DOCSLIB.ORG

Volume L, No 3, July-September 2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Volume L, No 3, July-September 2012 Cyprus TODAY Volume L, No 3, July-September 2012 Contents EDITORIAL ....................................................................4 Kypria International Festival 2012 ...................................6 Mapping Cyprus: Crusaders, Traders and Explorers ......14 Maniera Cypria ...............................................................19 4th Cypriot Film Directors Festival .................................22 4th International Pharos Contemporary Music Festival ..28 16th International Festival of Ancient Greek Drama .......36 Cyprus Medical Museum ...............................................41 Pafos Aphrodite Festival 2012 ........................................44 Terra Mediterranea-In Crisis ...........................................48 Cypriot Armenian Artists Exhibition .............................52 United States of Europe .................................................56 Bokoros “Odos Eleftherias” ............................................63 The World Youth Choir in Cyprus ..................................65 Volume L, No 3, July-September 2012 A quarterly cultural review of the Ministry of Education and Editorial Supervision: Culture published and distributed by the Press and Information Miltos Miltiadou (PΙΟ) Offi ce (PIO), Ministry of Interior, Nicosia, Cyprus. E-mail: [email protected] Address: Editorial Assistance: Ministry of Education and Culture Maria Georgiou (PΙΟ) Kimonos & Thoukydides Corner, 1434 Nicosia, Cyprus E-mail: [email protected] Website: http://www.moec.gov.cy David A. Porter E-mail: [email protected] Press and Information Offi ce Apellis Street, 1456 Nicosia, Cyprus Design: GNORA COMMUNICATION CONSULTANTS Website: http://www.moi.gov.cy/pio Printed by: Konos Ltd EDITORIAL BOARD Front cover: General view of the exhibition Maniera Cypria: Lemesos, Fabula, Historia, Memoria Chairperson: th Pavlos Paraskevas, Director of Cultural Services, Back cover: A scene from Electra & Orestes at the 16 Ministry of Education and Culture International Festival of Ancient Greek Drama Chief Editor: Jacqueline Agathocleous [email protected] GNORA COMMUNICATION CONSULTANTS PIO 416/2012 – 10000 (website: www.gnora.com) ISSN (print) 0045-9429 Tel: +357 22441922 Fax: +357 22519743 ISSN (online) 1986-2547 Subscription Note: For free subscriptions please contact: [email protected]. Cyprus Today is also available in electronic form and can be sent to you if you provide your e-mail. If you no longer wish to receive the magazine, in either print or electronic form, or if you have changed your address, please let us know at the above e-mail address. Please include your current address for easy reference. Editor’s Note: Articles in this magazine may be freely quoted or reproduced provided that proper acknowledgement and credit is given to Cyprus Today and the authors (for signed articles). The sale or other commercial exploitation of this publication or part of it is strictly prohibited. Disclaimer: Views expressed in the signed articles are those of the authors and not necessarily those of the publishers. The magazine can also be found on the Press and Information Offi ce website at www.moi.gov.cy/pio. 3 Editorial he Cyprus Presidency of the Council of the European Union in the second half of 2012 features strongly Tin this issue of Cyprus Today, starting off with the KYPRIA 2012 International Festival, which pre- sented music, theatre and dance events of considerable renown throughout the island. The Festival started off with a concert, Towards a Europe of Peace, by the Cyprus Youth Symphony. The easternmost member of the EU, Cyprus, has always been strategically important to foreign powers wishing to infl uence or control the Eastern Mediterranean. The exhibition Mapping Cyprus: 1191-2012 Crusaders, Traders and Explorers, held at the BOZAR Centre for Fine Arts in Brussels, examined a long period in the turbulent history of the island. Lovers of antiquities will enjoy reading about the Maniera Cypria exhibition in Limassol, which presented archaeological fi ndings unearthed in the district and its vicinity displayed side by side in a fascinating dis- course with contemporary art at the Evagoras Lanitis Centre. This issue also takes a look at the 4th Cypriot Film Directors Festival, which presented works by seven acclaimed fi lm directors. For the fi rst time ever, the screenings took place “under the stars” at the