EXTREMIA : Les Règles

Total Page:16

File Type:pdf, Size:1020Kb

EXTREMIA : Les Règles v0.5.0 EXTREMIA : Les Règles Manuel des Règles Pour le Monde d’Extrêmia et AD&D Le Monde d’Extrêmia Crosne,Yerres, Massoins, Valbonne ADVANCED DUNGEONS&DRAGONS, AD&D, DUNGEONS&DRAGONS, D&D, DRAGON, GREYHAWK, DUNGEON MASTER, and DRAGONLANCE are registered trademarks owned by TSR,Inc. Monstrous Manual and the TSR logo are trademarks owned by TSR, Inc Préface à l’édition 0.5 Après l’édition 0.4 en août 2000, l’édition 0.41 des Terres du Nord, la place qu’occupe la noblesse, la environ 6 mois plus tard et l’édition 0.42 à la fin de redoutable Mandragore, le fief d’Erynburg ou encore l’année 2001, voici qu’Extrêmia s’engage en cette fin la ville de Deux-Colombes. La place du Cheval, le d’année sur un nouveau chemin, celui de l’édition symbole des Terres du Nord, est plus marquée grâce à 0.5, soit un pas plus grand vers l’Edition 1.0. une série de petits ajouts. Bien sûr, vous trouverez Désormais, les différents manuels de la Gamme encore un certain nombre de fautes d’orthographes et Extrêmia auront des éditions séparés qui rendront d’éléments manquants, qui, je l’espère, seront compte de leur état d’avancement. corrigés dans l’édition 1.0. Première innovation de cette série d’édition 0.5, le A l’image du Site, Extrêmia grandit petit à petit, Manuel des Terres du Nord est une nouveauté ; en comme vous le prouve le livret que vous tenez entre effet, le premier royaume et le territoire le plus les mains ; bientôt, peut-être, d’autres Manuels seront complet créé à ce jour pour Extrêmia commençait à finalisés, d’autres Royaumes seront détaillés… mais être volumineux et entre dans sa phase finale de avant cela, Dagan aura dessaoulé, comme dirait réalisation ; il nous est donc apparu logique de lui certains… en attendant, toute l’équipe se joint à moi consacrer un manuel complet. pour vous souhaiter d’agréables parties à l’aide du Manuel des Terres du Nord, édition 0.5. Outre de nombreuses révisions et modifications, notamment en ce qui concerne les éléments de la vie quotidienne dans ce royaume, vous pourrez découvrir Uron, 26 septembre 2002 (ah il est plus d’1h du dans ce Manuel en exclusivité la monnaie officielle mat’… donc 27 septembre…) Remerciements Coordination et Promotion du Projet : Uron, Keyoke Collaborateurs : Aoui, Allassard, Boro, Gork, Océane, Safrinin, Xartur, Yssel, Lucien Barnes Publication, Site Web : Keyoke Illustrations : le potakad, Caraba, Aoui, Safrinin, Keyoke, Anne, Yoshi Testeurs : Orko, Bettina, Silpix, Cornichone/Maïté, Rylet, Carotette, Charlotte, Noigao, Sombrebois, BarbeDorée, Thoram, Le Nain, et certains membres de l'Assoce « les Dragon d'Extrêmia » : Assâd, Lucien Barnes, Ken, Orkrist. Des dizaines de joueurs nous ont aidés pendant la création et la mise à l’épreuve du Monde. Leur participation que ce soit lors d’un scénario pour d’excellents PNJ ou juste un idée un soir sur le bord de la rue a été inestimable ; Il est impossible de tous les citer ici, mais ceux qui le doivent se reconnaîtront. La liste suivante est bien évidement non exhaustive, mais nous aimerions remercier tout particulièrement remercier les habitués de la taverne de Duchenot, de chez Fresha et de Babylone, les Dragons d’Extrêmia, les Niçois, ainsi que les magazines Casus Belli et Multimonde pour nous fournir des scénars pour les soirées feignantise. D’une manière plus générale, une mention spéciale est accordée à tous ceux qui ont participé au développement du jeu de rôle et d’AD&D plus particulièrement. Site web : WWW.EXTREMIA.ORG Le Monde d’Extrêmia est une initiative personnelle à but non lucratif des auteurs et n’est affiliée à aucune organisation commerciale ou de profit. L’ouvrage présent fait référence à des produits commerciaux de la société TSR, et d’autres, mais l’ensemble de cette publication n’est en aucun cas, et ne vise pas à être une contestation des droits légitimes des propriétaires ou auteurs des idées, concepts, et matériels commerciaux ou non dont il peut être fait usage ou référence dans le présent ouvrage. Néanmoins, l’intégralité de ce qui est contenu dans ces pages et qui n’est pas une propriété préalable de qui que