DOCSLIB.ORG

The Oxford Companion to English Literature, 6Th Edition

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Oxford Companion to English Literature, 6Th Edition e cabal, from the Hebrew word qabbalah, a secret an elderly man. He is said by *Bede to have been an intrigue of a sinister character formed by a small unlearned herdsman who received suddenly, in a body of persons; or a small body of persons engaged in vision, the power of song, and later put into English such an intrigue; in British history applied specially to verse passages translated to him from the Scriptures. the five ministers of Charles II who signed the treaty of The name Caedmon cannot be explained in English, alliance with France for war against Holland in 1672; and has been conjectured to be Celtic (an adaptation of these were Clifford, Arlington, *Buckingham, Ashley the British Catumanus). In 1655 François Dujon (see SHAFTESBURY, first earl of), and Lauderdale, the (Franciscus Junius) published at Amsterdam from initials of whose names thus arranged happened to the unique Bodleian MS Junius II (c.1000) long scrip­ form the word 'cabal' [0£D]. tural poems, which he took to be those of Casdmon. These are * Genesis, * Exodus, *Daniel, and * Christ and Cade, Jack, Rebellion of, a popular revolt by the men of Satan, but they cannot be the work of Caedmon. The Kent in June and July 1450, Yorkist in sympathy, only work which can be attributed to him is the short against the misrule of Henry VI and his council. Its 'Hymn of Creation', quoted by Bede, which survives in intent was more to reform political administration several manuscripts of Bede in various dialects. than to create social upheaval, as the revolt of 1381 had attempted. Its leader Jack Cade, who is said to have Caelia, in Spenser's * Faerie Queene (1. x) the Lady of the been Irish, took the name Mortimer and marched House of Holiness, mother of Fidelia, Speranza, and triumphantly into London where his followers be­ Charissa (Faith, Hope, and Charity). headed Say, the lord treasurer. After a fight on London Bridge, Cade was abandoned by his followers, where­ Caerleon, see CARLIOUN. upon he retreated into Sussex where he was killed. He appears as a character in Shakespeare's 2 *Henry VI. CAESAR, Gaius Julius (102/100-44 BC), Roman polit­ Cadenus and Vanessa, a poem by * Swift, written in ician who in his middle forties surfaced as a general of 1713 for Esther Vanhomrigh ('Vanessa'). It is the genius. Victor in the factional struggles that destroyed narrative, in mock classical form, of the author's the republic, and eventually dictator, he prepared the relations with 'Vanessa' and an apology for his con­ ground for six centuries of imperial rule. He was also a duct. 'Cadenus' is an obvious anagram of 'Decanus', writer of exceptional ability and has left a lucid account dean. Miss Vanhomrigh evidently took no exception to of his campaigns in his Commentaries. Since he cuts an his statement of the facts, since she preserved the poem attractive figure in the correspondence of *Cicero (the and desired it to be published. It appeared in 1726, principal contemporary source for the events of his three years after her death. lifetime) and is praised by the biographers and his­ torians who served his imperial successors, and since Cadwal, in Shakespeare's *Cymbeline, the name of he had a love affair with Cleopatra, the most fascin­ Cymbeline's younger son *Arviragus during his child­ ating woman of his day, later ages came to look upon hood in Wales. him as a superman. The Commentaries on the Gallic CADWALLADER, (1) the son of Cadwallon, died in 689 War were translated in part by A. *Golding (1565) and according to *Geoffrey of Monmouth. He is the last of C. Edmondes (1600), but they were read in the original the British kings of England, according to the various by every English schoolboy, and mentions of Caesar *Brut chronicles which conclude with him. After his abound in English literature. *Dryden for example day, which was characterized by plague and desolation, cites his opinions repeatedly. But the true signposts to the British would be called Welsh (foreign) and the the nature of his reputation are Shakespeare's *Julius Saxons rule instead in England, until the time proph­ Caesar (c.1599) and *Shaw's Caesar and Cleopatra esied by *Merlin for the return of a British king. He (1901). joined Penda (according to Geoffrey, Cadwallader's maternal uncle) against Eadwine, the Anglian king of Caesar and Pompey, a Roman tragedy by *Chapman, Northumbria; (2) a character in Smollett's *Peregrine published 1631, but written between 1599 and 1607. Pickle; (3) a Mrs Cadwallader figures in George Eliot's It deals with the contention of Caesar and Pompey, *Middlemarch. the events leading to the battle of Pharsalus (48 BC), the murder of Pompey, and the suicide of Cato of Utica. The OEDMON (fl. 