Spring 2018 Picks of the Lists
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Off the Pedestal, on the Stage: Animation and De-Animation in Art
Off the Pedestal; On the Stage Animation and De-animation in Art and Theatre Aura Satz Slade School of Fine Art, University College, London PhD in Fine Art 2002 Abstract Whereas most genealogies of the puppet invariably conclude with robots and androids, this dissertation explores an alternative narrative. Here the inanimate object, first perceived either miraculously or idolatrously to come to life, is then observed as something that the live actor can aspire to, not necessarily the end-result of an ever evolving technological accomplishment. This research project examines a fundamental oscillation between the perception of inanimate images as coming alive, and the converse experience of human actors becoming inanimate images, whilst interrogating how this might articulate, substantiate or defy belief. Chapters i and 2 consider the literary documentation of objects miraculously coming to life, informed by the theology of incarnation and resurrection in Early Christianity, Byzantium and the Middle Ages. This includes examinations of icons, relics, incorrupt cadavers, and articulated crucifixes. Their use in ritual gradually leads on to the birth of a Christian theatre, its use of inanimate figures intermingling with live actors, and the practice of tableaux vivants, live human figures emulating the stillness of a statue. The remaining chapters focus on cultural phenomena that internalise the inanimate object’s immobility or strange movement quality. Chapter 3 studies secular tableaux vivants from the late eighteenth century onwards. Chapter 4 explores puppets-automata, with particular emphasis on Kempelen's Chess-player and the physical relation between object-manipulator and manipulated-object. The main emphasis is a choreographic one, on the ways in which live movement can translate into inanimate hardness, and how this form of movement can then be appropriated. -
Catalogue 1949-1987
Penguin Specials 1949-1987 for his political activities and first became M.P. for West Fife in 1935. S156-S383 Penguin Specials. Before the war, when books could be produced quickly, we used to publish S156 1949 The case for Communism. volumes of topical interest as Penguin Specials. William Gallacher We are now able to resume this policy of Specially written for and first published in stimulating public interest in current problems Penguin Books February 1949 and controversies, and from time to time we pp. [vi], [7], 8-208. Inside front cover: About this shall issue books which, like this one, state the Book. Inside rear cover: note about Penguin case for some contemporary point of view. Other Specials [see below] volumes pleading a special cause or advocating a Printers: The Philips Park Press, C.Nicholls and particular solution of political, social and Co. Ltd, London, Manchester, Reading religious dilemmas will appear at intervals in this Price: 1/6d. new series of post-war Penguin Specials ... Front cover: New Series Number One. ... As publishers we have no politics. Some time ago S157 1949 I choose peace. K. Zilliacus we invited a Labour M.P. and a Conservative Specially written for and first published in M.P. to affirm the faith and policy of the two Penguin Books October 1949 principal parties and they did so in two books - pp. [x], [11], 12-509, [510] blank + [2]pp. ‘Labour Marches On’, by John Parker M.P., and adverts. for Penguin Books. Inside front cover ‘The Case for Conservatism’, by Quintin Hogg, [About this Book]. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Size, Scale and the Imaginary in the Work of Land Artists Michael Heizer, Walter De Maria and Dennis Oppenheim
