Chart-Chronology Singles and Albums

Total Page:16

File Type:pdf, Size:1020Kb

Chart-Chronology Singles and Albums www.chart-history.net vdw56 PDF-files with all chart-entries plus covers on https://chart-history.net/chart-chronologie/ THE ALAN PARSONS PROJECT First Chart-Entry:1976 Chart-Chronology Singles and Albums Germany United Kingdom From the 1950ies U S A to the current charts compiled by Volker Dörken Chart - Chronology The Top-100 Singles and Albums from Germany, the United Kingdom and the USA The Alan Parsons Project The Alan Parsons Project was a British rock band active between 1975 and 1990, whose core membership consisted of Alan Parsons and Eric Woolfson. They were accompanied by a varying number of session musicians and some relatively consistent session players. Singles 20 11 3 --- Longplay 21 13 8 4 14 B P Top 100 Top 40 Top 10 # 1 B P Top 100 Top 40 Top 10 # 1 7 6 5 2 --- 1 14 20 13 8 4 58 2 --- --- --- 24 10 5 --- --- 3 17 8 1 --- 7 11 7 2 --- Singles D G B U S A 1 (The System Of) Doctor Tarr And Professor Fether 07/1976 37 2 The Raven 10/1976 80 3 I Wouldn't Want To Be Like You ►Alan Parsons◄ 08/1977 36 4 Don't Let It Show 12/1977 92 5 What Goes Up 09/1978 87 6 Damned If I Do 09/1979 27 7 Lucifer 12/1979 8 8 The Gold Bug 11/1980 40 9 Games People Play 12/1980 16 10 Time 04/1981 15 11 Snake Eyes 10/1981 67 12 Eye In The Sky 08/1982 38 07/1982 3 13 Psychobabble 11/1982 57 14 Old And Wise 01/1983 74 15 You Don't Believe 11/1983 54 16 Don't Answer Me 04/1984 7 03/1984 58 03/1984 15 17 Prime Time 07/1984 69 05/1984 34 18 Let's Talk About Me 02/1985 32 02/1985 56 19 Days Are Numbers (The Traveller) 04/1985 71 20 Stereotomy 02/1986 82 Longplay D G B U S A 1 Tales Of Mystery And Imagination 04/1977 11 08/1976 56 05/1976 38 2 I Robot 07/1977 2 08/1977 26 07/1977 9 3 Pyramid 06/1978 3 06/1978 49 07/1978 26 4 Eve 09/1979 1 4 09/1979 74 09/1979 13 5 The Turn Of A Friendly Card 11/1980 2 11/1980 38 11/1980 13 6 Eye In The Sky 05/1982 1 3 05/1982 27 06/1982 7 7 Best Of Alan Parsons Project 11/1983 19 8 Best Of The Alan Parsons Project 11/1983 99 11/1983 53 9 Ammonia Avenue 03/1984 1 6 03/1984 24 03/1984 15 10 Vulture Culture 03/1985 1 1 02/1985 40 03/1985 46 11 Stereotomy 01/1986 15 02/1986 43 The Alan Parsons Project created: 11.08.2021 vdw56 page 1 www.chart-history.net The Alan Parsons Project 12 Gaudi 01/1987 6 02/1987 66 02/1987 57 13 The Instrumental Works 09/1988 60 14 Try Anything Once ►Alan Parsons◄ 11/1993 78 15 Live ►Alan Parsons◄ 01/1995 86 16 On Air ►Alan Parsons◄ 09/1996 61 17 Gold Collection 02/1998 49 18 The Time Machine ►Alan Parsons◄ 09/1999 29 ►The album reached the peak-position in 2021. 1999 it got only to # 98. 19 A Valid Path ►Alan Parsons◄ 09/2004 72 20 Live In Colombia ►The Alan Parsons Symphonic 06/2016 45 Project◄ 21 The Secret ►Alan Parsons◄ 05/2019 12 The Alan Parsons Project created: 11.08.2021 vdw56 page 2 www.chart-history.net Month of 1st Entry Peak+wks # 1: DE GB USSingles‐Chart‐History Regarding Singles Top 100 ‐ Entries The Alan Parsons Project 1 2 3 4 07/1976 37 10/1976 80 08/1977 36 12/1977 92 (The System Of) Doctor Tarr The Raven I Wouldn't Want To Be Like Don't Let It Show And Professor Fether You 5 6 7 8 