Red Dwarf - “Far from Safe”
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Downloaded from Brill.Com10/04/2021 08:07:20AM This Is an Open Access Chapter Distributed Under the Terms of the CC BY-NC-ND 4.0 License
INTERNATIONAL JOURNAL FOR HISTORY, CULTURE AND MODERNITY www.history-culture-modernity.org Published by: Uopen Journals Copyright: © The Author(s). Content is licensed under a Creative Commons Attribution 4.0 International Licence eISSN: 2213-0624 L’Art pour l’Art or L’Art pour Tous? The Tension Between Artistic Autonomy and Social Engagement in Les Temps Nouveaux, 1896–1903 Laura Prins HCM 4 (1): 92–126 DOI: 10.18352/hcm.505 Abstract Between 1896 and 1903, Jean Grave, editor of the anarchist journal Les Temps Nouveaux, published an artistic album of original prints, with the collaboration of (avant-garde) artists and illustrators. While anar- chist theorists, including Grave, summoned artists to create social art, which had to be didactic and accessible to the working classes, artists wished to emphasize their autonomous position instead. Even though Grave requested ‘absolutely artistic’ prints in the case of this album, artists had difficulties with creating something for him, trying to com- bine their social engagement with their artistic autonomy. The artistic album appears to have become a compromise of the debate between the anarchist theorists and artists with anarchist sympathies. Keywords: anarchism, France, Neo-Impressionism, nineteenth century, original print Introduction While the Neo-Impressionist painter Paul Signac (1863–1935) was preparing for a lecture in 1902, he wrote, ‘Justice in sociology, har- mony in art: same thing’.1 Although Signac never officially published the lecture, his words have frequently been cited by scholars since the 1960s, who claim that they illustrate the widespread modern idea that any revolutionary avant-garde artist automatically was revolutionary in 92 HCM 2016, VOL. -
A Practical Handbook for Determining the Ages of Gulf of Mexico And
A Practical Handbook for Determining the Ages of Gulf of Mexico and Atlantic Coast Fishes THIRD EDITION GSMFC No. 300 NOVEMBER 2020 i Gulf States Marine Fisheries Commission Commissioners and Proxies ALABAMA Senator R.L. “Bret” Allain, II Chris Blankenship, Commissioner State Senator District 21 Alabama Department of Conservation Franklin, Louisiana and Natural Resources John Roussel Montgomery, Alabama Zachary, Louisiana Representative Chris Pringle Mobile, Alabama MISSISSIPPI Chris Nelson Joe Spraggins, Executive Director Bon Secour Fisheries, Inc. Mississippi Department of Marine Bon Secour, Alabama Resources Biloxi, Mississippi FLORIDA Read Hendon Eric Sutton, Executive Director USM/Gulf Coast Research Laboratory Florida Fish and Wildlife Ocean Springs, Mississippi Conservation Commission Tallahassee, Florida TEXAS Representative Jay Trumbull Carter Smith, Executive Director Tallahassee, Florida Texas Parks and Wildlife Department Austin, Texas LOUISIANA Doug Boyd Jack Montoucet, Secretary Boerne, Texas Louisiana Department of Wildlife and Fisheries Baton Rouge, Louisiana GSMFC Staff ASMFC Staff Mr. David M. Donaldson Mr. Bob Beal Executive Director Executive Director Mr. Steven J. VanderKooy Mr. Jeffrey Kipp IJF Program Coordinator Stock Assessment Scientist Ms. Debora McIntyre Dr. Kristen Anstead IJF Staff Assistant Fisheries Scientist ii A Practical Handbook for Determining the Ages of Gulf of Mexico and Atlantic Coast Fishes Third Edition Edited by Steve VanderKooy Jessica Carroll Scott Elzey Jessica Gilmore Jeffrey Kipp Gulf States Marine Fisheries Commission 2404 Government St Ocean Springs, MS 39564 and Atlantic States Marine Fisheries Commission 1050 N. Highland Street Suite 200 A-N Arlington, VA 22201 Publication Number 300 November 2020 A publication of the Gulf States Marine Fisheries Commission pursuant to National Oceanic and Atmospheric Administration Award Number NA15NMF4070076 and NA15NMF4720399. -
