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Joey Arnel Sayson
JOEY ARNEL SAYSON 3231 Ocean Park Blvd., Suite 219 Santa Monica, CA 90405-3232 (310) 581-2868 Email: [email protected] Member of the State Bar of California, 1996 EXPERIENCE LAW OFFICES OF SAYSON & ASSOCIATES, Los Angeles, CA June 2002 – Present Principal Founded boutique law firm in 2002 specializing in entertainment law; copyright and trademark law; intellectual property merchandise and promotion licensing; intellectual property rights management and enforcement; interactive video game production; and new media transactions. Representative clients include major motion picture studios; animators; independent film producers; non-fiction writers; screenwriters; start-up television and motion picture production companies; start-up online screenplay marketing website; and start-up and established video game developers. Representative entertainment law matters include art director services; corporate sponsorship agreements; directing services; interactive game licenses for consoles, server-based, wireless devices; licensing agent; life story rights option and purchase; literary option and purchase; merchandising license; model release; music publishing; personal manager services; producing services; production services; professional services; promotional license; publishing; radio syndication; software development and licensing; and writing services agreements. • Representative entertainment transactional law clients include: • Alex Meisel & Co., licensing agency for Kathy Davis Studios • Biddle Productions and Biddle Internet LLC, production -
Jennifer Lynn Jones, Indiana University Successfully Competing in Peak TV Requires Savvy Promotions
Shape Shifting for Time Shifting: Weight Loss in the Transmediation of This Is Us Jennifer Lynn Jones, Indiana University Successfully competing in Peak TV requires savvy promotions. Generally, “Peak TV” refers to the saturation of scripted television in this alleged new “Golden Age of Television,” with broadcast networks, cable channels, and stand-alone streaming services competing for ever more elusive viewers. Following the Pearson family and its unconventional triplets, NBC’s hit This Is Us (2016 to current) has distinguished itself in Peak TV by updating the generic conventions of a family soap with a mobile narrative temporality, constantly moving from present to past and, as season two glimpses suggest, into the future, in ways that create experiential and affective convergences between characters. This has given the show an edge in an era when network television has struggled with changing televisual viewing practices marked by both time- and platform-shifting. These relate to another significant aspect, body size: a main storyline involves the corpulence and weight loss of sister Kate, which has likewise necessitated body shaping in the contract of actress Chrissy Metz. The vicissitudes of Metz’s body extend Kate’s story, thus creating textual convergences through the body as a platform for transmediation. This response will consider how Metz’s appearances in mainstream television talk shows contribute to this phenomenon. Metz claims that she “committed to Kate’s evolution” in her audition process knowing that it would involve body shaping.1 “Body shaping” refers to any activity meant to transform the body, whether through diet, exercise, prosthetics, surgery, or cosmetology. -
Piracy Or Productivity: Unlawful Practices in Anime Fansubbing
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aaltodoc Publication Archive Aalto-yliopisto Teknillinen korkeakoulu Informaatio- ja luonnontieteiden tiedekunta Tietotekniikan tutkinto-/koulutusohjelma Teemu Mäntylä Piracy or productivity: unlawful practices in anime fansubbing Diplomityö Espoo 3. kesäkuuta 2010 Valvoja: Professori Tapio Takala Ohjaaja: - 2 Abstract Piracy or productivity: unlawful practices in anime fansubbing Over a short period of time, Japanese animation or anime has grown explosively in popularity worldwide. In the United States this growth has been based on copyright infringement, where fans have subtitled anime series and released them as fansubs. In the absence of official releases fansubs have created the current popularity of anime, which companies can now benefit from. From the beginning the companies have tolerated and even encouraged the fan activity, partly because the fans have followed their own rules, intended to stop the distribution of fansubs after official licensing. The work explores the history and current situation of fansubs, and seeks to explain how these practices adopted by fans have arisen, why