670) entered the monastery of Streane- latter is the real hero of the play, of which the motto is shalch (Whitby) between 658 and 680, when already 'Only a just man is a free man'. loi CAESURA | CALDERÓN DE LA BARCA caesura, in Greek and Latin prosody, the division of a Rossettis and W B. *Scott were represented. He then metrical foot between two words, especially in certain turned to fiction, with sensational success, writing recognized places near the middle of the line; in novels which achieved wide popularity, many set in the English prosody, a pause about the middle of a metrical Isle of Man: titles include The Manxman (1894), The line, generally indicated by a pause in the sense. Christian (1897), The Eternal City (1901), The Prodigal Son (1904), and The Woman of Knockaloe (1923). The Café Royal, a French-style café-restaurant at 68 Regent Woman Thou Gavest Me (1913) was an attack on Street, which was for several decades from the 1880s women's position in society and a criticism of the onwards the haunt of artists and writers and the scene marriage laws. See Vivien Allen, Hall Caine: Portrait of of many artistic gatherings, scandals, and celebrations. a Victorian Romancer (1997) which describes his Its habitués included * Whistler, * Wilde, *Dowson, A. career, his friendships with Bram * Stoker and G. B. *Symons, *Crowley, F. *Harris, *Firbank, *Beerbohm, *Shaw, and his marriage to child-bride Mary Chandler. and G. B. *Shaw; it appeared in the novels of D. H. *Lawrence (as The Café Pompadour, in * Women in CAIRD, (Alice) Mona (1855-1932). She combined Love), of * Maugham, Arnold * Bennett, E. *Waugh, and polemical feminist writing, particularly on the patri­ others, and was painted and sketched by *Beardsley, archal institution of marriage (essays collected as The Sickert, and others. Its famous Brasserie closed in 1951. Morality of Marriage, 1897) with *New Woman fiction. See Café Royal: Ninety Years of Bohemia (1955) by G. She celebrated women's drive to determine their own Deghy and K. Waterhouse. lives: in The Daughters ofDanaus (1894) the heroine leaves husband and family to study music. Other Cain:A Mystery, a verse drama in three acts by * Byron, novels in which she interrogates what was considered published 1821. Cain, bewildered by the toil imposed 'proper' womanly behaviour and the stifling effect of upon him by another's fault, and by the mystery of the conventionality include The Wing ofAzrael (1889) and 'evil' consequences of 'good' knowledge, is confronted The Stones of Sacrifice (1915). Caird also campaigned by Lucifer, who teaches him to question the wicked extensively against vivisection: see A Sentimental View works and ways of God, the 'Omnipotent tyrant'. of Vivisection (1895) and Beyond the Pale (1897). Byron's bold intellectual speculations on the origins of matter and life are displayed as Lucifer takes Cain on a Caius, Dr, a French physician in Shakespeare's *The dazzling tour of the cosmos: they visit earlier worlds Merry Wives of Windsor. Kent in *King Lear makes a peopled by pre-Adamite beings, witness the extinction reference to 'your servant Caius' (v. iii. 283). Neither of species, and contemplate the populous realm of the character appears to carry any allusion to the real life dead. Cain curses his parents and 'He who invented life Dr John Caius, refounder of Gonville and Caius College, that leads to death'. On his return to earth Cain Cambridge. expresses his doubts and fears to his sister-bride Calantha, the heroine of Ford's *The Broken Heart. Adah, and is reluctant to share his favoured brother Abel's sacrifice to Jehovah. In a fit of passion, revolted CALDERÓN DE LA BARCA, Pedro (1600-81), the great by the barbaric blood-sacrifice and a God who could Spanish dramatist and successor of Lope de *Vega, delight in such offerings, he strikes Abel and kills him, born in Madrid and educated at Salamanca. After a thus bringing into the world Death, the thought of turbulent early life he was ordained priest in 1651; he which had empoisoned his life. Cursed by Eve, rejected enjoyed royal favour, and in 1663 became chaplain of by Adam, and marked on the brow by an angel of the honour to the king. He wrote some 120 plays— Lord, Cain sets forth into exile with his wife and tragedies, comedies of manners, histories, philosoph­ children, knowing that they will further the doom of ical dramas—and, in later life, more than 70 highly mankind. This powerful and spirited enquiry into regarded autos sacramentales, allegorical religious original sin, heredity, free will, and predestination plays with subjects from mythology and the Old caused intense indignation, and the publisher, John and New Testaments, dramatizing aspects of faith. *Murray, was threatened with prosecution. Byron Of his secular plays, one of the best known is El alcalde diplomatically denied that the views represented de Zalamea (c.