ce soit, est la propriété des auteurs. Ainsi, la reproduction ou l’usage non autorisé de tout ou partie de cet ouvrage est interdit. Cinquième impression, décembre 2002. Préface De tous les joueurs d'AD&D que j'ai rencontrés, il n'en est pas un qui n'emploie sa petite règle maison, qui n'ait créé un profil original, ajouté une nouvelle compétence ou un nouveau sort plus ou moins utile… En cela, le Monde d'Extrêmia n'est pas différent des autres mondes : on y trouve des sorts créés par des magiciens mythiques originaires du monde tels Marcos le Noir ou Abellius le Rouge, ainsi que des kits spécifiquement créés pour un certain type de personnage extrêmian. Vous trouverez ici tout un ensemble de petites règles optionnelles, notamment un système de compétences progressif, qui feront le bonheur de tous les joueurs d'AD&D en général et ceux du Monde d'Extrêmia en particulier. Have Fun! Daniel « Uron » Berreby, le 03 août 2000 LE CHASSEUR DE PRETRES* (PROFIL D’ANTI-PALADIN) ......................................................................................... 44 LE CHASSEUR DE DRAGONS* (PROFIL D’ANTI- Préface à l’édition 0.5...................................... 1 PALADIN) ........................................................................ 45 Préface à l’édition 0.5...................................... 5 LE MAITRE DES MORTS* (PROFIL D’ANTI-PALADIN) . 46 Préface à l’édition 0.5...................................... 6 LE CHAMPION DU MAL* (PROFIL D’ANTI-PALADIN) .. 46 Remerciements................................................ 6 LE PATROUILLEUR* (PROFIL D’ECLAIREUR) ............... 47 Site web : ........................................................ 6 L’ESPION* (PROFIL D’ECLAIREUR)............................... 48 LE CAVALIER FURTIF*(PROFIL D’ECLAIREUR) ............ 48 Les Classes.....................................................10 LE SUBTIL* (PROFIL D’ECLAIREUR) ............................. 49 GENERALITES ..................................................................11 L’ARCHER* (PROFIL DE GUERRIER).............................. 50 Les Combattants....................................................... 11 LE MYSTIQUE* (PROFIL DE PSIONISTE)........................ 51 Le Guerrier ................................ .........11 L’ARMOIRE A GLACE* (PROFIL DE GUERRIER)............ 52 Le Rôdeur ...........................................11 LE PSI SAUVAGE* (PROFIL DE PSIONISTE) ................... 55 Le Paladin...........................................11 LE DESTRUCTEUR DU MAL* (PROFIL DE PALADIN) .... 56 L’Anti-Paladin* ..................................12 LE CHASSEUR DE TROLLS (PROFIL DE RODEUR) .......... 57 LE RAT DE BIBLIOTHEQUE* (PROFIL DE MAGE)............ 59 Le Barbare..........................................12 CHEVALIER-PSI* (OU CHEVALIER DE LA FLAMME Les Magiciens........................................................... 12 SPIRITUELLE) .................................................................. 60 Le Mage .............................................12 ADEPTE DE LA VOIE DU SAPHIR .................................... 61 Le Spécialiste......................................13 LE CARAVANIER-GUIDE* :............................................. 63 Les Prieurs................................................................ 13 Les Compétences........................................... 65 Le Prêtre.............................................13 COMPETENCES DIVERSES AMELIOREES ......................... 66 Le Druide ...........................................13 Généralités................................................................66 Le Chaman .........................................14 Description des nouvelles compétences..................67 COMPETENCES MARTIALES ........................................... 69 Les Roublards........................................................... 14 L’Equipement...............................................107 Le Voleur ...........................................14 LES ARMES .................................................................... 108 Le Barde.............................................15 Cadence de tir et portée des armes de jet............ 112 Les Psioniques.......................................................... 