The Trevor Project and It Gets Better Project: Models for Suicide Prevention for LGBT Youth?
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Don't Filter Me
“Don’t Filter Me” Interim Report FEBRUARY 1, 2011–AUGUST 31, 2011 By Chris Hampton Youth and Program Strategist Lesbian Gay Bisexual Transgender Project AMERICAN CIVIL LIBERTIES UNION 125 Broad Street, 18th Floor New York, NY 10004 www.aclu.org Table of Contents 3 | Overview 4 | “I was just looking for information about scholarships…” 4 | LGBT web filters 5 | Launch of “Don’t Filter Me” campaign 6 | The students respond 7 | Convincing public schools to remove their anti-LGBT filters 8 | Which brings us to the software filtering companies… 11 | “Don’t Filter Me” campaign at its six-month juncture 12 | Findings Overview In February of 2011 the ACLU launched the “Don’t Filter Me” campaign to prevent viewpoint- discriminatory censorship of positive LGBT web content in public schools nationwide. Many public schools use web filtering software to block students’ access to pornographic websites, in accordance with federal law. Unfortunately, many of the most commonly used web filtering software packages include a special category for websites that contain information about LGBT issues and organizations, even though the websites are not sexually explicit in any way. When public school districts block these LGBT categories, preventing students from accessing websites for positive LGBT rights organizations, they often still allow access to anti-LGBT sites that condemn LGBT people or urge us to try to change our sexual orientation. This viewpoint discrimination violates students’ rights under the First Amendment. In just six months the ACLU, through the “Don’t Filter Me” campaign, has made significant progress on the issue, is responsible for instituting major changes in public school policy nationwide, and has influenced major web software filtering companies to change their products so that they do not block positive LGBT materials. -
2015 United Solo Festival Guide
GREETINGS FROM UNITED SOLO Dear Friends, Welcome to the world of theatre; where a diverse body of artists brings innovative interpretations of the shared currency of human life! Entering its sixth year, United Solo has come to represent a unique landmark on the New York City theatrical map by offering a selection of one hundred fifty productions from six continents, staged over the course of ten weeks. We unite renowned artists and emerging talents, curate collections of scripts at Indie Theater Now, present an international showcase overseas, fundraise for the Actors Fund, and feature companies returning by popular demand in our special Encore category. United Solo thrives as the world’s largest solo theatre festival thanks to the commitment of a global family of patrons, artists, business associates, and supporters. I am deeply grateful to them for making it possible again this year! This Festival guide is an open invitation to a world of exciting stories. Enjoy this world through United Solo. Stay united! Omar Sangare, Ph.D. Artistic Director UNITED SOLO unitedsolo.org THE WORLD’S LARGEST SOLO THEATRE FESTIVAL (3) 2015 FACTS & FIGURES UNITED SOLO TEAM the world’s largest solo theatre festival OMAR SANGARE MICHAEL MILLER Artistic Director Literary Advisor 150 productions from 6 continents [email protected] [email protected] September 17 – November 22, 2015 ILYA KHODOSH MARCIN LIPINSKI PERFORMANCES AT TICKETS THROUGH Associate Artistic Director General Manager [email protected] [email protected] JULIA KWINTO TERRY TAMM 410 WEST 42nd STREET www.telecharge.com Creative Director Dramaturg [email protected] NEW YORK CITY 212-239-6200 [email protected] SPECIAL THANKS TO ANDREA DUQUETTE DIANE R. -
The Next Dimension in Public Relations Campaigns
The Next Dimension in Public Relations Campaigns: A Case Study of the It Gets Better Project Public Relations Journal Vol. 7, No. 2, 157-186 Special Issue: Diversity in Public Relations ISSN 1942-4604 1 © 2013 Public Relations Society of America By Jamie A. Ward University of Michigan, Dearborn Abstract This study examines the ways in which a campaign that is completely reliant on user-generated content (UGC) can not only successfully engage a diverse public but also maintain value and legitimacy while serving as the basis for motivating individuals to take action. Guided in part by the theory of network-enabled commons-based peer production, this study posits that by crafting a public relations campaign using authentic voice in conjunction with YouTube, public relations practitioners can empower individuals to become active participants in advocacy campaigns for social justice or the common good of society, thus creating unique, individual connections with their publics and essentially empowering others to use their voices to help these campaigns reach critical mass. To illustrate the success of such a campaign, an in-depth, critical case study of the It Gets Better Project, is conducted. 