Constantia Open Air Cinema. The 4th International Pharos Contemporary Music Festival was dedicated to the promotion of new music, both the established masterpieces of the contemporary music literature of the 20th century and a great number of premieres by leading young composers from all over the world who were commissioned by the Pharos Arts Foundation to write new works especially for the Festival. In July, theatre lovers from around the world attended the 16th International Festival of Ancient Greek Drama 2012. The Festival opened with a production of Agamemnon’s Children by the Hessian State Thea- tre of Wiesbaden, Germany, while other works included Electra and Orestes, The Trial; The Eumenides, and Antigone. Also taking pride of place in this issue is the Cyprus Medical Museum, a venture which few people took seriously some 25 years ago when the Committee of the Limassol Medical Association announced its decision to collect and exhibit antique medical equipment. Thanks to a number of valuable donations from doctors and their families, photographs of which are included in this issue, the museum is now a reality, bringing an enormous collection of valuable medical artefacts to the people of Cyprus and to visitors to the island with an interest in medicine. The 14th Pafos Aphrodite Festival raised its curtain this year on the Slovak National Theatre’s perform- ance of Verdi’s Otello, at the Medieval Castle of Pafos in Pafos Harbour. The adaptation of William Shake- speare’s tragedy was set at the Castle of Famagusta in the 15th century, with Otello serving as the recently appointed governor of Cyprus. Also featured in this issue is the contemporary art program Terra Mediterranea–In Crisis, which included a second contemporary art exhibition, [at Maroudia’s], curated by the Re Aphrodite team at the Ethnological Museum–House of Hadjigeorgakis Kornesios. The Armenian Representative, Vartkes Mahdessian, organised a unique exhibition within the framework of the Cyprus Presidency featuring works by nine Armenian painters and six Armenian photographers. The Painting and Photography Exhibition by Cypriot Armenian Artists is also featured in this issue. Do you feel European? Does Mr O’Keeffe in Ireland feel more or less European than Mrs Stylianou in Cyprus? And if so, why? The United States of Europe (U.S.E) project, presented outdoors at Pharos Arts Foundation, offered various refl ections on such questions. In another exhibition related to borders, painter Christos Bokoros attempted direct conversation with spaces, buildings and roads which are adjacent to or which lead to the Green Line in Nicosia with a series of paintings titled “Odos Eleftherias”. Finally, for the fi rst time ever in Cyprus, we got the chance to enjoy concerts by the World Youth Choir. The choir performed three a cappella concerts, in Pedoulas, in Pafos and in Ayia Napa. 4 5 Kypria International Festival 2012 ight from its inception in 1993, the Kypria RInternational Festival has provided Cypriots and visitors alike with a variety of cultural events of the highest possible standard. Launched in a pe- riod characterised by a drought of important cultural events, the Kypria International Festival became the catalyst for the creation of an unprecedented cultural movement. The Cultural Services of the Ministry of Education and Culture continually seek to improve and upgrade the Festival, not only the character of the programme’s events but also the conception and future course of the Festival. 20 Years of History Throughout its twenty-year history, the Festival has presented acclaimed Cypriot and foreign artists from various disciplines to its audience. The selection committee strives to the greatest possible extent to William Shakespeare: Pericles make the work of Cypriot artists and groups elemen- tal to the Festival while still maintaining its interna- Celebrated Music Ensembles tional character. The Kypria International Festival has also host- Over the past two decades, the Kypria International ed a number of internationally renowned music Festival has hosted an array of distinguished artists ensembles, including the English National Sym- and ensembles from the fi elds of cinema, dance, phony Orchestra, the Madrigalisti di Venezia, music, theatre and the visual arts. The Festival has the European Union Baroque Orchestra, the Phi- welcomed esteemed international dance companies larmonic Chamber Orchestra of Salzburg, the to its stages, including the Rhine Ballet, the National Popular Orchestra of Mikis Theodorakis and the Ballet of Cuba, Omada Edafous by Demetris Pa- State Orchestra of Greek Music, conducted dur- paioannou and the Batsheva Dance Company. ing its Kypria Festival appearance by Dionysis Savvopoulos. Theatre Performances by Prominent Directors Theatre performances by prominent directors Programme featuring distinguished actors and theatre groups In 2012 the Cultural Services of the Ministry of Ed- of worldwide renown have always been at the ucation and Culture maintained the Festival’s high forefront of the Festival, including the Nation- standards by creating the following programme: al
