Feature • April Macie ---Feature • Alan Parsons
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Beatles, Pink Floyd Engineer, Alan Parsons Rips Audiophiles
Beatles, Pink Floyd Engineer, Alan Parsons Rips Audiophiles Alan Parsons, producer, musician and sound engineer of Pink Floyd's Dark Side of the Moon, says audiophiles overpay for equipment while ignoring room acoustics. In an exclusive interview with CE Pro, Alan Parsons, renowned sound engineer for Pink Floyd's Dark Side of the Moon and for the Beatles, says hi-fi pros focus too much on equipment and brand names, when they should put more energy into room acoustics. He also says some surround- sound systems “really aren’t that bad.” All this from the audio wizard behind Dark Side of the Moon, and the name sake of the Alan Parson’s Project. Parsons broke into the music industry in the late 1960s when he was hired by Abbey Road Studios to work as an assistant engineer. As an assistant engineer, Parsons’ career started at a point where most music lovers only dream of reaching - working on the last two Beatles’ albums. As a full-fledged engineer, Parsons worked on projects with Paul McCartney and the Hollies, but it was his efforts on the benchmark album Dark Side of the Moon that launched his career. Throughout the rest of the 1970s and 1980s, Parsons released several albums under the name of Alan Parsons Project (APP). The 1990s marked a shift in direction for Parsons that was highlighted by his dropping of “Project” from his band name. As he entered the 2000s, Parsons continued to release new music, which includes his first foray into the electronica genre when he released 2004’s A Valid Path. -
Program Book Final 1-16-15.Pdf
4 5 7 BUFFALO PHILHARMONIC ORCHESTRA TABLE OF CONTENTS | JANUARY 24 – FEBRUARY 15, 2015 BPO Board of Trustees/BPO Foundation Board of Directors 11 BPO Musician Roster 15 Happy Birthday Mozart! 17 M&T Bank Classics Series January 24 & 25 Alan Parsons Live Project 25 BPO Rocks January 30 Ben Vereen 27 BPO Pops January 31 Russian Diversion 29 M&T Bank Classics Series February 7 & 8 Steve Lippia and Sinatra 35 BPO Pops February 13 & 14 A Very Beary Valentine 39 BPO Kids February 15 Corporate Sponsorships 41 Spotlight on Sponsor 42 Meet a Musician 44 Annual Fund 47 Patron Information 57 CONTACT VoIP phone service powered by BPO Administrative Offices (716) 885-0331 Development Office (716) 885-0331 Ext. 420 BPO Administrative Fax Line (716) 885-9372 Subscription Sales Office (716) 885-9371 Box Office (716) 885-5000 Group Sales Office (716) 885-5001 Box Office Fax Line (716) 885-5064 Kleinhans Music Hall (716) 883-3560 Buffalo Philharmonic Orchestra | 499 Franklin Street, Buffalo, NY 14202 www.bpo.org | [email protected] Kleinhan's Music Hall | 3 Symphony Circle, Buffalo, NY 14201 www.kleinhansbuffalo.org 9 MESSAGE FROM BOARD CHAIR Dear Patrons, Last month witnessed an especially proud moment for the Buffalo Philharmonic Orchestra: the release of its “Built For Buffalo” CD. For several years, we’ve presented pieces commissioned by the best modern composers for our talented musicians, continuing the BPO’s tradition of contributing to classical music’s future. In 1946, the BPO made the premiere recording of the Shostakovich Leningrad Symphony. Music director Lukas Foss was also a renowned composer who regularly programmed world premieres of the works of himself and his contemporaries. -
MUSIC PRODUCTION GUIDE Official News Guide from Yamaha & Easy Sounds for Yamaha Music Production Instruments
MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 04|2014 SPECIAL EDITION Contents 40th Anniversary Yamaha Synthesizers 3 40 years Yamaha Synthesizers The history 4 40 years Yamaha Synthesizers Timeline 5 40th Anniversary Special Edition MOTIF XF White 23 40th Anniversary Box MOTIF XF 28 40th Anniversary discount coupons 30 40th Anniversary MX promotion plan 31 40TH 40th Anniversary app sales plan 32 ANNIVERSARY Sounds & Goodies 36 YAMAHA Imprint 41 SYNTHESIZERS 40 YEARS OF INSPIRATION YAMAHA CELEBRATES 40 YEARS IN SYNTHESIZER-DESIGN WITH BRANDNEW MOTIF XF IN A STUNNIG WHITE FINISH SARY PRE ER M V IU I M N N B A O X H T 0 4 G N I D U L C N I • FL1024M FLASH MEMORY Since 1974 Yamaha has set new benchmarks in the design of excellent synthesizers and has developed • USB FLASH MEMORY (4GB) innovative tools of creativity. The unique sounds of the legendary SY1, VL1 and DX7 have influenced a INCL. SOUND LIBRARIES: whole variety of musical styles. Yamaha‘s know-how, inspiring technique and the distinctive sounds of a - CHICK’S MARK V - CS-80 40-years-experience are featured in the new MOTIF XF series that is now available in a very stylish - ULTIMATE PIANO COLLECTION white finish. - VINTAGE SYNTHESIZER COLLECTION YAMAHASYNTHSEU YAMAHA.SYNTHESIZERS.EU YAMAHASYNTHESIZEREU EUROPE.YAMAHA.COM MUSIC PRODUCTION GUIDE 04|2014 40TH ANNIVERSARY YAMAHA SYNTHESIZERS In 1974 Yamaha produced its first portable Yamaha synthesizers and workstations were and still are analog synthesizer with the SY-1. The the first choice for professionals and amateurs in the multi- faceted music business. -
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay By: Daniel Levitin (Guest Post)*
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay by: Daniel Levitin (guest post)* Dark Side of the Moon Angst. Greed. Alienation. Questioning one's own sanity. Weird time signatures. Experimental sounds. In 1973, Pink Floyd was a somewhat known progressive rock band, but it was this, their ninth album, that catapulted them into world class rock-star status. “The Dark Side of the Moon” spent an astonishing 14 years on the “Billboard” album charts, and sold an estimated 45 million copies. It is a work of outstanding artistry, skill, and craftsmanship that is popular in its reach and experimental in its grasp. An engineering masterpiece, the album received a Grammy nomination for best engineered non-classical recording, based on beautifully captured instrumental tones and a warm, lush soundscape. Engineer Alan Parsons and Mixing Supervisor Chris Thomas, who had worked extensively with The Beatles (the LP was mastered by engineer Wally Traugott), introduced a level of sonic beauty and clarity to the album that propelled the music off of any sound system to become an all- encompassing, immersive experience. In his 1973 review, Lloyd Grossman wrote in “Rolling Stone” magazine that Pink Floyd’s members comprised “preeminent techno-rockers: four musicians with a command of electronic instruments who wield an arsenal of sound effects with authority and finesse.” The used their command to create a work that introduced several generations of listeners to art-rock and to elements of 1950s cool jazz. Some reharmonization of chords (as on “Breathe”) was inspired by Miles Davis, explained keyboardist Rick Wright. -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
Engelstalig Alan Parsons Old and Wise Andrea Bocelli the Power Of
