DOCSLIB.ORG

Red Dwarf Rpg Pdf Download Red Dwarf the Roleplaying Game

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Red Dwarf Rpg Pdf Download Red Dwarf the Roleplaying Game red dwarf rpg pdf download Red Dwarf the Roleplaying Game. Red Dwarf the Roleplaying Game was released by Deep 7 in 2002. Based on the series, the game allows characters to portray original characters within the Red Dwarf universe. Player characters can be human survivors, holograms, evolved house pets (cats, dogs, iguanas, rabbits, rats and mice), various types of mechanoid (Series 4000, Hudzen 10 and Waxdroids in the corebook, Series 3000 in the "Extra Bits Book") or GELFs (Kinitawowi and Pleasure GELF in the corebook, Vindaloovians in the "Extra Bits Book"). A total of three products were released for the game: the core 170-page rulebook, the AI Screen (analogous to the Game Master's Screen used in other roleplaying games, also featuring the "Extra Bits Book" booklet), and the "Series Sourcebook". The "Series Sourcebook" contains plot summaries of each episode of every series up through Series VIII as well as game rules for all major and minor characters from each series. The game has been praised for staying true to the comedic nature of the series, for its entertaining writing, and for the detail to which the background material is explained. However, some reviewers found the game mechanics to be simplistic and uninspiring compared to other science fiction roleplaying games on the market. Red Dwarf RPG – Potentially lost books? Hiya, hope you don’t mind the fresh meat posting, there’s just something that’s been on my mind for quite a while in regards to something which probably doesn’t deserve it to be honest. I’m a big fan of RPGs and Red Dwarf, have to be if I’m on here, so I kinda enjoy the RPG as a guilty pleasure at least. What I find odd though, is that outside of the Core Rulebook preserved both in part on Imgur and in full on Scribd, there doesn’t seem to be much of a scrap on the other two things released as a part of it, the AI Screen + accompanying Extra Bits Booklet and the Series Sourcebook outside of one lil snippet on TOS from the time it came out. (http://www.reddwarf.co.uk/news/2004/02/06/free-rpg-add-on/) If anyone happens to know about or even, godforbid, have the flippin’ things, could they please scan it or post it online? As it stands, I feel like these two books might just be lost to the sands of time, probably the only Dwarf books that ever have in this case. I’ve got them, but, er, I’m probably not the person to ask about scanning and distributing copies of RD materials. I’ve found a copy of the AI screen online. But it’s a bit, ah…costly. I have physical copies of everything, but I’ve never scanned them. Honestly, I was always worried about doing damage to the books. That being said, my Bits and Bobs bookelt appears to have gone missing. I wonder if I misplaced it during one of my many moves? Welcome, Marpzilla! You’re right, it’s very weird how the RPG seems to be in the process of being forgotten about, considering how relatively recent it is compared to other, more well known Dwarf ephemera. I’ve been doing some research recently for a thing, and I’ve found it difficult to even get reliable release dates for all the various bits. Wow, surprising to hear there’s a few people that do have the books, maybe cause I was only just born when they came out, haha. Would it be rude of me to ask that someone be able to scan in and publish the books online so they can be read or even played for archival purposes? Much more recent RPGs are archived on places like The Tome so I doubt there’d really be much of a fuss for these to be posted. I was only just born when they came out. No, I didn’t want to feel absolutely fucking ancient, why do you ask? Has anyone actually played a game? I’ve had a flick through the main book and then put it on a shelf, I’ve never played it. I created a mechanoid character, who I hilariously named Kretyn. Think I’ve maybe played it about twice. Which is surprising because I have no friends, and I don’t know who I could have played it with. Maybe we could try and do some kind of online game while we’re all stuck indoors? (Although I’m no RPG-er at all, so don’t ask me how it works.) I’d certainly listen to and potentially watch a G&T session. Shock! I actually just found my Extra Bits book going through some boxes I haven’t opened since moving about a decade ago. It’s in pristine condition, and is probably the easiest of the four pieces (CRB, Sourcebook, AI screen and Extra Bits) to scan. So if I can get access to a scanner I might well be doing that. I remember briefly playing it with a few friends at university. We had a Waxdroid of Jerry Springer and a creature descended from the ship’s parrot (imaginatively named Parry). I have all the Red Dwarf RPG books, and have even scanned them for my own use so I don’t have to lug the books everywhere, but I’m not sure I’m comfortable distributing licensed Red Dwarf material. The Red Dwarf RPG was actually my first foray into tabletop roleplaying and is still one of my favorite systems. I’ve run/played numerous games on it and had a blast, and it’s a simple system that keeps things