Faust, Part I: the First Part of the Tragedy Free
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Life of Goethe. Conclusion
THE LIFE OF GOETHE.* BY THE EDITOR. GOETHE began his great drama Got::: von Bcrlichingcn at the it in end of 1771 : he finished it in 1772 and submitted manu- script to Herder, but when Herder called the poet's attention to its shortcomings Goethe recast the whole, mercilessly canceled long pas- sages and introduced new material. In this revised shape he had it printed at his own expense in June 1773. because he could not find a publisher in Germany who would risk its publication. JOHANN BERNHARD BASEDOW. Many men of prominence had become interested in Goethe and visited him in his father's house. Among them must be mentioned first Johann Caspar Lavater (1741-1801), a pious pastor of Zurich, and Johann Bernhard Basedow, an educator of Hamburg. In com- pany with these two men, both with outspoken theological interests, the young worldling, as Goethe called himself in a poem of that period, undertook a trip along the Rhine in the summer of 1774. * The first instalment of this sketch appeared in the June number. 462 THE OPEN COURT. They visited Friedrich Heinrich Jacobi (1743-1819) on his estate at Pempelfort near Diisseldorf. Lavater was a well-known pulpiteer and the founder of the study of physioo^nomw a subject in which Goethe too was interested: JOHANN KASPAR LAVATER. After a water color by H. Lips in the K. K. Familien-Fideikommiss-Bibliothek. and Basedow the founder of an educational institution called the Philanthropin. Jacobi had deep philosophical interests and regarded himself as a disciple of Spinoza, whose philosophy, however, he THE LIFE OF GOETHE. -
Johann Wolfgang Von Goethe: Literature, Philosophy, and Science
Johann Wolfgang Von Goethe: Literature, Philosophy, and Science HIST 25304/ 35304, CHSS 31202 PHIL 20610/30610, GRMN 25304/ 35304, HIPS 26701 Instructor: Robert J. Richards Assistants: Sarah Panzer, Jake Smith I. The following texts for the course may be found at the Seminary Co-operative Bookstore: A. Primary Texts: Goethe, Sorrows of Young Werther (Modern Library, trans. Burton Pike) Goethe, Italian Journey (Viking Penguin, trans. Auden, W.H. and Meyer, Elizabeth) Goethe, Faust, Part One (Oxford U.P.–World’s Classics; trans. David Luke) Goethe, Selected Verse (Penguin) B. German editions for those who would like to try their hand; the following are also in the Seminary Co-Operative Bookstore: Goethe, Die Leiden des jungen Werther (Deutscher Taschenbuch Verlag) Goethe, Italienische Reise (Deutscher Taschenbuch Verlag) Goethe, Faust, Erster und zweiter Teil (Deutscher Taschenbuch Verlag) C. Packets of Photocopies: Goethe: Primary Readings (for sale in Social Sciences 205) Goethe: Secondary Readings (for sale in Social Sciences 205) D. Recommended text: Robert J. Richards, The Romantic Conception of Life: Science and Philosophy in the Age of Goethe (University of Chicago Press). II. Requirements: A. You will be responsible for preparing texts assigned for discussion, and it is imperative that you do so. You should also take seriously those items under recommended reading. B. In the first half of the class, the instructor will provide short lectures to introduce 1 topics drawn from the readings. In the second half of each class, discussion will be initiated from very short papers that all students must have produced for that class. These papers—no longer than one-two pages—should state some problem, question, or central aspect of the reading for that class and then solve the problem or answer the question so stated. -
The University of Chicago a Philosophy to Live By
THE UNIVERSITY OF CHICAGO A PHILOSOPHY TO LIVE BY: GOETHE‘S ART OF LIVING IN THE SPIRIT OF THE ANCIENTS A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF GERMANIC STUDIES BY GEORGINNA ANNE HINNEBUSCH CHICAGO, ILLINOIS DECEMBER 2018 Table of Contents List of Abbreviations....................................................................................................................... v Acknowledgements ....................................................................................................................... vii Introduction ..................................................................................................................................... 1 Goethe and Ancient philosophy .................................................................................................. 6 Philosophy as an Art of Living: Making the most of life ........................................................ 10 Art & Science as a Goethean Art of Living .............................................................................. 18 Introduction of Chapters ........................................................................................................... 19 Chapter 1 Ancient Philosophy as an Art of living........................................................................ 26 Central Claim & Methodology ................................................................................................. 29 Outline of this chapter .............................................................................................................. -
