Studying Literature with Music
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The-Raven-Abridged.Pdf
The Raven Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore. By Edgar Allen Poe Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door - Once upon a midnight dreary, while I pondered weak and weary, Perched upon a bust of Pallas just above my chamber door - Over many a quaint and curious volume of forgotten lore, Perched, and sat, and nothing more. While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. Then this ebony bird beguiling my sad fancy into smiling, `'Tis some visitor,' I muttered, `tapping at my chamber door - By the grave and stern decorum of the countenance it wore, Only this, and nothing more.' `Though thy crest be shorn and shaven, thou,' I said, `art sure no craven. Ghastly grim and ancient raven wandering from the nightly shore - Ah, distinctly I remember it was in the bleak December, Tell me what thy lordly name is on the Night's Plutonian shore!' And each separate dying ember wrought its ghost upon the floor. Quoth the raven, `Nevermore.' Eagerly I wished the morrow; - vainly I had sought to borrow From my books surcease of sorrow - sorrow for the lost Lenore - `Prophet!' said I, `thing of evil! - prophet still, if bird or devil! For the rare and radiant maiden whom the angels named Lenore - By that Heaven that bends above us - by that God we both adore - Nameless here for evermore. -
The Raven by Edgar Allan Poe Narration by Michael Douglas Jones Music Composed and Performed by Donald Knaack
A Never-Before Heard Version of “Nevermore”! FOR IMMEDIATE RELEASE CONTACT: [email protected] The Raven by Edgar Allan Poe narration by Michael Douglas Jones music composed and performed by Donald Knaack Duration: 00:10:47 Moo Records, a division of The Moo Group, LLC announces the release of the new realization of The Raven, the famous poem by Virginia’s Edgar Allan Poe. The Raven has amassed a huge fan base. It’s taught at most schools and colleges worldwide, yet there has never been an extended-orchestral musical composition created to accompany the vocal performance of the poem - until now. The Single will be available on CD as well as through all major digital distributors worldwide in multiple formats. “The Raven is the first entry in my new POE PROJECT, in which numerous Poe stories and poems will be set to a very diverse group of my music compositions.” said Knaack. The Raven is ripe for live performances and plans are under way for touring, including stops in clubs and venues, as well as collaborations with full symphony orchestras, especially their Pops Series. About the Poem: First published in January, 1845, this brilliant narrative poem became widely known for its melodic, rhythmic, and dramatic qualities, its other-worldly atmosphere, and Poe’s omnipresent use of alliteration (dreaming dreams, whispered word, ghastly grim, et al). This complex and carefully crafted work actually has a simple story line: A raven pays a mysterious visit to a distraught lover. As the poem progresses, the Raven’s constant repetition of the word Nevermore coincides with the lover’s painful lamenting over his undying love for the lost Lenore, which gradually engulfs the lover into a state of madness. -
Pictorial Imagery, Camerawork and Soundtrack in Dario Argento's Deep
ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 11 (2015) 159–179 DOI: 10.1515/ausfm-2015-0021 Pictorial Imagery, Camerawork and Soundtrack in Dario Argento’s Deep Red Giulio L. Giusti 3HEFlELD(ALLAM5NIVERSITY5+ E-mail: [email protected] Abstract. This article re-engages with existing scholarship identifying Deep Red (Profondo rosso, 1975) as a typical example within Dario Argento’s body of work, in which the Italian horror-meister fully explores a distinguishing pairing of the acoustic and the iconic through an effective combination of ELABORATECAMERAWORKANDDISJUNCTIVEMUSICANDSOUND3PECIlCALLY THIS article seeks to complement