both fans and companies accept them and act according to them, and whether the situation is sustainable. Keywords: Japanese animation, anime, fansub, copyright, piracy Tiivistelmä Piratismia vai tuottavuutta: laittomat toimintatavat animen fanikäännöksissä Japanilaisen animaation eli animen suosio maailmalla on lyhyessä ajassa kasvanut räjähdysmäisesti. Tämä kasvu on Yhdysvalloissa perustunut tekijänoikeuksien rikkomiseen, missä fanit ovat tekstittäneet animesarjoja itse ja julkaisseet ne fanikäännöksinä. Virallisten julkaisujen puutteessa fanikäännökset ovat luoneet animen nykyisen suosion, jota yhtiöt voivat nyt hyödyntää. Yhtiöt ovat alusta asti sietäneet ja jopa kannustaneet fanien toimia, osaksi koska fanit ovat noudattaneet omia sääntöjään, joiden on tarkoitus estää fanikäännösten levitys virallisen lisensoinnin jälkeen. -
2015 United Solo Festival Guide
GREETINGS FROM UNITED SOLO Dear Friends, Welcome to the world of theatre; where a diverse body of artists brings innovative interpretations of the shared currency of human life! Entering its sixth year, United Solo has come to represent a unique landmark on the New York City theatrical map by offering a selection of one hundred fifty productions from six continents, staged over the course of ten weeks. We unite renowned artists and emerging talents, curate collections of scripts at Indie Theater Now, present an international showcase overseas, fundraise for the Actors Fund, and feature companies returning by popular demand in our special Encore category. United Solo thrives as the world’s largest solo theatre festival thanks to the commitment of a global family of patrons, artists, business associates, and supporters. I am deeply grateful to them for making it possible again this year! This Festival guide is an open invitation to a world of exciting stories. Enjoy this world through United Solo. Stay united! Omar Sangare, Ph.D. Artistic Director UNITED SOLO unitedsolo.org THE WORLD’S LARGEST SOLO THEATRE FESTIVAL (3) 2015 FACTS & FIGURES UNITED SOLO TEAM the world’s largest solo theatre festival OMAR SANGARE MICHAEL MILLER Artistic Director Literary Advisor 150 productions from 6 continents [email protected] [email protected] September 17 – November 22, 2015 ILYA KHODOSH MARCIN LIPINSKI PERFORMANCES AT TICKETS THROUGH Associate Artistic Director General Manager [email protected] [email protected] JULIA KWINTO TERRY TAMM 410 WEST 42nd STREET www.telecharge.com Creative Director Dramaturg [email protected] NEW YORK CITY 212-239-6200 [email protected] SPECIAL THANKS TO ANDREA DUQUETTE DIANE R. -
Aleks Paunovic Anna Galvin Jenika Rose
STARRING C THOMAS HOWELL ALEKS PAUNOVIC ANNA GALVIN JENIKA ROSE CRIMSON POINT 1 DISCLAIMER: Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). 2 CRIMSON POINT CONTENTS 4 Synopsis 5 Director 6 | 11 Cast 12 Cinematographer 13 Producer 14 International Sales Agents 15 Executive Producers 16 Equity 17 Perks & Benefits CRIMSON POINT 3 After serving 20 years in prison for the murder of his daughter, Frank returns to his backwoods hometown. Old wounds and rumours of the past resurface and haunt him as he tries to find out who really killed her. The film isn’t your typical revenge film. Looks are deceiving. In fact, it isn’t a revenge film at all. It’s a Greek tragedy that explores the central character’s guilt through Dante’s Inferno. Beyond, the murder and the treachery, the film is an emotional journey about a father and a daughter. This is the heart of the project. Without touching on a father’s love, the film fails. In fact, everything happens because of a father’s love for his daughter. He acts out of love. -
Pdf Letöltése
68. évf., 2014. XI. 13., 34. szám Ára 50 dinár Ára Gvozdenović Katarina, a kishegyesiek asztalitenisz-reménysége Ahogy még sose láttad a virtuózokat 13. 2014. november 34. szám, Pajtás, Jó Ápolni kell anyanyelvünket mikor 2011-ben a Jó Pajtás nyelvmű- velő versenyét szavalóversenyként Atartották meg Szűcs Imre költő, a Öröm, tudás, akarás szerkesztőség egykori tagja halálának 20. évfordulóján, 77 vajdasági általános iskolás Tömeges, színvonalas volt a 4. Szűcs Imre vetélkedett. Talán nem sejtették, hogy Pál Gyermekversmondó Versenyünk – A jubiláris Károly ötletadó javaslata olyannyira megállja a helyét, hogy az elkövetkező években egyre 5. vetélkedőt jövőre, november 7-én rendezzük meg szilárdabban épül be a köztudatba mint a vaj- Istennek, elég széles a paletta, noha ezzel Szűcs Imre Gyermekversmondó Versenyen. dasági magyar költészetet éltető rendezvény, sokan csak akkor lesznek igazán tisztában, Krekity Olga vetélkedőnk oszlopos tagja, aki mivel versmondó versenyünkön a vajdasági