Load more

Recommended publications
  • Soundbridge 2019 Fianl Web Booklet
    2 3 Festival Forward Address Message YAM Tunku Zain Al-’Abidin Teo Nie Ching Ibni Tuanku Muhriz Deputy Minister from the patron of Society of Ministry of Education Malaysia Malaysian Contemporary Composers (SMCC) I’m thrilled to support the 4th SoundBridge I wish to extend my warmest and development of the SoundBridge Y Festival. Faithful to its name and original congratulations to Dr Chong Kee ong Music Festival, more outstanding works by objective, this event is all about bridging and his team for bringing in an impressive contemporary Malaysian composers and different sounds together within the assortment of excellent performers and Asian composers will be produced and spectrum of contemporary music. I’m glad collaborative artists for “SoundBridge 2019” Contemporary Music Festival. become greater as it continues to grow y tradition as well as jazz, but the “bridging” and reach globall . In terms of function, here also refers to different cultural The SoundBridge Contemporary Music it is not only a museum that displays and Festival is not only an important platform to traditions, and I look forward to hearing how stores contemporary sounds, but also an musicians from across the region will be nurture and assist the teaching of music in important base for nurturing Malaysia’s new working together. Malaysia, but also a grand event to promote generation of composers and works. Asian music and host cultural exchanges. Congratulations to Dr. Chong Kee Yong It is the original intention of the festival to I sincerely wish for a very eventful and and the entire team from the co-organisers gather the best composers and chamber successful musical festival which enriches in undertaking this important project which orchestras in the industry to showcase the the souls of our fellow local musicians and I am sure will stimulate and educate the most cutting-edge contemporary music.
    [Show full text]
  • DR. SIMONE HEILGENDORFF (Musicologist and Violist
    DR. SIMONE HEILGENDORFF (musicologist and violist) PUBLICATIONS, LECTURES, AND CLASSES (State: 14-9-2016) SELECTED PUBLICATIONS Books/Scores 2017 Summer (author and editor) „New Music Festivals as Agorai: Warszawska Jesień, Festival d’Automne à Paris, and Wien Modern Since 1980“, online publication (further authors and editors: Katarzyna Grebosz-Haring, Lusi Velasco-Pufleau, and Monika Żyła), Hofheim/Taunus: Wolke Verlag (forthcoming) 2002 Experimentelle Inszenierung von Sprache und Musik. Vergleichende Analysen zu Dieter Schnebel und John Cage, publication of my dissertation, Freiburg i. Br.: Rombach-Verlag (Reihe Cultura, vol. 16) 1999 Louise Farrenc Trio op.44 (for clarinet/violin, cello, and piano), reprint (editor and commentator): Kassel: Furore Verlag Texts (peer-reviewed) for journals and book chapters 2016 (43) Contribution for: “Proben-Prozesse. Über das Entstehen von Musik und Theater“, ed. Wolfgang Gratzer and Christoph Lepschy, Freiburg i.Br.: Rombach Verlag (accepted, print in preparation) 2016 (42) Wien Modern, Festival d’Automne à Paris, and Warsaw Autumn after the year 2000 in a comparative perspective: European or national forums for contemporary art music and culture?, in: Between Universal and Local: From Modernism to Postmodernism, ed. Gregor Pompe, Nejc Skúkljan, Frankfurt/Main: Peter Lang. pp. 253–266 2015 41) William Rothstein. Phrase Rhythm in Tonal Music, in: Lexikon Musiktheorie/Musikästhetik, Kassel, Stuttgart: Bärenreiter and Metzler (in print) 40) Projected Resonance: Tonal Dimensions of Microtonal Composition in Music by Georg Friedrich Haas, in: Tonality Since 1950; Felix Wörner, Ullrich Scheideler and Philip Rupprecht (ed.), Stuttgart: Steiner Verlag (in print) 39) Material in die Obhut seiner Interpretinnen und Interpreten geben. Zum Umgang mit Schnebels Museumsstücke, essay in: Dieter Schnebel.