15 Description des nouvelles armes.......................... 113 Le Psioniste ........................................15 ARMURES...................................................................... 114 L’Eclaireur*........................................15 MACHINES DE GUERRE................................................. 114 NOUVELLES CLASSES POUR EXTREMIA™....................16 LES FORTERESSES......................................................... 116 L’Anti-Paladin.......................................................... 16 LE POISON ..................................................................... 117 Généralités..........................................16 NOUVEL EQUIPEMENT MAGIQUE ................................. 117 Les Profils de l’anti-paladin ................19 Armes magiques..................................................... 117 Armes intelligentes................................................. 121 L’Eclaireur............................................................... 19 Les épées de pouvoir.............................................. 125 La Classe d’éclaireur...........................19 Présentation ......................................125 2) Les Profils de l’Eclaireur.................22
Recommended publications
  • THE ARMOURER and HIS CRAFT from the Xith to the Xvith CENTURY by CHARLES FFOULKES, B.Litt.Oxon
    GQ>0<J> 1911 CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Ubrary NK6606 .F43 1912 The armourer and his craft from the xith C Date iSIORAGE 3 1924 030 681 278 Overs olin a^(Mr;= :3fff=iqfPfr.g^h- r^ n .^ I aAri.^ ^ Cornell University Library XI The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924030681278 THE ARMOURER AND HIS CRAFT UNIFORM WITH THIS VOLUME PASTE By A. Beresford Ryley < 'A w <1-1 K 2; < > o 2 o 2; H ffi Q 2; < w K o w u > w o o w K H H P W THE ARMOURER AND HIS CRAFT FROM THE XIth TO THE XVIth CENTURY By CHARLES FFOULKES, B.Litt.Oxon. WITH SIXTY-NINE DIAGRAMS IN THE TEXT AND THIRTY-TWO PLATES METHUEN & CO. LTD. 36 ESSEX STREET W.G. LONDON Kc tf , First Published in igi2 TO THE RIGHT HONOURABLE THE VISCOUNT DILLON, Hon. M.A. Oxon. V.P.S.A., Etc. Etc. CURATOR OF THE TOWER ARMOURIES PREFACE DO not propose, in this work, to consider the history or develop- ment of defensive armour, for this has been more or less fully I discussed in v^orks which deal with the subject from the historical side of the question. I have rather endeavoured to compile a work which will, in some measure, fill up a gap in the subject, by collecting all the records and references, especially in English documents, which relate to the actual making of armour and the regulations which con- trolled the Armourer and his Craft.
    [Show full text]
  • Bibliographie Der Filmmusik: Ergänzungen II (2014–2020)
    Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Bibliographie der Filmmusik: Ergänzungen II (2014– 2020) 2020 https://doi.org/10.25969/mediarep/14981 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Bibliographie der Filmmusik: Ergänzungen II (2014–2020). Westerkappeln: DerWulff.de 2020 (Medienwissenschaft: Berichte und Papiere 197). DOI: https://doi.org/10.25969/mediarep/14981. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0197_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 197, 2020: Filmmusik: Ergänzungen II (2014–2020). Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0197_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: 19.10.2020. Bibliographie der Filmmusik: Ergänzungen II (2014–2020) Zusammengestell !on "ans #$ %ul& und 'udger (aczmarek Mit der folgenden Bibliographie stellen wir unseren Leser_innen die zweite Fortschrei- bung der „Bibliographie der Filmmusik“ vor die wir !""# in Medienwissenschaft: Berichte und Papiere $#% !""#& 'rgänzung )* +,% !"+-. begr/ndet haben. 1owohl dieser s2noptische 3berblick wie auch diverse Bibliographien und Filmographien zu 1pezialproblemen der Filmmusikforschung zeigen, wie zentral das Feld inzwischen als 4eildisziplin der Musik- wissenscha5 am 6ande der Medienwissenschaft mit 3bergängen in ein eigenes Feld der Sound Studies geworden ist.