HPSC0011 STS Perspectives on Big Problems Course Syllabus
HPSC0011 STS Perspectives on Big Problems Course Syllabus 2020-21 session | STS Staff, course coordinator Dr Cristiano Turbil | [email protected] Course Information This module introduces students to the uses of STS in solving big problems in the contemporary world. Each year staff from across the spectrum of STS disciplines – History, Philosophy, Sociology and Politics of Science – will come together to teach students how different perspectives can shed light on issues ranging from climate change to nuclear war, private healthcare to plastic pollution. Students have the opportunity to develop research and writing skills, and assessment will consist of a formative and a final essay. Students also keep a research notebook across the course of the module This year’s topic is Artificial Intelligence. Basic course information Moodle Web https://moodle.ucl.ac.uk/course/view.php?id=7420 site: Assessment: Formative assessment and essay Timetable: See online timetable Prerequisites: None Required texts: Readings listed below Course tutor(s): STS Staff, course coordinator Dr Cristiano Turbil Contact: [email protected] | Web: https://moodle.ucl.ac.uk/course/view.php?id=7420 Office location: Online for TERM 1 Schedule UCL Date Topic Activity Wk 1 & 2 20 7 Oct Introduction and discussion of AI See Moodle for details as ‘Big Problem’ (Turbil) 3 21 14 Oct Mindful Hands (Werret) See Moodle for details 4 21 14 Oct Engineering Difference: the Birth See Moodle for details of A.I. and the Abolition Lie (Bulstrode) 5 22 21 Oct Measuring ‘Intelligence’ (Cain & See Moodle for details Turbil) 6 22 21 Oct Artificial consciousness and the See Moodle for details ‘race for supremacy’ in Erewhon’s ‘The Book of the Machines’ (1872) (Cain & Turbil) 7 & 8 23 28 Oct History of machine intelligence in See Moodle for details the twentieth century. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
The BG News October 28, 2004
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 10-28-2004 The BG News October 28, 2004 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News October 28, 2004" (2004). BG News (Student Newspaper). 7344. https://scholarworks.bgsu.edu/bg-news/7344 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. j^k M V Bowling Green State University THURSDAY October 28, 2004 Country looking forward ^^ 1 111 1 PM SHOWERS toIB MAC tourney; PAGE 9 KII I -i-WHN1 A \ \ \< ) HIGH63 LOW48 www.bgnews.com —U VJ ■■" VOLUME 99 ISSUE 56 Political artwork stolen from FAC Six student posters said she feels discouraged and BUSH KERRY fears that the artwork theft were taken last week may hinder students' chances from Fine Arts Center. TWO FLAVORS OF COLA of entering the contest. "It was disrespectful and a violation of their first amend- By lanell Kingsborough SENIOR REPORTER ment rights," Rusnak said. She feels that taking the If il was any other year, the artwork from the display artwork of students in the was one way of silencing the Intermediate Digital Imaging students' voices. course might have lasted longer "Whether people agreed on the wall than one or two with the student's messages days- BOIH BAO (OR vou or not, that did not give Ehem Six posters disappeared last Graphic Created the right to take matters into week from the Fine Arts Center. -
Cava of Toledo; Or, the Gothic Princess