09/1978 87 09/1979 27 12/1979 8 11/1980 40 What Goes Up Damned If I Do Lucifer The Gold Bug 9 10 11 12 12/1980 16 04/1981 15 10/1981 67 07/1982 38 3 Games People Play Time Snake Eyes Eye In The Sky 13 14 15 16 11/1982 57 01/1983 74 11/1983 54 03/1984 7 58 15 Psychobabble Old And Wise You Don't Believe Don't Answer Me Month of 1st Entry Peak+wks # 1: DE GB USSingles‐Chart‐History Regarding Singles Top 100 ‐ Entries The Alan Parsons Project 17 18 19 20 05/1984 69 34 02/1985 32 56 04/1985 71 02/1986 82 Prime Time Let's Talk About Me Days Are Numbers (The Stereotomy Traveller) Month of 1st Entry Peak+wks # 1: DE GB USAlbum‐Chart‐History Regarding Albums Top 100 ‐ Entries The Alan Parsons Project 1 2 3 4 05/1976 11 56 38 07/1977 2 26 9 06/1978 3 49 26 09/1979 1 4 74 13 Tales Of Mystery And I Robot Pyramid Eve Imagination 5 6 7 8 11/1980 2 38 13 05/1982 1 3 27 7 11/1983 19 11/1983 99 53 The Turn Of A Friendly Card Eye In The Sky Best Of Alan Parsons Project Best Of The Alan Parsons Project 9 10 11 12 03/1984 1 6 24 15 02/1985 1 1 40 46 01/1986 15 43 01/1987 6 66 57 Ammonia Avenue Vulture Culture Stereotomy Gaudi 13 14 15 16 09/1988 60 11/1993 78 01/1995 86 09/1996 61 The Instrumental Works Try Anything Once Live On Air Month of 1st Entry Peak+wks # 1: DE GB USAlbum‐Chart‐History Regarding Albums Top 100 ‐ Entries The Alan Parsons Project 17 18 19 20 02/1998 49 09/1999 29 09/2004 72 06/2016 45 Gold Collection The Time Machine A Valid Path Live In Colombia 21 05/2019 12 The Secret .
Recommended publications
  • New Mexico Daily Lobo, Volume 080, No 150, 7/14/1977." 80, 150 (1977)
    University of New Mexico UNM Digital Repository 1977 The aiD ly Lobo 1971 - 1980 7-14-1977 New Mexico Daily Lobo, Volume 080, No 150, 7/ 14/1977 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1977 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 080, No 150, 7/14/1977." 80, 150 (1977). https://digitalrepository.unm.edu/daily_lobo_1977/77 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1971 - 1980 at UNM Digital Repository. It has been accepted for inclusion in 1977 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. ..... - ..• - ... -' -·· '")".~ ~ {; fl ,.;v'l (\ ..... _.--~. ..A -. '• I ~~~ ·' f ¢'1~·. '181. : i I lAN'"'OG.\ ...V l ..... ·E·-~. .-·m~·! .l ~, ..-.~ ~~~~~ :, -- - !,'1 e-g··e· ncy '4.' •, # .. i '<;" • t ... -:·:: ., ., i ' ' .. - ,.. ..)_: '' .. '\ ··~· ~ .'{' ' ·~ ' ., ..., · ·Rldu•d·L· ~lleib«r .". , ·? '~;;a~a<lemic.cQmmunity,'' · ·· · · hospital has had s()me horrendous ,. • ·Four ._.emergency ·-medicih!=.cl9c;;.¢ ·. Th.~. ~llief complaint voiced.by ·financial·problemsin thelast-_ye$1. ,-, ..,, ~ · tors from the emer~en~ roor.rr at !:th~;· phy~icians was· the -~~~k ()f Nobody l,la$ bousht anything· new .t.•"'"" 7 ~; · · BCMC .. have ' submitted their'· eguipment and support from tbe .the the last year, incl\lding the •fl resignations effective July J. T.heir .. ho,Spital. · Marburs said that the · emers~O,fY; r~om.'' . Napolitano_ .is . <•)) · ·res•snatioQs leav~- · only· .. on" . ideal . emergency room situation the. dean··.· p( · the: ·UNM · Medical ','1 ,,' '. emersency m-edicine specialists ·at · · would· igclude· seven. or ,eislii ~hoot .