    [Show full text]
  • The Primitives of the Greek Tongue in Five Languages; Viz
    C^dn JoijL Jcnku^r. /d^r. e^^^ . , T THE PRIMITIVES OF THE GREEK TONGUE, IN FIVE LANGUAGES VIZ : GREEK, LATIN, ENGLISH? ITALIAN AND FRENCH? ^ INVERSE. FOURTH EDITION. MUCH liMPROVED AND CORRECTED WITH THE ADDITION OP AN INDEX OF THE ENGLISH WORDS. Delectando. , pariterque monendo. BY JEAN ALPHONSE ROULLIER, Professor of Languages. AUTHOR OF ASTYANAX, HYPPOMEDONY, &C. ^noon: PRINTED FOR THE AUTHOR, AND PUBLISHED BY MESSRS. LONGMAN, HURST, REES, eRME & BROWN; r. BOOSBY & SONS ; AND vSiMPKIN & MARSHALL. 1825. Printfd at tfir Cambenvell Prets by J. B» G. VOGEL, 1, St. George $ Place. ; TO THE REVEREND J. WERNINCK, D. D. F. R. S. AMST. AND MIDDELB. CHAPLAIN TO H. B. THE AMBASSADOR OF THE NETHERLANDS, AND MINISTER OF THE DUTCH CHURCH IN LONDON. REVEREND SIR, Allow me to offer my sincere thanks to you not only as a man of literature, and the Author of se- veral works in more than one language, who has thought this humble attempt worth your notice, and ac- cepted the dedication of it But also as a man of feeling, and the father of a family, who seeing an old soldier in the republic DEDICATION of letters disabled and forsaken, wishes to refit him a- gain. Permit me to express a sense of my true and sincere acknowledgement for both, and at the same time to evince ray gratitude by the best means in my power. in praying for the continuance of those blessings you enjoy in the bosom of your family. I A% Reverend Sir, Your most obliged and obedient Servant, J.A.ROULLIER, CAMBERWULLt \ith February , 1825.
    [Show full text]
  • Enciclopedia Delle Illustrata Delle Armi Bianche
    Enciclopedia delle illustrata delle armi bianche Abbasi Versione del Rajput della spada lunga indiana con lama rinforzata da nastri di metallo perforato. La Abbasai Talwar è una sciabola del Punjab. Accetta (vedi anche Scure); (Ing. Battle-axe; fr. Hache d'armes; ted. Streitaxt) Piccola scure molto in uso in Europa centro-orientale nel 1500-1600. A e B: Accetta; C e D: Scure d'arme; E: Accetta alla siciliana; F: Steigerhacke; G: Scure del guastatore. L’accetta alla siciliana è molto lavorata ed era arma cerimoniale nel 1600-1700. La Steigerhacke era arma cerimoniale dei minatori tedeschi e svedesi dal 150 al 1700. (Immagine di C. De Vita) 1 Enciclopedia delle illustrata delle armi bianche Achico Tipo di bolas con tre palle. Acinaces (meglio Akinakes) Corta spada persiana (500 a. Cr.) originaria degli Sciti (ricostruzione di fantasia). Aclys Corto giavellotto romano Adarga Arma che pare fosse usata dai nel 1400 dagli arabi; era formata da uno scudo con una lama infissa perpendicolarmente su di esso e dall’impugnatura formata da due 2 Enciclopedia delle illustrata delle armi bianche lance contrapposte. Agny Astra Specie di razzo incendiario lanciato da un tubo di bambù, in uso presso gli antichissimi Hindu. Ahir Corta spada ricurva dei Mahratta (immagine di una riproduzione di fantasia). Ahlspiess Quadrellone munito di ampio disco di arresto alla base del ferro; in uso in ambiente tedesco nel 1400. Aikuchi, Kusungobu La parola aikuchi indica una particolare montatura del coltello giapponese, senza guardia con lama lunga 0,95 piedi (cm. 27,5 circa) e di solito senza nastratura con in vista la pelle di razza e le borchie (menuki).
    [Show full text]
  • Dictionary of Building and Civil Engineering Dictionnaire Du Bâtiment Et Du Génie Civil About the Author
    DICTIONARY OF BUILDING AND CIVIL ENGINEERING DICTIONNAIRE DU BÂTIMENT ET DU GÉNIE CIVIL ABOUT THE AUTHOR Don Montague is a Chartered Engineer (MICE, MIMechE) with experience in many fields of engineering, building and construction. He read Engineering Science at Oxford (MA) and then did pioneering work on machine design using the early DEUCE digital computer in the 1960s. Subsequently he worked in the public service in timber research (AJWSc), became deeply involved in environmental conservation and began a love affair with the practice of building. In 1971 he joined Ove Arup & Partners and spent his first five years with them co-ordinating multi- disciplinary building design teams. After a period running his own structural component firm he rejoined Arups and became responsible for their engineering specifications, design guides and feedback notes. He has published articles on a wide range of topics, from environmental conservation to structural components, and integrated design to maintenance of building services. He retired as Technical Director of Arups in 1991. A life-long interest in the French language and life led him and his wife to move to France, where he is now as busy as ever working for himself with local French building professionals. L’AUTEUR Don Montague est un ingénieur (MICE, MIMechE) dont l’expérience couvre de nombreux domaines du génie, du bâtiment et de la construction. Après avoir fait ses études d’ingénieur à Oxford (MA), il entreprit des travaux innovateurs sur la conception des machines en faisant appel à l’ordinateur numérique DEUCE dans les années 1960. Par la suite, il travailla dans le secteur public dans la recherche sur le bois (AJWSc).