Load more

Recommended publications
  • Irish Gothic Fiction
    THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland.
    [Show full text]
  • English Renaissance
    1 ENGLISH RENAISSANCE Unit Structure: 1.0 Objectives 1.1 The Historical Overview 1.2 The Elizabethan and Jacobean Ages 1.2.1 Political Peace and Stability 1.2.2 Social Development 1.2.3 Religious Tolerance 1.2.4 Sense and Feeling of Patriotism 1.2.5 Discovery, Exploration and Expansion 1.2.6 Influence of Foreign Fashions 1.2.7 Contradictions and Set of Oppositions 1.3 The Literary Tendencies of the Age 1.3.1 Foreign Influences 1.3.2 Influence of Reformation 1.3.3 Ardent Spirit of Adventure 1.3.4 Abundance of Output 1.4 Elizabethan Poetry 1.4.1 Love Poetry 1.4.2 Patriotic Poetry 1.4.3 Philosophical Poetry 1.4.4 Satirical Poetry 1.4.5 Poets of the Age 1.4.6 Songs and Lyrics in Elizabethan Poetry 1.4.7 Elizabethan Sonnets and Sonneteers 1.5 Elizabethan Prose 1.5.1 Prose in Early Renaissance 1.5.2 The Essay 1.5.3 Character Writers 1.5.4 Religious Prose 1.5.5 Prose Romances 2 1.6 Elizabethan Drama 1.6.1 The University Wits 1.6.2 Dramatic Activity of Shakespeare 1.6.3 Other Playwrights 1.7. Let‘s Sum up 1.8 Important Questions 1.0. OBJECTIVES This unit will make the students aware with: The historical and socio-political knowledge of Elizabethan and Jacobean Ages. Features of the ages. Literary tendencies, literary contributions to the different of genres like poetry, prose and drama. The important writers are introduced with their major works. With this knowledge the students will be able to locate the particular works in the tradition of literature, and again they will study the prescribed texts in the historical background.
    [Show full text]
  • Copyright by Katharine Elizabeth Beutner 2011
    Copyright by Katharine Elizabeth Beutner 2011 The Dissertation Committee for Katharine Elizabeth Beutner certifies that this is the approved version of the following dissertation: Writing for Pleasure or Necessity: Conflict among Literary Women, 1700-1750 Committee: ____________________________________ Lance Bertelsen, Supervisor ____________________________________ Janine Barchas ____________________________________ Elizabeth Cullingford ____________________________________ Margaret Ezell ____________________________________ Catherine Ingrassia Writing for Pleasure or Necessity: Conflict among Literary Women, 1700-1750 by Katharine Elizabeth Beutner, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Acknowledgments My thanks to the members of my dissertation committee—Janine Barchas, Elizabeth Cullingford, Margaret Ezell, and Catherine Ingrassia—for their wise and patient guidance as I completed this project. Thanks are also due to Elizabeth Hedrick, Michael Adams, Elizabeth Harris, Tom Cable, Samuel Baker, and Wayne Lesser for all the ways they’ve shaped my graduate career. Kathryn King, Patricia Hamilton, Jennie Batchelor, and Susan Carlile encouraged my studies of eighteenth-century women writers; Al Coppola graciously sent me a copy of his article on Eliza Haywood’s Works pre-publication. Thanks to Matthew Reilly for comments on an early version of the Manley material and to Jessica Kilgore for advice and good cheer. My final year of writing was supported by the Carolyn Lindley Cooley, Ph.D. Named PEO Scholar Award and by a Dissertation Fellowship from the American Association of University Women. I want to express my gratitude to both organizations.