The Poems of Goethe
The Poems of Goethe Edgar Alfred Bowring The Project Gutenberg Etext of The Poems of Goethe, Bowring, Tr. #1 in our series by Johann Wolfgang von Goethe Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Poems of Goethe Translated in the original metres by Edgar Alfred Bowring April, 1998 [Etext #1287] The Project Gutenberg Etext of The Poems of Goethe, Bowring, Tr. ******This file should be named tpgth10.txt or tpgth10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, tpgth11.txt VERSIONS based on separate sources get new LETTER, tpgth10a.txt Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we do NOT keep these books in compliance with any particular paper edition, usually otherwise. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. -
In Praise of Ozsváth and Turner's Poetry of Translation
In Praise of Ozsváth and Turner’s Poetry of Translation Mark Olival-Bartley Johann Wolfgang von Goethe, The Golden Goblet: Selected Poems, translated by Zsuzsanna Ozsváth and Frederick Turner. Deep Vellum, 234pp., $12 paper. here’s no gainsaying that you haVe More pressing concerns than to read a process-driven and autobiographical account celebrating a new translation of select Tverse by Goethe. Indeed, we all do. Scanning the headlines as we scroll through our social media feeds, we are collectively undone by illimitable crises: There’s the pandemic, of course; catastrophic climate change; drought and famine; a global rise in fascism; the Holocene extinction; cyberwarfare; the acidification of the oceans; a worldwide recession— and the list goes on and on and on (and on). So, during this annus horribilis, marshaling whatever intellectual energy that remains to read, God help us, poetry seems, well, unseemly: After all, turning inward from the apocalyptic to seek, ostrich-like, the sanctuary of belles lettres suggests either brazen decadence or outright escapism. And, while we’re playing the devil’s advocate here, we might as well ask what possible value could a new translation of centuries-old verse by a dead white European male have for us now? It’s a fair question and the very one that Frederick Turner— co-translator with Zsuzsanna Ozsváth—poses with uncanny prescience at the outset of his introduction to The Golden Goblet: Selected Poems: “Why read Goethe now? Or let’s say: ‘What is wrong with us now, that we 72 might require the help of Goethe?’” Or, put yet another way: Given the magnitude and complexity of the foregoing catalogue of challenges facing humanity, how can reading Goethe help? In our first steps toward an answer, we would do well to keep in mind that Johann Wolfgang von Goethe (1749-1832), during his long and eventful life, masterfully explored a host of genres in pursuit of the abiding interests of his polymathic intellect—he was equally at home in fiction (e.g. -
Johann Wolfgang Von Goethe - Poems
Classic Poetry Series Johann Wolfgang von Goethe - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive www.PoemHunter.com - The World's Poetry Archive 1 Johann Wolfgang von Goethe(28 August 1749 – 22 March 1832) Johann Wolfgang von Goethe was a German writer, pictorial artist, biologist, theoretical physicist, and polymath. He is considered the supreme genius of modern German literature. His works span the fields of poetry, drama, prose, philosophy, and science. His Faust has been called one of the greatest dramatic works of modern European literature. His other well-known literary works include his numerous poems, the Bildungsroman Wilhelm Meister's Apprenticeship, and the epistolary novel The Sorrows of Young Werther. Goethe was one of the key figures of German literature and the movement of Weimar Classicism in the late 18th and early 19th centuries; this movement coincides with Enlightenment, Sentimentalism (Empfindsamkeit), Sturm und Drang and Romanticism. The author of the scientific text Theory of Colours, his influential ideas on plant and animal morphology and homology were extended and developed by 19th century naturalists including Charles Darwin. He also served at length as the Privy Councilor of the duchy of Saxe-Weimar. In politics Goethe was conservative. At the time of the French Revolution, he thought the enthusiasm of the students and professors to be a perversion of their energy and remained skeptical of the ability of the masses to ise, he "did not oppose the War of Liberation waged by the German states against Napoleon, but remained aloof from the patriotic efforts to unite the various parts of Germany into one nation; he advocated instead the maintenance of small principalities ruled by benevolent despots." Goethe's influence spread across Europe, and for the next century his works were a major source of inspiration in music, drama, poetry and philosophy. -
An Abstract of the Thesis Of