    [Show full text]
  • The Halberd and Other Polearms of the Late Medieval Period
    The Halberd and Other Polearms of the Late Medieval Period George A. Snook, MD Starting at sometime in the 13th century and slowly evolving over 200 years was a weapon that in conjunction with the missile types of armaments resulted in the decline of dominance of the armored horseman. This weapon was the halberd, and I believe that this weapon and the other polearms are one of the more neglected subjects in the study of weapons. There have been a few attempts to remedy this situation, but the field is still mostly ignored. In a sense this is a paradox, because some of them are still used as the symbol of protection, as in the case of the Swiss Guards of the Papacy. In books about medieval weapons, they are usually relegated to a short chapter or sometimes simply a captioned photograph (usually incorrectly identified). The field is still waiting for a complete and definitive study. by the facts that the axe was already in use and the sword was Why is this weapon so neglected? There are several too valuable to be used in this manner. reasons. There is an aura about the sword in Europe, where it The primitive axe consisted of a stone head placed in a I is symbolic of the military, of Justice, and of the romance of cleft pole and secured with sinews or rawhide thongs. The chivalry. In Japan, it is practically deified. Swords were used strength was improved by inserting the shaft into a hole in by the wealthy classes, and because of their value, they were the head.
    [Show full text]
  • Poet-Translators in Nineteenth Century French Literature: Nerval, Baudelaire, Mallarmé” Dir
    POET-TRANSLATORS IN NINETEENTH CENTURY FRENCH LITERATURE: NERVAL, BAUDELAIRE, MALLARMÉ by Jena Whitaker A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland April 2018 Ó 2018 Jena Whitaker All rights reserved ABSTRACT The ‘poet-translator is a listener whose ears are transformed through translation. The ear not only relates to the sensorial, but also to the cultural and historical. This dissertation argues that the ‘poet-translator,’ whose ears encounter a foreign tongue discovers three new rhythms: a new linguistic rhythm, a new cultural rhythm, and a new experiential rhythm. The discovery of these different rhythms has a pronounced impact on the poet-translator’s poetics. In this case, poetics does not refer to the work of art, but instead to an activity. It therefore concerns the reader’s will to listen to what a text does and to understand how it works. Although the notion of the ‘poet-translator’ pertains to a wide number of writers, time periods, and fields of study, this dissertation focuses on three nineteenth-century ‘poet-translators’ who each partly as a result of their contact with German romanticism formed an innovative and fresh account of linguistic, cultural, and poetic rhythm: Gérard de Nerval (1808-1855), Charles Baudelaire (1821-1867), and Stéphane Mallarmé (1842-1898). Each of these ‘poet-translators acted as cultural mediators, contributing to the development of new literary genres and new forms of critique that came to have significant effects on Western Literature. A study of Nerval, Baudelaire and Mallarmé as ‘poet-translators’ is historically pertinent for at least four reasons.