    [Show full text]
  • Introduction Michael Hattaway
    1 Introduction Michael Hattaway What does it mean to speak of ‘the English Renaissance’? Within the parts of this volume, defining historical contexts and perspectives, the next offering readings of particular texts along with accounts of genres and modes, and the last presenting engagements with a number of critical issues and debates, we approach the question in a variety of ways. The word ‘Renaissance’ designates ‘rebirth’, a metaphor applied, from its begin- nings, to a cultural vision that originated in Italy. For the nineteenth and twentieth centuries this was projected in a magnificent synthesis by Jacob Burckhardt, The Civ- ilization of the Renaissance in Italy (1860). Burckhardt retrospectively laid out a master proposal to revive the art and learning of the classical world, to emulate the grandeur of ancient cities, to stimulate science and geographical discovery, and to produce art and literature that imitated antique models, an undertaking which was dedicated as much to the profane as to the spiritual. Rival city states of Italy required monuments to enhance their fame, and thus ensured patronage for the writers and artists who duly bequeathed to posterity the texts and great architectural and visual exemplars with which we are all familiar. Burckhardt’s categories, which rest upon notions of ‘genius’, ‘individuality’ and secularization, have percolated into all too many derivative hand- books for the period: they may not, however, fit the English experience. England did enjoy a phenomenal energizing of literature: this is an age that, tra- ditionally, has at its centre, Spenser and Sidney, Marlowe and Nashe, Shakespeare, and Jonson. Ben Jonson, exceptionally, did publish his ‘works’ in a manner befitting an author of the Renaissance, although some of the dramatic genres he used have medieval origins.
    [Show full text]
  • \~~A L BEC~US Tes OUR LAND
    Palestinian struggle: the real facts -see story page 6- • The following letter of protest was sent to President Nixon have been ordered to the coast of Lebanon, and that you on behalf of the 75 Socialist \Vorkers Party candidates for have placed on alert troops from the Eighth Infantry Division public office in 15 states. It was written by Paul Boutelle, in West Germany and the 82nd Airborne Division at Fort SWP vice-presidential candidate in 1968 and currently the Bragg, N. C. I remember the 82nd Airborne as the same SWP candidate for Congress from Harlem. Paul Boutelle division that President Johnson sent to Santo Domingo to has just returned from a fact-finding trip to the Middle East. crush the uprising there in 1965, and into Detroit in 1967 * * * to crush the revolt of the Black community. President Nixon: This is not a coincidence. The struggles of the Dominicans The Socialist Workers Party demands the immediate halt and Afro-Americans, like those of the Palestinians, are strug­ to all steps toward U.S. military intervention in the Jor­ gles of oppressed peoples to control their own affairs. danian civil war. The U.S. has no right whatsoever in The United States government's support for the reactionary, Jordan. Zionist regime in Israel and its support for King Hussein's People throughout the world are just beginning to learn slaughter of the Palestinian refugees is consistent with its the scope of the wholesale slaughter that is occurring in support to reactionary dictatorships throughout the world­ Jordan right now. We hold your administration and its from Cambodia and Vietnam to South Africa, Greece and imperialist policies responsible for the bloodbath being per­ Iran.