moving, which I love, as I think more complex systems take the wind out of their own sails. The books are all great and strike the perfect tone, and they’re all incredibly well-written and continue to make me laugh to this day. My BFF and I both have copies of the core book, and it’s actually something back in the day we’ve both pulled out on the fly at hangouts and house party get-togethers with fellow nerds, as it really is a cinch to make a character and play a game, so it’s great for parties. The 2D6 system is very, very simple but that’s fine. It works well with Red Dwarf’s relatively hard sci-fi setting, and you can actually gauge how skilled someone is, as opposed to the stats and levels in D&D which get a little too abstract. Additionally, sometimes when I’m working on a creative project, I’ll make character sheets of my characters and run a “simulation” to see how things might turn out, and the RDRPG is one of my go-to’s for that purpose. In summation, the RDRPG is fun and I love it. I got the core book as a gift years ago but the rest I ordered on Amazon easily and would recommend you do the same. Even if it’s defunct, I’m all for the old adage: “Support your game!” It’s great to hear it’s scanned at least somehow! I wouldn’t want to be the sort of slimey cheapskate that begs for free scans of a licensed series of rpg books, even if the idea of paying hundreds of pounds for them make me wince. If it does make you uncomfortable, I completely understand, I’m just some loser on the internet. Just thought I’d say that I really don’t think there’s anything wrong considering there is pretty much no way that Deep7 is making any money considering their license to sell the game expired at least a decade ago. These days, it wouldn’t really be piracy so much as archival, as if you were to pay money for the game, the only people it would actually go to would most likely be the people selling it considering its age. I roll a 6 and a 2, I proceed to get violated by low-dimension Rimmer. I’ll be honest, I’d be interested in GMing (AIng?) Or even playing if someone else is willing to take turns? I dunno, I’m in a big RPG phase at the moment. Our use of cookies. We use necessary cookies to make our site work. We'd also like to set optional analytics cookies to help us improve it. Saving these settings will set a cookie on your device to remember your preferences. For more detailed information about the cookies we used, see our Privacy Policy. Necessary cookies. Necessary cookies enable core functionality such as security and site preferences. You may disable these by changing your browser settings, but this may affect how the website functions. Analytics cookies. We'd like to set Google Analytics cookies to help us to improve our website by collecting and reporting information on how you use it. For more information on how these cookies work, please see our Privacy Policy. The cookies collection information in an anonymous form. Our use of cookies. We use necessary cookies to make our site work. We'd also like to set optional analytics cookies to help us improve it. Saving these settings will set a cookie on your device to remember your preferences. For more detailed information about the cookies we used, see our Privacy Policy. Necessary cookies. Necessary cookies enable core functionality such as security and site preferences. You may disable these by changing your browser settings, but this may affect how the website functions.
Load more

Recommended publications
  • Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
    Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J.
    [Show full text]
  • Communications from the International Brecht Society. Vol. XIII, No. 2 April 1984
    Communications from the International Brecht Society. Vol. XIII, No. 2 April 1984 San Antonio, Texas: International Brecht Society, Inc., April 1984 https://digital.library.wisc.edu/1711.dl/M3HLL3GNJRCAF8S http://rightsstatements.org/vocab/InC/1.0/ Copyright International Brecht Society. Used with Permission. The libraries provide public access to a wide range of material, including online exhibits, digitized collections, archival finding aids, our catalog, online articles, and a growing range of materials in many media. When possible, we provide rights information in catalog records, finding aids, and other metadata that accompanies collections or items. However, it is always the user's obligation to evaluate copyright and rights issues in light of their own use. 728 State Street | Madison, Wisconsin 53706 | library.wisc.edu - ORR IPE RII DENIC RIR SOCIO SSC Seca ON een er ORE Oo SAN RR NAR RCO SNR IN AN ga ad tease eRe NN = Te TR OMRON ANNs sR ae RR il 7~—_ Se MRS EE Sey Beene ME ee Ss Ber ae ee cee BSP ae NCR ee S nee Sea Renee . “OSI RRR nS NR BR CRE ER RCs. NEO SORES SS AOL ORCS Dt as ~ Perea pS VS ORR 5 cams Ee GENO. a Bee RRM Re Ree. TRNAS OO LE NERS mE REE SOS Pon an ME , BK tin, OSORRRR ED SS. : “UN SES ae San Gorter e " ie * OS Se a Re ae ee BBR Ss SO RR RES ROS nearer Besa cen: 8 >. BU ee : RRM Cm Ree MRR eg ESS BOR eget ne. oy BEES AFR ean Nan ee ee athe Ae oe i, a a _ ees AR, o 3 Eee era Ni OSE €i : RRS raster oe ne eA ge OR NDS SED TO a See ees BR SOR Sa Rea ss Se ee lee.