    [Show full text]
  • Almanach 2015/16
    ALMANACH DER UNIVERSITÄT MOZARTEUM SALZBURG STUDIENJAHR 2015/16 ALMANACH DER UNIVERSITÄT MOZARTEUM SALZBURG 2015/16 VERÖFFENTLICHUNGEN ZUR GESCHICHTE DER UNIVERSITÄT MOZARTEUM SALZBURG BAND 9 © HOLLITZER Verlag, Wien 2017 www.hollitzer.at Alle Rechte vorbehalten. Titelbild: „La finta giardiniera“ SUSANNE PRUCHER (HG.) ALMANACH DER UNIVERSITÄT MOZARTEUM SALZBURG STUDIENJAHR 2015/16 Die Universität Mozarteum Die Universität Mozarteum bietet über Die Universität Mozarteum sieht es als ihre 40 künstlerische und pädagogische Studien- Aufgabe, zur Entstehung und Interpretation, richtungen aus den Bereichen Musik, Reflexion und Vermittlung von Kunst und Dar stellende und Bildende Kunst an. An die künstlerischer Praxis einen wesentlichen 1.600 junge KünstlerInnen aus aller Welt Beitrag zu leisten. Zentrales Anliegen ist die erfahren hier eine umfassende Ausbildung optimale, möglichst individuelle Förderung in zahlreichen Instrumentalfächern, in ihrer Studierenden. Komposition, Dirigieren, Gesang, Musik- theater, Schauspiel, Regie, Bühnenbild, Neben der traditionellen Rolle als exzellente Musik- und Tanzpädagogik, Kunst- und Ausbildungsstätte hat sich die Universität Werkpädagogik sowie in Musik pädagogik Mozarteum als vollgültiger Kulturbetrieb und Musikwissenschaft. positioniert und trägt mit zahlreichen Ver- anstaltungen von Studierenden und Lehrenden 500 Lehrende, viele davon international zum Salzburger Kulturleben bei. Im Umfeld bekannte KünstlerInnen und PädagogInnen, der intensiven Studien in einer musikoenen geben ihr Wissen und ihre Kunst weiter Umgebung beginnen hier die Netzwerke für und erfüllen die Universität mit lebendiger spätere berufliche Karrieren. Aus einandersetzung. Die Geschichte des Mozarteums reicht bis ins Jahr 1841 zurück Die Universität Mozarteum nimmt als künstle- und wurde von herausragenden Persönlich- risches, pädagogisches und wissenschaftliches keiten wie Bernhard Paumgartner, Clemens Zentrum gleichermaßen regionale und Krauss, Paul Hindemith, Carl Or, Nikolaus inter nationale Aufgaben wahr.
    [Show full text]
  • The Fires of London
    The Fires of London THE FIRES OF LONDON (FORMERLY THE PIERROT PLAYERS) 1967 – 1987 1. The Pierrot Players and The Fires of London – a history 1967-75 2. Eight songs for a Mad King - 1969 3. Vesalii Icones - 1969 4. Miss Donnithorne’s Maggot - 1974 5. Ave Maris Stella - 1975 6. Arts Council Contemporary Music Network Tour - 1975 7. Charity Commission 1975-76 8. Peter Maxwell Davies’ Disappearance/First visit to Orkney – January 1976 9. Television relay of Eight Songs for a Mad King 10. North American Tour – October-November 1976 11. Latin American Tour – March- April 1977 12. First St. Magnus Festival/ The Martyrdom of St. Magnus June 1977 13. Tour of Hungary – October 1977 14. Residency at Bayerische Staatsoper, Munich – April 1978 15. Le Jongleur de Notre Dame 1978 16. Touring The Martyrdom of St. Magnus 1978-79 17. Tour of Australia and New Zealand March 1980 18. Musicians Union Strike Prom July August 1980 19. The Lighthouse – 1980 20. Touring The Lighthouse – Summer 1981 21. Arts Council Contemporary Network Tour – 1982 22. Image Reflection shadow - 1982 23. Sacra Umbra Festival - Sept 1982 24. Birthday Music for John 25 - Jan 1983 25. Britain Salutes New York Festival – April 1983 26. The No. 11 Bus –March 19844 27. Tour of North America - November 1985 28. Other Composers 29. Elliott Carter/Hans Werner Henze 30. Fires Farewell – January 1987 31. Composers performed by The Fires of London 32. Principal Players and Associates of The Fires of London Note In my memories of The Fires of London, hereinafter referred to as The Fires, I will attempt to give the main outline of the history and chief events during my period as Manager from October 1975 until January 1987.
