a second study <A<58-:01B1:@;8045?2-@41>@4-@41C-?.1@@1>J@@102;>@413>;/1>E@>-01 +5@4?A/4 encouragement, Tertis decided he had to teach himself. Fate intervened when fellow stu- dents wanted to form a string quartet. Tertis volunteered to play viola, borrowed an in- strument, loved the rich quality of its lowest string and thereafter turned the old adage up- side down: a not very obviously gifted violinist becoming a world class violist. But, until the viola attained respectability in Tertis’s hands, composers were reluctant to write for the instrument.
    [Show full text]
  • Program Notes Program
    Program Notes Program Notes by April L. Racana 24 Jun Leonard Bernstein (1918-1990) Overture to "Candide" It has been said that Leonard Bernstein never approached any work the same way twice, and his score for Candide may very well be the epitome of the extent to which he would go to continually rework and revise his compositions. The opening for this show, which has been dubbed both 24 musical and operetta, came on December 1st, 1956 and was based on Jun Voltaire’s eighteenth-century satire, which had been adapted by author Lillian Helman. The first run of the show only lasted 73 performances, however it didn’t take long for the ‘Overture’ to become an orchestral piece on its own, making its debut performance with the New York Philharmonic in January 1957. Over the next thirty years Bernstein continually revised the entire musical numerous times, with varying success in its many transformations. The ‘Overture’ contains a mixture of tunes from the show, including The Best of All Possible Worlds, Oh Happy We, and Glitter and Be Gay. So closely associated with the New York Philharmonic was Bernstein, and so well-loved was this work, that at a memorial concert following Bernstein’s death in 1990, members of the orchestra performed the ‘Overture’ without a conductor as a tribute to the symphony’s Laureate Conductor. Work composed: 1956 World premiere: 26th January, 1957 Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, E-flat clarinet, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3,trombones, tuba, timpani, percussion (snare drum, tenor drum, bass drum, triangle, cymbals, glockenspiel, xylophone）, harp, strings 26 Program Notes Program Notes George Gershwin (1898-1937) Rhapsody in Blue Originally titled American Rhapsody, George Gershwin was apparently convinced by his lyricist brother, Ira, that the title needed some re-thinking.
    [Show full text]
  • An Analysis of Honegger's Cello Concerto
    AN ANALYSIS OF HONEGGER’S CELLO CONCERTO (1929): A RETURN TO SIMPLICITY? Denika Lam Kleinmann, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Eugene Osadchy, Major Professor Clay Couturiaux, Minor Professor David Schwarz, Committee Member Daniel Arthurs, Committee Member John Holt, Chair of the Division of Instrumental Studies James Scott, Dean of the School of Music Mark Wardell, Dean of the Toulouse Graduate School Kleinmann, Denika Lam. An Analysis of Honegger’s Cello Concerto (1929): A Return to Simplicity? Doctor of Musical Arts (Performance), May 2014, 58 pp., 3 tables, 28 examples, 33 references, 15 titles. Literature available on Honegger’s Cello Concerto suggests this concerto is often considered as a composition that resonates with Les Six traditions. While reflecting currents of Les Six, the Cello Concerto also features departures from Erik Satie’s and Jean Cocteau’s ideal for French composers to return to simplicity. Both characteristics of and departures from Les Six examined in this concerto include metric organization, thematic and rhythmic development, melodic wedge shapes, contrapuntal techniques, simplicity in orchestration, diatonicism, the use of humor, jazz influences, and other unique performance techniques. Copyright 2014 by Denika Lam Kleinmann ii TABLE OF CONTENTS Page LIST OF TABLES………………………………………………………………………………..iv LIST OF MUSICAL EXAMPLES………………………………………………………………..v CHAPTER I: INTRODUCTION………..………………………………………………………...1 CHAPTER II: HONEGGER’S
    [Show full text]
  • A Performer's Guide to Hertl's Concerto for Double Bass
    A Performer's Guide To Frantisek Hertl's Concerto for Double Bass Item Type text; Electronic Dissertation Authors Roederer, Jason Kyle Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 15:16:02 Link to Item http://hdl.handle.net/10150/194487 A PERFORMER’S GUIDE TO HERTL’S CONCERTO FOR DOUBLE BASS by Jason Kyle Roederer ________________________ Copyright © Jason Kyle Roederer 2009 A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2009 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Jason Kyle Roederer entitled A Performer’s Guide to Hertl’s Concerto for Double Bass and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts _______________________________________________________Date: April 17, 2009 Patrick Neher _______________________________________________________Date: April 17, 2009 Mark Rush _______________________________________________________Date: April 17, 2009 Thomas Patterson Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement.