these studies by arguing that such a stylistic and technical achievementINTHElLMISALSORENDEREDBY!RGENTOSUSEOFASPECIlC art-historical repertoire, which not only reiterates the Gesamtkunstwerk- like complexity of the director’s audiovisual spectacle, but also serves to TRANSPOSETHElLMSNARRATIVEOVERAMETANARRATIVEPLANETHROUGHPICTORIAL techniques and their possible interpretations. The purpose of this article is, thus, twofold. Firstly, I shall discuss how Argento’s references to American hyperrealism in painting are integrated into Deep Red’s spectacles of death through colour, framing, and lighting, as well as the extent to which such references allow us to undertake a more in-depth analysis of the director’s style in terms of referentiality and cinematic intermediality. Secondly, I WILLDEMONSTRATEHOWANDTOWHATEXTENTINTHElLM!RGENTOMANAGESTO break down the epistemological system of knowledge and to disrupt the reasonable -
New Mexico Daily Lobo, Volume 080, No 150, 7/14/1977." 80, 150 (1977)
University of New Mexico UNM Digital Repository 1977 The aiD ly Lobo 1971 - 1980 7-14-1977 New Mexico Daily Lobo, Volume 080, No 150, 7/ 14/1977 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1977 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 080, No 150, 7/14/1977." 80, 150 (1977). https://digitalrepository.unm.edu/daily_lobo_1977/77 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1971 - 1980 at UNM Digital Repository. It has been accepted for inclusion in 1977 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. ..... - ..• - ... -' -·· '")".~ ~ {; fl ,.;v'l (\ ..... _.--~. ..A -. '• I ~~~ ·' f ¢'1~·. '181. : i I lAN'"'OG.\ ...V l ..... ·E·-~. .-·m~·! .l ~, ..-.~ ~~~~~ :, -- - !,'1 e-g··e· ncy '4.' •, # .. i '<;" • t ... -:·:: ., ., i ' ' .. - ,.. ..)_: '' .. '\ ··~· ~ .'{' ' ·~ ' ., ..., · ·Rldu•d·L· ~lleib«r .". , ·? '~;;a~a<lemic.cQmmunity,'' · ·· · · hospital has had s()me horrendous ,. • ·Four ._.emergency ·-medicih!=.cl9c;;.¢ ·. Th.~. ~llief complaint voiced.by ·financial·problemsin thelast-_ye$1. ,-, ..,, ~ · tors from the emer~en~ roor.rr at !:th~;· phy~icians was· the -~~~k ()f Nobody l,la$ bousht anything· new .t.•"'"" 7 ~; · · BCMC .. have ' submitted their'· eguipment and support from tbe .the the last year, incl\lding the •fl resignations effective July J. T.heir .. ho,Spital. · Marburs said that the · emers~O,fY; r~om.'' . Napolitano_ .is . <•)) · ·res•snatioQs leav~- · only· .. on" . ideal . emergency room situation the. dean··.· p( · the: ·UNM · Medical ','1 ,,' '. emersency m-edicine specialists ·at · · would· igclude· seven. or ,eislii ~hoot . -
“The Raven” by Edgar Allan Poe
“The Raven” by Edgar Allan Poe 1 Once upon a midnight dreary, while I pondered, weak and weary, 31 Back into the chamber turning, all my soul within me burning, 2 Over many a quaint and curious volume of forgotten lore — 32 Soon again I heard a tapping somewhat louder than before. 3 While I nodded, nearly napping, suddenly there came a tapping, 33 "Surely," said I, "surely that is something at my window lattice; 4 As of some one gently rapping, rapping at my chamber door. 34 Let me see, then, what thereat is, and this mystery explore — 5 "'Tis some visiter," I muttered, "tapping at my chamber door — 34 Let my heart be still a moment and this mystery explore;— 6 Only this and nothing more." 36 'Tis the wind and nothing more!" 7 Ah, distinctly I remember it was in the bleak December; 37 Open here I flung the shutter, when, with many a flirt and flutter, 8 And each separate dying ember wrought its ghost upon the floor. 38 In there stepped a stately Raven of the saintly days of yore; 9 Eagerly I wished the morrow; — vainly I had sought to borrow 39 Not the least obeisance made he; not a minute stopped or stayed he; 10 From my books surcease of sorrow — sorrow for the lost Lenore — 40 But, with mien of lord or lady, perched above my chamber door — 11 For the rare and radiant maiden whom the angels name Lenore — 41 Perched upon a bust of Pallas just above my chamber door — 12 Nameless here for evermore. -
