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(Sarah) Margaret Fuller
(SARAH) MARGARET FULLER MARCHÉSA D’OSSOLI US’S 1ST FOREIGN WAR CORRESPONDENT [PER EDGAR ALLAN POE, HUMANITY WAS ONCE UPON A TIME DIVIDED INTO “MEN, WOMEN, AND MARGARET FULLER”] AS A COMPARISON PARTITION, CONSIDER “MAN, WOMAN, AND NABISCO” HDT WHAT? INDEX (SARAH) MARGARET FULLER THE MARCHESA D’OSSOLI 1808 The French army occupied Rome, and invaded Spain seizing Barcelona and Madrid. Joseph Bonaparte, who had been King of Naples, became King of Spain, and General Joachim Murat, began to rule in Naples in his stead (he would hold that job until 1815). There were widespread uprisings in Spain, and British troops landed in Portugal. Henry Crabb Robinson, sent by the Times of London to report on the Peninsular War, became the 1st war correspondent (Margaret Fuller, 1st female war correspondent, wasn’t yet born). #1 Male #1 Female HDT WHAT? INDEX (SARAH) MARGARET FULLER THE MARCHESA D’OSSOLI 1810 May 23, Wednesday: Sarah Fuller was born in Cambridgeport, Massachusetts.1 King Solomon II was deposed as the Kingdom of Imeret’i (in Georgia) was annexed by Russia. Friend Stephen Wanton Gould wrote in his journal: 4th day 23 of 5 Mo// The mind again refreshed with the Springs of Life. This eveng in looking forward to Y Meeting while setting at home with my dear H, my feelings were quite raised to a lively sensibility that I seldom have. I rememberd some favord seasons, at that time & as from present apperiences We shall be more at liberty to enjoy the company of our friends than the last. There seem’d something encourageing in the prospect, but how will be cannot tell, sickness or other disappointments may assail us & all our promised enjoyment be frustrated, but be that as it may I hope we shall be favord with the Life of Religion ————————————————————————————————————————————————————————————— RELIGIOUS SOCIETY OF FRIENDS 1. -
Spaces and Identities in Border Regions
Christian Wille, Rachel Reckinger, Sonja Kmec, Markus Hesse (eds.) Spaces and Identities in Border Regions Culture and Social Practice Christian Wille, Rachel Reckinger, Sonja Kmec, Markus Hesse (eds.) Spaces and Identities in Border Regions Politics – Media – Subjects Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Natio- nalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de © 2015 transcript Verlag, Bielefeld All rights reserved. No part of this book may be reprinted or reproduced or uti- lized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any infor- mation storage or retrieval system, without permission in writing from the publisher. Cover layout: Kordula Röckenhaus, Bielefeld Cover illustration: misterQM / photocase.de English translation: Matthias Müller, müller translations (in collaboration with Jigme Balasidis) Typeset by Mark-Sebastian Schneider, Bielefeld Printed in Germany Print-ISBN 978-3-8376-2650-6 PDF-ISBN 978-3-8394-2650-0 Content 1. Exploring Constructions of Space and Identity in Border Regions (Christian Wille and Rachel Reckinger) | 9 2. Theoretical and Methodological Approaches to Borders, Spaces and Identities | 15 2.1 Establishing, Crossing and Expanding Borders (Martin Doll and Johanna M. Gelberg) | 15 2.2 Spaces: Approaches and Perspectives of Investigation (Christian Wille and Markus Hesse) | 25 2.3 Processes of (Self)Identification(Sonja Kmec and Rachel Reckinger) | 36 2.4 Methodology and Situative Interdisciplinarity (Christian Wille) | 44 2.5 References | 63 3. Space and Identity Constructions Through Institutional Practices | 73 3.1 Policies and Normalizations | 73 3.2 On the Construction of Spaces of Im-/Morality. -
Image – Action – Space