    [Show full text]
  • Filozofické Aspekty Technologií V Komediálním Sci-Fi Seriálu Červený Trpaslík
    Masarykova univerzita Filozofická fakulta Ústav hudební vědy Teorie interaktivních médií Dominik Zaplatílek Bakalářská diplomová práce Filozofické aspekty technologií v komediálním sci-fi seriálu Červený trpaslík Vedoucí práce: PhDr. Martin Flašar, Ph.D. 2020 Prohlašuji, že jsem tuto práci vypracoval samostatně a použil jsem literárních a dalších pramenů a informací, které cituji a uvádím v seznamu použité literatury a zdrojů informací. V Brně dne ....................................... Dominik Zaplatílek Poděkování Tímto bych chtěl poděkovat panu PhDr. Martinu Flašarovi, Ph.D za odborné vedení této bakalářské práce a podnětné a cenné připomínky, které pomohly usměrnit tuto práci. Obsah Úvod ................................................................................................................................................. 5 1. Seriál Červený trpaslík ................................................................................................................... 6 2. Vyobrazené technologie ............................................................................................................... 7 2.1. Android Kryton ....................................................................................................................... 14 2.1.1. Teologická námitka ........................................................................................................ 15 2.1.2. Argument z vědomí ....................................................................................................... 18 2.1.3. Argument z
    [Show full text]
  • Hearst Corporation Los Angeles Examiner Photographs, Negatives and Clippings--Portrait Files (G-M) 7000.1B
    http://oac.cdlib.org/findaid/ark:/13030/c80v8b5j No online items Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (G-M) 7000.1b Finding aid prepared by Rebecca Hirsch. Data entry done by Nick Hazelton, Rachel Jordan, Siria Meza, Megan Sallabedra, Sarah Schreiber, Brian Whitaker and Vivian Yan The processing of this collection and the creation of this finding aid was funded by the generous support of the Council on Library and Information Resources. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2012 April 7000.1b 1 Title: Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (G-M) Collection number: 7000.1b Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 833.75 linear ft.1997 boxes Date (bulk): Bulk, 1930-1959 Date (inclusive): 1903-1961 Abstract: This finding aid is for letters G-M of portrait files of the Los Angeles Examiner photograph morgue. The finding aid for letters A-F is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1a . The finding aid for letters N-Z is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1c . creator: Hearst Corporation. Arrangement The photographic morgue of the Hearst newspaper the Los Angeles Examiner consists of the photographic print and negative files maintained by the newspaper from its inception in 1903 until its closing in 1962. It contains approximately 1.4 million prints and negatives. The collection is divided into multiple parts: 7000.1--Portrait files; 7000.2--Subject files; 7000.3--Oversize prints; 7000.4--Negatives.
    [Show full text]
  • The Man in the Rubber Mask: the Inside Smegging Story of Red Dwarf Pdf, Epub, Ebook
    THE MAN IN THE RUBBER MASK: THE INSIDE SMEGGING STORY OF RED DWARF PDF, EPUB, EBOOK Robert Llewellyn | 352 pages | 14 May 2013 | Cornerstone | 9781908717788 | English | London, United Kingdom The Man In The Rubber Mask: The Inside Smegging Story of Red Dwarf PDF Book Sir David Attenborough. At 4 out of 5 stars I would still recommend The Man in the Rubber Mask for any diehard Dwarfer keen to further develop their knowledge of the show. Whether this is because the comedy level has increased from the previous book, or because I have become more comfortable or more at ease with the personalities of these characters, who can really say. Home 1 Books 2. While waiting in line for the ice- cream truck at around 3pm, the people ahead of him suddenly go berserk, violently attacking each other. Robert recalls the long arduous hours spent in makeup before filming could even begin and the various trials and tribulations of wearing a latex foam face mask and all over bodysuit, especially on things like his inability to eat lunch while on set. My review of book one, Dial G for Gravity can be found here. An irrelevant boop I must confess, however the lack of attention to detail rather grates on my nerves. All in all Dial G for Gravity is a pretty good space comedy, with well thought out characters and some interesting alien races in the Gloabons, Andelians and the Kreitians. Four Past Midnight Collection. Luca Rossi writes in a simple, easy to read prose that flows nicely as the characters develop and the story gradually unfolds.