Mixed Media December Online Supplement | Long Island Pulse
Mixed Media December Online Supplement | Long Island Pulse http://www.lipulse.com/blog/article/mixed-media-december-online-supp... currently 43°F and mostly cloudy on Long Island search advertise | subscribe | free issue Mixed Media December Online Supplement Published: Wednesday, December 09, 2009 U.K. Music Travelouge Get Yer Ya-Ya’s Out and Gimmie Shelter As a followup to our profile of rock photographer Ethan Russell in the November issue, we will now give a little more information on the just-released Rolling Stones projects we discussed with Russell. First up is the reissue of the Rolling Stones album Get Yer Ya-Ya’s Out!. What many consider the best live rock concert album of all time is now available from Abcko in a four-disc box set. Along with the original album there is a disc of five previously unreleased live performances and a DVD of those performances. There is a also a bonus CD of five live tracks from B.B. King and seven from Ike & Tina Turner, who were the opening acts on the tour. There is also a beautiful hardcover book with an essay by Russell, his photographs, fans’ notes and expanded liner notes, along with a lobby card-sized reproduction of the tour poster. Russell’s new book, Let It Bleed (Springboard), is now finally out and it’s a stunning visual look back on the infamous tour and the watershed Altamont concert. Russell doesn’t just provide his historic photos (which would be sufficient), but, like in his previous Dear Mr. Fantasy book, he serves as an insightful eyewitness of the greatest rock tour in history and rock music’s 60’s live Waterloo. -
Beatles, Pink Floyd Engineer, Alan Parsons Rips Audiophiles
Beatles, Pink Floyd Engineer, Alan Parsons Rips Audiophiles Alan Parsons, producer, musician and sound engineer of Pink Floyd's Dark Side of the Moon, says audiophiles overpay for equipment while ignoring room acoustics. In an exclusive interview with CE Pro, Alan Parsons, renowned sound engineer for Pink Floyd's Dark Side of the Moon and for the Beatles, says hi-fi pros focus too much on equipment and brand names, when they should put more energy into room acoustics. He also says some surround- sound systems “really aren’t that bad.” All this from the audio wizard behind Dark Side of the Moon, and the name sake of the Alan Parson’s Project. Parsons broke into the music industry in the late 1960s when he was hired by Abbey Road Studios to work as an assistant engineer. As an assistant engineer, Parsons’ career started at a point where most music lovers only dream of reaching - working on the last two Beatles’ albums. As a full-fledged engineer, Parsons worked on projects with Paul McCartney and the Hollies, but it was his efforts on the benchmark album Dark Side of the Moon that launched his career. Throughout the rest of the 1970s and 1980s, Parsons released several albums under the name of Alan Parsons Project (APP). The 1990s marked a shift in direction for Parsons that was highlighted by his dropping of “Project” from his band name. As he entered the 2000s, Parsons continued to release new music, which includes his first foray into the electronica genre when he released 2004’s A Valid Path. -
Program Book Final 1-16-15.Pdf
4 5 7 BUFFALO PHILHARMONIC ORCHESTRA TABLE OF CONTENTS | JANUARY 24 – FEBRUARY 15, 2015 BPO Board of Trustees/BPO Foundation Board of Directors 11 BPO Musician Roster 15 Happy Birthday Mozart! 