Image – Action – Space IMAGE – ACTION – SPACE SITUATING THE SCREEN IN VISUAL PRACTICE Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner (Eds.) This publication was made possible by the Image Knowledge Gestaltung. An Interdisciplinary Laboratory Cluster of Excellence at the Humboldt-Universität zu Berlin (EXC 1027/1) with financial support from the German Research Foundation as part of the Excellence Initiative. The editors like to thank Sarah Scheidmantel, Paul Schulmeister, Lisa Weber as well as Jacob Watson, Roisin Cronin and Stefan Ernsting (Translabor GbR) for their help in editing and proofreading the texts. This work is licensed under a Creative Commons Attribution-NonCommercial-No-Derivatives 4.0 License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. Copyrights for figures have been acknowledged according to best knowledge and ability. In case of legal claims please contact the editors. ISBN 978-3-11-046366-8 e-ISBN (PDF) 978-3-11-046497-9 e-ISBN (EPUB) 978-3-11-046377-4 Library of Congress Control Number: 2018956404 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche National bibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the internet at http://dnb.dnb.de. © 2018 Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com, https://www.doabooks.org and https://www.oapen.org. Cover illustration: Malte Euler Typesetting and design: Andreas Eberlein, aromaBerlin Printing and binding: Beltz Bad Langensalza GmbH, Bad Langensalza Printed in Germany www.degruyter.com Inhalt 7 Editorial 115 Nina Franz and Moritz Queisner Image – Action – Space. -
Off the Pedestal, on the Stage: Animation and De-Animation in Art
Off the Pedestal; On the Stage Animation and De-animation in Art and Theatre Aura Satz Slade School of Fine Art, University College, London PhD in Fine Art 2002 Abstract Whereas most genealogies of the puppet invariably conclude with robots and androids, this dissertation explores an alternative narrative. Here the inanimate object, first perceived either miraculously or idolatrously to come to life, is then observed as something that the live actor can aspire to, not necessarily the end-result of an ever evolving technological accomplishment. This research project examines a fundamental oscillation between the perception of inanimate images as coming alive, and the converse experience of human actors becoming inanimate images, whilst interrogating how this might articulate, substantiate or defy belief. Chapters i and 2 consider the literary documentation of objects miraculously coming to life, informed by the theology of incarnation and resurrection in Early Christianity, Byzantium and the Middle Ages. This includes examinations of icons, relics, incorrupt cadavers, and articulated crucifixes. Their use in ritual gradually leads on to the birth of a Christian theatre, its use of inanimate figures intermingling with live actors, and the practice of tableaux vivants, live human figures emulating the stillness of a statue. The remaining chapters focus on cultural phenomena that internalise the inanimate object’s immobility or strange movement quality. Chapter 3 studies secular tableaux vivants from the late eighteenth century onwards. Chapter 4 explores puppets-automata, with particular emphasis on Kempelen's Chess-player and the physical relation between object-manipulator and manipulated-object. The main emphasis is a choreographic one, on the ways in which live movement can translate into inanimate hardness, and how this form of movement can then be appropriated. -
Ascj 2005 【Abstracts】
ASCJ 2005 【ABSTRACTS】 Session 1: Images of Japanese Women: Interdisciplinary Analyses of the Persistent Paradigm..........................1 Session 2: Hybridity and Authenticity: Japanese Literature in Transition ............................................................3 Session 3: Contentious Politics in Contemporary China ..........................................................................................6 Session 4: Individual Papers on Intellectual History.................................................................................................8 Session 5: Translating Asian Modernity: The Border-crossing Performance of Subjectivity, Nation, and History....................................................................................................................................................11 Session 6: Tokyo: Planned and Unplanned, 1870s-1960 .........................................................................................14 Session 7: The Family Revisited ................................................................................................................................16 Session 8: The Botany of Representations................................................................................................................18 Session 9: Violence and the State: Public Perceptions and Political Constructions in Modern Japan...............20 Session 10: Individual Papers on Nationalism and Colonialism ............................................................................22 Session 11: -