    [Show full text]
  • Chapman Chamber Orchestra 39Th Season Chapman Chamber Orchestra
    Chapman University Chapman University Digital Commons Printed Performance Programs (PDF Format) Music Performances 3-5-2010 Chapman Chamber Orchestra 39th Season Chapman Chamber Orchestra Brett prS ague Chapman University Follow this and additional works at: http://digitalcommons.chapman.edu/music_programs Recommended Citation Chapman Chamber Orchestra and Sprague, Brett, "Chapman Chamber Orchestra 39th Season" (2010). Printed Performance Programs (PDF Format). Paper 1405. http://digitalcommons.chapman.edu/music_programs/1405 This Other Concert or Performance is brought to you for free and open access by the Music Performances at Chapman University Digital Commons. It has been accepted for inclusion in Printed Performance Programs (PDF Format) by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. CHAPMAN UNIVERSITY COLLEGE OF Conservatory of Music PERFORMING ARTS presents the Spring 2010 Event Highlights ART: The Page .......................................................................................... Feb 1 - Mar 12 Chapman THEATRE: Bus Stop by William Inge, in repertory with Chamber Orchestra Hedda Gabler by Henrik Ibsen ..................................... Mar 12 - 14, 16 - 20 39th Season Student Directed One-Acts .................................. Apr 23 - 25, 29 - 30, May 1 MUSIC: DANIEL ALFRED WACHS University Choirs Post-Tour Concert........................................................ Feb 5 Music Director & Conductor Chapman Chamber Orchestra and
    [Show full text]
  • DANSES CQNCERTANTES by IGOR STRAVINSKY: an ARRANGEMENT for TWO PIANOS, FOUR HANDS by KEVIN PURRONE, B.M., M.M
    DANSES CQNCERTANTES BY IGOR STRAVINSKY: AN ARRANGEMENT FOR TWO PIANOS, FOUR HANDS by KEVIN PURRONE, B.M., M.M. A DISSERTATION IN FINE ARTS Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Accepted August, 1994 t ACKNOWLEDGMENTS I would like to extend my appreciation to Dr. William Westney, not only for the excellent advice he offered during the course of this project, but also for the fine example he set as an artist, scholar and teacher during my years at Texas Tech University. The others on my dissertation committee-Dr. Wayne Hobbs, director of the School of Music, Dr. Kenneth Davis, Dr. Richard Weaver and Dr. Daniel Nathan-were all very helpful in inspiring me to complete this work. Ms. Barbi Dickensheet at the graduate school gave me much positive assistance in the final preparation and layout of the text. My father, Mr. Savino Purrone, as well as my family, were always very supportive. European American Music granted me permission to reprint my arrangement—this was essential, and I am thankful for their help and especially for Ms. Caroline Kane's assistance in this matter. Many other individuals assisted me, sometimes without knowing it. To all I express my heartfelt thanks and appreciation. 11 TABLE OF CONTENTS ACKNOWLEDGMENTS ii CHAPTER L INTRODUCTION 1 n. GENERAL PRINCIPLES 3 Doubled Notes 3 Articulations 4 Melodic Material 4 Equal Roles 4 Free Redistribution of Parts 5 Practical Considerations 5 Homogeneity of Rhythm 5 Dynamics 6 Tutti GesUires 6 Homogeneity of Texmre 6 Forte-Piano Chords 7 Movement EI: Variation I 7 Conclusion 8 BIBLIOGRAPHY 9 m APPENDIX A.
    [Show full text]