17 M&T Bank Classics Series January 24 & 25 Alan Parsons Live Project 25 BPO Rocks January 30 Ben Vereen 27 BPO Pops January 31 Russian Diversion 29 M&T Bank Classics Series February 7 & 8 Steve Lippia and Sinatra 35 BPO Pops February 13 & 14 A Very Beary Valentine 39 BPO Kids February 15 Corporate Sponsorships 41 Spotlight on Sponsor 42 Meet a Musician 44 Annual Fund 47 Patron Information 57 CONTACT VoIP phone service powered by BPO Administrative Offices (716) 885-0331 Development Office (716) 885-0331 Ext. 420 BPO Administrative Fax Line (716) 885-9372 Subscription Sales Office (716) 885-9371 Box Office (716) 885-5000 Group Sales Office (716) 885-5001 Box Office Fax Line (716) 885-5064 Kleinhans Music Hall (716) 883-3560 Buffalo Philharmonic Orchestra | 499 Franklin Street, Buffalo, NY 14202 www.bpo.org | [email protected] Kleinhan's Music Hall | 3 Symphony Circle, Buffalo, NY 14201 www.kleinhansbuffalo.org 9 MESSAGE FROM BOARD CHAIR Dear Patrons, Last month witnessed an especially proud moment for the Buffalo Philharmonic Orchestra: the release of its “Built For Buffalo” CD. For several years, we’ve presented pieces commissioned by the best modern composers for our talented musicians, continuing the BPO’s tradition of contributing to classical music’s future. In 1946, the BPO made the premiere recording of the Shostakovich Leningrad Symphony. Music director Lukas Foss was also a renowned composer who regularly programmed world premieres of the works of himself and his contemporaries. -
George Orwell's FARM a STUDY GUIDE
George Orwell’s ANIMALA STUDY FARM GUIDE Student’s Book Contents About Animal Farm 2 Introduction 3 Before You Read: 4 Chapter I 8 Chapter II 9 Chapter III 13 Chapter IV 15 Chapters I-IV Review/Reflection 17 Chapter V 18 Chapter VI 23 Chapter VII 29 Chapter V-VII Review/Reflection 35 Chapter VIII 36 Chapter IX 42 Chapter X 45 Chapter VIII-X Review/Reflection 47 After You Read: Activities 48 Animal Farm: The Complete Novel 50 DRAFT August 2012 About Animal Farm About the story Animal Farm tells the story of Farmer Jones’ animals who rise up in rebellion and take over the farm. Tired of being exploited for human gain, the animals—who have human characteristics such as the power of speech—agree to create a new and fairer society. The novel reads like a fairy tale, and Orwell originally subtitled it as one, but it is also a satire containing a message about world politics and especially the former Soviet Union. In a satire, the writer attacks a serious issue by presenting it in a ridiculous, funny way. Orwell uses satire to expose what he saw as the myth of Soviet Socialism. The novel tells a story that people of all ages can understand, but it also tells us a second story— that of the real-life Revolution. Since the Bolshevik Revolution of the early 1900s, the former Soviet Union had captured the attention of the world with its socialist experiment. This form of government had some supporters in Britain and the United States, but Orwell was against this system. -
MUSIC PRODUCTION GUIDE Official News Guide from Yamaha & Easy Sounds for Yamaha Music Production Instruments
MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 04|2014 SPECIAL EDITION Contents 40th Anniversary Yamaha Synthesizers 3 40 years Yamaha Synthesizers The history 4 40 years Yamaha Synthesizers Timeline 5 40th Anniversary Special Edition MOTIF XF White 23 40th Anniversary Box MOTIF XF 28 40th Anniversary discount coupons 30 40th Anniversary MX promotion plan 31 40TH 40th Anniversary app sales plan 32 ANNIVERSARY Sounds & Goodies 36 YAMAHA Imprint 41 SYNTHESIZERS 40 YEARS OF INSPIRATION YAMAHA CELEBRATES 40 YEARS IN SYNTHESIZER-DESIGN WITH BRANDNEW MOTIF XF IN A STUNNIG WHITE FINISH SARY PRE ER M V IU I M N N B A O X H T 0 4 G N I D U L C N I • FL1024M FLASH MEMORY Since 1974 Yamaha has set new benchmarks in the design of excellent synthesizers and has developed • USB FLASH MEMORY (4GB) innovative tools of creativity. The unique sounds of the legendary SY1, VL1 and DX7 have influenced a INCL. SOUND LIBRARIES: whole variety of musical styles. Yamaha‘s know-how, inspiring technique and the distinctive sounds of a - CHICK’S MARK V - CS-80 40-years-experience are featured in the new MOTIF XF series that is now available in a very stylish - ULTIMATE PIANO COLLECTION white finish. - VINTAGE SYNTHESIZER COLLECTION YAMAHASYNTHSEU YAMAHA.SYNTHESIZERS.EU YAMAHASYNTHESIZEREU EUROPE.YAMAHA.COM MUSIC PRODUCTION GUIDE 04|2014 40TH ANNIVERSARY YAMAHA SYNTHESIZERS In 1974 Yamaha produced its first portable Yamaha synthesizers and workstations were and still are analog synthesizer with the SY-1. The the first choice for professionals and amateurs in the multi- faceted music business. -