    [Show full text]
  • Newsletter 13/08 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 13/08 DIGITAL EDITION Nr. 233 - Juli 2008 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 13/08 (Nr. 233) Juli 2008 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Wie versprochen gibt es mit der vorliegen- den Ausgabe einen Sonder-Newsletter mit ausschließlich amerikanischen Neuan- kündigungen. Und die sind gleich so zahl- reich, dass es wieder einmal den gewohnten Rahmen von maximal 50 Seiten sprengt. Um Sie jedoch umfassend informieren zu können, war dies unabdingbar. Nicht etwa, dass das ein Problem wäre. Schon gar nicht bei der digitalen Version. Doch die Print- Ausgabe macht jetzt leider Handarbeit erforderlich. Denn unser Kopierer kann nicht mehr als 30 Blatt Papier (das sind genau 60 Seiten) automatisch heften. Nun ja, wir sehen das locker. Ein bisschen kör- perliche Arbeit hat noch niemandem ge- schadet. Um die Auslieferung des Newsletters nicht noch weiter zu verzö- gern und damit die Seitenzahl nicht astro- nomisch hoch wird, haben wir bewusst auf sämtliche Grafiken verzichtet. Dadurch wirkt die neue Ausgabe zwar gestalterisch etwas langweilig, aber der Informations- gehalt ist das was tatsächlich zählt. Und davon ist jede Menge vorhanden. Zu den Highlights gehören Filme wie SHUTTER, PROM NIGHT, THE RUINS, NIM’S ISLAND, LEATHERHEADS, 21, SHINE A LIGHT, MARRIED LIFE, OSS 117, MADE OF HONOR, WHAT HAPPENS IN VEGAS, DEAL, REST STOP 2, ROGUE, NEVER BACK DOWN und STREET KINGS.
    [Show full text]
  • The Berlin-Based Kairos Quartet Was Founded in 1996 and Focusses on Music of the Turn of Our Century
    Wolfgang Bender,Stefan Häussler • alternating violins Simone Heilgendorff • viola Claudius von Wrochem • cello www.kairosquartett.de The Berlin-based Kairos Quartet was founded in 1996 and focusses on music of the turn of our century. Landmark compositions since 1950 and world premieres are at the heart of the quartet's activity which also includes samples of the Western musical tradition, that of other cultures (like the Far East), or compo - sitions employing media (electronics, video, speech, or the scene. The Kairos Quartet takes great care in the selection and combination of pieces, sometimes even curating their own concert series as was the case with "Five Windows onto the String Quartet Since 1950". This concert and talk series took place at the Kulturbrauerei Berlin in 2001/02 and presented composers such as Ferneyhough, Lachenmann, and Lucier. The Quartet has also developed close professional relationships with many composers of international standing such as Haas (Austria), Estrada (Mexico), Netti (Italy), Newski (Germany/Russia), and Lim (Austra - lia). Through workshops, master classes, and lectures on new music and performance practice the Kairos Quartet reaches out to music students and the general public; these have so far taken place as part of festivals, or in schools of music, in Austria, Germany, Mexico, Norway, Poland, China, Cyprus and Switzer - land. After its successful debut at the Internationale Ferienkurse in Darmstadt 1996 the quartet was invited to numerous international festivals of such different leanings as Ultraschall, MaerzMusik (both in Berlin), Eclat Stuttgart, Huddersfield, Berliner Festwochen, Wien Modern, Salzburger Festspiele, Klangspuren/TransArt, Warsaw Autumn, Ljubliana Festival, Festival d’Automne, and the Festival de Cervantino.