Tolstoy and Zola: Trains and Missed Connections
Tolstoy and Zola: Trains and Missed Connections Nina Lee Bond Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Nina Lee Bond All rights reserved ABSTRACT Tolstoy and Zola: Trains and Missed Connections Nina Lee Bond ŖTolstoy and Zolaŗ juxtaposes the two writers to examine the evolution of the novel during the late nineteenth century. The juxtaposition is justified by the literary critical debates that were taking place in Russian and French journals during the 1870s and 1880s, concerning Tolstoy and Zola. In both France and Russia, heated arguments arose over the future of realism, and opposing factions held up either Tolstoyřs brand of realism or Zolařs naturalism as more promising. This dissertation uses the differences between Tolstoy and Zola to make more prominent a commonality in their respective novels Anna Karenina (1877) and La Bête humaine (1890): the railways. But rather than interpret the railways in these two novels as a symbol of modernity or as an engine for narrative, I concentrate on one particular aspect of the railway experience, known as motion parallax, which is a depth cue that enables a person to detect depth while in motion. Stationary objects close to a travelling train appear to be moving faster than objects in the distance, such as a mountain range, and moreover they appear to be moving backward. By examining motion parallax in both novels, as well as in some of Tolstoyřs other works, The Kreutzer Sonata (1889) and The Death of Ivan Il'ich (1886), this dissertation attempts to address an intriguing question: what, if any, is the relationship between the advent of trains and the evolution of the novel during the late nineteenth century? Motion parallax triggers in a traveler the sensation of going backward even though one is travelling forward. -
THE PYRAMIDS of MADRID 1 the Purpose of This Illustration Is to Suggest That the Various Localities Around Madrid, Spain Incorporate the Great Pyramid of Giza Pattern
THE PYRAMIDS OF MADRID 1 The purpose of this illustration is to suggest that the various localities around Madrid, Spain incorporate the Great Pyramid of Giza pattern. In this specific case, the Almudena Cometary appears to approximate the layout of the Grand Gallery that matches the M-23 motorway. The ‘Pit’ corresponds to the Sacred Family College area. It is suggestive but as the powers that rule and design the various layouts of their world capitals, they incorporate the motifs of their Mystery Babylonian religion. In the case of Madrid, as with many other world empire capitals, there are various pyramid layouts and have actual relics from Egypt itself. They are mostly obelisks and parts of temples as it is the case with the Temple of Debod that was moved from Aswan and rebuilt just north of the Royal Palace. M1088 miles The other prominent pyramid layout involves the Spanish Air Force mili- tary base of Torrejon. The runway is the base of the pyramid and an oval 1.88 nautical miles is centered on the pyramid in phi ration proportions. In a lot of cases Cementerio de Almudena around the world, the various Air Forces of nations are situated next to sacred ley-lines. In many bases, it is believed that secret experiments, alien technologies and abductions are carried out. Based on some eye witness accounts, even the experimentation with Stargates goes on. Grand Gallery Base Aerea Torrejon M Plaza Ortega y Obelisco -23 Citra. Eje. Odennell In the case of the Spanish Royal Air Force, the very ensign appears to suggest the winged disk of Assyria. -
The Grand Ducal Family of Luxembourg ✵ ✵ the Grand Ducal Family of Luxembourg ✵