    [Show full text]
  • Mixed Media December Online Supplement | Long Island Pulse
    Mixed Media December Online Supplement | Long Island Pulse http://www.lipulse.com/blog/article/mixed-media-december-online-supp... currently 43°F and mostly cloudy on Long Island search advertise | subscribe | free issue Mixed Media December Online Supplement Published: Wednesday, December 09, 2009 U.K. Music Travelouge Get Yer Ya-Ya’s Out and Gimmie Shelter As a followup to our profile of rock photographer Ethan Russell in the November issue, we will now give a little more information on the just-released Rolling Stones projects we discussed with Russell. First up is the reissue of the Rolling Stones album Get Yer Ya-Ya’s Out!. What many consider the best live rock concert album of all time is now available from Abcko in a four-disc box set. Along with the original album there is a disc of five previously unreleased live performances and a DVD of those performances. There is a also a bonus CD of five live tracks from B.B. King and seven from Ike & Tina Turner, who were the opening acts on the tour. There is also a beautiful hardcover book with an essay by Russell, his photographs, fans’ notes and expanded liner notes, along with a lobby card-sized reproduction of the tour poster. Russell’s new book, Let It Bleed (Springboard), is now finally out and it’s a stunning visual look back on the infamous tour and the watershed Altamont concert. Russell doesn’t just provide his historic photos (which would be sufficient), but, like in his previous Dear Mr. Fantasy book, he serves as an insightful eyewitness of the greatest rock tour in history and rock music’s 60’s live Waterloo.
    [Show full text]
  • Beatles, Pink Floyd Engineer, Alan Parsons Rips Audiophiles
    Beatles, Pink Floyd Engineer, Alan Parsons Rips Audiophiles Alan Parsons, producer, musician and sound engineer of Pink Floyd's Dark Side of the Moon, says audiophiles overpay for equipment while ignoring room acoustics. In an exclusive interview with CE Pro, Alan Parsons, renowned sound engineer for Pink Floyd's Dark Side of the Moon and for the Beatles, says hi-fi pros focus too much on equipment and brand names, when they should put more energy into room acoustics. He also says some surround- sound systems “really aren’t that bad.” All this from the audio wizard behind Dark Side of the Moon, and the name sake of the Alan Parson’s Project. Parsons broke into the music industry in the late 1960s when he was hired by Abbey Road Studios to work as an assistant engineer. As an assistant engineer, Parsons’ career started at a point where most music lovers only dream of reaching - working on the last two Beatles’ albums. As a full-fledged engineer, Parsons worked on projects with Paul McCartney and the Hollies, but it was his efforts on the benchmark album Dark Side of the Moon that launched his career. Throughout the rest of the 1970s and 1980s, Parsons released several albums under the name of Alan Parsons Project (APP). The 1990s marked a shift in direction for Parsons that was highlighted by his dropping of “Project” from his band name. As he entered the 2000s, Parsons continued to release new music, which includes his first foray into the electronica genre when he released 2004’s A Valid Path.