Author: Augusta Amelia Stuart Title: Cava of Toledo; or, the Gothic Princess Place of publication: London Publisher: Printed at the Minerva-Press, for A. K. Newman and Co. Date of publication: 1812 Edition: 1st ed. Number of volumes: 5 CAVA OF TOLEDO. A ROMANCE. Lane, Darling, and Co. Leadenhall-Street. CAVA OF TOLEDO; OR, The Gothic Princess. A ROMANCE. IN FIVE VOLUMES BY AUGUSTA AMELIA STUART, AUTHOR OF LUDOVICO’S TALE; THE ENGLISH BROTHERS; EXILE OF PORTUGAL, &c. &c. Fierce wars, and faithful loves, And truths severe, in fairy fiction drest. VOL. I. LONDON: PRINTED AT THE Minerva Press, FOR A. K. NEWMAN AND CO. LEADENHALL-STREET. 1812. PREFACE. THE author of the following sheets, struck by the account historians have given of the fall of the Gothic empire in Spain, took the story of Cava for the foundation of a romance: whether she has succeeded or not in rendering it interesting, must be left to her readers to judge. She thinks it, however, necessary to say she has not falsified history; all relating to the war is exact: the real characters she has endeavoured to delineate such as they were; —Rodrigo—count Julian—don Palayo—Abdalesis, the Moor—queen Egilone—Musa—and Tariff, are drawn as the Spanish history represents them. Cava was never heard of from her quitting Spain with her father; of course, her adventures, from that period, are the coinage of the author’s brain. The enchanted palace, which Rodrigo broke into, is mentioned in history. Her fictitious characters she has moulded to her own will; and has found it a much more difficult task than she expected, to write an historical romance, and adhere to the truth, while she endeavoured to embellish it. -
Read Ebook {PDF EPUB} the Man on Platform Five by Robert Llewellyn Robert Llewellyn
Read Ebook {PDF EPUB} The Man On Platform Five by Robert Llewellyn Robert Llewellyn. Robert Llewellyn is the actor who portrays Kryten from Series III to Series XII. He has also appeared as the presenter of Scrapheap Challenge which ran from 1998-2010 on Channel 4, the host of the web series Carpool which ran from 2009-2014, and as host of the YouTube channel Fully Charged which started in 2010 and still uploads today. Starring on Red Dwarf. Llewellyn's involvement with Red Dwarf came about as a result of his appearance at the Edinburgh Festival Fringe, performing in his comedy, Mammon, Robot Born Of Woman . He was invited to audition for the role of Kryten, by Paul Jackson, before joining the cast for Series III. The story is about a robot who, as he becomes more human, begins to behave increasingly badly. This was seen by Paul Jackson, producer of Red Dwarf , and he was invited to audition for the role of Kryten. Llewellyn joined the cast of Red Dwarf in 1989 at the start of Series III and continued in the role until the end of Series VIII in 1999. His skills as a physical performer encouraged Rob Grant and Doug Naylor to write him additional characters for the series, namely Jim Reaper ("The Last Day"), the Data Doctor ("Back in the Red II"), Human Kryten ("DNA"), Bongo ("Dimension Jump") and Able ("Beyond a Joke"). Llewellyn co- wrote the Red Dwarf Series VII episode "Beyond A Joke" with Doug Naylor. He was also the only British cast member originally to participate in the American version of Red Dwarf , though other actors such as Craig Charles and Chris Barrie were also approached to reprise their roles. -
Hawke: a Modern Retelling of Wuthering Heights Novel Draft and Theoretical Analysis Kristen Csuti Submitted in Partial Fulfillme
Hawke: A Modern Retelling of Wuthering Heights Novel Draft and Theoretical Analysis Kristen Csuti Submitted in Partial Fulfillment of the Requirements for Graduation from the Malone University Honors Program Adviser: Diane Chambers, Ph.D. 21 April 2016 Csuti 1 Table of Contents: 1. Hawke: A Modern Retelling of Wuthering Heights........................................................2 2. “Unquiet Sleepers: A Young Novelist’s Thoughts on Adaptation”............................192 Csuti 2 Prologue Catherine Harlowe checked to make sure her husband was asleep before quietly getting dressed. She opened the bathroom door just far enough that she could