    [Show full text]
  • Make We Merry More and Less
    G MAKE WE MERRY MORE AND LESS RAY MAKE WE MERRY MORE AND LESS An Anthology of Medieval English Popular Literature An Anthology of Medieval English Popular Literature SELECTED AND INTRODUCED BY DOUGLAS GRAY EDITED BY JANE BLISS Conceived as a companion volume to the well-received Simple Forms: Essays on Medieval M English Popular Literature (2015), Make We Merry More and Less is a comprehensive anthology of popular medieval literature from the twel�h century onwards. Uniquely, the AKE book is divided by genre, allowing readers to make connec�ons between texts usually presented individually. W This anthology offers a frui�ul explora�on of the boundary between literary and popular culture, and showcases an impressive breadth of literature, including songs, drama, and E ballads. Familiar texts such as the visions of Margery Kempe and the Paston family le�ers M are featured alongside lesser-known works, o�en oral. This striking diversity extends to the language: the anthology includes Sco�sh literature and original transla�ons of La�n ERRY and French texts. The illumina�ng introduc�on offers essen�al informa�on that will enhance the reader’s enjoyment of the chosen texts. Each of the chapters is accompanied by a clear summary M explaining the par�cular delights of the literature selected and the ra�onale behind the choices made. An invaluable resource to gain an in-depth understanding of the culture ORE AND of the period, this is essen�al reading for any student or scholar of medieval English literature, and for anyone interested in folklore or popular material of the �me.
    [Show full text]
  • Brexit-Tales from a Divided Country: Fragmented Nationalism in Anthony Cartwright’S the Cut, Amanda Craig’S the Lie of the Land, and Jonathan Coe’S Middle England
    Brexit-Tales from a Divided Country: Fragmented Nationalism in Anthony Cartwright’s The Cut, Amanda Craig’s The Lie of the Land, and Jonathan Coe’s Middle England Emma Linders, S2097052 Master thesis: Literary Studies, Literature in Society: Europe and Beyond University of Leiden Supervisor: Prof. Dr. P.T.M.G. Liebregts Second reader: Dr. M.S. Newton Date: 01-02-2020 (Zaichenko) Emma Linders 2 Table of Contents INTRODUCTION ....................................................................................................................................... 3 CHAPTER 1 – Strangers in a Familiar Land: National divisions in Anthony Cartwright’s The Cut ......... 10 Outsider Perspective ......................................................................................................................... 10 Personification .................................................................................................................................. 11 Demographic Divides ........................................................................................................................ 11 Foreign Home Nation ........................................................................................................................ 13 Class Society ...................................................................................................................................... 14 Geography ......................................................................................................................................... 16 Language
    [Show full text]
  • Sports History in the British Library: Selected Titles
    SPORT & SOCIETY The Summer Olympics and Paralympics through the lens of social science www.bl.uk/sportandsociety Sports history in the British Library: selected titles Any analysis of sport, sporting events and sports governance must inevitably take into account the historical events which underpin them. For sports researchers, the British Library has an unrivalled collection of resources covering all aspects of the subject and in many different media, from books describing sporting events, to biographies and autobiographies of grass roots and elite athletes; coaching manuals; sport yearbooks and annual reports; directories of athletics clubs; sports periodicals; newspaper reports; and oral history interviews with sports people, including Olympians and Paralympians. These materials cover a long period of sporting activity both in Great Britain and elsewhere in the world. Some early materials As a glance at the earliest editions of the British Museum Library subject index show, the term ‘sport’ in the 18th century (and for much of the nineteenth) usually referred to blood sports. Nevertheless the existence of such headings as Rowing, Bowls, Cricket, Football, and Gymnastics in these early indexes point to a longstanding role for sport -as currently understood - in British social life. As was the case in ancient times, sports might originate as forms of preparation for war (from 1338, when the Hundred year’s war with France began, a series of English kings passed laws to make football illegal for fear that it would consume too much of the time set aside for archery practice); but they could also represent the natural human desire for friendly competition, so that alongside the jousting of the elite, games like bowling, stool ball and football could hold important places in the lives of ordinary people.
    [Show full text]
  • Katherine Philips and the Discourse of Virtue
    https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Katherine Philips and the Discourse of Virtue Tracy J. Byrne Thesis submitted for the degree of Ph.D. University of Glasgow Department of English Literature March 2002 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior written consent. ProQuest Number: 10647853 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion.