    [Show full text]
  • Program Book Final 1-16-15.Pdf
    4 5 7 BUFFALO PHILHARMONIC ORCHESTRA TABLE OF CONTENTS | JANUARY 24 – FEBRUARY 15, 2015 BPO Board of Trustees/BPO Foundation Board of Directors 11 BPO Musician Roster 15 Happy Birthday Mozart! 17 M&T Bank Classics Series January 24 & 25 Alan Parsons Live Project 25 BPO Rocks January 30 Ben Vereen 27 BPO Pops January 31 Russian Diversion 29 M&T Bank Classics Series February 7 & 8 Steve Lippia and Sinatra 35 BPO Pops February 13 & 14 A Very Beary Valentine 39 BPO Kids February 15 Corporate Sponsorships 41 Spotlight on Sponsor 42 Meet a Musician 44 Annual Fund 47 Patron Information 57 CONTACT VoIP phone service powered by BPO Administrative Offices (716) 885-0331 Development Office (716) 885-0331 Ext. 420 BPO Administrative Fax Line (716) 885-9372 Subscription Sales Office (716) 885-9371 Box Office (716) 885-5000 Group Sales Office (716) 885-5001 Box Office Fax Line (716) 885-5064 Kleinhans Music Hall (716) 883-3560 Buffalo Philharmonic Orchestra | 499 Franklin Street, Buffalo, NY 14202 www.bpo.org | [email protected] Kleinhan's Music Hall | 3 Symphony Circle, Buffalo, NY 14201 www.kleinhansbuffalo.org 9 MESSAGE FROM BOARD CHAIR Dear Patrons, Last month witnessed an especially proud moment for the Buffalo Philharmonic Orchestra: the release of its “Built For Buffalo” CD. For several years, we’ve presented pieces commissioned by the best modern composers for our talented musicians, continuing the BPO’s tradition of contributing to classical music’s future. In 1946, the BPO made the premiere recording of the Shostakovich Leningrad Symphony. Music director Lukas Foss was also a renowned composer who regularly programmed world premieres of the works of himself and his contemporaries.
    [Show full text]
  • ALAN PARSONS Eye 2 Eye - Live in Madrid (Rock)
    ALAN PARSONS Eye 2 eye - live in madrid (Rock) Année de sortie : 2010 Nombre de pistes : 13 Durée : 68' Support : MP3 Provenance : Reçu du label Formé en 1975 par Alan PARSONS et Eric WOOLFSON, et vite rejoints par de nombreux autres musiciens de renom, les anglais d'ALAN PARSONS PROJECT ont jusqu'en 1990 (et encore maintenant !) "inondé" à satiété les ondes radiophoniques du monde entier avec leurs hits que sont les Eye In The Sky et son prologue Sirius, Don't Answer Me, Psychobabble, I Wouldn't Want To Be like You et autres Games People Play. Après une dizaine d'albums, quelques live plus ou moins "pirates", des compilations best of, l'aventure prend fin et Alan PARSONS continue seul sa carrière sous son nom (je me permets ici de vous renvoyer vers, par exemple, le site internet de BIG BANG et son dossier sur le groupe pour une bibliographie discographique riche et fouillée !). Enregistré en mai 2004 à Madrid en Espagne, Alan PARSONS (claviers, guitare acoustique et chant), ici accompagné de P.J OLSSON (guitare acoustique et chant), G. TOWNSEND (guitares et chant), S. MURPHY (batterie), J. MONTAGNA (basse) et M. FOCARAZZO (claviers), nous offrent un superbe live ou quasiment tous les hits cités ci-dessus du ALAN PARSONS PROJECT s'y trouvent enchaînés. Alan revisite une partie des albums du groupe, de I Robot (1977) à Ammonia Avenue (1984). Et pour les fans quarantenaires qui ont "marché" au son de ses hymnes dans leur jeunesse, ces 13 titres respirent le bonheur et plaquent des retours en arrière chargés d'émotions et de souvenirs pittoresques ! Souvent étiquetée Rock Progressif puis Pop Rock, la musique du groupe est à rapprocher des PINK FLOYD par exemple.
    [Show full text]
  • MUSIC PRODUCTION GUIDE Official News Guide from Yamaha & Easy Sounds for Yamaha Music Production Instruments
    MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 04|2014 SPECIAL EDITION Contents 40th Anniversary Yamaha Synthesizers 3 40 years Yamaha Synthesizers The history 4 40 years Yamaha Synthesizers Timeline 5 40th Anniversary Special Edition MOTIF XF White 23 40th Anniversary Box MOTIF XF 28 40th Anniversary discount coupons 30 40th Anniversary MX promotion plan 31 40TH 40th Anniversary app sales plan 32 ANNIVERSARY Sounds & Goodies 36 YAMAHA Imprint 41 SYNTHESIZERS 40 YEARS OF INSPIRATION YAMAHA CELEBRATES 40 YEARS IN SYNTHESIZER-DESIGN WITH BRANDNEW MOTIF XF IN A STUNNIG WHITE FINISH SARY PRE ER M V IU I M N N B A O X H T 0 4 G N I D U L C N I • FL1024M FLASH MEMORY Since 1974 Yamaha has set new benchmarks in the design of excellent synthesizers and has developed • USB FLASH MEMORY (4GB) innovative tools of creativity. The unique sounds of the legendary SY1, VL1 and DX7 have influenced a INCL. SOUND LIBRARIES: whole variety of musical styles. Yamaha‘s know-how, inspiring technique and the distinctive sounds of a - CHICK’S MARK V - CS-80 40-years-experience are featured in the new MOTIF XF series that is now available in a very stylish - ULTIMATE PIANO COLLECTION white finish. - VINTAGE SYNTHESIZER COLLECTION YAMAHASYNTHSEU YAMAHA.SYNTHESIZERS.EU YAMAHASYNTHESIZEREU EUROPE.YAMAHA.COM MUSIC PRODUCTION GUIDE 04|2014 40TH ANNIVERSARY YAMAHA SYNTHESIZERS In 1974 Yamaha produced its first portable Yamaha synthesizers and workstations were and still are analog synthesizer with the SY-1. The the first choice for professionals and amateurs in the multi- faceted music business.