slip inside, any farther and it would squeak. She applied a fresh coat of make-up and forced herself to breathe evenly. He won’t wake up. He hasn’t yet. At the top of the stairs, she paused. “Mommy?” Her three-year-old daughter was standing in the doorway to her room. “Go back to sleep, sweetie,” Catherine said. “I had a bad dream. The bad faeries chased me.” “The bad faeries won’t get you. You’re too good.” “Can I sleep with you and daddy?” Catherine thought quickly. If she woke Max up, he would realize she was gone. Emily always slept in the car. And she probably wouldn’t remember this anyway. “I’m going out. Do you want to come, sweetheart?” Emily nodded and ran to grab her teddy bear. “Let’s be really, really quiet,” Catherine said, “like good faeries.” Emily nodded gravely and rose up on her tiptoes, and the two made their way out to the car. Emily was asleep before they left the neighborhood. -
(Title Stolen from Joan Baez) Time and Culture
Time is Just a Four-Letter What then is time? • If no one asks me, I know what it is. If I wish to Word explain it to him who asks, I do not know. • St Augustine Peter Watson • Time is what we don’t have enough of. (title stolen from Joan Baez) What does a clock measure? Where are we going? • What does "prediction" mean? 1. Time and Language: How we talk about time • When did time measurement start? • Do we experience time in the same way? 2.Stonehenge to Caesium: How we Measure Time • Why does time pass quicker as we get old? • What defines the direction of time? 3.Bicycle Pumps and Rice Puddings: Time’s Arrow • Physiological Time: what is a biological clock? • How short a time can we perceive? 4.Going Straight in a Bent Space: How Matter • What exactly is causality? bends Time • Is time travel possible? 5.Grouse, Hurricanes and Dead Cats: How to • If so, why can't we do it? predict • If not, what forbids it? • How do we know that two clocks measure the same time? 6.The Beginning and the End • How are time and space linked? • Is time "smooth"? 7.“All You Zombies ....”: Time travel, Good • Did time begin? Literature and Bad Science • Will it end? Time and Culture Sources: Books (non-fiction): **Time Machines (Paul J. Nahin, also with K. S. Thorne) Note we will be using “culture” generically Time Travel in Einstein’s Universe (J. Richard Gott) In Search of Time: The History, Physics, and Philosophy of Time (Dan Falk) • Literature About Time (Paul Davies) ** Physics of Star Trek (Lawrence Krauss) Theatre ** An Experiment with Time (J. -
Communications from the International Brecht Society. Vol. XIII, No. 2 April 1984
Communications from the International Brecht Society. Vol. XIII, No. 2 April 1984 San Antonio, Texas: International Brecht Society, Inc., April 1984 https://digital.library.wisc.edu/1711.dl/M3HLL3GNJRCAF8S http://rightsstatements.org/vocab/InC/1.0/ Copyright International Brecht Society. Used with Permission. The libraries provide public access to a wide range of material, including online exhibits, digitized collections, archival finding aids, our catalog, online articles, and a growing range of materials in many media. When possible, we provide rights information in catalog records, finding aids, and other metadata that accompanies collections or items. However, it is always the user's obligation to evaluate copyright and rights issues in light of their own use. 728 State Street | Madison, Wisconsin 53706 | library.wisc.edu - ORR IPE RII DENIC RIR SOCIO SSC Seca ON een er ORE Oo SAN RR NAR RCO SNR IN AN ga ad tease eRe NN = Te TR OMRON ANNs sR ae RR il 7~—_ Se MRS EE Sey Beene ME ee Ss Ber ae ee cee BSP ae NCR ee S nee Sea Renee . “OSI RRR nS NR BR CRE ER RCs. NEO SORES SS AOL ORCS Dt as ~ Perea pS VS ORR 5 cams Ee GENO. a Bee RRM Re Ree. TRNAS OO LE NERS mE REE SOS Pon an ME , BK tin, OSORRRR ED SS. : “UN SES ae San Gorter e " ie * OS Se a Re ae ee BBR Ss SO RR RES ROS nearer Besa cen: 8 >. BU ee : RRM Cm Ree MRR eg ESS BOR eget ne. oy BEES AFR ean Nan ee ee athe Ae oe i, a a _ ees AR, o 3 Eee era Ni OSE €i : RRS raster oe ne eA ge OR NDS SED TO a See ees BR SOR Sa Rea ss Se ee lee. -