    [Show full text]
  • October 3, 1908
    Pubmbeu every Saturday by WILLIAM B. DANA COMPANY, Front, Pine an.1 VOL 87. OCTOBER 3, I Depeyeter sta.,N.Y.U.cytiliant B. Dana, Prost.; 1908. NO. 2258 and Sec.; Jacob Seibert Jr.. Ytoe-Prw,t Arnold G. Dana. Prom Addresses 01 all. Office of the Companv. CLEARINGS-FOR SEPTEMBER,SINCE JANUARY 1 AND FOR WEEK ENDING SEPTEMBER 26 September NM. Months. • eirartngs; , Week ending September 28. ' Inc. or Inc. or Inc. or 1908. 1907. Dec. 1908. Dec. 1907. 1908. 1907. Dec. 1906. 1905. $ $ $ New York. 6.782,183,014 $S S Philadelphia 6,030,228,747 +?2.5 54,484,299,162 68.135,495,630 -1.0 1,637.74,807 1,402251,911 416.7 .497,454,925 542,890,97U -8.4 4,318,269,043 5,492,928,770 -21. 1,923.940,039 1,603,904,695 Pit tsburgis 164,838,596 108,828,321 130,397,705 -16.5 P3,428,991 141,483.419 200,669,680 -17.9 1,534,625,560 2,087,716,068 -26.5 37,523,405 52,943,212 -29.1 Baltimore ' 101.886,230 112,529,326 903.103,930 1,110,968,900 48,606,087 46,946,128 Buffalo__ -9.5 -18.7 23,188,768 27,061,070 -14.3 24.972.130 24,592,828 Albany 33,349,354 33,513,374 -0.5 300,906,347 327,249.664 -8.0 7,689,016 8,303,370 24,594,588 21,796,069 .+12.8 202,672,430 269,179,285 -7.4 7,377,035 6,478,460 Washington ______ _ -24.7 7,849,411 5,553,980 +41.3 5,700,851 4,448,883 20,449,426 22,231,868 -8.0 201,118,254 233,062,238 -13.7 4,833,506 Rochester 13,306,437 13,315,133 128,035,355 5 329,579 --9.3 4,638,513 • 4,448,059 Scranton -0.06 139,850,058 -8.5 2,755,632 2:969,347 -7.2 3,585,014 2,800,391 9,207,751 8,799.148 +4.0 84.449,937 85,902,847 -1.7 2,167,457 2,194,934 Symms() 7,510,099
    [Show full text]
  • Guida Al Coltello Moderno Tutto Quello Che Vorreste Sapere Subito…
    Dario “Darrex” Giacalone Guida al Coltello Moderno Tutto quello che vorreste sapere subito….. Guida per l’introduzione al mondo delle lame. 1 By Dario “Darrex” Giacalone Presentazione. Salve, Credo di potermi presentare come un piccolo collezionista, ed appassionato dei coltelli e delle lame in genere. Spero di non essere confuso con coloro che vedono il coltello “solo” come un oggetto atto ad offendere, e spero che, proprio questa guida che ho compilato, potrà far luce sulle differenze che ci sono tra noi appassionati, e coloro che invece usano questo “attrezzo”, in maniera deprecabile. Inoltre voglio far notare, a coloro che non sono appassionati del settore, che i modelli che descrivo e di cui parlo, a volte, costano svariate centinaia, se non migliaia, di euro, e quindi non sono degli oggetti che si possono trovare nelle bancarelle dei mercatini, ma delle vere opere d’arte, che hanno alle spalle uno studio ed una progettazione che richiede anche molti mesi di lavoro. Questa guida, vuole essere, appunto, un orientamento per coloro che si stanno avvicinando al mondo del coltello e delle lame in genere. E che hanno un certo livello di educazione, culturale e responsabilità che gli permetterà, dopo un eventuale lettura o consulto, di apprezzarle ancora di più. Ho cercato di inserire quanto più materiale possibile per diminuire l’impatto che si ha quando si cominciano a frequentare i forum sull’argomento. Desidero ringraziare tutti gli amici dei forum che frequento, per i loro consigli e il loro sapere, senza i quali non avrei potuto scrivere questa semplice guida;inoltre ringrazio anche coloro che hanno messo a disposizione, descrizioni, tabelle, disegni ed immagini (molti trovati in rete), in quanto una parte del mio lavoro è stato proprio la ricerca, per la creazione di questa guida, dei tanti elementi che la compongono, sommati al mio mediocre sapere sulle lame in genere.