    [Show full text]
  • THE MENTOR 83 Australian Science Fiction
    THE MENTOR 83 Australian Science Fiction 30th ANNIVERSARY ISSUE JULY 1994 CONTENTS ARTICLES: DEPARTMENTS 14: AUSTRALIAN FAN HISTORY by Vol Molesworth. 2: THE EDITORIAL SLANT 26: THE R&R DEPT COLUMNISTS: 41: REVIEWS 8: IN DEPTH #10 by Bill Congreve POETRY: 15: ENCYCLOPEDIAS II by James Verran 7 & 10: POETRY by J. C. Hartley 11: I REMEMBER... MERCURY by Andrew Darlington Cecelia Drewer Trent Jamieson FICTION: Julie Vaux 3: STAR RISE OVER HADES by Andrew Sullivan ART: Cover by Steve Fox Backcover by J. Passfield & T. Walden 11. WAVECAVE by Brent Lillie 19, 45: Jozef Szekeres 20: Rod Williams 20: SENTINELS by Pauline Scarf 25: Julie Vaux 40: Tonia Walden THE MENTOR 83, July 1994. ISSN 0727-8462. Edited, printed and published by Ron Clarke, PO Box K940, Haymarket, NSW 2000, Australia. THE MENTOR is published at intervals of roughly three months. It is available for published contribution (Australian fiction [science fiction or fantasy]), poetry, article, or letter of comment on a previous issue. It is now available for subscription: A$12 or US$10 (cash) for 4 issues. A sample issue is available by request. Contributions, if over 3 pages, preferred to be on an IBM 51/4" or 31/2" disc (DD or HD) otherwise typed, single or double spaced, preferably a good photocopy (and if you want it returned, please type your name and address) and include an SSAE! This doesn't refer to LoCs. Contributions are not paid; however they receive a free copy of the issue their contribution is in, and any future issues containing comments on their contribution.
    [Show full text]
  • FEBRUARY 19, 1951 PAGE THR^ 1 and Local Union Oftcera To'testify ’ Arc Non-Working Imlonlgts with Re- His Patgola Hava Been Unable to 3Tl^ Brotlieili.Ood On^ the »H
    T T ^ ;.. v' •o”-f •* •" - BATHRDATr FBBRUABT IT, I f l l - iKmuIrrater lEtirnUts IfmiUi Have a H ea rt,,A Better H eart.. Give to Heart Fund • t ■ . points as Skunk’s Mlsety, Slopgut and GypsyvlUe also report noises. On Dean** lis t Sign Nurses AlibiItTown Averifs Dqlly Net Pr«8a Ron The Weather Heard Along Main Street Of course It's true. We have ^ For Mis Wggfc Badtag Feiaeast of O. a. WaaMMv Banaa checked H and can't prove It un­ For Defense The Arm y ond Htufy FabnM yn.iin true. at any rate. During the re­ Today partly cloudy, mlidt UaB- And on Some o f Maneheater*$ Side Streeter Too cent war, the way we got It, a not aear 48i tonIgM cloudy, mOd whidi mx U nfuluty on W«dnM- 10,141 foDowed by showers, lowest near' fellow flied a claim to recover car a u b ^ ■ftiwnmt to work on oanetr During Past Two Days 88: Tuesday showers In tho mom Probably, If we wanted to, we still his wife and not divorced, insurance because his automobile Manbar a« Mw Audit ■ergkel Awtask «•*• the dlvwtod woman has no right 81 Have Agreed to As­ Banua at ClfadtoOsaa Ing, fxintlnned mild. ■MBkmwhoooa ooRTMiianUy te could Uve amidst the hollyhocks wik smacked In the grill by a sub­ Manche$ter-^A City o f Village Charm 080* her ex-husband's name, «0k to M N t w tlio moattap: Mondw this summer through the goodwill marine. sist in Emergency rriwliit to tlM K. o( C Horaa «••<!.