The Alan Parsons Project Pyramid Mp3, Flac, Wma
The Alan Parsons Project Pyramid mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Pyramid Country: Benelux Released: 1979 Style: Art Rock, Prog Rock MP3 version RAR size: 1713 mb FLAC version RAR size: 1359 mb WMA version RAR size: 1382 mb Rating: 4.1 Votes: 187 Other Formats: ADX MP1 MP3 APE AIFF AU RA Tracklist A1 Voyager 2:24 A2 What Goes Up... 3:31 A3 The Eagle Will Rise Again 4:20 A4 One More River 4:15 A5 Can't Take It With You 5:06 B1 In The Lap Of Gods 5:27 B2 Pyramania 2:45 B3 Hyper-Gamma-Spaces 4:19 B4 Shadow Of A Lonely Man 5:34 Companies, etc. Phonographic Copyright (p) – Arista Records, Inc. Copyright (c) – Arista Records, Inc. Recorded At – Abbey Road Studios Mixed At – Abbey Road Studios Published By – Woolfsongs Ltd. Published By – Careers Music, Inc. Published By – Irving Music, Inc. Pressed By – Columbia Records Pressing Plant, Santa Maria Credits Acoustic Guitar [Acoustic Guitars] – Alan Parsons, David Paton, Ian Bairnson Arranged By [Orchestra And Choir], Conductor [Orchestra And Choir Conducted By] – Andrew Powell Bass – David Paton Chorus Master [Choirmaster] – Bob Howes* Composed By [All Songs] – Alan Parsons, Eric Woolfson Cover, Design – Hipgnosis Drums, Percussion – Stuart Elliot* Electric Guitar [Electric Guitars] – Ian Bairnson Engineer [Assistant Engineers] – Chris Blair, Pat Stapley Engineer [Engineered By] – Alan Parsons Executive-Producer – Eric Woolfson Keyboards – Duncan Mackay, Eric Woolfson Mastered By [Mastering By] – Chris Blair Photography By [Photos] – Hipgnosis , Brimson* Producer [Produced By] – Alan Parsons Vocals – Colin Blunstone, David Paton, Dean Ford, Jack Harris, John Miles, Lenny Zakatek Written-By [All Tracks] – Alan Parsons, Eric Woolfson Notes 12" X 24" insert contains lyrics, credits, and artwork with a poster on the reverse side of the full cover artwork Light blue inner sleeve with no printing. -
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay By: Daniel Levitin (Guest Post)*
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay by: Daniel Levitin (guest post)* Dark Side of the Moon Angst. Greed. Alienation. Questioning one's own sanity. Weird time signatures. Experimental sounds. In 1973, Pink Floyd was a somewhat known progressive rock band, but it was this, their ninth album, that catapulted them into world class rock-star status. “The Dark Side of the Moon” spent an astonishing 14 years on the “Billboard” album charts, and sold an estimated 45 million copies. It is a work of outstanding artistry, skill, and craftsmanship that is popular in its reach and experimental in its grasp. An engineering masterpiece, the album received a Grammy nomination for best engineered non-classical recording, based on beautifully captured instrumental tones and a warm, lush soundscape. Engineer Alan Parsons and Mixing Supervisor Chris Thomas, who had worked extensively with The Beatles (the LP was mastered by engineer Wally Traugott), introduced a level of sonic beauty and clarity to the album that propelled the music off of any sound system to become an all- encompassing, immersive experience. In his 1973 review, Lloyd Grossman wrote in “Rolling Stone” magazine that Pink Floyd’s members comprised “preeminent techno-rockers: four musicians with a command of electronic instruments who wield an arsenal of sound effects with authority and finesse.” The used their command to create a work that introduced several generations of listeners to art-rock and to elements of 1950s cool jazz. Some reharmonization of chords (as on “Breathe”) was inspired by Miles Davis, explained keyboardist Rick Wright.