9783110726305.Pdf
Shared Margins ZMO-Studien Studien des Leibniz-Zentrum Moderner Orient Herausgegeben von Ulrike Freitag Band 41 Samuli Schielke and Mukhtar Saad Shehata Shared Margins An Ethnography with Writers in Alexandria after the Revolution This publication was supported by the Leibniz Open Access Monograph Publishing Fund. ISBN 978-3-11-072677-0 e-ISBN (PDF) 978-3-11-072630-5 e-ISBN (EPUB) 978-3-11-072636-7 DOI https://doi.org/10.1515/ 9783110726305 This work is licensed under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/ Library of Congress Control Number: 2021937483 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the internet at http://dnb.dnb.de. © 2021 Samuli Schielke and Mukhtar Saad Shehata Cover image: Eman Salah writing in her notebook. Photo by Samuli Schielke, Alexandria, 2015. Printing and binding: CPI books GmbH, Leck www.degruyter.com To Mahmoud Abu Rageh (1971–2018) Contents Acknowledgments ix On names, pronouns, and spelling xiii List of illustrations xiv Introduction: Where is literature? Samuli Schielke 1 Where is literature? 2 Anecdotal evidence 5 Outline of chapters 11 Part I. About writing Samuli Schielke, Mukhtar Saad Shehata 1 Why write, and why not stop? 15 An urge to express 16 ‘Something that has me in it’ 21 Why not stop? 27 A winding path through milieus 31 2 Infrastructures of imagination 39 The formation of scenes 43 A provincial setting 48 The Writers’ Union 51 Mukhtabar al-Sardiyat 54 El Cabina 56 Fabrica 60 Lines of division 63 Milieus at intersection 71 Openings and closures 73 3 The writing of lives 77 Materialities of marginality 79 The symposium as life 84 Being Abdelfattah Morsi 91 How to become a writer in many difficult steps 96 Holding the microphone 101 ‘I hate reality’ 105 ‘It’s a piece of me’ 107 Outsides of power 111 viii Contents Part II. -
(12) United States Patent (10) Patent No.: US 9.458,509 B2 Benenson Et Al
US0094.58509B2 (12) United States Patent (10) Patent No.: US 9.458,509 B2 Benenson et al. 45) Date of Patent: Oct. 4,9 2016 (54) MULTIPLE INPUT BIOLOGIC CLASSIFIER (52) U.S. Cl. CIRCUITS FOR CELLS CPC ............. CI2O 1/6886 (2013.01): CI2N 15/63 (2013.01); C12O 1/6897 (2013.01); G06F (75) Inventors: Yates'Biseiss. Newton :"A Liliana Ron 19/20 (2013.01); G06F 19/24 (2013.01) Wroblewska,s Arlington,s MAs (US); (58)58) Field ofO ClassificationSSCO SSea h Zhen Xie, Malden, MA (US) See application file for complete search history. (73) Assignees: PRESIDENT AND FELLOWS OF HARVARD COLLEGE, Cambridge, (56) References Cited MA (US); MASSACHUSETTS INSTITUTE OF TECHNOLOGY, FOREIGN PATENT DOCUMENTS Cambridge, MA (US) WO WO 2008134593 A1 * 11/2008 (*) Notice: Subject to any disclaimer, the term of this OTHER PUBLICATIONS patent is extended or adjusted under 35 U.S.C. 154(b) by 385 days. “Encode” definition; Oxford dictionary; http://www.oxford dictionaries.com/us/definition/american english encode; accessed (21) Appl. No.: 13/811,126 Apr. 27, 2015; pp. 5-6.* (22) PCT Filed: Jul. 22, 2011 * cited by examiner (86). PCT No.: PCT/US2O11AO45038 Primary Examiner — Antonio Galisteo Gonzalez S 371 (c)(1), (74) Attorney, Agent, or Firm — Nath, Goldberg & Meyer; (2), (4) Date: Apr. 5, 2013 Tanya E. Harkins (87) PCT Pub. No.: WO2012/012739 (57) ABSTRACT PCT Pub. Date: Jan. 26, 2012 Provided herein are high-input detector modules and multi input biological classifier circuits and systems that integrate (65) Prior Publication Data Sophisticated sensing, information processing, and actuation in living cells and permit new directions in basic biology, US 2013/02O2532 A1 Aug.