amikor fellapozzák az újvidéki Forum Könyv- maga is jeles versmondó, ugyanakkor szín- magyar költők verseiből lehet válogatni. Hál’ kiadó Vállalat Ezüsttulipán című kötetét, me- vonalasnak ítélte meg az idei rendezvényt. A lyet Bordás Győző szerkesztőnek köszönhe- mintegy háromórás műsor után néhány apró Jövőre 5. Szűcs Imre tünk. Ez a kötet szelekció a vajdasági magyar és hasznos tanáccsal látta el a tanulókat és kí- Gyermekversmondó költészet remekeiből, és, ha nem is úttörő, sérőiket. Udvarnok ezúttal is jó házigazdának rendkívül jó válogatást ad mindazoknak, akik bizonyult. Verseny vidékünk költészetét szeretnék megismerni. A rendezvényt a Jó Pajtás és a Magyar dvarnokon máris bejelentettük, ám Az idén ebből a kötetből készültek a diákok a Szó Kft. mellett a kishegyesi és a bégaszent- Uhadd tegyük közhírré kis újságunk- Bánát keleti felében fekvő Udvarnokon meg- györgyi önkormányzat, valamint az újvidéki ban is: jövőre november 7-én, szomba- tartott versenyünkre, jövőre azonban az egész Atlantis Kiadó, Forum Könyvkiadó Vállalat, ton rendezzük meg a jubiláris, 5. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
December 2020 New Releases
December 2020 New Releases SEE PAGE 15 what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately 59 Music [MUSIC] Vinyl 3 CD 12 FEATURED RELEASES Video WALTER LURE’S L.A.M.F. THE DAVE BRUBECK THE RESIDENTS - 35 FEATURING MICK ROSSI - QUARTET - IN BETWEEN DREAMS: Film LIVE IN TOKYO TIME OUTTAKES LIVE IN SAN FRANCISCO Films & Docs 36 Faith & Family 56 MVD Distribution Independent Releases 57 Order Form 69 Deletions & Price Changes 65 TREMORS MANIAC A NIGHT IN CASABLANCA 800.888.0486 (2-DISC SPECIAL EDITION) 203 Windsor Rd., Pottstown, PA 19464 www.MVDb2b.com WALTER LURE’S L.A.M.F. BERT JANSCH - SUPERSUCKERS - FEATURING MICK ROSSI - BEST OF LIVE MOTHER FUCKERS BE TRIPPIN’ TIME OUT AND TAKE FIVE! LIVE IN TOKYO We could use a breather from what has been a most turbulent year, and with our December releases, we provide a respite with fantastic discoveries in the annals of cool jazz. THE DAVE BRUBECK QUARTET “TIME OUTTAKES” is an alternate version of the masterful TIME OUT 1959 LP, with the seven tracks heard for the first time in crisp, different versions with a bonus track and studio banter. The album’s “Take Five” is the biggest selling jazz single ever, and hearing this in different form is downright thrilling. On LP and CD. Also smooth jazz reigns supreme with a CD release of a newly discovered live performance from sax legend GEORGE COLEMAN. “IN BALTIMORE” is culled from a 1971 performance with detailed liner notes and rare photos. Kick Out the Jazz! Something else we could use is a release from oddball novelty song collector DR. -
Newsletter 11/08 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 11/08 DIGITAL EDITION Nr. 231 - Juni 2008 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 11/08 (Nr. 231) Juni 2008 editorial Hallo Laserdisc- und DVD-Fans, Ob es nun um aktuelle Kinofilme, um nen Jahr eröffnet und gelangte vor ein liebe Filmfreunde! besuchte Filmfestivals oder gar um paar Wochen sogar ganz regulär in die Die schlechte Nachricht gleich vorweg: einen nostalgischen Blick zurück auf deutschen Kinos. Wer den Film dort unsere Versandkostenpauschale für die liebgewonnene LaserDisc geht – verpasst hat oder ihn (verständlicher- Standard-Pakete erhöht sich zum 01. die angehende Journalistin weiß, wo- weise) einfach noch einmal sehen Juli 2008. Ein gewöhnliches Paket ko- von sie schreibt. Kennengelernt haben möchte, der kann die US-DVD des Ti- stet dann EUR 6,- (bisher: EUR 4,-), wir Anna während ihres Besuchs beim tels ab September in seine Film- eine Nachnahmesenduung erhöht sich 1. Widescreen-Weekend in der Karlsru- sammlung integrieren. Der Termin für auf EUR 13,- (bisher: EUR 9,50). Diese her Schauburg. Ein Wort ergab das eine deutsche Veröffentlichung wurde Preiserhöhung ist leider notwendig andere – und schon war die junge Frau zwar noch nicht bekanntgegeben, doch geworden, da unser Vertriebspartner Feuer und Flamme, für den Laser wird OUTSOURCED mit Sicherheit DHL die Transportkosten zum 01. Juli Hotline Newsletter zu schreiben. Wir auch noch in diesem Jahr in Deutsch- 2008 anheben wird. -
L'atelier HAUTE COUTURE Jeux AUTO SORTIES 2 SEMAINES Shopping Horoscope X De Programmes TV CHANGEZ DE VIE, ENTREZ DANS UNE MAISON NOBLESS