    [Show full text]
  • Synesthetic Codes in Ligeti's Music
    SOUNDS, LINES AND COLORS: SYNESTHETIC CODES IN LIGETI'S MUSIC Assoc. Prof., Ph.D. BIANCA ŢIPLEA TEMEŞ “Gheorghe Dima” Music Academy, Cluj-Napoca Bianca ŢIPLEA TEMEŞ is Associate Professor Ph.D. at the ”Gheorghe Dima” Music Academy and head of the artistic department of the Transylvania Philharmonic. Holder of a Ph.D. in Musicology (National University of Music Bucharest), she has published in Romania, Spain, Switzerland, Lithuania, the Czech Republic and the U.S., and has participated in symposiums and conferences at home as well as in Vienna, Oldenburg, Vilnius, Dublin, Rome, Cambridge, Szombathely and Belgrade. She was the recipient of an ERASMUS scholarship at the University of Cambridge, where she worked with Nicholas Cook, serves as Visiting Professor at the University of Oviedo, Spain and at the Istituto Musicale ”Pietro Mascagni” in Livorno, Italy, and was the recipient of a research fellowship from the Paul Sacher Foundation in Basel and of a DAAD fellowship in Berlin. ABSTRACT Few modern composers have explored the relationship between sound and image to a greater extent than Ligeti. A self-proclaimed synesthete, he relied on both explicit and implicit visual stimuli to influence his creative process at every level. The arts of painting and graphics provided him with a sense of the decorative, while computer-generated images such as the Julia or Mandelbrot sets supplied him with new and modern means of inspiration. Recognized as a great connoisseur of the fine arts, from Canaletto and Guardi to Picasso, Magritte and the collages of Peter Balke, he seemed to blend sounds, lines and colors in his music, developing compositional methods from pictorial techniques and optical effects.
    [Show full text]
  • Volume LIII, No 4, October - December 2015
    CyprusTODAY Volume LIII, No 4, October - December 2015 Contents Editorial .........................................................................................2 Eight new elements of Intangible Cultural Heritage ..................4 Lefkaritiko Embroidery Lace, Modi and Modulations ............14 State Prizes for Literature ...........................................................18 Scientific Symposium in honour of Kypros Chrysanthis.........22 The Weight of the Rain ...............................................................24 Exhibition by Zenon Sierepeklis ................................................26 George Kotsonis ..........................................................................28 It was the 1st of April ...................................................................30 Congress on Censorship .............................................................33 Excavations, research, cooperation and friendship ...................34 5th International Short Film Festival of Cyprus .........................40 Echoes from Berlin .....................................................................46 Nemitsas Foundation Prize in Visual Arts .................................48 7th International Pharos Contemporary Music Festival ............55 From Renaissance to 20th Century .............................................60 FemLink-Art, Cyprus..................................................................62 Skin or Gold .................................................................................64 Volume LIII,
    [Show full text]
  • Katalog 2013 Mit Rahmen
    edition zeitklang Musikproduktion Wir setzen künstlerische Maßstäbe für das 21. Jahrhundert Edition Zeitklang Musikproduktion, Hinter d. Dorf 4, D-38528 Adenbüttel b. Braunschweig, Tel.: 0 53 04 - 93 01 33 Mobil 0177 - 66 61 77 7 Fax: 0 53 04 - 93 01 34 Katalog 2014/15 Internet: www.zeitklang.de E-Mail: [email protected] Studio: Waldstr.103, D-13403, Berlin 15 HERZLICH WILLKOMMEN BEI JAHRE der edition zeitklang Musikproduktion EDITION ZEITKLANG Zwei Jubiläums-CDs mit den Interpreten Kairos Quartett, Robert Aitken, Sheila Arnold, James Avery, In diesem Katalog finden Sie eine Auswahl unserer CD-Kollektion. Dominik Blum, Christine Chapman, Reinbert Evers, Reinhold Friedl, Kaya Han, Volker Hemken, Wir freuen uns über die Auszeichnungen durch den PREIS DER DEUTSCHEN SCHALLPLATTENKRITIK , Michael Iber, Andrew Joy, Margit Kern, Yun Kyung Lee, Isao Nakamura, Christian Ostertag, die wir bislang erhalten haben. Insbesondere möchten wir unserem Vertrieb Klassik Center Kassel IsabelleSchnöller, Zsigmond Szathmary, Olaf Tzschoppe, Peter Veale und (www.classicdisc.de) in diesem Zusammenhang danken. Samples und Hörproben erhalten sie unter Werken von Pierre Boulez, Gérard Grisey, G. F. Haas, György Ligeti, www.classicsonline.com oder unter www.zeitklang.de. Olivier Messiaen, Bernfried Pröve, Szathmáry, Cage, Lang. Wir wünschen Ihnen viel Freude beim Anhören unserer CDs und darüberhinaus exzellenten Hörgenuss! Bernhard Haas - Orgelwerke Bernhard Haas - Domorgel Essen spielt Kompositionen von Ferneyhough, Feldmann, Scelsi und Xenakis. An der 2004 von der Firma Rieger Orgelbau, Schwarzach (Österreich) erbauten großen Orgel im Dom zu Essen spielt Bernhard Haas Werke, die sich nicht mehr, wie noch in den sechziger Jahren, vorwiegend mit der Auslotung der klanglichen Möglichkeiten des Instruments ausein - andersetzen, sondern schon auf diesen Erfahrungen aufbauen können.