1 Address correspondence to Jamie Ward, University of Michigan – Dearborn, 4901 Evergreen Rd., Dearborn, Michigan 48128; Email: [email protected]. Ward – Public Relations Journal – Vol. 7, No. 2, 2013 – 158 The Next Dimension in Public Relations Campaigns: A Case Study of the It Gets Better Project The decline of traditional media outlets coupled with the advent of social media has forced public relations practitioners to continually search for innovative ways to connect with various publics. -
Theorising Futurities 11 Alexa Athelstan and Rosemary Deller
Graduate Journal of Social Science July 2012, Vol. 9, Issue 2 Editors: [email protected] Alexa Athelstan, University of Leeds, UK Rosemary Deller, University of Manchester, UK Book Review Editor: Melissa Kelly, Uppsala University, SE [email protected] Copy-Editor: Caroline Starkey, University of Leeds, UK Megan O’Branski, Newcastle University, UK Web-Editor: Robert Kulpa, Birkbeck College, London, UK Liaison and Board Coordinator Officer: Adam Pearson, Durham University Financial Officer: Lia Kinane, Lancaster University, UK Design and Layout: Amanda Conroy, London School of Economics, UK The Graduate Journal of Social Science (ISSN: 1572-3763) is an open-access online journal focusing on methodological issues of interdisciplinary relevance. The journal pub- lishes three issues per year, two of which are regular thematic editions organised by the in-house editors and one of which is a special edition organised by guest editors, which brings together innovative and instructive papers from all disciplines. GJSS welcomes submissions from both senior and junior academics, thus providing a forum of publication and exchange among different generations engaged in interdisciplinary research. GJSS is published by EBSCO publishing. For subscription inquiries, requests, and changes, please visit: http://gjss.org/index.php?/ Contact-us/Graduate-Journal-of-Social-Science.html. or Email: [email protected] All the content and downloads are published under Creative Commons license © 2012 by Graduate Journal of Social Science. All Rights Reserved. CONTENTS -
For My Family
For my family. You’re Not Pretty Enough – Page 1 of 230 You’re Not Pretty Enough Extraordinary stories from an (un) ordinary life. By Jennifer Tress Table of Contents Author’s Note………………………………………………………………………………………….Page 3 Introduction……………………………………………………………………………………………Page 4 Sex Education………………………………………………………………………………………….Page 5 Contra Dancing and The Art of Teenage Rebellion…………………………………….Page 24 How to be Responsible…………………………………………………………………………….Page 30 Insects and Other Such Snacks……………………………………………………………..…..Page 35 Shot Through the Heart……………………………………………………………………………Page 45 Come Together, Right Now, Over Weed…………………………………………………….Page 63 The Path of Most Resistance……………………………………………………………………..Page 67 You’re Not Pretty Enough…………………………………………………………………………Page 84 Be Careful What You Wish For………………………………………………………………….Page 126 How to be an Asshole……………………………………………………………………………….Page 146 How Not to be an Asshole…………………………………………………………………………Page 164 Road Trip………………………………………………………………………………………………...Page 180 Epilogue: Separation, To Save the Marriage……………………….……………………...Page 214 Afterword: You’re Not Pretty Enough, The Movement……………………….……...Page 223 Acknowledgements………………………………………………………………………………….Page 230 You’re Not Pretty Enough – Page 2 of 230 Author’s Note All of the stories contained here are true and based on my memories, as well as the memories of others who were associated with the events. To move the story along, sometimes I truncated timelines or consolidated characters. Some names were also changed. You’re Not Pretty Enough – Page 3 of 230 Introduction This is a book about defining moments. We all have them, or a series of them, that when added up give us insight into who we are and why we do things. Come along as I tell you mine… You’re Not Pretty Enough – Page 4 of 230 “Sex Education” By Jennifer Tress SEX EDUCATION When my mom was pregnant with my younger sister, I asked her where babies came from. -
School Resources for Educators Meet Our New YAC!