The Grand Ducal Family of Luxembourg ✵ ✵ The Grand Ducal Family of Luxembourg ✵ TRH Grand Duke Henri and Grand Duchess Maria Teresa wave to the crowd from the balcony of the Grand Ducal Palace (7 October 2000) Historical introduction ✹07 Chapter One The House of Luxembourg-Nassau ✹17 - The origins of the national dynasty 18 - The sovereigns of the House of Luxembourg 20 - Grand Duke Adolphe 20 - Grand Duke William IV - Grand Duchess Marie-Adélaïde 21 - Grand Duchess Charlotte 22 - Grand Duke Jean 24 - Grand Duke Henri 28 Grand Duchess Maria Teresa 32 - Hereditary Grand Duke Guillaume 34 - Grand Duke Henri’s brothers and sisters 36 - HRH Grand Duke Henri’s accession to the throne on 7 October 2000 40 Chapter Two The monarchy today ✹49 - Prepared for reign 50 - The Grand Duke’s working day 54 - The Grand Duke’s visits abroad 62 - Visits by Heads of State to Luxembourg 74 - The public image of the Grand Ducal Family in Luxembourg 78 Chapter Three The constitutional monarchy ✹83 - The political situation of the Grand Duke 84 SUMMARY - The order of succession to the throne 92 Index - Index Accession to the Grand Ducal Throne 94 - The Lieutenancy 96 - The Regency 98 Chapter Four The symbols of the monarchy ✹101 - National Holiday – official celebration day of the Grand Duke’s birthday 102 - Coats of arms of the Grand Ducal House 104 - The anthem of the Grand Ducal House 106 Chapter Five The residences of the Grand Ducal Family ✹109 - The Grand Ducal Palace 110 - Berg Castle 116 - Fischbach Castle 118 Annexe - The Grand Duke’s visits abroad - Visits by Heads of State to Luxembourg HistoricalIntro introduction History Historical summary Around 963 1214 Siegfried acquires the rocky Ermesinde of Luxembourg outcrop of Lucilinburhuc marries Waleran of Limburg 1059-1086 1226- 1247 Conrad I, Count of Luxembourg Ermesinde, Countess of Luxembourg 8 1136 ✹ Death of Conrad II, last Count 1247-1281 Henry V of Luxembourg, of Luxembourg from the House known as Henry the Blond, of Ardenne. -
Archimandrite Sebastian Dabovich. Archimandrite Sebastian Dabovich
Photo courtesy Alaska State Library, Michael Z. Vinokouroff Collection P243-1-082. Archimandrite Sebastian Dabovich. Sebastian Archimandrite Archimandrite Sebastian Dabovich. Archimandrite Sebastian Dabovich SERBIAN ORTHODOX APOSTLE TO AMERICA by Hieromonk Damascene . A A U S during the presidency of Abraham Lincoln, Archimandrite B Sebastian Dabovich has the distinction of being the first person born in the United States of America to be ordained as an Orthodox priest, 1 and also the first native-born American to be tonsured as an Orthodox monk. His greatest distinction, however, lies in the tremen- dous apostolic, pastoral, and literary work that he accomplished dur- ing the forty-eight years of his priestly ministry. Known as the “Father of Serbian Orthodoxy in America,” 2 he was responsible for the found- ing of the first Serbian churches in the New World. This, however, was only one part of his life’s work, for he tirelessly and zealously sought to spread the Orthodox Faith to all peoples, wherever he was called. He was an Orthodox apostle of universal significance. Describing the vast scope of Fr. Sebastian’s missionary activity, Bishop Irinej (Dobrijevic) of Australia and New Zealand has written: 1 Alaskan-born priests were ordained before Fr. Sebastian, but this was when Alaska was still part of Russia. 2 Mirko Dobrijevic (later Irinej, Bishop of Australia and New Zealand), “The First American Serbian Apostle—Archimandrite Sebastian Dabovich,” Again, vol. 16, no. 4 (December 1993), pp. 13–14. THE ORTHODOX WORD “Without any outside funding or organizational support, he carried the gospel of peace from country to country…. -
The Crown of the Divine Child in the Meroitic Kingdom. a Typological Study 1
ANNALS OF THE NÁPRSTEK MUSEUM 37/1 • 2016 • (pp. 17–31) THE CROWN OF THE DIVINE CHILD IN THE MEROITIC KINGDOM. A TYPOLOGICAL STUDY 1 Eric Spindler2 ABSTRACT: The crown of the divine child was one of the headdresses that transferred from Egypt to the Meroitic Kingdom. It was integrated in the Egyptian decoration program in the early Ptolemaic time. The first king of Meroe to use this crown in the decoration of the Lion Temple in Musawwarat es-Sufra was Arnekhamani (235–218 BCE). It also appeared later in the sanctuaries of his successors Arkamani II (218– 200 BCE) and Adikhalamani (ca. 200–190 BCE) in Dakka and Debod. The Egyptians presented it as the headdress of child gods or the king. In the Kingdom of Meroe the crown was more like a tool to depict the fully legitimised king before he faced the main deity of the sanctuary. To show