Engelstalig Alan Parsons Old and Wise Andrea Bocelli The Power of Love Andrea Bocelli Time To Say Goodbye Anouk One World Arthur Young We'll Meet Again Bernie Williams Dust In The Wind Bette Midler The Rose Bette Midler Wind Beneath My Wings Black Wonderful Life Boyz II Men It's So Hard To Say Goodbey Cat Stevens Morning has broken Celin Dion My Heart Will Go On City To City The road ahead Crowded House Don't Dream It's Over Diana Ross You Are Everything Dido Thank You Dolly Parton I Will Always Love You Dolly Parton, Loretta Lynn, Tammy Wynette Wings of a Dove Doors Down Here Without You Elton John Candle In the Wind Elvis Presley Pledging My Love Elvis Presley If We Never Meet Again Elvis Presley Always on My Mind Elvis Presley Amazing Grace Elvis Presley You'll Never Walk Alone Eric Carmen All By Myself Eric Clapton Tears in Heaven Eva Cassidy Over the Rainbow Frank Sinatra My Way George Michael Jezus To A Child Gerry & the Pacemakers You'll Never Walk Alone Guns N' Roses November Rain Il Divo Ave Maria Il Divo I Believe In You (with Celine Dion) IL Divo The Lord's Prayer Il Divo You'll Never Walk Alone.org James Blunt Goodbye My Lover Jeff Buckley Hallelujah Joe Cocker Everybody Hurts John denver & placido domingo Perhaps Love John Mayer Dreaming With a Broken Heart Kansas Dust in the Wind Lamb Gabriel Laura Jansen Use somebody Led Zeppelin Stairway to Heaven Les Paul & Mary Ford Vaya Con Dios Lionel Richie Hello Live Overcome Liverpool F.C.7677 Squad You'll never walk alone Louis Armstrong What a Wonderful World Lucie Silvas Nothing -
Student Project
ASSR MUSIC PRODUCTION CURRICULUM Audio Tools for Schools ALAN Parsons’ Student project www.artandscienceofsound.com A LETTER FROM THE FOUNDERS usic is a precious resource. Being able Mto capture or record music for future generations to enjoy is one of music’s most valuable skills. Today Music Production is something anyone can do, armed with a cellphone and a decent internet connection. Sure you’ll soon want a microphone; and then another mic, and then another mic. Speakers help of course, and pro software gives you the sort of power that only major recording studios like Capitol and Abbey Road had back in the day. Speaking of which, back in the day when we were trying to carve out our careers, there weren’t any alternatives to a recording studio. And there weren’t any schools you could go to to learn about recording. Alan got a job as an assistant engineer at Abbey Road and Julian signed with Charisma Records as a writer and keyboard player. We listened, observed, tried, occasionally failed, Since 2010 we’ve dedicated ourselves to lifting the lid on what but eventually started to make sense of this magical thing we call it takes to record music; unravelling some of the mysteries ‘making records.’ behind and in front of the glass. Learning Music Production Today, even though physical records might seem to have gone and Audio Engineering isn’t rocket science (though Alan does the way of the Dodo, there’s still a thrill in creating music… have strong connections with NASA these days) and it’s not art creating something that didn’t exist fifteen minutes ago. -
The Alan Parsons Project Tales of Mystery and Imagination Mp3, Flac, Wma
The Alan Parsons Project Tales Of Mystery And Imagination mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Tales Of Mystery And Imagination Country: Portugal Released: 1976 Style: Art Rock, Experimental MP3 version RAR size: 1983 mb FLAC version RAR size: 1761 mb WMA version RAR size: 1442 mb Rating: 4.7 Votes: 466 Other Formats: WMA MPC MP3 VOX MP2 MP1 AAC Tracklist A1 A Dream Within A Dream 3:40 A2 The Raven 4:00 A3 The Tell-Tale Heart 4:37 A4 The Cask Of Amontillado 4:27 A5 (The System Of) Doctor Tarr And Professor Fether 4:14 The Fall Of The House Of Usher (15:02) B1.I Prelude B1.II Arrival B1.III Intermezzo B1.IV Pavane B1.V Fall B2 To One In Paradise 4:29 Companies, etc. Recorded At – Abbey Road Studios Mixed At – Abbey Road Studios Published By – Woolfsongs Ltd. Published By – Fox Fanfare Music, Inc. Distributed By – Procope, SARL Phonographic Copyright (p) – 20th Century Records Copyright (c) – Woolfsongs Ltd. Distributed By – Movieplay