news Summer 2014 Meet Our New YAC! “Small Town, Big Pride” Back to School Resources By Luke Knudsen for Educators PAGE 8 PAGE 9 PAGE 11 WHAT’S NEW AT TREVOR The Trevor Project is the leading Pride Season 2014: national organization providing crisis intervention and suicide Show your Support! prevention services to lesbian, gay, bisexual, transgender, and This season The Trevor Project is excited to be questioning youth. joining cities nationwide to celebrate diversity, PO Box 69232 love, and acceptance! Show your support by West Hollywood, CA 90069 helping us spread our life-saving mission to communities all over the country. If you’re T 310.271.8845 F 310.271.8846 located near our Pride cities, we hope you E [email protected] consider getting involved. Plus, the first 50 volunteers to sign up in each city will receive a www.TheTrevorProject.org free Trevor Pride t-shirt! We’re also a proud partner of Johnson & Johnson’s Care With Pride campaign. Look for their special coupons – available at Trevor’s table in select Pride cities and In This Issue online – and redeem them to benefit The Trevor Project, PFLAG, and the Family Sweet 16 3 Equality Council. You can learn more about their campaign at carewithpride.org. TREVOR AND UNite4GOOD 4 COME TOgetHER Wondering if we’ll be at your Pride? See where Trevor will be by visiting TYleR OAKleY celeBRates 4 TheTrevorProject.org/Pride. Here, you can also sign-up to volunteer and TREVOR help raise awareness of The Trevor Project, nationwide. DONOR SPOtligHT: 5 BRittaNY laRSON TREVORLIVE New -
An Analysis of the It Gets Better Project
qsmpc 1 (1) pp. 85–94 Intellect Limited 2016 queer studies in media & popular culture Volume 1 Number 1 © 2016 Intellect Ltd Article. English language. doi: 10.1386/qsmpc.1.1.85_1 Janna Jackson kellinger and lianna levine University of massachusetts Boston While you wait: an analysis of the it gets Better Project aBstract keyWords This article analyses videos created for the It Gets Better Project as well as comments bullying by their viewers. The authors examined the top 21 videos based on number of views It Gets Better Project and rising popularity. Upon analysis of the comments, it was noted that the major- LGBT youth ity of them place the onus on the victim to ‘stick it out’ and wait until they are older queerness for the bullying to stop, as opposed to advocating for support and action by respon- suicide sible adults or bystanders, or even themselves. In addition, the messages within the video videos and the comments rarely offered ideas regarding how to put an end to the violence bullying or that the bullies should be held responsible for their actions. This article draws attention to the unintended, and sometimes contradictory, messages received even when the goal is support. In the wake of a number of publicized gay suicides in the United States, author Dan Savage and his partner, Terry Miller, started the It Gets Better Project. It originally was designed to address the anti-gay bullying epidemic by having individuals in the gay community post their personal stories via video to give gay youth hope. However, it has grown to the point where people outside the gay community have posted videos as well, including straight politicians, celebrities and sports teams. -
LGBTQ+ Art, Archiving, and Activism in Contemporary Appalachia
Wildcrafting Our Queerness: LGBTQ+ Art, Archiving, and Activism in Contemporary Appalachia A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in American Studies from The College of William and Mary by Maxwell Cloe Accepted for ___________________________________ (Honors, High Honors, Highest Honors) ________________________________________ Leisa Meyer, Director ________________________________________ Jay Watkins III ________________________________________ Charles McGovern Williamsburg, VA May 8, 2020 Table of Contents INTRODUCTION: Queerness and the Mythical Appalachia 1 CHAPTER 1: Art 17 CHAPTER 2: Archiving 49 CHAPTER 3: Activism 88 CONCLUSION: Networks and the Ethics of Oral History 118 APPENDIX: Art and Images Referenced 123 BIBLIOGRAPHY 138 Cloe 1 INTRODUCTION: Queerness and the Mythical Appalachia Appalachia is a region of myths. For decades, Appalachia has existed in the national imagination as an alien wasteland. The mere mention of the mountains, which stretch over 2,000 miles from New York to Alabama, conjures images of toothless hillbillies and dusty coal miners tragically fighting for survival in a landscape that is wildly uninhabitable for anyone daring to enter. Appalachia is, for many, out of place and out of time—an empty spot on the map of the United States where everyone lives without electricity, running water, or the modern liberal politics of the metropoles down below. These dominant narratives regarding Appalachia have mobilized even more aggressively over the course of the past few years. During the months leading up to and following Trump’s election, major news outlets scrambled to explain why such an outwardly hateful and unrespectable person routinely usurped the other, respectably liberal candidates. -
“Like Picking up a Seed, but You Haven't Planted It”
International Journal of Child, Youth and Family Studies (2014) 5(1): 204–219 “LIKE PICKING UP A SEED, BUT YOU HAVEN’T PLANTED IT”: QUEER YOUTH ANALYZE THE IT GETS BETTER PROJECT Shelley L. Craig, Lauren McInroy, Ramona Alaggia, and Lance T. McCready Abstract: Youth who identify as lesbian, gay, bisexual, transgender, or queer [LGBTQ] are at elevated risk of experiencing verbal and physical harassment, as well as an array of negative outcomes, including increased violence and suicidality. The purpose of this study was to solicit input from LGBTQ youth (n = 19) about the strengths, limitations, and influence of an online video project focused on suicide prevention, the It Gets Better Project [IGBP]. Using a grounded theory approach, in-depth interviews were conducted and participant responses were analyzed using ATLAS.ti.6.7. Several major themes regarding participants’ perspectives on the IGBP emerged from the analysis. Participants indicated that they perceived the IGBP as a positive start towards change, with the project drawing attention to the concerning issue of LGBTQ youth vulnerability for increased suicidality. However, they also identified flaws with the content and focus of the project, indicating the campaign requires significant further development to provide tangible resources to youth at risk of suicide. Recommendations are made and discussed to help inform future research and practice efforts. Keywords: LGBTQ; youth; It Gets Better Project; media; suicide Acknowledgements: The authors wish to acknowledge and thank the youth participants who generously provided their time and insight. This study was funded by a Social Sciences and Humanities Research Council of Canada Insight Grant (#491406). -
