Mahmoud Riad, May, 2009 Directed By
ABSTRACT Title of Document: ARCHITECTURE: MUSIC, CITY, AND CULTURE Mahmoud Riad, May, 2009 Directed By: Professor Peter Noonan, ARCH Many scholars have discussed the relationship between architecture and music. Design methodologies have been created to highlight this intersection, attempting to attain the sublime. While architecture theorists have used western music as a foundation, this thesis aims to investigate this relationship in a non-western setting. Music would be used as a cultural identifier, to unlock "hidden dimensions" shared in language, music, and architecture. The case study site is historic Cairo, between the Fatamid Walls. For the past two centuries, Cairo has abandoned its cultural heritage and embarked on a process of westernization. Those who seek to hold onto the city’s identity are abusing traditional motifs in a manner that seems cliché and somewhat absurd. The thesis calls for a deeper understanding and evolution of Cairo's heritage, using concepts of the Arabic Melodic modes, Maqams, to create a place for listening, al Masmaa’. ARCHITECTURE: MUSIC, CITY, AND CULTURE By Mahmoud Riad Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of August 2009 Advisory Committee: Professor of the Practice, Peter Noonan, AIA Professor Robert L. Vann, PhD Associate Professor Brian Kelly, AIA Visiting Assistant Professor Elliot Bates, PhD Professor Emeritus William Bechhoefer, FAIA © Copyright by Mahmoud Riad 2009 Preface If needed. ii Foreword If needed. iii Dedication I would love to dedicate this to my family; Mohamed, Rajaa, and Khaled. Without your support over the years, none of this could have happened.
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