    [Show full text]
  • By George A. by George A. Snook, M.D Snook, M.D
    THE HALBERD AND OTHER EUROPEAN POLEARMS 1300-1650 by George A. Snook, M.D.. M UMU SEUM RESTORATION SERVI C ECE Alexandria Bay, N.Y. Bloomfield, Ont.Ont. EUROPEAN POLEARMS Cover Illustration: A poleaxe of the mid 15th century superimposed ov er a late 16th century woodblock print by an unidentified artist. This illustration which was removed from a 17th century German text, shows warriors (Dopplesold- The years between about 1200 and 1650 value they were not as carefully preserved ners) carrying two-handed swords with S-shaped quillons, a type which had saw a decline in importance of armored as the sword. And finally it must also be disappeared by about 1600, and "half-moon" shaped halberds. horseman on the battlefields of Europe, a realized that their period of significance decline which was initiated by the appear- was brief. ance of missiles delivered by the longbow The definition of a polearm is a weapon or the crossbow and ended with the devel- mounted on a shaft or a pole. They are opment of the firearm. During these years classified according to their use as an old weapon, the polearm, reappeared • thrusting, which gave increased importance to the • cutting, role of the infantryman and was an addi- • percussion, tional factor in the end of the dominance of • combination types. the armored cavalryman. The percussive weapons can be subdi- The study of armaments of this period vided into either crushing or piercing has been mainly centered on the sword and types. Most polearms are two-handed in armor, and the polearm is a relatively ne- use.
    [Show full text]
  • Thrown Weapon Types and Thrown Weapon Use 500 Bce to 1600 Ce
    THROWN WEAPON TYPES AND THROWN WEAPON USE 500 BCE TO 1600 CE A STUDY FOR PARTICIPANTS IN THE SOCIETY FOR CREATIVE ANACHRONISM’S THROWN WEAPONS PROGRAM by Lord John Robert of York (Jerry Gilbert) [email protected] Thrown Weapons Captain, Barony of Arn Hold Deputy – Thrown Weapons, Kingdom of Artemisia Society for Creative Anachronism November, 2012 DISCLAIMER This study is intended for educational and non-commercial use by members of the Society for Creative Anachronism (SCA). This report contains photographs or figures that are copyrighted by the original authors. The authors of these materials are referenced, but the materials are used without their express permission. A study containing such material does not infringe on copyrights if it is used for non-commercial, educational purposes only. Any commercial use of this study or of the copyrighted photographs or figures is expressly forbidden by this study’s author and by the copyright holders. This study is not a rigorous Arts and Science research project. It is a working document intended to help SCA members interested in thrown weapons to better understand period thrown weapon types. It also provides suggestions for the practical construction of many thrown weapons not currently used in the SCA, with proposals for their use in competitions. These suggestions and proposals are preliminary and are not intended to imply official Kingdom of Artemisia or Society for Creative Anachronism policy or guidelines. Some of the weapons described in this report may be restricted or illegal to possess or to use in some states. Their use might not be proscribed if used at SCA-sanctioned events, but it is the responsibility of the user to verify this.
    [Show full text]
  • Material World: an Archaeology-Adjacent Packet by Nick Jensen
    Material World: An archaeology-adjacent packet By Nick Jensen 46 power-marked tossups, plus an appendix of rejected clues 1. A site named for this type of place preserved gracile fossils that Alan Thorpe claimed evolved continuously from the robust ones at Kow (“cow”) Swamp to defend the “multiregional” model of hominin evolution. Andrzej (“AHND-jay”) W Weber directs an “Archaeology Project” named for one of these places that was inhabited by the Serovo and Glazkov cultures. One of these places names the Pleistocene “Man” and “Lady” discovered by Jim Bowler, Rhys Jones and John Mulvaney on Muthi Muthi land. The earliest known cremation occurred in a region named for these places in (*) New South Wales, where their remnants formed clay lunettes. One of these places names a site where the Fort Walton culture built seven mounds north of Tallahassee. Millennia ago, these places formed in the Willandra region. The Sagan-Zaba II site at the largest of these places provides evidence of ancient seal hunting. For 10 points, what natural features include Florida’s Jackson, Australia’s Mungo and Siberia’s Baikal? ANSWER: relict lakes [or ozero; or nuur; accept lakebeds or lake basins or lake bottoms or dry lakes; accept Willandra Lakes Region or Lake Mungo or Lake Baikal or Ozero Baykal or Baigal nuur or Lake Jackson Mounds Archaeological State Park; prompt on Mungo Lady or Mungo Man by asking, “Mungo was originally what kind of natural feature?”; prompt on Baikal Archaeology Project by asking, “Baikal is what kind of natural feature?”] <Any/miscellaneous> 2. A “Broken” example of these objects names a cave where Earl H Morris found two of them made by the Basketmaker Anasazi.
    [Show full text]