this the Meroitic artists changed its iconography in such a way that the primarily Egyptian focus on the aspects of youth and rebirth withdrew into the background so that the elements of cosmic, royal and divine legitimacy became the centre of attention. Even if the usage and parts of the iconography were different, the overall meaning remained the same. It was a headdress that combined all elements of the cosmos as well as of royal and divine power. KEY WORDS: Crowns – divine child – Meroitic culture – Dakka – Debod – Musawwarat es-Sufra Introduction The beginning of the third century BCE witnessed a marked change in political relations between Egypt and its southern neighbour – Nubia (for a more specified overview of this topic see: Török 1997: 424-432; Welsby 1996: 66-67). -
Churches in Serbia and Germany in Dialogue
TOWARD THE HEALING OF MEMORIES AND CHANGING OF PERCEPTIONS: CHURCHES IN SERBIA AND GERMANY IN DIALOGUE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy By Angela V. Ilić MAY 2012 Dissertation Committee: Dr. Leonard J. Swidler, Advisory Chair, Department of Religion Dr. Terry Rey, Department of Religion Dr. John C. Raines, Department of Religion Dr. Paul B. Mojzes, Rosemont College Dr. Kyriakos M. Kontopoulos, External Reader, Department of Sociology © by Angela Valeria Ilić 2012 All Rights Reserved ii ABSTRACT This dissertation examines a series of interchurch consultations that took place between 1999 and 2009 with the participation of the Evangelical Church in Germany, the Roman Catholic German Bishops’ Conference and the Serbian Orthodox Church. The Protestant-Catholic-Orthodox ecumenical encounters began in the immediate aftermath of the Kosovo crisis, and aimed to support Serbia’s democratization and European integration. At a total of nine meetings, delegates from the participating churches, together with politicians, representatives of non-governmental organizations, and scholars from various fields, discussed the role of churches and religion in the two countries. The meetings provided a forum for exchanging knowledge and addressing the challenges confronting the churches and their social organizations. Through lectures, discussions, and meetings in working groups, the consultations focused on theological, legal, political, and social topics, such as church and state relations in Serbia, the role of churches in secularized society, Serbia’s relationship to the rest of Europe, reconciliation, and the healing of memories. Focusing on the content and the outcomes of the consultations, the author places them into the broader ecumenical, social and political context in which they took place. -
The Oxford Companion to English Literature, 6Th Edition
e cabal, from the Hebrew word qabbalah, a secret an elderly man. He is said by *Bede to have been an intrigue of a sinister character formed by a small unlearned herdsman who received suddenly, in a body of persons; or a small body of persons engaged in vision, the power of song, and later put into English such an intrigue; in British history applied specially to verse passages translated to him from the Scriptures. the five ministers of Charles II who signed the treaty of The name Caedmon cannot be explained in English, alliance with France for war against Holland in 1672; and has been conjectured to be Celtic (an adaptation of these were Clifford, Arlington, *Buckingham, Ashley the British Catumanus). In 1655 François Dujon (see SHAFTESBURY, first earl of), and Lauderdale, the (Franciscus Junius) published at Amsterdam from initials of whose names thus arranged happened to the unique Bodleian MS Junius II (c.1000) long scrip form the word 'cabal' [0£D]. tural poems, which he took to be those of Casdmon. These are * Genesis, * Exodus, *Daniel, and * Christ and Cade, Jack, Rebellion of, a popular revolt by the men of Satan, but they cannot be the work of Caedmon. The Kent in June and July 1450, Yorkist in sympathy, only work which can be attributed to him is the short against the misrule of Henry VI and his council. Its 'Hymn of Creation', quoted by Bede, which survives in intent was more to reform political administration several manuscripts of Bede in various dialects. than to create social upheaval, as the revolt of 1381 had attempted.