AN ABSTRACT OF THE THESIS OF Andre M. Hahn for the degree of Master of Arts in Interdisciplinary Studies in History of Science , Philosophy , and English presented on April 16, 2012 Title: The Morphology of Goethe’s Botanical Work Abstract Approved: Michael A. Osborne This thesis examines the morphology of Johann Wolfgang von Goethe (1749-1832) through several lenses. The first explores Goethe’s morphology as he applied it in his botanical work and supplies an explanation of what Goethe referred to as archetypal phenomena and the archetypal plant. The scope of exploration then broadens to include how Goethe’s morphology related to contemporary intellectual trends, in particular Linnaean taxonomy and Kantian Idealism. These contexts serve to situate the development of Goethe’s own thinking from his initial formulations of morphology to later variations. The second half of the thesis focuses on contemporary applications of Goethe’s ideas in morphology. Natural aesthetics serves as a natural extension. Modern theories of natural aesthetics seek out different justifications for aesthetic experiences arising from engagement with the natural world and this thesis offers Goethe’s morphology as an additional possibility. The final chapter looks at The Nature Institute and how it has adopted Goethe’s methods and applied them to modern genetics while expanding its scope to include cultural and ethical contexts. Through its presentation, this thesis intends that Goethe’s morphology can be applied beyond it usual biological subject matter, including itself. © Copyright by Andre M. Hahn April 16, 2012 All Rights Reserved The Morphology of Goethe’s Botanical Work by Andre M. -
Expansion and Contraction: Goethean Polarity and Architecture
EXPANSION AND CONTRACTION: GOETHEAN POLARITY AND ARCHITECTURE A Dissertation Presented to The Academic Faculty by Sabri Gökmen In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the School of Architecture/College of Architecture Georgia Institute of Technology August 2017 COPYRIGHT © 2017 BY SABRI GÖKMEN EXPANSION AND CONTRACTION: GOETHEAN POLARITY AND ARCHITECTURE Approved by: Professor Lars Spuybroek (Advisor) Professor Daniel L. Purdy School of Architecture College of Liberal Arts Georgia Institute of Technology Penn State University Professor John Peponis Professor Thomas Pfau School of Architecture Department of English Georgia Institute of Technology Duke Trinity College of Arts & Sciences Professor Greg Turk, School of Computer Science Georgia Institute of Technology Date Approved: [April 21, 2017] [To the students of the Georgia Institute of Technology] ACKNOWLEDGEMENTS Foremost, I would like to express my sincere gratitude to my advisor Prof. Lars Spuybroek for his continuous support of my Ph.D study and research, for his patience, enthusiasm, encouragement and immense knowledge. His guidance and direct engagement with my intellectual development helped me formulate the core ideas presented in the work. I wouldn’t have wished for a better advisor and mentor for my Ph.D. study. Besides my advisor, I would like to thank the rest of my thesis committee: Prof. John Peponis, Prof. Greg Turk, Prof. Greg Lynn, Prof. Thomas Pfau and Prof. Daniel Purdy, for their participation in this project, their insightful comments, engaging questions and critique of my work. My sincere thanks also go to the chairs of school of architecture during my research: Prof. George Johnston, Prof. -
Italian Journey 1786-1788 Pdf, Epub, Ebook
ITALIAN JOURNEY 1786-1788 PDF, EPUB, EBOOK Johann Wolfgang von Goethe,W. H. Auden,Elizabeth Mayer | 512 pages | 01 Dec 1992 | Penguin Books Ltd | 9780140442335 | English | London, United Kingdom Italian Journey 1786-1788 PDF Book For the latest books, recommendations, offers and more. Add to Basket Used Hardcover. United Kingdom. Orders received by 3pm Sent from the UK that weekday. Condition: As New. More information about this seller Contact this seller 8. About the Author. Naples is a paradise; everyone lives in a state of intoxicated self-forgetfulness, myself included. Auden and Elizabeth Mayer. Dust Jacket Condition: Good. Stocking Fillers. On October 29 he arrived at last, only to find its ruinous state a painful disappointment. Goethe : Italian Journey J. Retrieved 16 August During this late period he finished his series of Wilhelm Master books and wrote many other works, including The Oriental Divan They perform functions like preventing the same content from reappearing, ensuring ads are displayed and, in some cases, selecting content based on your interests. Goethe began work on Faust, and Egmont, another tragedy, before being invited to join the government at Weimer. Dust Jacket Condition: Very Good. These cookies may be set by us or by third-party providers whose services we have added to our pages. He circled the island from Palermo, seeing the unfinished Doric temple at Segesta and the ruins of ancient Agrigentum, cutting across the interior to see Enna where, according to myth , Proserpine was taken down into Hades , visiting the Greek amphitheatre at Taormina, and climbing one of the lesser peaks of Mount Etna , the place where the philosopher Empedocles was said to have ended his life. -
The Sensitive Apprehension of Nature in Goethe and Humboldt