    [Show full text]
  • ANSAMBL ( [email protected] ) Umelec
    ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol.
    [Show full text]
  • The Alan Parsons Project Pyramid Mp3, Flac, Wma
    The Alan Parsons Project Pyramid mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Pyramid Country: Benelux Released: 1979 Style: Art Rock, Prog Rock MP3 version RAR size: 1713 mb FLAC version RAR size: 1359 mb WMA version RAR size: 1382 mb Rating: 4.1 Votes: 187 Other Formats: ADX MP1 MP3 APE AIFF AU RA Tracklist A1 Voyager 2:24 A2 What Goes Up... 3:31 A3 The Eagle Will Rise Again 4:20 A4 One More River 4:15 A5 Can't Take It With You 5:06 B1 In The Lap Of Gods 5:27 B2 Pyramania 2:45 B3 Hyper-Gamma-Spaces 4:19 B4 Shadow Of A Lonely Man 5:34 Companies, etc. Phonographic Copyright (p) – Arista Records, Inc. Copyright (c) – Arista Records, Inc. Recorded At – Abbey Road Studios Mixed At – Abbey Road Studios Published By – Woolfsongs Ltd. Published By – Careers Music, Inc. Published By – Irving Music, Inc. Pressed By – Columbia Records Pressing Plant, Santa Maria Credits Acoustic Guitar [Acoustic Guitars] – Alan Parsons, David Paton, Ian Bairnson Arranged By [Orchestra And Choir], Conductor [Orchestra And Choir Conducted By] – Andrew Powell Bass – David Paton Chorus Master [Choirmaster] – Bob Howes* Composed By [All Songs] – Alan Parsons, Eric Woolfson Cover, Design – Hipgnosis Drums, Percussion – Stuart Elliot* Electric Guitar [Electric Guitars] – Ian Bairnson Engineer [Assistant Engineers] – Chris Blair, Pat Stapley Engineer [Engineered By] – Alan Parsons Executive-Producer – Eric Woolfson Keyboards – Duncan Mackay, Eric Woolfson Mastered By [Mastering By] – Chris Blair Photography By [Photos] – Hipgnosis , Brimson* Producer [Produced By] – Alan Parsons Vocals – Colin Blunstone, David Paton, Dean Ford, Jack Harris, John Miles, Lenny Zakatek Written-By [All Tracks] – Alan Parsons, Eric Woolfson Notes 12" X 24" insert contains lyrics, credits, and artwork with a poster on the reverse side of the full cover artwork Light blue inner sleeve with no printing.