Portuguesa Record Company – 20th Century Records Mastered At – The Mastering Lab Credits Arranged By [Orchestra & Choir], Conductor [Orchestra & Choir] – Andrew Powell Bass – David Paton, Joe Puerta Cimbalom, Kantele – John Leach Contractor [Orchestral] – David Katz Cover, Sleeve [Frontsleeve Designed By], Design [Frontsleeve Designed By] – Hipgnosis Double Bass [Sting Bass] – Darryl Runswick* Drums – Burleigh Drummond, Stuart Tosh Engineer – Alan Parsons Engineer [Assistant] – Chris Blair, Pat Stapley Executive-Producer – Eric Woolfson Guitar – Alan Parsons, David Pack, David Paton, Ian Bairnson Keyboards – Alan Parsons, Andrew Powell, Billy Lyall, Christopher North, Eric Woolfson, Francis Monkman Layout [Inside], Artwork [Graphics] – Colin Elgie Mastered By – Doug Sax Photography By – Aubrey Powell, Peter Christopherson, Storm Thorgerson Photography By [Alan Parsons] – Sam Emerson Producer – Alan Parsons Sleeve [Frontsleeve Designed By], Design [Frontsleeve Designed By] – Hardie* Technician [Technical Consultant] – Gordon Parry, Keith O. -
Edgar Allan Poe and Alan Parsons: All That We See Or Seem Is Nevermore
Brigham Young University BYU ScholarsArchive Student Works 2016-06-02 Edgar Allan Poe and Alan Parsons: All that We See or Seem is Nevermore Kimball R. Gardner Brigham Young University - Provo, [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/studentpub Part of the English Language and Literature Commons BYU ScholarsArchive Citation Gardner, Kimball R., "Edgar Allan Poe and Alan Parsons: All that We See or Seem is Nevermore" (2016). Student Works. 161. https://scholarsarchive.byu.edu/studentpub/161 This Class Project or Paper is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Student Works by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Gardner 1 Edgar Allan Poe and Alan Parsons: All That We See or Seem is Nevermore Kimball Gardner Since their beginnings in the mind of a brilliant, misunderstood man, the works of Edgar Allan Poe have captured the imaginations and fears of audiences throughout the world. After his death, when his popularity began to grow, Poe’s works became more widely read and studied by both scholars and authors. As technology began to advance in the twentieth century, his works began to be adapted into short films and later, feature-length films. And, in the late twentieth century, a young progressive rock group named the Alan Parsons Project offered their adaptation of several of Poe’s works. In this paper, I will discuss their work on “A Dream within a Dream” and “The Raven,” from their album Tales of Mystery and Imagination—Edgar Allan Poe and how their adaptation enhances Poe’s effect. -
1982-07-17 Kerrville Folk Festival and JJW Birthday Bash Page 48
BB049GREENLYMONT3O MARLk3 MONTY GREENLY 0 3 I! uc Y NEWSPAPER 374 0 E: L. M LONG RE ACH CA 9 0807 ewh m $3 A Billboard PublicationDilisoar The International Newsweekly Of Music & Home Entertainment July 17, 1982 (U.S.) AFTER `GOOD' JUNE AC Formats Hurting On AM Dial Holiday Sales Give Latest Arbitron Ratings Underscore FM Penetration By DOUGLAS E. HALL Billboard in the analysis of Arbitron AM cannot get off the ground, stuck o Retailers A Boost data, characterizes KXOK as "being with a 1.1, down from 1.6 in the win- in ter and 1.3 a year ago. ABC has suc- By IRV LICHTMAN NEW YORK -Adult contempo- battered" by its FM competitors formats are becoming as vul- AC. He notes that with each passing cessfully propped up its adult con- NEW YORK -Retailers were while prerecorded cassettes contin- rary on the AM dial as were top book, the age point at which listen - temporary WLS -AM by giving the generally encouraged by July 4 ued to gain a greater share of sales, nerable the same waveband a ership breaks from AM to FM is ris- FM like call letters and simulcasting weekend business, many declaring it according to dealers surveyed. 40 stations on few years ago, judging by the latest ing. As this once hit stations with the maximum the FCC allows. The maintained an upward sales trend Business was up a modest 2% or spring Arbitrons for Chicago, De- teen listeners, it's now hurting those result: WLS -AM is up to 4.8 from evident over the past month or so. -