    [Show full text]
  • 15. Identity and Irony. Martial's Tenth Book, Horace, and the Tradition of Roman Satire
    15. IDENTITY AND IRONY. MARTIAL'S TENTH BOOK, HORACE, AND THE TRADITION OF ROMAN SATIRE Elena Merli Although Martial strongly invokes the Latin epigrammatic tradition in his poetological statements-and thus in part actually constitutes this tradition-the intertextual references in his poetry point far beyond the genre of epigram. In his monograph on Martial, John Sullivan briefly discusses the role of satire and elegy in his view our poet's most important intertextual points of reference. According to Sullivan, Martial takes from satire his critical view of society and human behav­ ior, and from elegy especially the element of self-representation. Even prior to Sullivan, of course, the question of Martial's relationship to satire was posed frequently, and the answers focused on the humorous and mimic elements; on the poet's description of "types" such as the parvenu, the hypocrite and the legacy-hunter; and on his criticism of Roman society and the system of clientela. 1 To my mind, the limitation of this approach consists in the diffi­ culty of adequately defining the object "satire". Scholarship has too often abstained from seeking precise, concrete lines and tendencies of development in this genre, and done so in good conscience on the grounds of satire's intrinsic uarietas? As far as our topic is concerned, this fact has led to a kind of optical illusion: the relationship between Martial and Juvenal has moved to center stage, while Martial's much broader and more nuanced relationship to the various forms and stages of the satirical tradition has receded into the background.
    [Show full text]
  • The Other Country: Stories and a Novella
    UNLV Retrospective Theses & Dissertations 1-1-2006 The Other Country: Stories and a novella Vu Hoang Tran University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Tran, Vu Hoang, "The Other Country: Stories and a novella" (2006). UNLV Retrospective Theses & Dissertations. 2670. http://dx.doi.org/10.25669/oqxe-i2xn This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE OTHER COUNTRY: STORIES AND A NOVELLA by Yu Hoang Tran Bachelor of Arts University of Tulsa 1998 Master of Arts University of Tulsa 2000 Master of Fine Arts University of Iowa 2002 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Philosophy Degree in English Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas May 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3226632 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted.
    [Show full text]
  • Cambridge University Press 978-1-108-83944-0 — Swift in Print Valerie Rumbold Index More Information
    Cambridge University Press 978-1-108-83944-0 — Swift in Print Valerie Rumbold Index More Information Index This index focuses on four areas: Swift’s attitudes, actions and engagements with print and publication; his published writings and relevant collections; general topics relating to print; and individuals variously connected with Swift and his published work. For works attributable to individuals other than Swift, see references under their names; for Swift’s correspondence, see addressee. For a more general overview of the book’s contents, see chapter summaries in the Preface; and, for modern scholarship and editions, see the listing in Works Cited. Acheson, Sir Arthur and Lady Anne, 205, 206–7, Baudrier, Sieur de, 121–2 215, 286 Beckingham, Charles, 255 Addison, Joseph, 94, 107, 108, 132 Bentley, Richard, 110, 130–1, 240 Allen, Joshua, second Viscount Allen, 214 Berkeley, Charles, second Earl of Berkeley, 35, 41, All Fools’ Day, 69 48, 91, 126–7 almanacs and astrological writing, 4, 10, 28, 67–8, Berkeley, Elizabeth, Countess of Berkeley, 91, 95 72, 74, 78, 83–4, 159 Berkeley, Lady Elizabeth, see Lady Betty Germain Amy, Robert, 254 Best in Christendom, The, 198–9 Anderson, Andrew, 92 Bettenham, James, 188 Anne, Queen, 79, 89, 102, 114–15, 120, 123, 124, Bettesworth, Arthur, 254 129, 131, 195, 240–1 Bible, 4, 165 Answer to the Proposal for the Universal Use of Irish Bickerstaff, Isaac (librettist), 72 Manufactures, An, 151 Bickerstaff, Isaac (fictitious author), 28, 66, 67, Arbuthnot, John, 130–1, 185–6, 191, 195, 196, 68, 71, 72–3,
    [Show full text]