    [Show full text]
  • “The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay By: Daniel Levitin (Guest Post)*
    “The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay by: Daniel Levitin (guest post)* Dark Side of the Moon Angst. Greed. Alienation. Questioning one's own sanity. Weird time signatures. Experimental sounds. In 1973, Pink Floyd was a somewhat known progressive rock band, but it was this, their ninth album, that catapulted them into world class rock-star status. “The Dark Side of the Moon” spent an astonishing 14 years on the “Billboard” album charts, and sold an estimated 45 million copies. It is a work of outstanding artistry, skill, and craftsmanship that is popular in its reach and experimental in its grasp. An engineering masterpiece, the album received a Grammy nomination for best engineered non-classical recording, based on beautifully captured instrumental tones and a warm, lush soundscape. Engineer Alan Parsons and Mixing Supervisor Chris Thomas, who had worked extensively with The Beatles (the LP was mastered by engineer Wally Traugott), introduced a level of sonic beauty and clarity to the album that propelled the music off of any sound system to become an all- encompassing, immersive experience. In his 1973 review, Lloyd Grossman wrote in “Rolling Stone” magazine that Pink Floyd’s members comprised “preeminent techno-rockers: four musicians with a command of electronic instruments who wield an arsenal of sound effects with authority and finesse.” The used their command to create a work that introduced several generations of listeners to art-rock and to elements of 1950s cool jazz. Some reharmonization of chords (as on “Breathe”) was inspired by Miles Davis, explained keyboardist Rick Wright.
    [Show full text]
  • NAACP Head Speaks Here
    -< SEPTEMBER 20' 1979 ISSUE 349 ........................................................................... ·.T~... -_· UNIVERSITY OF MISSOURI/SAINT LOUIS NAACP head speaks here IJDda Tate the nation' as well. son, who lie called " the greatest "There is no question in my Civil Rights president in the Benjamin Hooks, executive mind and ' from the perspective whole history of this nation." director of the National Asso­ of those of us who feel that this He brought up the fact that ' ciation for the Advancement of country has never fully lived up while much legislatioh concer­ Colored People (NAACP), spoke to its promises," Hooks said, ning civil rights was passed to about 250 UMSL students "that the last three or four during the 60's, blacks are still Tuesday. years-in fact, the last 10 struggling to attain the full Considering that the lecture years-have seen us drift back potential of this legislation. ' was held at 11am, tfle turnout into the conservative mode. Hooks went on to describe was good. Most of the seats in " It was a beautiful time for' life for blacks before the Civil J.C. Pen~ey Auditorium were Rights movement. filled as students and faculty all of the minority ,people of this nation during the late 50's .. ' .. gathered to hear one of the Born in Memphis, Tennes­ 'foremost black leaders in Ame-, Many (black) groups (and see, Hooks served as a soldier in leaders) produced a sort of new rica today. World War II and consequently feeling in the black community Hooks spoke for about 40 ' became a decorated combat minutes and answered questions of non-acceptance of traditional veteran: Despite his service to ways of life." from the au,dlence for another the country, he encountered problems in attaining a higher 20.
    [Show full text]
  • Acoustic Sounds Catalog Update
    WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet.
    [Show full text]
  • Polytram Changes Budget Import Mart Booms Scorpions Cover by FRED GOODMAN Ment of Odds and Ends from Around That His Firm Does Have American the World
    SM 14011 MMNIFIN BBO 9GREENLYMONT00 MARP6 NEWSPAPER MONTY GREENLY C3 10 37410 ELM UC Y LONG PEACH CA 90807 A B°Ilboard Publication The Internatior Newsweekly Of Music & Home Entertainment May 5, 1984 $3 (U.S.) AFTER RACK COMPLAINT DESPITE LABELS' EFFORTS Polytram Changes Budget Import Mart Booms Scorpions Cover By FRED GOODMAN ment of odds and ends from around that his firm does have American the world. customers, but that it counsels NEW YORK complaint from That attitude is apparently not -A NEW YORK -The U.S. market caution. a key rack account has led Mercury/ shared by Handleman or some of its "It's a large market," says one for imported budget, cutout and "We want to keep the U.S. compa- PolyGram to market two different customers. Mario DeFilippo, vice wholesaler who carries both domestic overstock albums is thriving. Despite nies happy," he says. "The customer covers of the Scorpions' top 10 album president of purchasing for the rack- and imported budget titles. "It basi- the efforts of the Recording Industry doesn't want to go out on a limb. But "Love At First Sting." . jobber, says that objections to album cally exists because the American Assn. of America, CBS Records and there is a whole midprice range we According to the label, Wal -Mart, cover art as well as lyrics are "a com- market is loaded with crap and the other American manufacturers to sti- supply that is not available in Ameri- a 670 -store discount chain racked by mon complaint from our customers." dual stuff is cheaper.
    [Show full text]