    [Show full text]
  • Non-Commutative Geometry, Categories and Quantum Physics
    Non-Commutative Geometry, Categories and Quantum Physics Paolo Bertozzinia,∗ Roberto Contib∗†, Wicharn Lewkeeratiyutkulb∗ aDepartment of Mathematics and Statistics, Faculty of Science and Technology Thammasat University, Bangkok 12121, Thailand e-mail: [email protected] bDepartment of Mathematics and Computer Science Faculty of Science, Chulalongkorn University, Bangkok 10330, Thailand e-mail: [email protected] e-mail: [email protected] 08 November 2009, revised: 26 December 2011 Abstract After an introduction to some basic issues in non-commutative geometry (Gel’fand duality, spectral triples), we present a “panoramic view” of the status of our current research program on the use of categorical methods in the setting of A. Connes’ non- commutative geometry: morphisms/categories of spectral triples, categorification of Gel’fand duality. We conclude with a summary of the expected applications of “cat- egorical non-commutative geometry” to structural questions in relativistic quantum physics: (hyper)covariance, quantum space-time, (algebraic) quantum gravity. Keywords: Non-commutative Geometry, Spectral Triple, Category, Morphism, Quantum Physics, Space-Time. MSC-2000: 46L87, 46M15, 16D90, 18F99, 81R60, 81T05, 83C65. Contents 1 Introduction. 2 arXiv:0801.2826v2 [math.OA] 27 Dec 2011 2 Categories. 3 2.1 ObjectsandMorphisms.............................. 3 2.2 Functors, Natural Transformations, Dualities. ...... 4 3 Non-commutative Geometry (Objects). 5 3.1 Non-commutativeTopology.. 6 3.1.1 Gel’fandTheorem. ............................ 6 3.1.2 Serre-SwanandTakahashiTheorems. 7 ∗Partially supported by the Thai Research Fund: grant n. RSA4780022. †Current address: Dipartimento di Scienze, Universit`adi Chieti-Pescara “G. D’Annunzio”, Viale Pin- daro 42, I-65127 Pescara, Italy. 1 3.2 Non-commutative (Spin) Differential Geometry.
    [Show full text]
  • Races of Stone [OEF].Pdf.Pdf
    CREDITS DESIGNART DIRECTOR DAVID NOONAN, JESSE DECKER, DAWN MURIN MICHELLE LYONS COVER ARTIST DEVELOPMENT TEAM ADAM REX ANDY COLLINS (LEAD), ANDREW FINCH, INTERIOR ARTISTS JAMES WYATT THOMAS BAXA, STEVE BELLEDIN, WAYNE EDITORS ENGLAND, JEREMY JARVIS, DOUG KOVACS, CHRIS THOMASSON, CINDI RICE CHUCK LUKACS, DENNIS CRABAPPLE-MCCLAIN, JIM NELSON, WILLIAM O’CONNOR, SCOTT MANAGING EDITOR ROLLER, RON SPENCER, JOEL THOMAS, FRANZ KIM MOHAN VOHWINKEL, BRAD WILLIAMS DESIGN MANAGERS GRAPHIC DESIGNER ED STARK, CHRISTOPHER PERKINS DEE BARNETT DEVELOPMENT MANAGER CARTOGRAPHER ANDREW FINCH DENNIS KAUTH DIRECTOR OF RPG R&D GRAPHIC PRODUCTION SPECIALISTS BILL SLAVICSEK ERIN DORRIES, ANGELIKA LOKOTZ PRODUCTION MANAGER IMAGE TECHNICIAN JOSH FISCHER CANDICE BAKER Resources: Miniatures Handbook™ by Michael Donais, Skaff Elias, Rob Heinsoo, and Jonathan Tweet; Underdark by Bruce R. Cordell, Gwendolyn F. M. Kestrel, and Jeff Quick; “By Any Other Name: Dwarves,” in Dragon #262 and “By Any Other Name: Gnomes,” in Dragon #262 by Owen K.C. Stephens; “Good Things Come in Small Packages,” in Dragon #291 by Johnathan Rich- ards; “Study and Jest: The Secret Life of Gnomes,” in Dragon #291 by James Jacobs. Based on the original DUNGEONS & DRAGONS® rules created by Gary Gygax and Dave Arneson, and the new DUNGEONS & DRAGONS game designed by Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison. This product uses updated material from the v.3.5 revision. This WIZARDS OF THE COAST® game product contains no Open Game Content. No portion of this work may be reproduced in any form without written permission. To learn more about the Open Gaming License and the d20 System License, please visit www.wizards.com/d20.