Larger than life: size, scale and the imaginary in the work of Land Artists Michael Heizer, Walter De Maria and Dennis Oppenheim © Michael Albert Hedger A thesis in fulfillment of the requirements for the degree of Doctor of Philosophy Art History and Art Education UNIVERSITY OF NEW SOUTH WALES | Art & Design August 2014 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Hedger First name: Michael Other name/s: Albert Abbreviation for degree as given in the University calendar: Ph.D. School: Art History and Education Faculty: Art & Design Title: Larger than life: size, scale and the imaginary in the work of Land Artists Michael Heizer, Walter De Maria and Dennis Oppenheim Abstract 350 words maximum: (PLEASE TYPE) Conventionally understood to be gigantic interventions in remote sites such as the deserts of Utah and Nevada, and packed with characteristics of "romance", "adventure" and "masculinity", Land Art (as this thesis shows) is a far more nuanced phenomenon. Through an examination of the work of three seminal artists: Michael Heizer (b. 1944), Dennis Oppenheim (1938-2011) and Walter De Maria (1935-2013), the thesis argues for an expanded reading of Land Art; one that recognizes the significance of size and scale but which takes a new view of these essential elements. This is achieved first by the introduction of the "imaginary" into the discourse on Land Art through two major literary texts, Swift's Gulliver's Travels (1726) and Shelley's sonnet Ozymandias (1818)- works that, in addition to size and scale, negotiate presence and absence, the whimsical and fantastic, longevity and death, in ways that strongly resonate with Heizer, De Maria and especially Oppenheim. -
Bibliography
Bibliography Acu˜na, M. H., Connerney, J. E. P., Ness, N. F., Lin, R. P., Basilevsky, A. T., Litvak, M. L., Mitrofanov, I. G., Boynton, Mitchell, D., Carlson, C. W., McFadden, J., Anderson, W., Saunders, R. S., and Head, J. W. (2003). Search for K. A., R`eme, H., Mazelle, C., Vignes, D., Wasilewski, P., Traces of Chemically Bound Water in the Martian Surface and Cloutier, P. (1999). Global Distribution of Crustal Layer Based on HEND Measurements onboard the 2001 Magnetization Discovered by the Mars Global Surveyor Mars Odyssey Spacecraft. Solar System Research, 37, MAG/ER Experiment. Science, 284, 790–793. 387–396. Allen, C. C. (1979). Volcano-ice interactions on Mars. J. Geo- Basilevsky, A. T., Rodin, A. V., Kozyrev, A. S., Mitrofanov, phys. Res., 84(13), 8048–8059. I. G., Neukum, G., Werner, S. C., Head, J. W., Boynton, W., and Saunders, R. S. (2004). Mars: The Terra Arabia Anderson, C. E. (1987). An overview of the theory of hy- Low Epithermal Neutron Flux Anomaly. In Lunar and drocodes. Int. J. Impact Eng., 5, 33–59. Planetary Institute Conference Abstracts, page 1091. Basilevsky, A. T., Neukum, G., Ivanov, B. A., Werner, S. K., Arvidson, R. E., Coradini, M., Carusi, A., Coradini, A., Gesselt, S., Head, J. W., Denk, T., Jaumann, R., Hoff- Fulchignoni, M., Federico, C., Funiciello, R., and Sa- mann, H., Hauber, E., and McCord, T. (2005). Morphol- lomone, M. (1976). Latitudinal variation of wind erosion ogy and geological structure of the western part of the of crater ejecta deposits on Mars. Icarus, 27, 503–516. Olympus Mons volcano on Mars from the analysis of the Mars Express HRSC imagery. -
The Life and Politics of David Widgery David Renton
The Life and Politics of David Widgery David Renton David Widgery (1947-1992) was a unique figure on the British left. Better than any one else, his life expressed the radical diversity of the 1968 revolts. While many socialists could claim to have played a more decisive part in any one area of struggle - trade union, gender or sexual politics, radical journalism or anti- racism - none shared his breadth of activism. Widgery had a remarkable abili- ty to "be there," contributing to the early debates of the student, gay and femi- nist movements, writing for the first new counter-cultural, socialist and rank- and-file publications. The peaks of his activity correspond to the peaks of the movement. Just eighteen years old, Widgery was a leading part of the group that established Britain's best-known counter-cultural magazine Oz. Ten years later, he helped to found Rock Against Racism, parent to the Anti-Nazi League, and responsible for some of the largest events the left has organised in Britain. RAR was the left's last great flourish, before Margaret Thatcher became Prime Minister, and the movement entered a long period of decline, from which even now it is only beginning to awake. David Widgery was a political writer. Some of the breadth of his work can be seen in the range of the papers for which he wrote. His own anthology of his work, compiled in 1989 includes articles published in City Limits, Gay Left, INK, International Socialism, London Review of Books, Nation Review, New Internationalist, New Socialist, New Society, New Statesman, Oz, Radical America, Rank and File Teacher,Socialist Worker, Socialist Review, Street Life, Temporary Hoarding, Time Out and The Wire.' Any more complete list would also have to include his student journalism and regular columns in the British Medical Journal and the Guardian in the 1980s. -