    [Show full text]
  • ARCHIV ALLES Bis 2019 Vollständig
    Jochen Nix Theater-Schauspieler Theater-Regisseur Fernseh-Schauspieler Rundfunk-Regisseur Rundunk/Fernseh-Sprecher Lesungen Nibelungenallee 47 60318 Frankfurt am Main ✆ 0171-835 35 46 ☎ 069-596 90 50 [email protected] jochennix.blog Daten, Begegnungen, Entwicklungen: Geboren 1943 in Frankfurt/Main. 1955-62 Internatszeit am kathol. „Studienseminar“ und Abitur am ‘‘Deutschen Gymnasium“in Aschaffenburg. 1962-64 Bundeswehr. Leutnant d. Res. 1964-66 Studium der Germanistik, Geschichte und Philosophie an der Goethe-Universität Frankfurt. 1966 Entschluß, mit Sprache und Literatur nicht mehr wissenschaftlich, sondern nur noch spielerisch umzugehen. 1966: Aufnahme in die Hochschule für Musik und Darstellende Kunst Frankfurt/M. 1966-68 Ausbildung zum Schauspieler bei Franz Kutschera, Hans- Georg Laubenthal, Josef Offenbach, Rudolf Krieg, Johanna Wichmann. Schulaufführungen: Leonce und Lena (Büchner) König Popo am TAT; Dame Kobold (Lope de Vega) Don Luis Kammerspiele der Städt. Bühnen. 1968-69 Erstes Engagement am Zimmertheater Tübingen (Salvatore Poddine) Rollen: Kesselflickers Hochzeit (Synge) Pfarrer (Reg. C.P.Schenkel) Die Gerechten (Camus) Boris (Reg. Poddine) Kaspar (Handke) Kaspar (Reg. G. Froscher) Yvonne (Gombrowicz) Prinz (Reg. G. Froscher) Geburtstagfeier (Pinter) Stanley (Reg. W. Kolneder) Okt.-Dez.69 Theater im Bonn-Center, Bonn (Olaf Tschierschke) Spannende Erfahrungen mit „Kollektiv-Theater“:Aber es entsteht weder ein Stück, noch wird etwas aufgeführt. Dez. 69-März 1970 Beginn meiner Tätigkeit als freier Mitarbeiter beim Rundfunk,
    [Show full text]
  • Prof. Dr. Simone Heilgendorff Alpen-Adria-Universität Klagenfurt, Abteilung Musikwissenschaft
    Univ.-Prof. Dr. Simone Heilgendorff Alpen-Adria-Universität Klagenfurt, Abteilung Musikwissenschaft Ausgewählte VERÖFFENTLICHUNGEN und VORTRÄGE Aufsätze, Rezensionen und wissenschaftliche CD-Begleittexte/Editionen Das experimentelle Musiktheater von John Cage und Dieter Schnebel als Spiegel kultureller Identitäten, Aufsatz in: Bericht zum Internationalen Kongress der Gesellschaft für Musikforschung Weimar 2004, hg. v. Detlev Altenburg u.A. , Kassel: Bärenreiter (Druck in Vorber.). Ein eigenes Haus für die zeitgenössische Musik: Impulse des bislang nicht gebauten performativen Architektur-Projekts der „Zeitgenössischen Oper“ und des Architektur-Büros GKK in Berlin 2001, in: Bericht zur Internationalen Tagung der Gesellschaft für Musikforschung Leipzig (Druck in Vorbereitung) Erfahrung stiller Musik: zu Morton Feldmans Untitled Composition, in: „Das Subjekt in Literatur und Kunst“, hg. v. Peter Zima, Dorothea Böhme u. Tatiana Floreancig, München: Fink Verlag (Druck in Vorbereitung) Längerfristig in Vorbereitung Lexikon-Artikel in: Komponisten der Gegenwart (Lexikon), hg. v. H.