    [Show full text]
  • The Essential Cult Television Reader
    Red Dwarf Dee Amy-Chinn Red Dwarf is the most successful and long-running comedy yet shown on BBC2. 1 First broadcast on 15 February 1988, the show was celebrated ten years later by Red Dwarf night hosted by Jean-Luc Picard himself, Patrick Stewart, a die-hard Dwarfer. The content of that evening stands as testimony to Dwarf’s achievement of cult status, demonstrating many of the features —quizzes, trivia, shared expertise—described as key features of cult TV. 2 The evening began with a spoof version of a then-popular cookery program Can’t Cook, Won’t Cook (1995-1999), in which the cast was challenged to cook a chicken vindaloo (a mouth-burningly hot curry) —the favorite dish of lead character, Dave Lister. The Dwarf version was billed as Can’t Smeg, Won’t Smeg (smeg being a generic term of abuse within the show—as in “smeg-head” 3) and given added resonance for fans as Can’t Cook, Won’t Cook ’s regular host—TV Chef Ainsley Harriot —had made a well disguised appearance as the Gelf Chief in the Season Six episode “Emohawk—Polymorph II” (6.4). This was followed by a version of another popular BBC show, a Dwarf-themed University Challenge (1962-present), in which members of the cast lost (not surprisingly) to a team of Dwarf fans. Another special, Red Dwarf A-Z saw famous fans including Stewart, Stephen Hawking, and Terry Pratchett focusing on different aspects of the show. The evening concluded with a screening of the Emmy award -winning episode “Gunmen of the Apocalypse” (6.3).
    [Show full text]
  • The Essential Cult TV Reader
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Kentucky University of Kentucky UKnowledge American Popular Culture American Studies 2010 The Essential Cult TV Reader David Lavery Middle Tennessee State University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Lavery, David, "The Essential Cult TV Reader" (2010). American Popular Culture. 2. https://uknowledge.uky.edu/upk_american_popular_culture/2 THE ESSENTIAL CULT TV READER Essential Readers in Contemporary Media and Culture This series is designed to collect and publish the best scholarly writing on various aspects of television, fi lm, the Internet, and other media of today. Along with providing original insights and explorations of critical themes, the series is intended to provide readers with the best available resources for an in-depth understanding of the fundamental issues in contemporary media and cultural studies. Topics in the series may include, but are not limited to, critical-cultural examinations of creators, content, institutions, and audiences associated with the media industry. Written in a clear and accessible style, books in the series include
    [Show full text]
  • And Closing the Projectall from the Viewpcint of an Integrated Plan to Understand Potential. Clossaries for Vocational Instructi
    DOCUMENT RESUME ED 026 562 AC 003 125 Basic-Remedial Education; Handbook for MDT Instructors. Tennessee State Board for Vocational Education, Nashville. Pub Date 68 Note 271p. EDRS Price MF -$125 HC-S13.65 Descriptors-AbilityIdentification, *Adult Basic Education, Bibliographies,Classroom Environment, Course Organization, *Curriculum Guides, Evaluation,Glossaries,IndividualDifferences,Instructional Materials, Learning Motivation, LearningProcesses, *Student Teacher Relationship Identifiers-*Manpower Development and Training Act,Tennessee To provide information, examples, and ideasfor teachers involved in Manpower Development Training programs, thishandbook discusses many important aspectsof such programs; basic philosophy, basicremedial education, the learning process. individual variations, classroom environment, courseoutline, lesson plans, the first and second weeks of classes, progressionOf instrUction, instructional materials and aids. and closing the projectallfrom the viewpcint of an integrated plan tounderstand and treat the trainee as anindividual, who should be helped todevelop his full potential. ClOssaries for vocational instructionand examples of evaluation and information forms are included in the appendix.Extensive references for books. materials, and films are given. cif) . U.S. DEPARTMENT OF NAMEDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION
    [Show full text]