NANCY | TOUL | LunéviLLE | PONT-À-MOUSSON GRATUIT du 25 JANVIER Le magazine de la vie nancéienne au 10 FÉVRIER PERSONNALITÉ T François Pélissier - CCI54 TALENT T Olivier Barthélémy, potier SANTÉ T Le CIDFF de Nancy PATRIMOINE T Le Centre Pompidou-Metz Opéra National de Lorraine L'ATELIER HAUTE COUTURE jeux AUTO SORTIES 2 SEMAINES Shopping horoscope X de programmes TV CHANGEZ DE VIE, ENTREZ DANS UNE MAISON NOBLESS GAMME TENDANCE Des maisons sur mesure, dessinées pour vous... Découvrez-les sur maisons-nobless.fr VOTRE CONSTRUCTEUR EN LORRAINE DEPUIS 25 ANS NANCY METZ EPINAL GOLBEYǾ 03 83 44 33 66 03 87 56 97 97 03 29 33 14 69 03 29 67 28 79 2 j du 25 JANVIER au 10 FÉVRIER N°32 Le magazine de la vie nancéienne Réjoignez-nous sur internet ! À LA UNE T L'Opéra National de Lorraine www.vivrenancy.com 04 www.facebook.com/vivrenancy FORMATION T Prochaine L'auto-entreprise, ICN 06 parution le 08 fév. PERSONNALITÉ T François Pélissier - CCI 54 08 Édito TALENT T L’hiver est désormais bien installé. Par ce temps Olivier Barthélémy, potier 09 froid, qu’il est bien de cocooner chez soi. Vous êtes donc détendu sur votre sofa, l’esprit allégé, vous faites PATRIMOINE T le vide dans votre bulle de quiétude … et avez VivreNancy en Le Centre Pompidou-Metz main. Cette quinzaine, nous vous offrons une parcelle de de rêve en vous parlant 10 des « petites mains » de l’Opéra de Nancy. Cet atelier costumes fabrique du merveilleux. Egalement, François Pélissier, Président de la Chambre de Commerce SANTÉ T et d’Industrie de Meurthe-et-Moselle, nous a accordé un entretien dans lequel il Le CIDFF de Nancy 12 vous livre avec une grande cordialité ses axes de travail et ses ambitions. -
Color Front Cover
COLOR FRONT COVER COLOR CGOTH IS I COLOR CGOTH IS II COLOR CONCERT SERIES Welcome to our 18th Season! In this catalog you will find a year's worth of activities that will enrich your life. Common Ground on the Hill is a traditional, roots-based music and arts organization founded in 1994, offering quality learning experiences with master musicians, artists, dancers, writers, filmmakers and educators while exploring cultural diversity in search of a common ground among ethnic, gender, age, and racial groups. The Baltimore Sun has compared Common Ground on the Hill to the Chautauqua and Lyceum movements, precursors to this exciting program. Our world is one of immense diversity. As we explore and celebrate this diversity, we find that what we have in common with one another far outweighs our differences. Our common ground is our humanity, often best expressed by artistic traditions that have enriched human experience through the ages. We invite you to join us in searching for common ground as we assemble around the belief that we can improve ourselves and our world by searching for the common ground in one another, through our artistic traditions. In a world filled with divisive, negative news, we seek to discover, create and celebrate good news. How we have grown! Common Ground on the Hill is a multifaceted year-round program, including two separate Traditions Weeks of summer classes, concerts and activities, held on the campus of McDaniel College, two separate Music and Arts festivals held at the Carroll County Farm Museum, two seven-event Monthly Concert Series held in Westminster and Baltimore, and a new program this summer at the Lutheran Theological Seminary at Gettysburg, Common Ground on Seminary Ridge. -
The Trevor Project and It Gets Better Project: Models for Suicide Prevention for LGBT Youth?
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Tereza Cahová The Trevor Project and It Gets Better Project: Models for Suicide Prevention for LGBT Youth? Bachelor’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2017 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgment First, I would like to thank my supervisor Mr. Jeffrey Vanderziel for his patience and support. Next, I my thanks goes to Mr. Ondřej Harnušek for his support and ideas when I was lost. Finally, I would like to thank my family and my boyfriend without whom this thesis would have never came into existence. 3 Tables of Content: Acknowledgment ................................................................................................ 3 Chapter One: Introduction .................................................................................. 5 Chapter Two: Is truly every LGBT youth at risk of suicidal behavior? .............. 10 Chapter Three: Terminology ............................................................................ 14 Chapter Four: School and Family Environment and Suicidal Factors .............. 20 Chapter Five: Prevention Programs ................................................................. 29 Chapter Six: Conclusion ................................................................................... 36 Works Cited.....................................................................................................