Authenticity, Politics and Post-Punk in Thatcherite Britain
‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1. -
Annual Report 2008-2009 INTRODUCTION
annual report 2008-2009 INTRODUCTION WE’RE PLEASED TO REPORT that despite a very challenging economic environment, Poets & Writers was able not only to maintain, but to improve and expand, its programs during the year ending June 30, 2009. Last year, we published six issues of Poets & Writers Magazine, which included special sections on independent presses, MFA programs, literary magazines, and writers retreats. We were especially proud to continue Agents & Editors, a highly popular fea- ture, which presented interviews with a number of top publishing professionals. We also launched Bullseye, a column that offers invaluable advice from literary magazine editors on submitting work to their journals. Circulation to the magazine remained steady at 55,000, and advertising revenue grew to over $1.2 million. Traffic to our Web site grew as well, to over 80,000 unique visitors per month. We continued to add new features to pw.org throughout the year, including Writers Recommend, in which authors talk about the books and art that inspire them to write. The site’s Speakeasy Message Forum continued to be a popular destination for authors to exchange advice and information on top- ics ranging from poetry contests to book contracts. And our databases of literary magazines and small presses received a high volume of visits from writers looking for places to submit their work. Our Information Services staff continued to provide a personal response to hundreds of e-mail and phone queries from writers, and we were pleased to be able to continue to offer this service free-of-charge. Staff also reviewed and approved applications from over 500 writers applying for listing in our Directory of Writers, which now includes over 8,000 poets, fiction writers, and creative nonfiction authors. -
Biennial Report
Biennial RepoRt July 1, 2009 – June 30, 2011 TABle oF ContentS 3 Introduction 4 40th Anniversary Campaign 6 Poets & Writers Magazine 9 Pw.org 10 Information Services Founded in 1970, Poets & Writers believes writers make indispensable con- 11 Readings/Workshops tributions to our national culture. The organization’s mission is to foster the 23 California Office professional development of poets and writers, to promote communication 24 Awards for Writers throughout the literary community, and to help create an environment in which 28 In the Field literature can be appreciated by the widest possible public. 30 Friends of Poets & Writers 32 Institutional Donors 34 Board of Directors 35 Poets & Writers Staff 36 Treasurer’s Report 38 R/W Writers Supported 47 R/W Sponsors n 2010, POeTS & WRITeRS CelebrateD four decades of importance of our website as a means of providing informa- I service to creative writers. tion and as a platform for the community of creative writers, the longtime editor of the magazine, Mary Gannon, was promoted to Founded in 1970 by Galen Williams with the support of the new editorial director. In this capacity, she provides direction to both York State Council on the Arts, the organization’s first initiative the magazine and website. Under her leadership, we’ve added was a program now called Readings/Workshops, which paid fees a host of new features, enhanced functionality of the site, and to writers for leading workshops and giving readings. strengthened linkages between our print and digital publications. On the occasion of our 40th Anniversary, the Board of Directors The Readings/Workshop program, where it all began, continued wanted to honor Galen for her vision and tenacity. -
Bernadette Mayer Papers