THE SENSITIVE APPREHENSION OF NATURE IN GOETHE AND HUMBOLDT A APREENSÃO SENSÍVEL DA NATUREZA EM GOETHE E HUMBOLDT Esdras Arraes ABSTRACT: RESUMO: The paper seeks to interpret the concepts of nature and O texto busca interpretar as noções de natureza e paisagem 11 landscape in some of Johann Wolfgang von Goethe and em certas obras de Johann Wolfgang von Goethe e Alexandre Alexander von Humboldt works. Of them, while nature would be von Humboldt. Para ambos, enquanto que a natureza seria considered all of the natural phenomena, landscape is a fragment a totalidade dos fenômenos naturais, a paisagem seria um of this totality, embodied by the experience of a constantly fragmento dessa totalidade enquadrada pela experiência do trained eye. Therefore, landscape, either for Goethe or for olhar constantemente treinado. Assim, a paisagem, tanto para Humboldt, is formulated by the desire to present it according to Goethe como para Humboldt, é formulada pelo desejo de the aesthetic dimension, to say, it would be necessary sensitivity apresenta-la segundo a dimensão estética, isto é, seria necessário and imagination in order to notice nature in its whole. At the sensibilidade e imaginação para perceber a natureza em sua beginning of the article, the goethean notion of nature and completude. No início do ensaio mostra-se a noção goetheana de landscape is shown throwing light on some of his romances and natureza e paisagem lançando luz sobre alguns de seus romances scientific studies, such as The Sorrows of Young Werther, Novel e doutrinas científicas, tais como Os sofrimentos do jovem or story of a hunt and Metamorphosis of Plants. -
POETRY and the ART of BUILDING Goethe's Morphology As Applied to Architecture
POETRY AND THE ART OF BUILDING Goethe's Morphology as applied to Architecture A Thesis Presented To The Faculty of the Division of Graduate Studies by Daniel F. Hellmuth In partial fulfillment of the Requirements for the Degree Master of Architecture in the College of Architecture Georgia Institute of Technology December 1986 Approved: y Dr. John Ternpler.JChairman —— u-t Prof. M. Frascan Prof. Arch. Bruno Zevi Date Approved by Chairman: I ~~ 3 — £ £ Original Page Numbering Retained. Poetry and the Art of Building - Goethe's Morphology as applied to Architecture . • • • • - Table of Contents Page Dedication ii Acknowledgements iii Notes on Translations v Self-Description, J. W. Von Goethe vi INTRODUCTION 1 I. The Formative Years: Classicism versus Romanticism 33 II. Awakening of Genius: The Shock of Strasbourg 43 III. The Weimar Park: Poetry and Landscape 60 IV. A Return to the Source: The Italian Journey or Goethe in Arcadia 86 V. Towards a New Theory of Architecture 142 VI. Application of Principles: 'The Weimar School' 175 VII. Maturity and Reflection 240 CONCLUSION 302 APPENDIX A. Sources of Illustrations I B. Goethe's Poem: "The Metamorphosis of Plants" XVI C. Goethe's Fragment "Nature: Aphoristic" XVLTI D. Chronology — Johann Wolfgang von Goethe XX E. Selected Bibliography XXIII Cover Illustration: Goethe in the Countryside, Silk Screen: Andy Warhol, 1981. Dedication This thesis is dedicated to Alane Ingrid Clay for her companionship and laughter that made much of this work such a pleasure. -ii- Acknowledgements Where do I start?! Considering that work first began on this over five years ago, there are many people I'm indebted to. -
Introduction: Why Is This Schiller [Still] in the United States?
Introduction: Why Is This Schiller [Still] in the United States? Jeffrey L. High HE INTERNATIONAL SCHILLER CONFERENCE, “Who is this Schiller T[now]?” took place from Thursday 10 September through Saturday 12 September 2009 in the The Karl Anatol Center for Faculty Development at California State University Long Beach (CSULB). This volume com- prises the revised and expanded papers of what was an unusually lively and productive conference on the occasion of the 250th anniversary of Friedrich Schiller’s birth in 1759. The conference featured thirty-one papers in the course of three days. The average paper drew an audience of over eighty listeners, from a high of more than 120 listeners for a paper delivered in English on Thursday to a low of more than sixty-five listeners for a paper delivered in German on a Saturday — on a commuter campus. Although a substantial number of the audience members were academics from other universities in Southern California and from other programs and departments at CSULB, the largest group of audience members was made up of undergraduate and graduate students from CSULB, young people, educated in Southern California, and, once exposed to them, enthusiastic students of Schiller and his works. Why was “Who is this Schiller [now]?” held in the United States and why did a Schiller confer- ence attract such an unusually large and dedicated audience? There are compelling reasons that have deep roots in US political and — to a lesser extent — immigration history; in the parallels between the moral-political philosophy of the founders of the United States and Schiller’s own, and thus in US-American identity formation; and, subsequently, in US theater history and in the most resonant — and Schillerian — tropes of US-American art.