Chart-Chronology Singles and Albums
www.chart-history.net vdw56 PDF-files with all chart-entries plus covers on https://chart-history.net/chart-chronologie/ THE ALAN PARSONS PROJECT First Chart-Entry:1976 Chart-Chronology Singles and Albums Germany United Kingdom From the 1950ies U S A to the current charts compiled by Volker Dörken Chart - Chronology The Top-100 Singles and Albums from Germany, the United Kingdom and the USA The Alan Parsons Project The Alan Parsons Project was a British rock band active between 1975 and 1990, whose core membership consisted of Alan Parsons and Eric Woolfson. They were accompanied by a varying number of session musicians and some relatively consistent session players. Singles 20 11 3 --- Longplay 21 13 8 4 14 B P Top 100 Top 40 Top 10 # 1 B P Top 100 Top 40 Top 10 # 1 7 6 5 2 --- 1 14 20 13 8 4 58 2 --- --- --- 24 10 5 --- --- 3 17 8 1 --- 7 11 7 2 --- Singles D G B U S A 1 (The System Of) Doctor Tarr And Professor Fether 07/1976 37 2 The Raven 10/1976 80 3 I Wouldn't Want To Be Like You ►Alan Parsons◄ 08/1977 36 4 Don't Let It Show 12/1977 92 5 What Goes Up 09/1978 87 6 Damned If I Do 09/1979 27 7 Lucifer 12/1979 8 8 The Gold Bug 11/1980 40 9 Games People Play 12/1980 16 10 Time 04/1981 15 11 Snake Eyes 10/1981 67 12 Eye In The Sky 08/1982 38 07/1982 3 13 Psychobabble 11/1982 57 14 Old And Wise 01/1983 74 15 You Don't Believe 11/1983 54 16 Don't Answer Me 04/1984 7 03/1984 58 03/1984 15 17 Prime Time 07/1984 69 05/1984 34 18 Let's Talk About Me 02/1985 32 02/1985 56 19 Days Are Numbers (The Traveller) 04/1985 71 20 Stereotomy 02/1986 -
CSE316 : FUNDAMENTALS of SOFTWARE DEVELOPMENT Lecture 9C : Nosql Topics
CSE316 : FUNDAMENTALS OF SOFTWARE DEVELOPMENT Lecture 9c : NoSQL Topics ■ NoSQL (Not Only SQL) concepts ■ MongoDB CSE316 : Fund of SW Development - Tony Mione, SUNY Korea - 2019 2 NoSQL ■ NoSQL databases are NOT Realational Databases ■ No tables and no table normalization ■ Allows non-structured data [Data may be structured as needed] ■ Underlying storage format: Ususally JSON CSE316 : Fund of SW Development - Tony Mione, SUNY Korea - 2019 3 NoSQL Advantages ■ Handles Big Data ■ No predefined Schema [Data can be unstructured] ■ Cheaper/Easier to manage ■ Scaling [Horizontal / Scale Out] CSE316 : Fund of SW Development - Tony Mione, SUNY Korea - 2019 4 Scaling out vs Scaling up ■ Relational Databases are designed to be hosted on a single server – [It is possible to split a relational database to several servers but there are many adjustments that have to be made] – This forces scaling to be ‘up’ meaning acquiring a higher capacity/higher performance server ($$$) ■ NoSQL databases can be distributed with replicated copies – When scaling is needed, you can ‘scale out’. – Simply add more servers CSE316 : Fund of SW Development - Tony Mione, SUNY Korea - 2019 5 RDBMS Advantages ■ Good for relational data – – There is a structure to the data – Data items have set content/columns – You know how data in tables is related ■ Normalization – Eliminates Redundancy – Minimizes Space usage è Better performance ■ Use SQL ■ Data Integrity Checks ■ ACID – Atomicity, Consistency, Isolation, Durability – è Can do this with NoSQL but not built into the system