http://oac.cdlib.org/findaid/ark:/13030/tf0199n71x No online items Bernadette Mayer Papers Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2019 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html Bernadette Mayer Papers MSS 0420 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: Bernadette Mayer Papers Identifier/Call Number: MSS 0420 Physical Description: 30.0 Linear feet(70 archives boxes, 1 card file box and 7 oversize file folders) Date (inclusive): 1958-2017 Abstract: Papers of Bernadette Mayer, writer, teacher, editor, and publisher. Most often associated with the New York School, Mayer uses compositional methods such as chance operations, collage and cut-up. Materials include correspondence with writers, artists, publishers, and friends; manuscripts and typescripts; notebooks and loose notes; teaching notes; audio recordings and photographs; and biographical materials such as calendars, datebooks and ephemera. Scope and Content of Collection The Bernadette Mayer Papers document Mayer's career as a writer and teacher and, to a lesser extent, her career as a publisher and editor. Additionally, the papers reflect the broader community of artists and writers known as the New York School. Materials include correspondence from writers, artists, publishers, and friends; notebooks and loose notes; manuscripts and typescripts of Mayer's works; teaching notes; audio recordings and photographs; and biographical materials such as calendars, datebooks and ephemera. Accession Processed in 1998 Arranged in eleven series: 1) BIOGRAPHICAL MATERIAL, 2) CORRESPONDENCE, 3) WRITINGS, 4) NOTEBOOKS, 5) WRITINGS OF OTHERS, 6) TEACHING MATERIAL, 7) EDITING MATERIAL, 8) EPHEMERA, 9) PHOTOGRAPHS, 10) SOUND RECORDINGS, and 11) ORIGINALS OF PRESERVATION PHOTOCOPIES. -
The Big Little Man from Brooklyn—II
64 ANNALS OF IMPOSTURE THE BIG LITTLE MAN FROM BROOKLYN~II OOKED at from the outside, the diplomat on assignment to Princess that until he did make up his mind it party that celebrated Stanley Fatima of Afghanistan, and under a might be a good idea for him to go to Clifford Weyman's twentieth variety of names, which included S. work and get some practical experience birthday, in 1910, was an ordinary Clifford Weinberg (his real name be- at something. sort of birthday party. It was attended ing Stephen Jacob Weinberg), Ethan The father and the other members by his mother and father and his five Allen Weinberg, Rodney S. Wyman, of the family were sure that the eldest younger brothers. His mother had Sterling C. Wyman, Allen Stanley son would go a long way once he had baked a chocolate cake and decorated it Weyman, and (his favorite) Stanley started off in some single direction. He with twenty candles, and there was the Clifford Weyman. What he wanted was good-looking, had charming man- bringing in of the cake to the dining to do was to go to Princeton, take a ners, and talked slowly, eloquently, and room and the presentation of gifts to B.A., apply for an appointment in the with great persistence in a soft voice. the eldest son. It was inside the young Foreign Service, pass the State Dc- In his senior year in high school, man's head that extraordinary things partment examinations, and do some he had taken the affirmative in a de- were going on during that party. -
HIS/AMS 295.01 Foundations of U.S. Popular Culture
Spring I 2021 HIS/AMS 295.01 Foundations of U.S. Popular Culture Professor Sarah J. Purcell (she/her) Phone: 515-497-0778 E-mail: [email protected] Monday-Friday 1:00-2:50 pm ALL times on this syllabus are listed in the CENTRAL TIME ZONE. Almost all of the work for this class can be completed asynchronously, and all live class meetings are optional. The Monday (optional) class meetings will be recorded, and students may view them afterward. I am with you all the time--even though our class is online. Please email, call, or text me any time for help with class, or with anything else. I encourage you to take care of yourself. Let me know what you need, and try to share any concerns before they become severe. I am VERY flexible (especially right now), and I will always listen to you. Share your triumphs, too. Please get in the habit of contacting me frequently and of connecting with your classmates. The largely asynchronous nature of our work means we have to make an effort to contribute and communicate. We will stay connected! We are studying in a time of global crisis, and life will not always proceed as we envision it. I expect flexibility from you, and you may expect it from me. Please communicate, so we can help one another during these tough times. Course Objectives Course Focus: Students in this course will examine the creation and expansion of American popular culture in the nineteenth century as they focus on diverse cultural forms: dime novels, newspapers, music, sports, cartoons, material culture, theater, minstrel shows, magazines, etc.