-W. Heister und W.-W. Sparrer, München seit 1982 zu: u.a. Xiayong Chen und Betsy Jolas 2010 Schubert-Reliquien: Beobachtungen zu seinem Einfluss in der neueren Kunstmusik, Aufsatz in: Rückspiegel – Zeitgenössische Musik im Dialog, hg. v. Christian Thorau, Julia Cloot und Marion Saxer, Mainz: Schott Verlag, S. 205– 222. 2009 Glossolalic Voices. Political Ethos, Self-Awareness, and Play in Dieter Schnebel's Experimental Compositions of the 1960s and '70s, Englische Übersetzung des Aufsatzes „Glossolalische Stimmen: Politisches Ethos, Selbsterfahrung und Spiel in Schnebels Glossolalie-Kompositionen“ (Ü.: Claudius von Wrochem), in: http://searchnewmusic.org/ issue Winter 2009/10. Neue Live-Kulturen der westlichen Kunstmusik: für eine Rezeption musikalischer Interpretationen mit Körper und Ort", in: Musikrezeption, Musikdistribution und Musikproduktion. Der Wandel des Wertschöpfungsnetzwerks in der Musikindustrie, hg.
    [Show full text]
  • Programmheft 2016-09Engl √
    Christine Simolka soprano, performance René Wohlhauser baritone and piano, performance A touring festival with 10 world premieres With kind support from Max Geilinger foundation Further Information: www.renewohlhauser.com Wednesday 07 Sept. 2016, 12:30 pm: Basel, Musikakademie, Rebgasse 70 Saturday, 10 Sept. 2016, 07:00 pm: Basel, Haus zur Musik, Schillerstraße 5 Saturday, 17 Sept 2016, 07:00 pm: Stuttgart-Uhlbach, Gmdehaus Andreaskirche, Passeier Str. 7 Sunday, 25 Sept. 2016, 06:30 pm: Paris, Bateau Daphné, Quai Montebello face no 11 Saturday, 01 Oct. 2016, 07:30 pm: London, The Cello Factory, 33-34 Cornwall Road, SE1 8TJ Saturday, 08 Oct. 2016, 08:00 pm: Berlin, Ölberg-Kirche, Paul-Lincke-Ufer 29 Sunday, 09 Oct. 2016, 08:00 pm: Rheinsberg, Musikbrennerei, Königstraße 14 Monday, 10 Oct. 2016, 08.00 pm: Berlin, Musikstudio Ohrpheo, Jablonskistraße 15 Saturday, 29 Oct. 2016, 07:00 pm: Bremen, Weserburg, Museum für moderne Kunst Sunday, 06 Nov. 2016, 07:00 pm: Schlitz, Landesmusikakademie Hessen, Schloß Hallenburg Monday, 07 Nov. 2016, 07:00 pm: Baden-Baden, Rathaus, Alter Ratssaal, Marktplatz 2 From Venice: Djamila Boupachà from «Canti di vita e d’amore» for so- Luigi Nono (*1924-1990) prano solo (1962), text by Jesus Lopez Pacheco From Basel: Gestörte Lieder for baritone solo (2016), text by the comp- René Wohlhauser (b. 1954) oser, wp (wp = world premiere) Doste Raif for soprano, baritone and percussion (2016), text by the composer, wp From Berlin: Örtlich betäubt for soprano, baritone, piano and smart- Andreas F. Staffel (b. 1965) phone (2016), text by the composer, wp From Leonberg: Am Rande einer Wolke, Two Lieder for soprano and piano Volker Ignaz Schmidt (b.
    [Show full text]