Moving Forward
Moving Forward FY2012 ANNUAL REPORT The Trevor Project is the leading national organization providing crisis intervention and suicide prevention services to lesbian, gay, bisexual, transgender and questioning young people under 24. Every day, The Trevor Project saves young lives through its free and confidential lifeline and instant messaging services, in-school workshops, educational materials, online resources and advocacy. TABLE OF CONTENTS 3 Executive and Board Message 4 Trevor Timeline: Fiscal Year 2012 5 Spotlights 9 Program Introduction Message 10 Trevor’s Programs 14 Donor Report 18 Trevor Board of Directors and Staff 19 Financial Report EXECUTIVE AND 2/3 | Annual Report FY2012 | MOVING FORWARD BOARD MESSAGE Dea r Friends, Thanks to your unwavering support over this past year, The Trevor Project has moved forward and served more lesbian, gay, bisexual, transgender and questioning (LGBTQ) youth than ever before while adding valuable staff members, embracing new executive and Board leadership, and extending Trevor’s reach to new cities nationwide. This year has been full of change, growth, and progress. Our call reports, chat logs, and digital services make it very clear that The Trevor Project is still urgently needed. We saw one of the largest membership increases on TrevorSpace since the program’s inception in 2008 and we watched the number of calls to the Trevor Lifeline surpass 35,000 – nearly 4,000 more than last year. We also expanded the first nationally available chat service specifically for LGBTQ youth in need of support. While we sincerely wish that the need for Trevor’s services would diminish, we are truly grateful to be present to fulfill the needs of young LGBTQ people in crisis. -
Group Norms 1. Be Smarter Than Your Phone
Training Overview Introductions Group Norms First Impressions of LGBTQ Core Vocabulary Genderbread Person & LGBTQ Umbrella Privilege for Sale Questions Questions Questions Scenarios Wrap-up and Feedback 2 Group Norms 1. Be Smarter than Your Phone No matter how good you are at multi‐tasking, we ask you to put away your phone, resist from texting and all that jazz. We will take a break and you can send a quick text, snap, tweet, insta, etc. at that point. If you are expecting a phone call you cannot miss we will not judge! 2. Questions, Questions, Questions Please feel free to ask questions at any time throughout this training. Unless someone is mid‐sentence, it is always an appropriate time to ask questions. Even if it isn’t relevant to the topic, throw it out there – get it off your mind and onto ours. 3. Vegas Rule Slightly modified! So during the training someone may share something really personal, may ask a question, may say something that they wouldn’t want attached to their name outside this space. So remember that what is said here stays here and what is learned here should leave here. You’re welcome to share anything that we say in this space with others and attach it to our name but we respectfully request that you take away the message from others’ shares and not their names. 4. LOL We really appreciate it if, at some point, y’all could laugh! This training is going to be fun, and we’ll do our best to keep it upbeat, so just know… it’s ok to laugh! Laughter indicates that you’re awake, that you’re paying attention, and that we haven’t killed your soul. -
Bullying Victimization As a Disability in Public Elementary and Secondary Education Douglas E
University of Missouri School of Law Scholarship Repository Faculty Publications Summer 2012 Bullying Victimization as a Disability in Public Elementary and Secondary Education Douglas E. Abrams University of Missouri School of Law, [email protected] Follow this and additional works at: http://scholarship.law.missouri.edu/facpubs Part of the Disability Law Commons, and the Education Law Commons Recommended Citation Douglas E. Abrams, Bullying Victimization as a Disability in Public Elementary and Secondary Education, 77 Mo. L. Rev., 781 (2012). This Article is brought to you for free and open access by University of Missouri School of Law Scholarship Repository. It has been accepted for inclusion in Faculty Publications by an authorized administrator of University of Missouri School of Law Scholarship Repository. CONCLUSION Bullying Victimization as a Disability in Public Elementary and Secondary Education Douglas E. Abrams I. INTRODUCTION A. Jamey Rodemeyer (1997-2011) "JAMIE IS STUPID, GAY, FAT AND UGLY. HE MUST DIE!"' "I wouldn't care if you died. No one would. So just do it :) It would make everyone WAY more happier!"2 "Kill your self!!!! You have nothing left!"3 "you're a bad person, you don't belong here, jump off a bridge or some- thing! " "Go kill yourself, you're worthless, ugly and dont have a point to live."5 "You werent born this way. You shouldnt have ever been born."6 "Jamie" was Jamey Rodemeyer, a 14-year-old freshman who was start- ing his second week at Williamsville North High School in Williamsville, New York, in the fall of 2011.7 For several months, classmates targeting him as gay sent messages such as these in social media, the climax of bullying * Associate Professor of Law, University of Missouri School of Law.